TYPE DESIGN
Rasa
with Marie Lusa
Rasa is a modular stencil typeface designed by Mac Wang. It consists of two masters, Roman and Alien, with the possibility of complementing each other by overlaying them. Semester project mentored by Marie Lusa.
TYPE DESIGN
Wallace
with Kai Bernau
Wallace is a semester project by Gabriela Jaime and Pauline Heppeler, developed during the course “Tools Make Shapes”, led by Kai Bernau. “We worked with the metaphor of dancing and how our body behaves when it moves. This led to experimentation with two types of mechanisms; the first prototype followed the scissors logic, while the later one (and final) followed the compass logic. This typology of object allowed us to translate dance movements like spin and pivot, drag and drag across (sliding along the floor) onto an open typographical stroke and structure. It was important for us to show the coordination and movement of two that becomes one – hence we chose to maintain the final output as an open stroke typeface.”
INDUSTRIAL DESIGN
Summer University Finland — ECAL toys with ARTEK
with Stephane Halmai-Voisard, Julie Richoz
Teaming up with iconic Finnish furniture company Artek, Bachelor Industrial Design students, under the guidance of designer Julie Richoz, present a collection of playful objects for children made from salvaged b-quality, rejected and half- finished materials and offcuts. Staying true to the spirit of Artek and its founders, the products promote conscious manufacturing and seek to highlight the natural materials that have gone into producing these designs.
PHOTOGRAPHY
Self-Initiated Project - Fall 2022 - MAP2
by Gina Bolle, Mattia Dagani Rio, Benjamin Freedman, Aniket Godbole, Moritz Jekat, Amandine Kuhlmann, Gabriela Marciniak, Fumi Omori, Carla Rossi, Luísa Tormenta, Mykolas Valantinas, Yuji Wang, Yumo Wu
The second-year students worked on projects that they themselves had initiated, under the direction of Elisa Medde.
FILM STUDIES
Documentary film workshop with Guillaume Brac
with Guillaume Brac
The 2022 documentary workshop was lead by Guillaume Brac. In partnership with the Lausanne Sport!
PHOTOGRAPHY
Photobook - Fall 2022
with Bruno Ceschel
The photobook module introduces students to the history of photobooks and artists’ books and leads them to consider different strategies and approaches to contemporary book-making. In the first term students individually conceptualised a publication that have been designed, printed and distributed.
PRODUCT DESIGN
ECAL x On 2040
with Christophe Guberan
Master Product Design students from ECAL/University of Art and Design Lausanne have created, in collaboration with Swiss brand On Running, shoe soles of the future. Under the guidance of Christophe Guberan, guest designer of MA Product Design and support of Thilo Alex Brunner, head of design at On, students explored within the context of the year 2040, concept shoe soles. The outcomes range from exploring the use of new materials and processes, to reinterpreting and re-contextualising common place aspects of todays world, all with a focus on future performance. A select number of the designs were developed into elaborate prototypes and exhibited at On’s new headquarters in Zurich in collaboration with works from other ECAL MA’s photography and Type Design.
PHOTOGRAPHY
self-Initiated Project - Fall 2022 - MAP1
with Milo Keller
This module assists the students to develop into a finalized work a project that further expands their interests and research. The module gives the opportunity to take some of the ideas, skills and themes explores in the first semester and make into a brand new work that can take any possible form: a book, an installation, an online project, a performance.
PHOTOGRAPHY
Applied Photography - Spring 2023 - MAP1
with Cactus Digitale
The Applied Photography course will look into the concept of photorealism in all its means. Cactus Magazine has always worked on new visual languages through all sorts of techniques; classic photography, graphic design, video, CGI, VR, Sound design. The only feature that has always guided this research was to seek for a photorealistic result that could ensure a sophisticated and luxurious feeling to the final outcome. In the past 4 years Cactus Magazine has been exploring the CGI technique and always tried to emulate the classic photographic style applied in the 3D realm. This had been done by the means of lights, textures, modeling and also camera techniques. After doing a lot of CGI work we got interested in merging the IRL world in a seamless way with the CGI world. Using XR techniques or VFX. But always looking to have a perfect photorealistic result. With the emergence of Ai powered software for image generating, creating HD images of almost everything seems to be everyone’s finger tip. Nowadays people consume more CGI imagery than IRL imagery, just think of Instagram filters.
