Presentation

Switzerland is a privileged country in terms of know-how in the field of luxury and craftsmanship. Building on this tradition, this Master of Advanced Studies is for the holders of a Bachelor or Master’s degree wishing to further their knowledge in industrial design and investigate sectors of excellence as diverse as fine watchmaking, tableware or specific techniques using noble materials.

Through collaborations with prestigious brands (some with century-old heritage) and workshops provided by designers of the international scene, students experiment all production stages: from designing an object to its completion, via 3D rendering models or photography. They also have the benefit of brand identity analyses and conferences delivered by experts in the field, as well as tours of luxury goods manufacturers. Many projects are singled out by partner companies to be produced, exhibited and published in the international press.

After one year at ECAL, the students are able to submit a varied portfolio to the highest professional standards. Highly sought after by international agencies and world-leading companies, they also often have the opportunity of simultaneously establishing their own business. Graduates are frequently offered internship opportunities right at the end of their curriculum – often leading to steady employment.

Since the beginning of 2018, students from this programme have been benefiting from a partnership with IMD Lausanne Business School, a world leader in its field; this partnership is allowing them to learn about what is at stake when launching a brand and starting a business.

Language

English

Qualification issued

Master of Advanced Studies HES-SO in Design for Luxury and Craftsmanship

Yearly fees (materials included)

Fees detail

Length

2 semesters

Credits

60 ECTS

Useful links

Admissions Contact

Equipments & infrastructures

Open Space MAS Luxe Prototype Workshop CAO/FAO Materials Library

Learning Objectives

Collaboration avec La Prairie – Visite à Gstaad
Workshop avec Matteo Gonet
Cours à l'IMD Business School, Lausanne
Collaboration avec La Prairie et Sabine Marcelis

1/5

  • Develop professional knowledge through collaborative projects in partnership with brands from the world of luxury.
  • Travel in Switzerland and abroad to visit factories and meet professionals specialised in the different luxury sectors.
  • Develop a personal project to define future professional prospects.
  • Work on projects supervised by practitioners from all over the world with the aim of carrying out collective or personal projects.
  • Work closely with brand managers until the launch of the selected projects (production, international exhibitions, publications, etc.).
  • Create a link with certain brands beyond graduation and build a reinforced professional network.
  • Benefit from specific practical courses: Introduction to Fine Watchmaking (in partnership with the Fondation de la Haute Horlogerie), Introduction to Art Mechanics (in partnership with FEMA), Sewing courses, Studio Photography courses, Graphic Design courses (InDesign), 3D courses (Rhino, Solidworks and Keyshot), 3D Animation courses (Cinema 4D), as well as other practical courses relating to the needs of the projects.
  • Improve your skills through theory courses: Foundation of Business (in partnership with the IMD Business School), Intellectual Property courses, as well as other practical courses relating to the needs of projects

Projects

This section contains a selection of emblematic or recent projects related to the disciplines taught in the Master's degree.
See all projects

Collaborations

Watches and Wonders Geneva 2024 ECAL x Alloyed

DESIGN FOR LUXURY & CRAFTSMANSHIP

Watches and Wonders Geneva 2024 ECAL x Alloyed

with Nicolas Le Moigne, Alexis Georgacopoulos, Xavier Perrenoud, Basil Dénéréaz

For the Watches and Wonders Geneva 2024 trade show, ECAL/University of Art and DesignLausanne has teamed up with Alloyed, a company that specialises in metal printingtechnologies, to present an original collection of watch straps. Designed by students in theMaster of Advanced Studies in Design for Luxury and Craftsmanship programme, thesewristbands have been developed using 3D modelling software, resulting in unique pieces thatgo beyond the limits of traditional techniques. Five of the 15 concepts designed by the students were selected and 3D printed from a finepowder of TI6AI4V titanium—an alloy composed of titanium, aluminium, and vanadium—whosemelting point of around 1,600° Celsius is obtained using a laser beam. Regularly used in theaerospace, and medical industries, this printing technique, known as Laser Powder BedFusion (L-PBF), can be used to create objects with ultra-high-performance mechanicalproperties. Each project, presented in the form of a prototype or animation, finds its inspiration in thebeauty of nature, through organic structures, as much as in complex systems, closer toengineering. This collaboration brings together technology, craftsmanship, and design—withlinks to the world of fine watchmaking—by combining the expertise of engineers specialising inthe science of materials, the know-how of artisan jewellers and their finishing skills, and thecreativity and innovative spirit of up-and-coming designers.

