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2006 2022
Workshop with Alba Zari

PHOTOGRAPHY

Workshop with Alba Zari

with Alba Zari

This workshop offers participants a unique opportunity to delve into narratives through the lens of imagery and memory. Initially, they will engage with an archive of images, selecting a story from the past to dissect visually. This analytical phase sets the stage for a more personal exploration as participants transition to the next stage, where they will replace a character in the archive with themselves through self-portraiture. Central to the workshop is an interrogation of the medium of photography and the concept of the archive. Through guided discussions, participants will come to understand photography not just as a means of capturing moments but also as a form of witness to history. They will explore their roles as both collectors and editors of images, reflecting on the nuances of image production and consumption. Utilizing personal archives as a springboard for creativity and reflection, participants will gain insight into the complexities of visual storytelling. By examining images analytically and conceptually, they will develop a deeper understanding of their role in shaping narratives. Ultimately, the workshop aims to empower participants to create their own stories, fostering a deeper connection to both the past and their own identities through the powerful tool of photography.

ECAL × JEAN PAUL GAULTIER: Under Your Smell

PHOTOGRAPHY

ECAL × JEAN PAUL GAULTIER: Under Your Smell

with Milo Keller, Florence Tétier, Nicolas Coulomb, Calypso Mahieu

The exhibition Under Your Smell offers a hypnotic and immersive experience in Jean Paul Gaultier's headquarters by imagining new definitions of beauty and body expression. Under the direction of Florence Tétier and Nicolas Coulomb, 3rd year Bachelor Photography students brought to life the brand's iconic perfumes through an immersive photographic experience. In the first season, with the complicity of Claude Emmanuelle Gajan Maull, the young photographers have fluidified the iconic bottles with their gendered silhouettes — Le Mâle, Le Classique, Le Beau and La Belle — in a fresh LGBTQIA+ perspective. With this upcoming season, the project evolves around the Scandal fragrance, with the creation of still lives in which the liquid, dry and organic contrasting textures evoke the essence of the perfume, its bottle design and its complexities. Through staging, the perfumes become the backdrop for stories of transgression and fantastical projections. In addition to monumental fabric prints, giant image-cushions welcome the public to lay down and celebrate gender fluidity and the ever changing definitions of beauty and self expression.

Yann Difford – Is it a mirage or an oasis?

PHOTOGRAPHY

Yann Difford – Is it a mirage or an oasis?

by Yann Difford

“Exoticism stems from what is distant and unfamiliar, but above all from a point of view. This project questions the desire for exoticism, the way it is expressed and unfolded, in a generally unidirectional Western context; i.e. from the West to the rest of the globe. This reconsideration helps us grasp that this is not a state of affairs, but rather a process of exoticisation. I deconstruct this process by decontextualising and recontextualising exotic symbols.“

Basil Pérot – As Long as You Wait

PHOTOGRAPHY

Basil Pérot – As Long as You Wait

by Basil Pérot

This short film is about expressing our inability to come to terms with reality, especially during traumatic events. To reach this state of osmosis, we try to observe, feel, and listen as intensely as we can. This is how Pola’s character tries to grasp reality, as she slowly sinks into madness, between paranoia and identity crisis. The project appears as a transcription of Pola’s point of view and of the feelings she experiences. A book will compile Pola’s thoughts that she writes throughout the film in a burst of lucidity through which she tries to convince herself that what she is experiencing is real.

Lisa Mazenauer – Copper Tales

PHOTOGRAPHY

Lisa Mazenauer – Copper Tales

by Lisa Mazenauer

What links embodied desires with the spirals of open-pit mines? Copper Tales is an installation that addresses mining operations through the sensitive bodies that are involved in it. Based on the site of the Rio Tinto mines (Spain) crossed by an acidic river, the project connects different actors participating in the extraction of raw materials. The – archaeological, geological, human, bacterial – traces marked on the grounds are projected together in a future narrative.

