Aniket Godbole

Aniket
Godbole

Projects

PHOTOGRAPHY

Aniket Godbole – A Place I Call Home

by Aniket Godbole

Growing up as an immigrant, my notion of “otherness” was profoundly connected with my idea of self – never fully Nigerian in Nigeria or Indian in India. This series explores my understanding of home as a third culture child, collating a narrative of my life that revisits memories of my youth through reimagined constructions of my everyday life. Settling in a new city never felt strange but with time a feeling of uncertainty lingered when I considered what I could actually call home. Featuring layered journal entries and subtracted and multiplied images from my archives, these collages tell a delicate story of a life in transit. I link up with a past that I have never fully experienced. Traditions, thoughts and realities guide a reflection on my childhood and how I experienced growing up in a strange new world that I now call home.

PHOTOGRAPHY

Automated Photography - Fall 2022 - MAP2

with Marco De Mutiis

The course focuses on the relationship between photography and play, and rethinks the role of the photographer as player. Students learned about notions of gamification of the image as well as image play as a form of artistic intervention, questioning systems of value creation and image economies. During the semester, students looked at contemporary and more historical artworks, as well as vernacular positions, engaging with the way artists and photographers submit or subvert rules, conform to or rebel against image systems, and ultimately ‘win’ or ‘lose’ the game. The course also introduced practical tools, learning the foundations of creative programming and how to (mis)use software and automated imaging systems.

PHOTOGRAPHY

Self-Initiated Project - Fall 2022 - MAP2

with Elisa Medde

The second-year students worked on projects that they themselves had initiated, under the direction of Elisa Medde.

PHOTOGRAPHY

Materialized Photography - Fall 2022 - MAP2

with Felicity Hammond

In this module, students explored the potential for the photographic image to simultaneously be a backdrop, object, and prop. Students maked images both for the purpose of being reimaged and for their sculptural possibilities, ending in a work that investigates the potential for an endless cycle of images and objects. Crucially, students considered the staging of the work, and the conceptual and physical site for which it is intended.

PHOTOGRAPHY

Photobook - Fall 2021

with Bruno Ceschel

The photobook module introduces students to the history of photobooks and artists’ books and leads them to consider different strategies and approaches to contemporary book-making. In the first term students individually conceptualised a publication that have been designed, printed and distributed.