COLLABORATION AVEC DEDON 2023

DESIGN FOR LUXURY & CRAFTSMANSHIP

COLLABORATION AVEC DEDON 2023

with Alexis Tourron (Panter&Tourron), Stefano Panterotto (Panter&Tourron)

DEDON by Nature: Object 3 DEDON Studio partnered with ECAL for the second year to showcase "DEDON by Nature: Object 3." This exhibition features three collections of living accessories created by students from the Master of Advanced Studies in Design for Luxury and Craftsmanship. Under designers Panter&Tourron's guidance, students kick-started the project with a visit to DEDON's Philippine manufacturer, immersing themselves in DEDON's unique Fiber and weaving processes. The creations that were conceived, designed, and crafted over an eight-month period, demonstrate imaginative prowess that reflects both the talent of the students and the enduring fascination that nature holds for us all.

Hermès WINDOW DISPLAY IN GENEVA

DESIGN FOR LUXURY & CRAFTSMANSHIP

Hermès WINDOW DISPLAY IN GENEVA

by Nathanaël Baby, Luca Nichetto, Nicolas Le Moigne, Xavier Perrenoud

The Hermès Printing Company Inspired by the aesthetics of rotary printing presses, this project allows passers-by to immerse themselves in a graphic and artistic universe. Through the ten windows of the store, “L’Imprimerie Hermès” is a reinterpretation of the main stages of printing: everything starts with rolls of paper, which are then deployed in large strips, until they become posters. The paper, in all its forms, is printed along its length by repeating the story of a letter published in six different languages (French, English, Italian, German, Chinese and Japanese) by the magazine Le Monde d'Hermès. A layout specially created for this project incorporates large areas of color in order to frame and highlight the accessories from the different Hermès universes. They thus seem to come to life and become part of the story.

Hermès Window display in Zürich

DESIGN FOR LUXURY & CRAFTSMANSHIP

Hermès Window display in Zürich

by Charitini Gkritzali, Xavier Perrenoud, Nicolas Le Moigne, Luca Nichetto

The Astonishing Moment of Life Inspired by the Surrealist movement and the desire to find magic and wonder in the familiar and everyday life, this project features shapes and emblematic Hermès accessories that interact to form two subtly choreographed installations. These two window displays, imagined by Greek designer Charitini Gkritzali, a student in the Master of Advanced Studies in Design for Luxury and Craftsmanship at ECAL/University of Art and Design Lausanne, are an interpretation of Hermès' 2023 annual theme, “Astonishment”, offering a moment that oscillates between reality and dreams.

Upcycling Design

DESIGN FOR LUXURY & CRAFTSMANSHIP

Upcycling Design

with Nicolas Le Moigne, Bethan Laura Wood

For the second year, students from the MAS in Design for Luxury and Craftsmanship were invited to create objects based on the container produced for La Prairie's flagship range. The glass packaging bears the signature cobalt blue that defines the Swiss brand's Luxe Skin Caviar collection, the result of a meeting with Niki de Saint Phalle in the 1980s. Noticing the vivid cobalt blue in the world-famous artist's paintings and sculptures, La Prairie enquired about the significance of this blue in her work. For Niki de Saint Phalle, this resplendent hue, her favourite colour, symbolised femininity, boldness, strength and serenity, describing it as "the colour of joy and luck". With the help of glassmakers based in Switzerland, these glass containers were cut, drilled or sandblasted to give the object a function, while retaining the brand's codes.

COLLABORATION WITH LA PRAIRIE 2021

DESIGN FOR LUXURY & CRAFTSMANSHIP

COLLABORATION WITH LA PRAIRIE 2021

with Stefano Panterotto (Panter&Tourron), Alexis Tourron (Panter&Tourron)

The packaging of tomorrow La Prairie pursues its partnership with ECAL students to conceptualise the packaging of the tomorrow. Through this partnership with the renowned Swiss University in Art and Design, La Prairie nurtures creativity and promotes emerging talents shaping the future of smart design.