Florian Hilt – New Order

PHOTOGRAPHY

Florian Hilt – New Order

by Florian Hilt

« New Order generates a series of encounters and interactions between distant elements through multiple approaches in the visual, digital and installation fields. Through these exchanges, I reveal my secret nature: my impulses, fears and dreams. By exploring them as infinite spaces with multiple levels of information, past, present and future mix to reveal new assemblages. My collection is made of contrasted fragments: web archives and smartphone pictures, ancient-looking artefacts and video games. The installation acts as a chaotic self-portrait and allows viewers to choose their own path and question themselves. By linking the elements that compose it, each experience is the result of a new order.» - Florian Hilt

Julie Corday – De taille d'une mandarine

PHOTOGRAPHY

Julie Corday – De taille d'une mandarine

by Julie Corday

« This is a physical and psychological trauma that took place in my childhood. At the age of 9, a stone the size of a tangerine hit my left eye. Today I am trying to reconnect the woman I am with the little girl who almost lost her sight 20 years ago through photography. Several surgeries and significant loss of vision gave rise to fears and anxieties of being blind or disfigured. By weaving links between my personal history, mental images and the perception of the world around me, I offer a story composed of my childhood words and visual metaphors to recount this accident.» - Julie Corday

Marvin Merkel – Kuh Vache Mucca

PHOTOGRAPHY

Marvin Merkel – Kuh Vache Mucca

by Marvin Merkel

« Kuh Vache Mucca is an installation through which I question my relationship with Swiss national identity. Having neither passport, family or roots in Switzerland, I have never identified as a Swiss national. The images and sculptures that make up this project bear witness to my attempts at reconciliation with my homeland and its national identity. These clumsy or even failed attempts offer a new approach to national identity. They make the traditions, customs, figures and monuments that every citizen has learned to praise look comical and absurd and thus question their existence. Is it still necessary and legitimate nowadays to maintain a country’s national identity?»

Samara Krähenbühl – Il est passé tout à l'heure, il m'a dit de rien dire

PHOTOGRAPHY

Samara Krähenbühl – Il est passé tout à l'heure, il m'a dit de rien dire

by Samara Krähenbühl

« At the turning point of the transition to adulthood, childhood and its memories re-emerge more than ever. Through a short film at the edge of video art, I question how to overcome one’s traumas and reappropriate one’s life experiences and grey areas. Because of its dreamlike character, the film takes on a surrealist tone. Through visual metaphors and mental imagery, I exorcise an intimate and painful episode of my childhood.»

Camille Spiller – Smooth Space

PHOTOGRAPHY

Camille Spiller – Smooth Space

with RVB Books/Matthieu Charon & Rémi Faucheux

« My work focuses on the construction of the city and addresses my own critical position within the extensive social fabric produced by the city. Inspired by Deleuze and Guattari’s “smooth space” — i.e., open, free-flowing, multidimensional — this work analyses and connects urbanisation processes in various West European cities. Fragments of prefabricated buildings, office blocks and streets aggregate chaotically. By further warping their aspect through the photographic lens their chaos is accentuated thus generating an atmosphere of doubt. Collage in post-production pushes distortion to the point of creating a conundrum between optical illusion and constructed reality.»

Ludivine Keller – Girovago sulla risacca cercandoti

PHOTOGRAPHY

Ludivine Keller – Girovago sulla risacca cercandoti

by Ludivine Keller

« Girovago sulla risacca cercandoti is the story of a dreamlike wandering experience that I went through after the loss of a loved one. This project brings together several symbols that have become obsessive for me over the last few years, developing in a back-and-forth fashion like emotional backwash. It is the result of several trips to Italy, suspended moments and life-saving free dives. Water serves as a temporal bridge to the projections created by absence and a creatura-musa guides us through this world of dreams. The publication translates the ambivalent and fluctuating sensations of this wandering, while the collage-sculptures highlights this desire to recreate amalgams to fill a void.»