DESIGN FOR LUXURY & CRAFTSMANSHIP
Partnerships with Mec-Art
with Nicolas Le Moigne
Within the framework of the partnership between ECAL/University of Art & Design Lausanne and Mec-Art (Pour la Mécanique d'Art), the students of the Master in Design for Luxury & Craftsmanship had the opportunity to visit the manufactures and meet the artisans based in the town of Sainte-Croix. This region of the Franco-Swiss Jura arc gathers a great deal of know-how in watchmaking and art mechanics and is now part of UNESCO's Intangible Cultural Heritage. These visits and encounters should enable the students of the ECAL program to create simple and fun mechanical parts that will illustrate the various skills specific to the region, such as automatons, music boxes or watchmaking.
DESIGN FOR LUXURY & CRAFTSMANSHIP
Partnership with the FHH
with Nicolas Le Moigne
For many years, the ECAL and the FHH (Fondation de la Haute Horlogerie) have worked together regularly on activities or projects related to the watchmaking world: - Annual visits to the Watches & Wonders watch fair in Geneva; - Participation of the students in a workshop (assembling and reassembling each component of the mechanical movement of a watch); - Collaboration on exhibition projects; - Collaboration on research projects (publications, ...).
DESIGN FOR LUXURY & CRAFTSMANSHIP
Diploma jury 2022
Jury : Céline Vogt, Head of Education, Michelangelo Foundation, Geneva Chiara Anelli, Communication Director, Hermès Switzerland, Geneva Philippe Malouin, Designer, London Prix De Bethune : Camille Dutoit
GRAPHIC DESIGN
Visual identity
with Atlas Studio
GRAPHIC DESIGN
Type specimen
with Aurèle Sack
Type design displayed on a specimen.
GRAPHIC DESIGN
Type Specimen
with Robert Huber
Type design displayed on a specimen.
GRAPHIC DESIGN
Visual Identity
with Atlas Studio
GRAPHIC DESIGN
Design Editorial S4 2022
with Diego Bontognali
GRAPHIC DESIGN
Information Design
with Angelo Benedetto
For the information design course the students have been asked to design a cartographic poster based on a film in the road movie genre, in a direct or abstract representation.
GRAPHIC DESIGN
Image creation
with Guy Meldem
Reinterpretation of an existing book.
INDUSTRIAL DESIGN
Hands On
with Adrien Rovero
The 1st year BA Industrial Design was invited by the Museum für Gestaltung in Zurich to design wooden toys that were exhibited as part of the retrospective exhibition 'Willy Guhl: thinking with your hands'.
INDUSTRIAL DESIGN
Molds
with Elric Petit
The aim of this project was to approach industrial casting techniques through a playful, experimental laboratory. The students produced objects in plaster, which did not necessarily have to have a function. However, they must be technically interesting, i.e. their molds must be simple to produce, and the molded parts must feature singular characteristics inherent in the molding process. The molds (free materials), together with the plaster castings, were shown for evaluation in the form of a group exhibition.
MEDIA & INTERACTION DESIGN
Get Out
with Mario Von Rickenbach
Video game made by Marius Parisod during the first year Interactive Graphics course.
MEDIA & INTERACTION DESIGN
Matches
with Mario Von Rickenbach
Video game made by Viktor Gagné, Charlotte Pralong and Julie Turin during the first year Interactive Graphics course.
MEDIA & INTERACTION DESIGN
EVA - Dynamic Identity
with Angelo Benedetto
Dynamic identity for the fictional art space EVA (Espace Veveysan d'Architecture) proposed by Odran Jobin as part of the Dynamic Display course led by Angelo Benedetto.
MEDIA & INTERACTION DESIGN
GRAM - Dynamic Identity
with Angelo Benedetto
Dynamic identity for the fictional art space GRAM (Galerie Romande d'Art Moderne) proposed by Viktor Gagné as part of the Dynamic Display course led by Angelo Benedetto.