COLLABORATION WITH DEDON 2022 LIGHTING THE FUTUR

DESIGN FOR LUXURY & CRAFTSMANSHIP

COLLABORATION WITH DEDON 2022 LIGHTING THE FUTUR

with Sabine Marcelis

Dedon by nature An initiative of DEDON Studio, Lighting the Future presents a striking array of nature-inspired light concepts by master stu- dents from the prestigious ECAL/University of Art and Design Lausanne. This innovative digital exhibition opens in January 2023 exclusively on DEDON channels, including a dedicated microsite enhanced by AR tools. DEDON Studio initiated the ECAL collaboration with a challenge to students in the Design for Luxury and Craftsmanship Masters program: Explore our relation to nature through lighting design, drawing inspiration from DEDON’s groundbreaking fiber. Under the supervision of the acclaimed designer Sabine Marcelis and Nicolas Le Moigne, head of the program, students designed, developed and digitally elaborated their concepts over a nine- month period. The results—beautiful, beguiling, thoughtful and engaging—attest to the creative powers of an emerging genera- tion and the enduring attraction of nature to us all.

Collaboration with L’Epée 1839

DESIGN FOR LUXURY & CRAFTSMANSHIP

Collaboration with L’Epée 1839

with Fiona Krüger

Regatta Very few sports, or indeed very few human activities, merit the term ‘graceful’ as much as does sculling. Long, streamlined craft cutting the water like a stiletto and leaving barely a ripple are among the most elegant forms of human displacement on earth. And that sense of grace conceals both the incredible power of the oarsman and the arrow-like precision of their craft. L’Epée 1839 harnesses and pays homage to the grace of sculling with La Regatta, a sleek vertical clock invoking the shape of the long thin scull, with both the power (8-day power reserve) and precision of the most elegant of watch sports. Our modern lives are often busy and, at times, even chaotic, La Regatta invokes a sense of peace and calm.

COLLABORATION WITH MEC-ART

DESIGN FOR LUXURY & CRAFTSMANSHIP

COLLABORATION WITH MEC-ART

with Fiona Krüger

MECHANICAL MARVELS Craftsmanship in Movement: Celebrating Design and the Heritage of Switzerland’s Masters of Mechanical Art

Collaboration with CSEM

DESIGN FOR LUXURY & CRAFTSMANSHIP

Collaboration with CSEM

with Alexis Tourron (Panter&Tourron), Stefano Panterotto (Panter&Tourron)

Through a unique project, students from ECAL and CSEM’s engineers have effortlessly combined modern arts & crafts and nanotechnology to create a series of innovative jewelry pieces, "Structural Colors".

Collaboration with Hermès 2021

DESIGN FOR LUXURY & CRAFTSMANSHIP

Collaboration with Hermès 2021

with Sabine Marcelis

For this first collaboration with the department Hermès Maison, the students worked on the theme of the mirror, under the direction of designer Sabine Marcelis.

collaboration with EHL

DESIGN FOR LUXURY & CRAFTSMANSHIP

collaboration with EHL

with Nicolas Le Moigne, Xavier Perrenoud

On the occasion of a new partnership between ECAL and EHL, the students of the program are currently working on the theme of cheese through three specific situations: the cheese cellar, the trolley and tasting at the table.

Expositions

Mechanical Marvels" exhibition at Homo Faber 2022,10.04–01.05.2022

EXHIBITIONS

Mechanical Marvels" exhibition at Homo Faber 2022,
10.04–01.05.2022

On the occasion of  Homo Faber  a public exhibition of the finest European craftsmanship organised by the Michelangelo Foundation and staged at the Fondazione Giorgio Cini in Venice (Italy) from 10 April to 1st May 2022, ECAL presents a series of projects by  Master of Advanced Studies in Design for Luxury & Craftsmanship  developed in collaboration with  Association Mec-Art.