Yolane Rais – Nagual

PHOTOGRAPHY

Yolane Rais – Nagual

by Yolane Rais

« Nagual is the word used by shamans to define the world of the invisible. This project is presented as a sensory installation in a mysterious and spiritual realm, an exploration at the border between the world of the living and the world of the invisible, an attempt to materialise the immaterial that seeks to show other forms of bodies. This project focuses on the sacred and on beliefs through the experience of a different type of reality. It is an introspective work where I transcribe visions that I experienced during various trips made in the presence of shamans. With the different elements I present, I aim to highlight our link to nature and the living, the goal being to show a different perspective and an alternative way to relate to the world.»

Angèle Marignac-Serra – Isula Anima

PHOTOGRAPHY

Angèle Marignac-Serra – Isula Anima

by Angèle Marignac-Serra

« As everything regenerates, I wander the island of my ancestors. This book captures my encounter with the souls of this place and the invisible realm. I am confronted with a harsh and confidential geological world. None of my close family members reside there anymore. The various protagonists constitute clues, traces bearing the three kingdoms of the living. They become my clan. I become an archaeologist of this land. Animated by ancestral vernacular beliefs, the landscapes become anthropomorphised. It is a tribute to the secret nature, to the imperceptible, in search of a face in the stone, the trees, the sky. I leave room for my imagination and fantasise modern ruins like posthumous signs. The border with death becomes more and more tangible.»

Photographic revelation

PHOTOGRAPHY

Photographic revelation

with Laurence Bonvin

Stammering This involves taking an idea, a project in progress or a project that has already been completed but not satisfactorily, and pushing it further, both from a conceptual and/or aesthetic point of view, as well as from a production point of view. To experience what can be improved in a project compared to a first realisation. Revisiting a classic. It is also about testing ideas, taking risks, pushing a process further, experimenting.

Création photographique

PHOTOGRAPHY

Création photographique

with Natacha Lesueur

The students develop a project over the whole semester, on a freely chosen subject, by submitting it regularly to the critical eye and advice of the professor. Argumentation and analysis are stimulated. The aim is to examine the issues involved in photography as an author and to develop a personal expression, which could potentially lead to the students' diploma work. Particular attention is paid to the argumentation of the work, at the different stages of its development.

Photographic installation

PHOTOGRAPHY

Photographic installation

with Marco Poloni

The Future, Inverted, or: Avoiding Stupidity Produce a visual and sound image device - moving and still images, objects, sounds and texts - that articulates a future and your model for thinking about it. This future can be possible, probable or preferred, personal or social.

Photographic Editions

PHOTOGRAPHY

Photographic Editions

with RVB Books/Matthieu Charon & Rémi Faucheux

Starting from the premise that the book constitutes both an alternative practice to the exhibition and an alternative exhibition practice - alternative exhibition practices insofar as the book and the printed word are essentially modes of visibility of art; alternative practices to the exhibition because this means of visibility is very different from what is usually called an exhibition - we consider the book to be the medium that is perfectly suited to soon-to-be-graduated photographers.

Photographie et Art plastiques

PHOTOGRAPHY

Photographie et Art plastiques

with Milo Keller

The course aims to develop a particular knowledge and sensitivity for all types of light. It invites the students to free creation, to the autonomy of elaboration and realization of a personal project.

Photographie et Art plastiques

PHOTOGRAPHY

Photographie et Art plastiques

with Natacha Lesueur

Based on projects around a common theme, the students develop a personal and in-depth work over the entire semester. The project must be developed, clarified, modified if necessary, and enriched throughout the semester, as the students conduct research, reflections, and experiments, and as they consult with the professor. During these regular consultations, the students address the various aspects related to the conception, production and realization of a photographic work...

Workshop Mårten Lange

PHOTOGRAPHY

Workshop Mårten Lange

with Mårten Lange

Failure is necessary and is part of the artistic development that is articulated by risk taking, luck, ambition, fear and freedom. The aim of the workshop was to successfully photograph, edit and sequence a series of images on the topic of failure. The final results are presented in various forms: editions, simple prints or more complex hangings and videos.