MEDIA & INTERACTION DESIGN
CNAE - Dynamic Identity
with Angelo Benedetto
Dynamic identity for the fictional art space CNAE (Centre Neuchâtelois d'Arts Expérimentaux) proposed by Gary Sandoz as part of the Dynamic Display course led by Angelo Benedetto.
PRODUCT DESIGN
Ecal×Yamaha Sound Machines
with Camille Blin
Master Product Design students from ECAL/University of Art and Design Lausanne have created, in collaboration with Japanese brand Yamaha and its Design Laboratory, new types of music players in order to meet new requirements related to listening to music. Under the guidance of Camille Blin, Head of the project, the students first investigated and documented different contemporary processes and ways of listening to music, specifically through photographs and videos. The aim was to create a cartography of these practises. In a second step, they transcribed and applied these findings to new music playback devices – relevance and innovation being essential in this phase of the project. Finally, with the help of specialists from the Yamaha Design Laboratory based in Hamamatsu (Japan) and Los Angeles (USA), they developed the formal and technical qualities of their initial concepts into prototypes. Six projects were finalised, with great attention to details and materials, which are now presented thanks to a scenography by Anthony Guex. Hence, the exhibition features a music player that offers musicians a new way to practise their instruments using artificial intelligence; an installation that responds to the growing demand for live concerts at home by using a combination of sound and light to mimic a real concert environment; ASMR instruments that offer listeners a soothing moment by playing the sounds of relaxing movements; a home speaker that allows for a smoother transition between the different music players commonly used in the home; a player that offers an unexpected experience by displaying the rotation of a vinyl record vertically on a pedestal, and a speaker that allows people to listen to their music using their favourite objects as a trigger.
INDUSTRIAL DESIGN
Camp Tilsammans
with Adrien Rovero
Third-year BA students have been invited by architects Spacon & X, in collaboration with IKEA, to design a shelter for an event in Helsingborg, Sweden. The shelter is part of the Tillsammans ("All Together") camp. The goal was to design a micro-architecture that addresses current concerns, fosters social interaction, and provides a unique living experience.
MEDIA & INTERACTION DESIGN
Alter Ego
with Gaël Hugo, Pauline Saglio
Realized in collaboration with Musée de la Main UNIL-CHUV, Lausanne for the exhibition « Intelligence Artificielle. Nos reflets dans la machine ». By revisiting the shape of the mirror, “Alter Ego” questions the notion of digital reflection. It highlights, in a playful way, image analysis by artificial intelligence. Project lead: Pauline Saglio, Gaël Hugo Development and finalization of projects: Sébastien Matos, Paul Lëon
FILM STUDIES
Jury Réseau Cinéma CH
Participation of Master Cinema students Léa Célestine Bernasconi and Leopold Helbich Frey in the Jury of the Réseau Cinéma CH during the 35th edition of the Fribourg International Film Festival (FIFF)
INDUSTRIAL DESIGN
Figure Libre
with Elric Petit
Within the project "Figure libre," students are provided with the opportunity to express themselves on a subject of their choosing. The project encourages the incorporation of personal research, or thesis and to select a field aligning with their desired career paths post-studies, be it in furniture, mobility, connected objects, or any other area.
INDUSTRIAL DESIGN
DNA
with Wieki Somers
Second year BA Industrial Design students had to formulate their own brief instead of getting one from their teachers. In the project's introduction, they were assigned the task of introspectively mapping their own design DNA by contemplating the question: What defines my essence as a designer? They introduced a clear brief related to their own fascinations and relevant topics in the field of design and in the time we live in. Then thes students developed a concept for a product from an original idea and artistic vision. The results are expressed in the form of products, pieces of furnitures, accessories, proposing a new vision and a new way of producing. The areas of interest are diverse, spacing from open-source projects to process fascination.
PHOTOGRAPHY
Photographic revelation
with Laurence Bonvin
Stammering This involves taking an idea, a project in progress or a project that has already been completed but not satisfactorily, and pushing it further, both from a conceptual and/or aesthetic point of view, as well as from a production point of view. To experience what can be improved in a project compared to a first realisation. Revisiting a classic. It is also about testing ideas, taking risks, pushing a process further, experimenting.