Exhibition Marsotto Lab, Milano 2018 & 2019,09.04.2019

EXHIBITIONS

Exhibition Marsotto Lab, Milano 2018 & 2019,
09.04.2019

In partnership with the Italian marble manufacturer Marsotto LAB, ECAL Master of Advanced Studies in Design for Luxury & Craftsmanship students present a series of home accessories devised during a workshop with French designer Pierre Charpin. The Italian marble manufacturer that entrusted the project development to ECAL Master of Advanced Studies in Design for Luxury and Craftsmanship with a clock collection for last year’s Milan Design Week, chose to repeat the collaboration to create home accessories for this year’s edition.

Exhibition at National Design Centre, Singapore,23.03.2019

EXHIBITIONS

Exhibition at National Design Centre, Singapore,
23.03.2019

On the initiative of the Embassy of Switzerland in Singapore, supported by the Design Singapore Council, the National Design Centre (NDC) hosts an exhibition of a selection of objects created by international students graduated from the Master of Advanced Studies in Design for Luxury & Craftsmanship at ECAL/University of Art and Design Lausanne.

Exhibition Aesop, Zurich,01.06.2018

EXHIBITIONS

Exhibition Aesop, Zurich,
01.06.2018

The skincare, haircare and body products specialist Aesop chose ECAL/University of Art and Design Lausanne to design two accessories for its brand : an electric essential oil burner and a washbag. In doing so, Aesop clearly showed it cared for smart and sustainable design.

Exhibition at The Mass, Tokyo,24.03.2018

EXHIBITIONS

Exhibition at The Mass, Tokyo,
24.03.2018

At The Mass gallery’s invitation, ECAL/University of Art and Design Lausanne is presenting a selection of Master of Advanced Studies in Design for Luxury & Craftsmanship student projects.

Exhibition wall clocks Vacheron Constantin,15.02.2016

EXHIBITIONS

Exhibition wall clocks Vacheron Constantin,
15.02.2016

Wall clocks developed in 2013 and presented at the main entrance of the Vacheron Constantin manufacture.

Christofle exhibition,09.02.2016

EXHIBITIONS

Christofle exhibition,
09.02.2016

Exhibition of silver cutlery created for Christofle in Paris.

Exposition "Arts & Crafts & Design" with Vacheron Constantin,14.04.2015

EXHIBITIONS

Exposition "Arts & Crafts & Design" with Vacheron Constantin,
14.04.2015

Vacheron Constantin presents the “ Arts & Crafts & Design : Time according to ECAL and Swiss Craftsmen” exhibition, produced in partnership with ECAL/Ecole cantonale d’art de Lausanne (University of Art and Design Lausanne) and the Fondazione Cologni dei Mestieri d’Arte at the Swiss Pavilion at Expo Milan 2015, (the Universal Exhibition to be hosted by Milan) and of which a preview will be launched during the Milan Furniture Fair. This is an innovative approach combining contemporary creation and arts and crafts, and entirely dedicated to knowledge transfer.

diploma projects

Céline Witzke – From Fabric to Glass: Capturing the Movement of Textiles in Experimental Glassmaking

DESIGN FOR LUXURY & CRAFTSMANSHIP

Céline Witzke – From Fabric to Glass: Capturing the Movement of Textiles in Experimental Glassmaking

by Céline Witzke

This project draws inspiration from the world of fashion, specifically the organic movements, volumes and textures found in textiles, and explores how these elements unintentionally create soft forms. In collaboration with Swiss glass manufacturer Niesenglass, a collection of multipurpose glass objects has been created, showcasing craftsmanship in a new light.

Shan Yu Kuan – BASUANN

DESIGN FOR LUXURY & CRAFTSMANSHIP

Shan Yu Kuan – BASUANN

by Shan Yu Kuan

BASUANN draws inspiration from the image of traditional Asian rattan/bamboo chairs. Its name echoes the pronunciation of the Taiwanese meaning “tie with cords”. Comprised of seven pieces of spiral ducts, BASUANN is assembled using mortise and tenon joints to connect the sitting part with the legs part. It is further reinforced by cords that securely bind the stool together. BASUANN seamlessly blends contemporary furniture design with the evocative imagery of Asian traditional craftsmanship, showcasing the aesthetic of minimalistic design.