Workshop Paolo Wood

PHOTOGRAPHY

Workshop Paolo Wood

with Paolo Wood

It has been established that photography is a language. With all its limitations and peculiarities, but a language anyway. Photography is often a relatively poor language that constantly repeats the same nouns and verbs. In the documentary tradition, the range of subjects treated is quite limited and recurrent, and for this reason, in order to make photographs, one must learn and master this language: its vocabulary, its grammar and its history.

Workshop Stefanie Moshammer

PHOTOGRAPHY

Workshop Stefanie Moshammer

with Stéfanie Moshammer

« For this workshop there are no rules but I want you to tell me a story. I prefer to see a few images with a good concept, rather than too many images without any idea. » S.M With this invitation, the students worked on the territory of the city of Renens in search of places, people and traces of a history that is not simply a series of beautiful images.

The Indecisive Moment

PHOTOGRAPHY

The Indecisive Moment

with Jaya Pelupessy

At a time when the distribution of images is lightning-fast and virtually infinite, and the distinction between the original and the copy often seems irrelevant, what is left? In this workshop the students were asked to partake in an experiment dissecting and illuminating various aspects of the image and reinterpreting its meaning. Using different reproduction techniques and methods of appropriation, students reflected on the origin and status of the image.

Clara Roumégoux – Territoires du geste

PHOTOGRAPHY

Clara Roumégoux – Territoires du geste

by Clara Roumégoux

The video Territoires du geste features portraits of women of different generations living in France with a dual cultural identity. From gesture to speech, the question of transmission emerges thanks to a modest mechanism, where material and immaterial dimensions meet between stories and culinary activities. How does the gesture become a symbol of silent resistance? The kitchen stages the political elements that history reveals. From couscous to meatballs, ma’amoul and Turkish coffee, these foodstuffs of historical and cultural heritage bring us back to the resulting spiritual heritage. The movement of the hands sets the stage for the political elements that their words weave, right down to the psyche of dreams and fears.

Caroline Perrenoud – Entre-deux, il n'y a pas rien

PHOTOGRAPHY

Caroline Perrenoud – Entre-deux, il n'y a pas rien

by Caroline Perrenoud

There is a space between what we call reality and virtual reality, which by definition is unreal. In this in-between space, full of possibilities, identities are created and emancipated. Sexualities are discovered and avatars are roles that we choose to embody. These roles are manifold and represent the multiplicity of the self. Women in their plurality, dissidents, the in-between space enables us to show ourselves, to observe each other, to make ourselves powerful and claim our place and freedom. Through self-sexualisation, the monetisation of the self-image, sexual or romantic relationships, the avatars evolve seamlessly and transform. They decide, take over the space and meet in an immersive video installation.

Lara Ziörjen – No Hard Feelings

PHOTOGRAPHY

Lara Ziörjen – No Hard Feelings

by Lara Ziörjen

No Hard Feelings is a personal exploration of the world we live in. Through these images, a powerful vision of our culture emerges – who are we, how do we consume and ultimately, where are we headed? The book shows an abundant world in which fast fashion, artificial food and useless objects accumulate. An important aspect of this work is the combination of images and the work on detail, approaching an object, analysing and understanding it. It addresses the absurdity and banality of everyday life. The images were all taken with a mobile phone, an essential tool that complements my conceptual.

Steven Rüthy – Insight

PHOTOGRAPHY

Steven Rüthy – Insight

by Steven Rüthy

« Do we still see everything that happens around us ? Insight is a short film set in an architectural social housing complex in Bümpliz-Bern, which offers a unique perspective of the world as viewed by an elderly couple living in the Holenacker district on the outskirts of the Swiss capital. In this project I confront the viewer with a way of life which for us as visual artists and most likely for many others, is unimaginable. I question the spatial notion of a secure/safe space and how it is used and therefore perceived from an external point of view, my own. Insight therefore consists of stepping into the shoes of someone who has blurred vision, understanding what it is like and how it affects the way you live.»

