Collaboration with Vacheron Constantin – 2014

Collaboration with Vacheron Constantin – 2014

A five-days programme conceived of workshop introductions, factory visits and brainstorming at Vacheron Constantin in order to present the brand's key values to the students.

Collaboration (2014) by Rachel Suming, Jake Adam Moore, Jordi Pla, Samuel Williams

Eclipse

Rachel Suming
As the hands of a clock can have stressful connotations, I imagined a clock which would only show the passing of time with its frame. Deconstructed into three motorised elements turning on the same rhythm, the clock is a constantly evolving shape. After an introduction to the watchmaking world at Vacheron Constantin, I turned to the guillochage technique for my project. Making videos, graphic research, and playing with watch movements were all part of my design process when developing this project.

Whyte

Jake Adam Moore
When visiting Vacheron Constantin’s manufacture I was most struck by the beauty of mechanical principles. This was something I intended to push further by exploring simple mechanics utilised by other industries and bringing them into the watchmaking world. Inspired by the workings of Locomotive wheels, this project aims to break the traditional graphic associated with the clock face. Replacing the conventional watch hands with one hand which connects both hours and minutes, the result is an ever changing and seemingly random composition.

Gong Repeater

Jordi Pla
The concept of Gong Repeater is directly inspired from the mechanical techniques found in "Haute Horlogerie", which I discovered at Vacheron Constantin, in particular the fascinating relationship between time and sound as heard in their minute repeaters. For centuries the gong has been a way to communicate time passing and so I was keen to creating a device which would indicate time through sound. In order to give a unique and mystic dimension and transmit ancestral values, I have chosen to work with a brass bowl from Tibet. Used for prayers, this object is the heart of my project. The contrast between this old gong and my contemporary clock illustrate the mechanical principal of the minute repeater watch from Vacheron Constantin. When a hand passes the sensor, the clock rings hours, quarters and minutes.

L'univers infiniment petit

Samuel Williams
This project is inspired by the infinitely small world of Vacheron Constantin and by a tool that is indispensable to Master Watchmakers, allowing them to penetrate the heart of the world's smallest and most complicated mechanisms. This is the watchmaker's magnifying glass. This perpetual calendar invites us to discover time on the scale of the Watchmakers, with the aim of borrowing their gestures and tools and looking at a new illustration of the passing of time.

 

 

 

ECAL_Jordi.Pla_Vacheron.Constantin©ECAL_Axel.Crettenand.jpg
Gong Repeater , ECAL/Jordi Pla
L'univers infiniment petit , ECAL/Samuel Williams
L'univers infiniment petit , ECAL/Samuel Williams
L'univers infiniment petit , ECAL/Samuel Williams

1/3

Eclipse , ECAL/Rachel Suming
Eclipse , ECAL/Rachel Suming
Eclipse , ECAL/Rachel Suming
Eclipse , ECAL/Rachel Suming
Eclipse , ECAL/Rachel Suming

1/5

ECAL_Jake.Moore_Vacheron.Constantin©ECAL_Axel.Crettenand.jpg
Whyte , ECAL/Jake Moore

Projets similaires

Seoho Ahn – Cascade

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Seoho Ahn – Cascade

by Seoho Ahn

Jewellery is often seen as an ornamental object, yet it contains structural principles. A chain forms a continuous system of interconnected links that responds to gravity and distributes forces throughout its structure. Cascade explores how this logic can be translated from the body to space. When scaled up, the chain evolves from a decorative element into a load-bearing framework. Connections between links become structural joints, while the continuous flow of the chain becomes a path for transferring and balancing forces. Rather than borrowing the aesthetics of jewellery, Cascade translates its structural principles into a furniture system, transforming a decorative chain into an architectural structure.

Anna Andersson – LYSA

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Anna Andersson – LYSA

by Anna Andersson

LYSA is a portable lamp designed for outdoor rituals and small everyday adventures. Inspired by the emotional connection we have to bags and objects made to be carried, the project explores how light can become something intimate and mobile. The lamp is intended for picnics, gardens, balconies, and walks in nearby nature, bringing a sense of warmth and domesticity outdoors. It features dimmable light, USB-C charging, and a protected charging port. The materials — cork, dark brown suede, and linen fabric — were chosen for their tactile and atmospheric qualities. LYSA explores fabric translucency, color tones, light diffusion, and stabilization techniques to create an object that feels soft, warm, and made to accompany quiet moments outdoors.

Maxime Billoud – Lampe trois + 1

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Maxime Billoud – Lampe trois + 1

by Maxime Billoud

Lampe trois + 1 is rooted in material research and innovation. At the intersection of craftsmanship and design, this ceramic and porcelain lamp reflects both the artisan's gesture and the designer's approach. It is composed of three identical legs connected by a central technical component, while molded porcelain panels are integrated into the structure. The smoked clay elements, inspired by the Japanese raku technique, contrast with the delicacy and translucency of porcelain. Designed as a flat-pack lamp that can be easily assembled, Lampe trois + 1 embodies a process of material exploration while resulting in a functional and tangible object.

Thibaud Kanty Boto – ROHY

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Thibaud Kanty Boto – ROHY

by Thibaud Kanty Boto

In Madagascar, rabane, a textile made from woven raffia fibers, has traditionally been used to make bags, mats, and everyday objects. Today, this weaving technique is gradually disappearing in favor of standardized production intended for export, particularly crochet-based work. Rooted in this evolving artisanal heritage, ROHY explores new possibilities for rabane. Through experimentation, by combining woven fibers with a binder and then molding them, this project reveals the structural and aesthetic potential of rabane. The collection proposes a contemporary reinterpretation of this ancestral craft through a series of accessories.

Martin Brouckaert – Brunch Service

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Martin Brouckaert – Brunch Service

by Martin Brouckaert

Brunch Service is a modular collection of objects that transforms Sunday brunch into an architectural landscape. It consists of containers, utensils, and cutlery that, when stacked, create abstract graphic silhouettes. Based on tubular forms, the objective of this project is to break away from industrial standards through a twist that forms sculptural compositions. This system was designed to elevate the ritual of brunch, acting as a reinterpretation of modern silverware that serves as a celebration.

Related courses