Marine Col – ROPY

DESIGN FOR LUXURY & CRAFTSMANSHIP

Marine Col – ROPY

by Marine Col

Ropy is a seriously playful stool that plays with the past. Designed in a single, light stroke, this object draws its charm from the reuse of materials. Old naval ropes from the port of Lausanne, their colours tarnished by time, serve as raw material and become precious material once the object has been made.

Charitini Gkritzali – Topology of a Body

DESIGN FOR LUXURY & CRAFTSMANSHIP

Charitini Gkritzali – Topology of a Body

by Charitini Gkritzali

Deriving inspiration from 20th century orthopaedic braces, Topology of a Body is a series of body jewellery items that closely conform to the human anatomy and resemble the body’s structural elements. Each piece is composed by solid geometrical shapes and organic curves that are created with silver or steel wire. The thickness of the wire is altered in a dynamic rhythm, highlighting the morphology of the body. The metal structure, which is carefully designed to envelop the human figure, ultimately takes on a sculptural form. Just like orthopaedic braces, the pieces of jewellery are designed to allow the body to move, yet seem to keep it in a constant state of immobility. This paradox eventually raises a question: do these objects enable or restrain the body’s movements?

Anaïs Sulmoni – IVORIA

DESIGN FOR LUXURY & CRAFTSMANSHIP

Anaïs Sulmoni – IVORIA

by Anaïs Sulmoni

Once prized and valued by craftspeople, bone is now perceived as dirty and worthless. Yet, it is still widely used by cosmetics and food industries. It has appealed to me for many years because of its similarity to ivory and because of its living aspect, even though it represents death. Drawing on the abundance of this organic waste, I set out to recreate the prestige of ivory. I discovered the potential of bone as glue and powder, applied to different supports: solid wood, wood shavings and fabrics. The research book and models highlight bone, which presents new aesthetic and structural possibilities and acts as the first step towards reconciliation with this precious material.

Johannes Seibel – Mono 4T Exhibition

DESIGN FOR LUXURY & CRAFTSMANSHIP

Johannes Seibel – Mono 4T Exhibition

by Johannes Seibel

The spatial design Mono 4T Exhibition was developed for an event of the German design manufactory Mono in collaboration with the German Design Graduates for the 40th anniversary of the Mono teapot. The core elements of the modular system are reused tea glass shipping boxes, which are stabilised by four stainless steel L-profiles fixed together with a packaging strap. A stainless-steel sheet is placed on the support structure providing a high-quality stage for the ten sculptural objects designed by the selected graduates. Text on the sheet’s bent front sides informs about the designer’s name and object title. After the exhibition, the sheets will be recycled into production. Large-format detail photos of the objects, printed on fabric banners, enhance the exhibition’s visual experience.

Heein Im – Balancing Circle

DESIGN FOR LUXURY & CRAFTSMANSHIP

Heein Im – Balancing Circle

by Heein Im

Balancing Circle is a sculptural object that experiments with the tension and flexibility of textiles. As people walk past, the installation generates unexpected excitement by swaying lightly and interacting with the surrounding space. The object also focuses on material research with elements that are commonly used for fashion accessories such as leather, yarn and fabric. The circle is a shape that is considered to be perfectly balanced. However, by placing it in a critical position, our attention is drawn to the second moment of balance applied to the circle. It is as if we were attempting to establish stability in every situation, forgetting that we are already perfectly balanced beings.

Nathanaël Baby – Passe-MAS-partout

DESIGN FOR LUXURY & CRAFTSMANSHIP

Nathanaël Baby – Passe-MAS-partout

by Nathanaël Baby

Art and design meet to highlight the research aspect. This fictitious exhibition takes viewers through the work of MAS Design for Luxury & Craftsmanship students. The passe-partout is an in-between object that creates space around a work of art. It gives its name to the exhibition and inspires a series of display stands, specific to each sample.