Sofia Papaefthymiou – Το Ρόδι – The Pomegranate

PHOTOGRAPHY

Sofia Papaefthymiou – Το Ρόδι – The Pomegranate

by Sofia Papaefthymiou

« Being half-Cypriot half-Swiss, I somehow felt the need to understand my relationship to the territory, borders, exile and my shared origins. Το Ρόδι–The Pomegranate is a short film that has become a tool for exploration and deconstruction, bringing the geopolitical conflicts of my country up to the level of my own conflicts. This project is also a space where I can dream freely of other places, my own island – the reflections of my desires. Unable to reach this homeland, I try to grasp what I do not have, to reproduce the sensations that I experienced there. I collect archives, I commission images. I bring my female body, which I appropriate and re-appropriate through various representations, back to its origin, to find my place and speak up again.»

Marie Noury – Nous voir ensemble

PHOTOGRAPHY

Marie Noury – Nous voir ensemble

by Marie Noury

« What possible stories can twenty-four by six centimetres trigger? A photography that I hold dear generates a collective conversation. Nous voir ensemble takes the form of an investigation into a familiar and founding archive where words and visions meet. From this vernacular photography, voices narrate, project, and imagine. What story, memory and presence do these shots, on and off-screen, generate? How do words bring back to life a picture that has been worn out over time by the viewer’s gaze ?»

David Benito Py – Pigeons, They Make Up the Beehive

PHOTOGRAPHY

David Benito Py – Pigeons, They Make Up the Beehive

by David Benito Py

« Every city is the unique work of its inhabitants and, paradoxically, it concerns every one of them in a different way. In my opinion, in order to solve the apparent contradiction between intimacy and urbanity, the appropriation of space, both material and mental, is necessary. Only then can urban wandering be experienced as a real sensory experience. Through this installation, I invite visitors to live my personal experience of space, horizontal and vertical, contemplative and obsessive. As Jean-Christophe Bailly put it, “Each city has its own slang and has, within itself, a clandestine city that pierces it in scattered meshes whose bare thread the stroller puts back together.”»

Sarah Koeke – Can We Always Be This Close

PHOTOGRAPHY

Sarah Koeke – Can We Always Be This Close

by Sarah Koeke

« Over the past ten years, thanks to video streaming sites, K-Pop has become a global phenomenon, completely reshaping the relationship between the music industry and the image. K-pop stars, also known as idols, have become symbols of globalisation and the cultural power of South Korea and are asserting themselves as role models for many young people in the West. Can We Always Be This Close paints a complex picture of the links between image, identity, masculinity and fan culture. Through their social networks, young fans construct their identity online. The content produced seems superficial and narcissistic, but highlights essential topics such as gender normativity, social relationships or ethnic issues.»

Axelle Bruniau – Leughenaer

PHOTOGRAPHY

Axelle Bruniau – Leughenaer

by Axelle Bruniau

« Leughenaer is an autobiographical fiction about my relationship to my childhood in a particular geography and culture – Dunkirk – a city in the north of France. This film refers particularly to my non-binarity and transfemininity in a social context where carnival culture and cross-dressing are an important part of life for three months a year. The architecture of the city of Dunkirk is of particular interest to me because of the parallel I can draw with my own person. This city was 90% destroyed during World War II and was quickly rebuilt into a modern city. Deconstructing in order to reconstruct, that is how I went back to make this film.»

Antoine Martin – Via Alpina

PHOTOGRAPHY

Antoine Martin – Via Alpina

by Antoine Martin

Swiss iconography presents the mountains under two ambivalent aspects: on the one hand, a hostile and dangerous environment, and on the other hand, an environment tamed and dominated by humankind. The interesting aspect of this project is that it transposes certain characteristic images from this iconography and leads viewers to question the boundary between stereotypes and the reality in which they live. It also questions the use of mountains as an «artefact» conveyed by commercial clichés. Viewers are led to get involved physically with the image by immersing themselves in the relief of this alpine imaginary, forced to observe the paradox of its symbolic and monumental reduction through commercial imagery.