PHOTOGRAPHY
Photographic Editions
with RVB Books/Matthieu Charon & Rémi Faucheux
Starting from the premise that the book constitutes both an alternative practice to the exhibition and an alternative exhibition practice - alternative exhibition practices insofar as the book and the printed word are essentially modes of visibility of art; alternative practices to the exhibition because this means of visibility is very different from what is usually called an exhibition - we consider the book to be the medium that is perfectly suited to soon-to-be-graduated photographers.
PHOTOGRAPHY
Photographic installation
with Marco Poloni
The Future, Inverted, or: Avoiding Stupidity Produce a visual and sound image device - moving and still images, objects, sounds and texts - that articulates a future and your model for thinking about it. This future can be possible, probable or preferred, personal or social.
PHOTOGRAPHY
Création photographique
with Natacha Lesueur
The students develop a project over the whole semester, on a freely chosen subject, by submitting it regularly to the critical eye and advice of the professor. Argumentation and analysis are stimulated. The aim is to examine the issues involved in photography as an author and to develop a personal expression, which could potentially lead to the students' diploma work. Particular attention is paid to the argumentation of the work, at the different stages of its development.
PHOTOGRAPHY
Photographie et Art plastiques
with Natacha Lesueur
Based on projects around a common theme, the students develop a personal and in-depth work over the entire semester. The project must be developed, clarified, modified if necessary, and enriched throughout the semester, as the students conduct research, reflections, and experiments, and as they consult with the professor. During these regular consultations, the students address the various aspects related to the conception, production and realization of a photographic work...
PHOTOGRAPHY
Photographie et Art plastiques
with Milo Keller
The course aims to develop a particular knowledge and sensitivity for all types of light. It invites the students to free creation, to the autonomy of elaboration and realization of a personal project.
FINE ARTS
Evaluations 3AV 2022
by Roxane Christinet, Salomé Engel, Maria Esteves, Assadour Matthey, Léonard Vazquez Vila, Flavio Visalli
MEDIA & INTERACTION DESIGN
BLAME
with Patrick Keller
Semester project produced by Alexandre Gambarini during 3D graphic course given by Patrick Keller to first year Media & Interaction Design students.
GRAPHIC DESIGN
Communication of an architecture
with Nicole Udry
Create a communication of a chosen building (a school, a religious space, an office building, a theater, etc.). Second year course of graphic design in context, centered on image creation and editorial design.
GRAPHIC DESIGN
Type specimen
with Aurèle Sack
MEDIA & INTERACTION DESIGN
Genèse
with Patrick Keller
Semester project produced by Odran Jobin during 3D graphic course given by Patrick Keller to first year Media & Interaction Design students.
MEDIA & INTERACTION DESIGN
Plugged in
with Patrick Keller
Semester project produced by Mélanie Martin during 3D graphic course given by Patrick Keller to first year Media & Interaction Design students.
MEDIA & INTERACTION DESIGN
Chimère
with Patrick Keller
Semester project produced by Emma Grosu during 3D graphic course given by Patrick Keller to first year Media & Interaction Design students.
MEDIA & INTERACTION DESIGN
IMMERSION
with Patrick Keller
Semester project produced by Théo Déchanez during 3D graphic course given by Patrick Keller to first year Media & Interaction Design students.
MEDIA & INTERACTION DESIGN
From Within
with Patrick Keller
Semester project produced by Viktor Gagné during 3D graphic course given by Patrick Keller to first year Media & Interaction Design students.
MEDIA & INTERACTION DESIGN
Somnium
with Patrick Keller
Semester project produced by Gary Sandoz during 3D graphic course given by Patrick Keller to first year Media & Interaction Design students.
MEDIA & INTERACTION DESIGN
VR Sequences 2022
with Sami Benhadj
VR Music Video projects created by second-year students in the Bachelor of Media & Interaction Design program.
GRAPHIC DESIGN
Heart break
with Gilles Gavillet & Jonathan Hares