Naomi Nguyen – Harlequin Lamp

DESIGN FOR LUXURY & CRAFTSMANSHIP

Naomi Nguyen – Harlequin Lamp

by Naomi Nguyen

Illuminating Elegance Through Glass The Harlequin Lamp set is available in three sizes in clear glass, to adorn various surfaces such as tables, desks and bedside stands. Each size brings its own unique charm and luminosity, providing a harmonious blend of practicality and artistic flair. the Harlequin Lamp set is a testament to the timeless allure of glass as a medium for creative expression that invites one to immerse oneself in a world of light, beauty and carnival spirit.

Cristina Rodríguez Solé – Arrassall

DESIGN FOR LUXURY & CRAFTSMANSHIP

Cristina Rodríguez Solé – Arrassall

by Cristina Rodríguez Solé

Drought and high temperatures in Catalonia cause many fires during the summer. The authorities are responsible for the forestry work in the country’s woods to prevent them. Pine wood, which makes up most of these forests, is considered of lower value because it is harvested as part of forest management. However, its characteristics are similar to those of other woods in the area. To enhance the value of this material and to give highlight the issue, the project aims to use this wood for the manufacture of limited-edition furniture. As an example, a stool and a bench have been created. Their shape is dictated by the size of the slats obtained from the tree, minimising processes and making the most of the material. Furthermore, to reduce the carbon footprint, all the furniture is made locally.

Pruthviraj Ghosh – Ananth

DESIGN FOR LUXURY & CRAFTSMANSHIP

Pruthviraj Ghosh – Ananth

by Pruthviraj Ghosh

Ananth, which means “endless” in Hindi, is a collection of home decor in collaboration with Cosy Creations India. The aim is to create a living space within your home that can provide the environment in which you wish to live. Carpets translate natural environments into visual craftsmanship, while contemporarily designed centrepieces by Balarience guarantee the functional aspect of this concept.

Ambre Tuttle – A(r)table

DESIGN FOR LUXURY & CRAFTSMANSHIP

Ambre Tuttle – A(r)table

by Ambre Tuttle

Eating used to be a basic need, but today aesthetics have never been so important at the table. As cooking evolves into art, let us turn our food into unique creations, ephemeral experiences and vectors of identity. A(r)table is a collection of objects that result from a search focused on visual impact and how we present our dishes. This project assumes that pleasure resides as much in the tasting as in the confection. The plate becomes an empty canvas for drawing, tracing and composing, calling for creativity. Paying attention to the appearance of our dishes may seem pointless, but it is the very origin of our desire to eat. The pleasure of tasting starts with our imagination, and sublimating our plates is also sublimating a moment.

Kiyong Lee – Hangeul Marbles

DESIGN FOR LUXURY & CRAFTSMANSHIP

Kiyong Lee – Hangeul Marbles

by Kiyong Lee

Hangeul Marble is an object that is designed based on the principle of Hangeul (Korean alphabet), in which letters are formed as strokes are added, e.g. ㅡ, ㄱ, ㄴ, ㄷ, ㄹ, etc. Using the traditional game of marbles – a game known to and enjoyed by all – as a motif, the object is primarily intended to be used on a table. The rule of the game is to move the glass marble from start to finish using your finger. The object is made from ash wood and natural leather and, when not in use, it can serve as a contemporary decorative object.

Hyeseung Nam – Clover Series

DESIGN FOR LUXURY & CRAFTSMANSHIP

Hyeseung Nam – Clover Series

by Hyeseung Nam

Clover Series is an object that features user-friendly graphic patterns, created by the properties of the materials. Reinterpreting the details of the shaker box, the series creates overlapping graphics based on the number of patterns that are stacked. The objects can be used in various ways in the kitchen or living room, adding a playful vibe to the place. The surfaces of the object are assembled vertically and connected by rivets. The round-cutting detail of the connection covers the parting line of the material while providing an aesthetic finish. Clover Series offers a sensual approach to materials, at the crossroads of design and craftsmanship.