Jenna Callewaert – Her and I

PHOTOGRAPHY

Jenna Callewaert – Her and I

by Jenna Callewaert

« What do you do when you miss everything? How do you avoid being haunted by the place you left? A painful absence mixed with hope, nostalgia that associates past and future, like a paradox. Above all, this project is a quest: that of finding a part of myself in a country where I once lived, and whose only memories I had were of colours, smells and sensations. Throughout my journey, I sought to explore and confront these memories built on a form of absence. Between dismay and delight, I often asked myself the question of the integrity of these images. Were these memories real or pure fabrications of the mind? I thus designed this book with the aim of capturing a process of transformation where each image, composed of sepia, shadows and ochre, carries in its flesh the testimonies of the past and illustrates that nothing ever dies.»

Alizée Quinche – They Blossom at Night

PHOTOGRAPHY

Alizée Quinche – They Blossom at Night

by Alizée Quinche

« They Blossom at Night explores the vision of a shifting biotechnological intimacy, the opening to an altered state of consciousness towards an undefined space, a moment in time when the connection between bodies becomes fluid(s), a form of sexuality where each partner, each relationship, transforms and helps beings evolve through sharing and emancipation. Featuring an immersive video-sound installation, the project appropriates the symbolic force of procreation. It explores the materiality of non-reproductive sexuality by developing a microbiological creature that represents the transmissions of polyamorous intimacy. The work expresses the cohesion between the organicity of relationships and a form of technology that allows for different social liberations, in reference to medically assisted procreation.»

Emeline Courcier – Sous les Cendres du Mekong

PHOTOGRAPHY

Emeline Courcier – Sous les Cendres du Mekong

by Emeline Courcier

« Sous les cendres du Mekong is a film that questions the coexistence of opposed traditions and cultures, life and death, and the confrontation between history and individual stories. Against the backdrop of the health crisis and anti-Asian racism, family ties are revealed through conversations questioning my place as a Viet Kieu daughter and my lineage. Through our beliefs in reincarnation, I project myself onto a familiar yet foreign figure: my mother’s cousin, who drowned in the Mekong, creating a link between past and present, war and peace, words and silence. It is through traumatic memory and psychological heritage that the after-effects of a war from which my family escaped reach me, taking precedence in my dreams and my mind.»

Justine Willa – Where Are the Exits up There?

PHOTOGRAPHY

Justine Willa – Where Are the Exits up There?

by Justine Willa

«In the summer of 2021, Asclepios, a scientific association, organised a mission in the Swiss Alps, simulating life on a celestial body other than Earth. Confined for ten days in tunnels 450 metres below the ground, six “astronauts” transformed this hideout into an otherworldly place and modelled their daily life on the rhythm of life in space. This retro-futuristic scenario, seen in scientific circles and science fiction, questions reality, the projection of reality and the resulting image. Based on their mission, my project transcribes the fantasy of space exploration through immersion, mixing the reality of the situation with artificial images, and questions our place in the universe and our role in the future of humanity.»

Essais photographique

PHOTOGRAPHY

Essais photographique

with Matthieu Gafsou

The mere mention of the term animal already raises questions; the most general of all is the following: do we, as humans, belong to this kingdom, or have we become totally alien to it ? The aim here is not to answer such a question, but to understand that the divide between humans and non-humans is extremely strong in our society - the only one in human history that has forged such a boundary. Yet the animal is everywhere in our daily lives. There is the animal we eat, or refuse to eat, the one we domesticate, the one that lives in our - its? - environment, the one we hunt, the one we cage in zoos, the one we study, the one we protect, etc... There is now talk of the sixth mass extinction of biodiversity. This context, which is ours today, complicates our relationship with living beings and with animals in particular. We are forced to rethink our relationship with others and become aware that life is a complex network in which we do not have all the space. Moreover, recent scientific research has exploded the Cartesian theory of the animal-machine and demonstrated that we are not the only ones to have developed an interiority. During this year-long project, students were asked to produce a series that addresses one or more of the themes associated with the animal world, in the form of their choice but using reality as raw material.

