PUMP – The Punkt. Urban Mobility Project

Projects MA PRODUCT DESIGN

PUMP – The Punkt. Urban Mobility Project

The Swiss technology company Punkt. invites three leading schools (Design Academy Eindhoven, ECAL, Royal College of Art) to design an e-bike, which expresses the brand’s philosophy of “taming technology”. ECAL Master Product Design students present e-CAL 1020, a plug-and-play electrical engine, which transforms your personal bicycle into an e-bike. The Punkt. Urban Mobility Project  is an educational collaboration between Punkt. and three leading design schools: ECAL (Lausanne), RCA (London) and Design Academy (Eindhoven). The brief: create a personal transportation product that innovates in both style and function, specific to the needs and opportunities found in the cities where the students are studying. Travelling in Lausanne means short distances but steep hills. This retro-fit motor harvests downhill braking energy that would otherwise be wasted as heat, and stores it ready to send back to the wheel the moment it is needed.  Under the guidance of Thilo Alex Brunner, Head of the programme, ECAL Master Product Design students created e-CAL 1020, a plug and play electrical engine which transforms your bicycle into an e-bike. It is solely recharged by human effort using a generator similar to KERS (Kinetic Energy Recovery System), a technology used in Formula 1.

The Swiss technology company Punkt. invites three leading schools (Design Academy Eindhoven, ECAL, Royal College of Art) to design an e-bike, which expresses the brand’s philosophy of “taming technology”. ECAL Master Product Design students present e-CAL 1020, a plug-and-play electrical engine, which transforms your personal bicycle into an e-bike.

The Punkt. Urban Mobility Project is an educational collaboration between Punkt. and three leading design schools: ECAL (Lausanne), RCA (London) and Design Academy (Eindhoven). The brief: create a personal transportation product that innovates in both style and function, specific to the needs and opportunities found in the cities where the students are studying.

Travelling in Lausanne means short distances but steep hills. This retro-fit motor harvests downhill braking energy that would otherwise be wasted as heat, and stores it ready to send back to the wheel the moment it is needed.

Under the guidance of Thilo Alex Brunner, Head of the programme, ECAL Master Product Design students created e-CAL 1020, a plug and play electrical engine which transforms your bicycle into an e-bike. It is solely recharged by human effort using a generator similar to KERS (Kinetic Energy Recovery System), a technology used in Formula 1.

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e-CAL 1020: ECAL/Sebastian Maluska, Kohei Kojima, Ji Hong Park, Jakob Reuter, Oscar Estrada Leon, Alexandre Picciotto
e-CAL 1020:  ECAL/Sebastian Maluska, Kohei Kojima, Ji Hong Park, Jakob Reuter, Oscar Estrada Leon, Alexandre Picciotto
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e-CAL 1020: ECAL/Sebastian Maluska, Kohei Kojima, Ji Hong Park, Jakob Reuter, Oscar Estrada Leon, Alexandre Picciotto

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ECAL AT THE FESTIVAL DES CABANES, VILLA MÉDICIS, ROME

MA PRODUCT DESIGN

ECAL AT THE FESTIVAL DES CABANES, VILLA MÉDICIS, ROME

with Camille Blin

  For the 2026 Festival des Cabanes at the Villa Medici in Rome, students from the Master in Product Design were invited to develop a project related to the Villa's garden, in collaboration with the renowned Italian ceramics manufacturer Mutina. The Villa's gardens offer a rich historical and spatial context, conducive to exploring aesthetics, function, and interaction with visitors. Students had access to the entire Mutina catalogue (tiles, bricks, and other materials) to build their installations. The project was selected and mentored by the French designer Ronan Bouroullec, ECAL, Villa Medici and Mutina.  
ECAL X GOOGLE - A Message From Tomorrow

MA PRODUCT DESIGN

ECAL X GOOGLE - A Message From Tomorrow

with Chris Kabel

The Industrial Design team at Google (Google ID) initiated a collaboration with ECAL/University of Art and Design Lausanne to develop a concept for a mobile-focused product inspired by a daily ritual. ECAL’s Master Product Design students were invited to envision innovative hardware engaging with contemporary habits. Through compelling storytelling, these conceptual projects consider the human dimension of mobile technology: how it shapes everyday gestures and how our relationships with devices might evolve in the future. This collaboration reflects ECAL’s forward-looking approach to design, combining experimentation, critical thinking, and a strong receptivity to emerging technologies.
Adam Friedrich – Airy

MA PRODUCT DESIGN

Adam Friedrich – Airy

by Adam Friedrich

Airy is a research project that explores the use of air as a primary resource. It uses inflatable structures to protect valuable devices during travel. The design employs contemporary materials and pays particular attention to detail to offer relevant, everyday solutions for safeguarding increasingly fragile and valuable electronic devices.
Alicia Stricker – Stricker

MA PRODUCT DESIGN

Alicia Stricker – Stricker

by Alicia Stricker

Folly approaches the craft of beaded embroidery from a product design perspective. It explores the value of tactility above the visual aspects that the technique is traditionally valued for. Consequently, the project manifested as something that is experienced by the body - a sofa. Scaling up the traditionally small beads and applying principles of beaded embroidery in the development of a textile sofa cover allowed for the sofa to transcend its classic typology, creating a three-dimensional surface with a biological sculptural presence - an object that breaks the mould of what we expect of something as familiar as a sofa and begs to be experienced through touch.
Brice Tempier – Péninsule

MA PRODUCT DESIGN

Brice Tempier – Péninsule

by Brice Tempier

  In a context where domestic space is being reduced and reconfigured, living sometimes becomes a temporary act. Places are passed through rather than settled in, and the question is no longer so much one of layout as of presence. Inspired by the archetype of the mezzanine, Péninsule takes the form of a mobile structure the size of a bed. Set within a room, it acts as a habitable frame, delimited without being enclosed, introducing domestic depth where there was previously only an available surface. Conceived as a place of rest, retreat, and appropriation, it combines a bed, a daybed, and a folding desk, as well as mobile elements such as shelves, hooks, and curtains, modulating light, movement, and presence. Without offering formal modularity, the object provides an open support for everyday uses and movements. Péninsule is thus defined less by what it can be transformed into than by the way it is used.  

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