Collaboration with Reuge – 2016

Collaboration with Reuge – 2016

On the occasion of Baselworld from 17th to 24 March 2016, ECAL and Reuge present four music boxes realised by students of the MAS Design for Luxury & Craftsmanship.

Collaboration (2016) by Clément Beaugé, Elinat Kirschner, Jungyou Choi, Pauline Masson

MEDITATION

Clément Beaugé
This project is a new interpretation of what a music box can do. Inspired by the idea of using your senses, this is a piece that you can enjoy visually, you can feel, you can smell and of course, you can listen to. The magical music, the candle sent with its delicate light will transport you into world of relaxation. It won’t be long before your new music box becomes your favorite ritual for relaxing at home. This music box is simple and elegantwith a pleasant surprise, the mechanical movement makes the candle turn. The candle platform isdirectly attached to the spring-housing, so when the movement starts you can see the candle turn around the music box. Approximately 8 to 9 turns when the movement is fully charged.

HARMONY

Einat Kirschner
This music box is inspired by contemporary design. At first glance the music box appears to be a modern speaker or portable radio. This look allows the piece to easily fit the modern style that speaks to a younger audience while still enjoying the soothing traditional sound of a music box. The design was created using the traditional music box materials but with a new interpretation of the design. The key, which becomes a main element in the design, takes its shape from the modern collection of Reuge music boxes and the volume button of radios and speakers. This music box can be both hung on a wall or stationed on a table. With this new design we give you the possibility of having a unique music box that can be very easily moved from your living to your bedroom or the bathroom, ... The perforated pattern on the box allows the music to come through and highlights the key that turns slowly while the music is playing.

DISCOVER

Jungyou Choi
A surprising piece that opens in an original way. Often our music boxes are closed and the movement inside isn't’ easily seen or, sometimes its not even possible to see the movement at all! With this original opening concept we wanted to show more of the beautiful movement and allow the costumer to have a playful music box. There are two metal pieces that cover the movement and protect it. These covers slide in one direction from the front to the back or in the opposite direction. Just slide the first or second cover or both and discover a beautiful golden-colored 36 note musical movement. The graphics on the first cover, made with holes, allows you to see the second cover and creates a dynamic object with an overlay of colours and materials.

ALPHORN

Pauline Masson
Limited edition of 10 pieces signed by the Swiss craftsman. What could be more natural then for a Swiss company with over 150 years of experience to be inspired by an iconic Swiss instrument, the Alphorn. This music boxis a reinterpretation of the traditional Alphorn which is a symbolic object of Switzerland and the Swiss craftsmanship. The box is made from a very rare wood, the exceptional resonance spruce.This wood which is over 200 years old is the fundamental type of wood chosen by stringed instrument makers. It combines lightness, ensuring an excellent response to vibrations, with rigidity and tonicity guaranteeing substantial mechanical resistance. It originates from the Risoud Forest, (located right next to our factory) one of the largest and oldest in Europe. Even in the age of Stradivarius, specialists sourced tone wood from this forest which, thanks to its poor soil and its harsh climate, produces wood of exceptional quality. Be surprised by the amazing sound of this special music box, made by the magical alliance of this unique wood and our mechanical musical movement.

MEDITATION by ECAL/Clément Beaugé Image ECAL/Younès Klouche
MEDITATION by ECAL/Clément Beauté Image ECAL/Younès Klouche

1/2

ECAL_Einat.Kirschner_Reuge©ECAL_Younes.Klouche.jpg
HARMONY by ECAL/Einat Kirschner Image ECAL/Younès Klouche
ECAL_Jungyou.Choi_Reuge©ECAL_Younes.Klouche.jpg
DISCOVER by ECAL/Jungyou Choi Image ECAL/Younès Klouche
ECAL_Pauline.Masson_Reuge©ECAL_Younes.Klouche.jpg
ALPHORN by ECAL/Pauline Masson Image ECAL/Younès Klouche

Projets similaires

Aina Wang – Once Gold

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Aina Wang – Once Gold

by Aina Wang

In the 19th century, Prussian citizens gave up their gold to support the war, receiving cast-iron jewellery engraved ‘Gold gab ich für Eisen’ - ‘I gave gold for iron’. Berlin iron, an alloy of iron and carbon, covered in a layer of patinated black lacquer, was born of a moment when personal sacrifice became collective identity. This project revives that gesture by concealing the gold at the heart of the iron, like a buried memory. Inspired by military insignia and Gothic geometry, the piece evokes reverence and loss. Designed for movement, it transforms into ten forms, from brooch to pendant to belt, linking the ritual of the past with the wear and tear of the present.

Arnaud Tantet – : To a Glacier

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Arnaud Tantet – : To a Glacier

by Arnaud Tantet

Global warming is transforming the landscapes around us. The melting of the ice is intensifying, affecting the thousand-year-old glaciers of Europe. The aim of this project, : To a Glacier, is to use design to bear witness to the Mont Blanc glacier. This work is based around holistic field research, in the form of objects, photos, brochures and sounds directly inspired by these disappearing giants. Developed in collaboration with glass artisans at the CIAV (Centre International d'Art Verrier, in Meisenthal), the results of this project have included a number of experiments in glass, using moulds made from different materials.

Bom Noh – Plastic Love

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Bom Noh – Plastic Love

by Bom Noh

Plastic Love reinterprets the sculptural gestures of the Murano chandelier—a historical icon of luxury—to question how we define craftsmanship and value in contemporary context. Combining digital tools with the trace of the hand, the work emphasises the irregularities and physical presence that resist automation. Plastic, long associated with mass production and ecological harm, is reframed not as a cheap substitute but as a site of embodied labour and material critique. Through repetition, imperfection, and time, it gains a new kind of beauty. By deliberately choosing a material often dismissed, the project unsettles inherited hierarchies and challenges our assumptions about refinement—demonstrating how design can function not as a solution, but as a question.

Coline Schenck – Les formes de l’inconscient

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Coline Schenck – Les formes de l’inconscient

by Coline Schenck

Glazed earthenware pieces, intended for tableware and daily use, are developed through a process combining mental well-being and sensory design. Studies in neuroscience and neuroaesthetics are analyzed to identify shapes, colors, and textures that promote calm. This data is first translated visually into pastel compositions, then transformed into volumes adapted to the function of each object. The graphic composition seeks to visually stimulate while minimizing cognitive load, while the volume invites attentive tactile exploration. In a daily environment marked by sensory overload, these objects aim to reintroduce calm by turning the ordinary into a soothing refuge.

Emilie Heger – Typology of the Cut

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Emilie Heger – Typology of the Cut

by Emilie Heger

The aim of this research project is to bring together the earliest tools from the Palaeolithic era with contemporary gemstone cutting. While flint tools were essential to the survival of early humans, the techniques and gestures involved in stone-cutting have evolved into a particularly refined art, a symbol of wealth and power. Today, the only purpose of working precious stones, perfected by modern tools and technologies, is to maginify the reflection of light in order to produce aesthetic artefacts that are freed from their function. Typology of the Cut is a curatorial project that explores the duality between function and expression in relation to stone-cutting.

Related courses