Checkie Ieong – Dynamic Reflections

DESIGN FOR LUXURY & CRAFTSMANSHIP

Checkie Ieong – Dynamic Reflections

by Checkie Ieong

In the realm of high jewellery, where opulence and elegance often reign supreme, the quest for innovation and creativity continues to push the boundaries of design. The convergence of technology and artistry has paved the way for an exciting evolution in the world of jewellery, giving rise to interactive and playful pieces that transcend traditional aesthetics. This high jewellery collection draws inspiration from the mesmerising allure of kinetic movement. The collection is a testament to the harmonious marriage of motion and meticulous craftsmanship. Inspired by the captivating dynamism found in kinetic art, each piece in this collection encapsulates the essence of movement, inviting the wearer to engage, interact and partake in the unfolding narrative of the jewellery.

Morgane Chiron – TILTED

DESIGN FOR LUXURY & CRAFTSMANSHIP

Morgane Chiron – TILTED

by Morgane Chiron

TILTED is an architectural project that focuses on ceramic tiles that help transcend norms, manipulate light and transform spaces. Slightly tilted, hence the name, these tiles interact dynamically with light, casting captivating patterns and enhancing depth. Texture, colour and finish modulate the behaviour of light, creating a bespoke experience. Colours evolve and transform with daylight, evoking emotions and infusing spaces with personality. These dynamic canvases shift the paradigm in tile usage, choreographing light, redefining space and captivating the senses to offer a compelling fusion of artistry and innovation.

diploma jury

Diploma jury 2022

DESIGN FOR LUXURY & CRAFTSMANSHIP

Diploma jury 2022

Jury : Céline Vogt, Head of Education, Michelangelo Foundation, Geneva Chiara Anelli, Communication Director, Hermès Switzerland, Geneva Philippe Malouin, Designer, London Prix De Bethune : Camille Dutoit

Diploma jury 2021

DESIGN FOR LUXURY & CRAFTSMANSHIP

Diploma jury 2021

Jury : Nieves Contreras, Creative Director, Lladro, Valencia Alberto Cavalli, Director, Michelangelo Foundation, Geneva Guillaume Delvigne, Designer, Paris Prix De Bethune : Sarah Yao

Diploma jury 2020

DESIGN FOR LUXURY & CRAFTSMANSHIP

Diploma jury 2020

Jury : Franziska Kessler, Founder of Frankiska Kessler Gallery, Zurich Marco Sammicheli, Design Curator, Triennale, Milan Alfredo Haeberli, Designer, Zürich Prix De Bethune : Charlotte Therre

Diploma jury 2019

DESIGN FOR LUXURY & CRAFTSMANSHIP

Diploma jury 2019

Jury : Sabine Marcelis, Designer, Rotterdam Tylor Brûlé, Editor in Chief and Founder of Monocle magazine, Zurich David Sadigh, Founder of Digital Luxury Group, Geneva Prix De Bethune : Clara Martin

Diploma Jury 2018

DESIGN FOR LUXURY & CRAFTSMANSHIP

Diploma Jury 2018

Jury : Bethan Laura Wood, Designer, London Fabien Vallerian, International Director of Arts & Culture, Ruinart, Paris Kieron Marchese Executive editorial director, Designboom, Milan

Diploma jury 2017

DESIGN FOR LUXURY & CRAFTSMANSHIP

Diploma jury 2017

Jury : Fiona Krüger, Designer, Obermorschwihr Nika Zupanc, Product and Interior Designer, Ljubljana Benoît Steenackers, Head of Collections, Hermès, Paris

Diploma jury 2016

DESIGN FOR LUXURY & CRAFTSMANSHIP

Diploma jury 2016

Jury : Rebecca Larsson Barsotti, Style Manager, Retrosuperfuture, Milan Connie Hüsser, Interior Design Editor, Annabelle, Zurich Mark Barun, Designer, Berlin Prix Vacheron Constatin : Jenna Kaes and Hyunjee Jung

Diploma jury 2015

DESIGN FOR LUXURY & CRAFTSMANSHIP

Diploma jury 2015

Jury : Chantal Granier, Creative Director, Baccarat, Paris Jacob Peres, Founder Jpo Global, Tel Aviv Michael Anastassiades, Designer, London Prix Vacheron Constatin : Stefano Panterotto and Alexis Tourron

Diploma jury 2014

DESIGN FOR LUXURY & CRAFTSMANSHIP

Diploma jury 2014

Prix Vacheron Constatin : Hongchao Wang

Diploma jury 2013

DESIGN FOR LUXURY & CRAFTSMANSHIP

Diploma jury 2013

Each year the students of the Master of Advanced Studies in Design for Luxury and Craftsmanship are asked to develop a personal project which allows them to work in a more personal and experimental manner.

