FINE ARTS
Evaluations 3AV
Learning Objectives
First year
1/5
- Acquire the basics of transmission by medium (photography, painting, sculpture, drawing, engraving and publishing, video, sound, performance, music, film, multimedia, etc.) and encourage the questioning of these different media.
- Experiment with the different tools and artistic approaches available to define your own methodology of artistic work (lecture and workshop practice).
- Acquire background knowledge via courses in theory, history and methodology, and learn the basics of criticism by calling on a variety of tools (Contemporary History, History of Ideas and Art, Sound Studies, Cultural Studies, Anthropology, Philosophy). Reflect on your work with regard to various historical forms and alternative learning methods.
- Consider drawing as a work or as a medium for work, test different methods of printing and of multiplying and disseminating images or forms.
- Test concepts and forms by crossing historical and conceptual knowledge, and test staging and hanging formats for your work.
- Develop your personal practice in the studio, taking advantage of the many regular or occasional invitations from visiting artists (studio visits) to obtain a variety of points of view on your own work.
- Take part in weeks of workshops supervised by artists from various fields (performers, painters, musicians, poets, writers, etc.) with the aim of carrying out collective projects (a mix of 1st, 2nd and 3rd year classes) and/or personal projects.
1/3
- Continue your personal research and practice and experiment with exhibition models, under the eye of regular and visiting teachers.
- Enhance your relationship with artistic forms and concepts by varying formats (seminars, workshops, collective work, etc.) and multiplying perspectives.
- Benefit from studio visits and interviews with speakers to hear a variety of points of view on your personal work.
- Understand exhibitions as a complex object that includes the production of works, group discussions and the definition of spaces, communication, hanging and public display, individually and in groups of various formats.
- Enhance your knowledge through courses and seminars in Critical Theory, History of Art and Ideas, and Philosophy that call upon a variety of knowledge and critical fields.
- Learn to make connections in a constellation of past and future artists and forms starting from specific objects, namely music and sound on recorded media (Sound).
- Start writing and thinking about literary publication in various formats (book, performance, sound poetry, posters, etc.) and start research for the BA dissertation.
- Take part in weeks of workshops supervised by practitioners from all over the world with the aim of carrying out collective (a mix of 1st, 2nd and 3rd year classes) and/or personal projects.
1/3
- Refine your choices and positions based on the different methodologies and techniques tested during the course.
- Multiply different perspectives and levels of criticism by writing about your own work and that of others.
- Benefit from studio visits and interviews with the artists and curators involved to vary the points of view on your own work and to learn to network and talk about your work.
- Continue to develop your personal practice and reflect on your work independently.
- Broaden your knowledge with theory and methodology courses and write a dissertation as a tool to critically support your work or as an autonomous publication.
- Test a variety of exhibition models and perfect your artistic language.
- Take part in weeksof workshops supervised by practitioners from all over the world with the aim of carrying out collective projects (mix of 1st, 2nd and 3rd year classes) and/or personal projects.
- Complete your studies with a graduation work and a portfolio, which will help you meet actors in art worlds and integrate these varied worlds according to chosen rather than imposed conditions, or continue your studies on an MA course.