Ciné-photographie

PHOTOGRAPHY

Ciné-photographie

with Marco Poloni

Projects realized by the second year class of the Bachelor of Photography, within the framework of the course Cine-photography directed by Marco Poloni during the first and second semester 2020-2021.

Accrochage Photographique

PHOTOGRAPHY

Accrochage Photographique

with Laurence Bonvin

How can we move from the two-dimensionality of the image to the multi-dimensionality of the experience ? How can we introduce notions of space, volume, tactility and sensuality into images and the way they are presented ? If images can allow us to create new links with the world, how can we possibly move away from an essentially technically based vision, a perspectivist and anthropocentric vision ? How can we imagine and represent what a representation detached from our human point of view would be ? In our culture a separation has been established between culture and nature. This dichotomy has determined the way we see, understand and represent the world around us. How can we create images of the living, of "nature" that go beyond this distinction and this point of view ? Images that contribute to recreating a link with what is nonhuman: the plant, the mineral, the animal, the cosmic. What does an animal, a plant, an object, a tree, the earth feel and perceive ?

Staged photography

PHOTOGRAPHY

Staged photography

with Milo Keller

Photographie et arts plastiques

PHOTOGRAPHY

Photographie et arts plastiques

with Natacha Lesueur

Reference to the masters of the past (even if irreverent) is a recurrent com- posant of modern and contemporary artistic approaches. (Postmodernism; Situationism, Appropriationism) Quotation, homage, parody, remake, pastiche, remix, détournement, recycling, mashup, appropriation, re-enactment, simulationism, found footage, sample, palimpsest - appropriations are numerous and touch all fields.

Earth is Already Crying

PHOTOGRAPHY

Earth is Already Crying

with Anouk Kruithof

"Earth is already crying" workshop d'une semaine avec l'artiste Anouk Kruithof.

Création cinématographique

PHOTOGRAPHY

Création cinématographique

with Clément Lambelet

Workshop 4x5

PHOTOGRAPHY

Workshop 4x5

with Benoît Jeannet

Pratique photographique

PHOTOGRAPHY

Pratique photographique

with Milo Keller

Analog Medium Format Workshop

PHOTOGRAPHY

Analog Medium Format Workshop

with Anoush Abrar

Hans Emmeneger - Fondation de l'Hermitage

PHOTOGRAPHY

Hans Emmeneger - Fondation de l'Hermitage

with Philippe Jarrigeon, Milo Keller

During the retrospective organized by the Hermitage Foundation, photography students from ECAL/École cantonale d'art de Lausanne pay tribute to this little-known artist. Without having seen his works beforehand, they explore his universe through the analysis of reproductions and some biographical elements. Throughout the semester, students delve into the mysteries of Emmenegger's work, pondering what his paintings could reveal under an X-ray scanner or how he would have used photography if given the opportunity. They employ contemporary techniques such as analog and digital photography, video, and 3D software to offer personal and poetic interpretations of his work. Their creations, presented as part of the retrospective, provide fresh perspectives on Emmenegger's oeuvre and invite viewers to discover this mysterious artist through the eyes of ECAL students. Exhibition at the Fondation de l'Hermitage, Lausanne June 25 to October 31, 2021

Carhartt WIP × ECAL

PHOTOGRAPHY

Carhartt WIP × ECAL

with Nicolas Poillot, Milo Keller

Earlier this year, Carhartt WIP (for Work in Progress) teamed up with ECAL, inviting Bachelor Photography students to interpret in their own way some of the emblematic pieces of the American clothing brand, which develops its own collections from the original Carhartt work clothes. The students, led by art director Nicolas Poillot, produced an editorial report, which was included in the latest issue of "WIP Magazine" published by Carhartt WIP and some of whose images will be exhibited at the ECAL on the occasion of the launch of this book.

Pratiques et technologies photographiques

PHOTOGRAPHY

Pratiques et technologies photographiques

with Jonas Marguet

Filter