Diploma Jury 2012

DESIGN FOR LUXURY & CRAFTSMANSHIP

Diploma Jury 2012

Every year, students from the Master of Advances Studies in Design for Luxury and Craftsmanship are asked to developped a personal project, which allow them to work in a more experimental way.

Diploma jury 2011

DESIGN FOR LUXURY & CRAFTSMANSHIP

Diploma jury 2011

Every year, students from the Master of Advances Studies in Design for Luxury and Craftsmanship are asked to developped a personal project, which allow them to work in a more experimental way.

Program

This section lists the detailed modules and courses for each semester of the programme.

Semester 1 2

Luxury and complexity
14 ECTS

Theoretical reflection on the diversity of the cultural and historical foundations of luxury and its recent democratization; experiences, materials, methods

Luxury and contemporary culture
8 ECTS

Development of the concept of luxury in the contemporary context and its continual reinterpretation linked to new technologies

Luxury and know-how
8 ECTS

Role of know-how in the creation of a luxury object; specific skills and techniques

Luxe and entrepreneurship
2 ECTS

Basic knowledge of the entrepreneurship world and business in general

Luxe and Haute Horlogerie
6 ECTS

General knowledge of the Haute Horlogerie world and its specific techniques, materials and technologies the field uses

Luxury and concept (portfolio)
6 ECTS

Exploration of new expressions of luxury; interaction between the design of objects and the design of concepts, services and environments

MAS project, practical and theoretical
16 ECTS
Find all the programme documents below

Alumni

Ini Archibong
Jungyou Choi
Kaja Solgaard Dahl
Kai Hsuan Liu
Fiona Krüger
Stefano Panterotto & Alexis Tourron
Hongchao Wang
Career Opportunities

Industrial and product designer, Furniture designer, Watch designer, Textile (soft goods) designer, Packaging designer, Colors and materials designer, Event designer, Exhibition designer, Signage designer, Product developer, Creative director, Teacher…

Other alumni

(BA Design Industriel, MA Design de Produit et MAS in Design for Luxury & Craftsmanship) Ini Archibong, Dimitri Bähler, BIG-GAME, Camille Blin, Daniele Bortotto, Antoine Boudin, Thilo Alex Brunner, Michel Charlot, D’Esposito & Gaillard, Marie Douel (Hors Pistes), Christophe Guberan, FROM, Tomás Král, Bertille Laguet, Nicolas Le Moigne, LeviSarha, Carolien Niebling, Léa Pereyre, Julie Richoz, Adrien Rovero, Brynjar Sigurðarson, Christian Spiess, SUPERLIFE, Hongchao Wang, Giorgia Zanellato...

Staff

Head

Nicolas Le Moigne

Coordination

Assistants
Georg Foster
Clara Martin

Academic partners
IMD Business School, Lausanne
Cyril Bouquet, professor
Stéphane Girod, professor
Peter Vogel, professor

Professeur·e·x·s

Tomas Kral
Nicolas Le Moigne
Xavier Perrenoud

Chargé·e·x·s de cours

Michael Anastassiades
Ini Archibong
Joachim de Callataÿ
Pierre Charpin
Ligia Dias
Jaime Hayon
Fiona Krüger
Sabine Marcelis
Luca Nichetto
Panter&Tourron
Studio Formafantasma
Bethan Laura Wood

Partenariats privilégiés

Aesop
Baccarat
Bottega Veneta
Chopard
Christofle
DEDON
EHL Ecole hôtelière de Lausanne
Fondation de la Haute Horlogerie
Fondation Michelangelo
Hennessy
Hermès
La Prairie
L’Epée 1839
Maison Francis Kurkdjian
Marsotto
Mauviel
Mec­-Art Formation en mécanique d’art
Nestlé
Petit h
Rémy Martin
Retrosuperfuture
Ruinart
Salanitro
Samsung
Vacheron Constantin