PHOTOGRAPHY
with Bruno Ceschel, Nicolas Polli, Milo Keller, Clément Lambelet
During Paris Photo 2025, ECAL will present a selection of its books at OFFPRINT Paris. ECAL Master Photography is pleased to present a selection of books created by its second-year students. This event offers an opportunity to engage live with the young photographers, exploring the origins of their projects and the stories behind each of these publications.
PHOTOGRAPHY
with Bruno Ceschel
The course is a platform for the development of personal projects that arise from the desire and curiosity of each student. The basic concept of the work must be relevant to the field of contemporary photographic images. Each project can take a different form depending on the specificities, contents and inclinations of each participant. From books to multimedia installations, from performance to CGI, group discussions will articulate a plural vision of photography’s applications today.
PHOTOGRAPHY
with Bruno Ceschel
The photobook module introduces students to the history of photobooks and artists’ books and leads them to consider different strategies and approaches to contemporary book-making. In the first term students individually conceptualised a publication that have been designed, printed and distributed.
PHOTOGRAPHY
with Bruno Ceschel
This module assists the students to develop into a finalized work a project that further expands their interests and research. The module gives the opportunity to take some of the ideas, skills and themes explores in the first semester and make into a brand new work that can take any possible form: a book, an installation, an online project, a performance.
PHOTOGRAPHY
with Bruno Ceschel
The module introduces students to the history of photobooks and artists’ books prompting them to study different strategies and approaches to contemporary book-making. That will lead to students individually working on a publication that will be presented at evaluations in January 2023. Students will have the opportunity to create a new body of work in relation to the book form, learning about editing, sequencing and designing.
PHOTOGRAPHY
with Bruno Ceschel
<meta charset="UTF-8">The photobook module introduces students to the history of photobooks and artists’ books and leads them to consider different strategies and approaches to contemporary book-making. In the first term students individually conceptualised a publication that have been designed, printed and distributed.
PHOTOGRAPHY
with Bruno Ceschel
These publications are special editions produced within the framework of the Master in Photography at ECAL in 2023 for Bruno Ceschell's Photobook class. This curated selection was later showcased at Offprint during Paris Photo, providing a prestigious platform to exhibit and share the emerging talent in the field of photography.
PHOTOGRAPHY
with Bruno Ceschel
This module assists the students to develop into a finalized work a project that further expands their interests and research. The module gives the opportunity to take some of the ideas, skills and themes explores in the first semester and make into a brand new work that can take any possible form: a book, an installation, an online project, a performance.
PHOTOGRAPHY
with Bruno Ceschel
The photobook module introduces students to the history of photobooks and artists’ books and leads them to consider different strategies and approaches to contemporary book-making. In the first term students individually conceptualised a publication that have been designed, printed and distributed.
PHOTOGRAPHY
with Bruno Ceschel
The photobook module introduces students to the history of photobooks and artists’ books and leads them to consider different strategies and approaches to contemporary book-making. In the first term students individually conceptualised a publication that have been designed, printed and distributed.
PHOTOGRAPHY
with Bruno Ceschel, MAP
First-year course with Bruno Ceschel
PHOTOGRAPHY
with Bruno Ceschel
The two-channel video installation aims to transfer contemporary human emotions into visual digital culture and non-verbal codes. Our desire to connect with other species (AI, nature) is explored through the premise that it is rooted in deep existential fear. This emotional experience requires dominance, seen here as a form of captivity: by investigating artificial environments we create for this purpose, I question whether we can still see ourselves as a part of nature. Lastly, a tactile experience is sought by visually conveying limiting and unpleasant sensations.
PHOTOGRAPHY
with Bruno Ceschel
Growing up between apartments in the same complex, a familiar feeling would remain in the empty homes, encouraging transformation. Such is the experience of inhabiting a body, fluctuating from one state into another. In “Apartamento”, this oscillation takes place in potential constellations around gender binarity. The male/female dichotomy is replaced by a dichotomy between gender and its negation. This renunciation however, is a perpetual shift, a gathering of questions rather than answers, a set of daily contemplations in the face of psychic constructs.
PHOTOGRAPHY
with Bruno Ceschel
Throughout the enterprise of human civilisation, it has been deemed important to be able to control the natural environment for the benefit of progress, which in turn has led to a tendency to divide the natural and the cultural sphere. In an attempt to rejuvenate an understanding of the biosphere as one of constant cross-contamination, “Entangled Life” emphasises the notion of fungal networks as an encouraging force in decentralising humanity, thus transgressing anthropocentric notions of perceiving the world.
PHOTOGRAPHY
with Bruno Ceschel
Our system is a fragile construct. The project examines the outlook on the outside world, shows traces of de- cayed architecture, and reveals fine and fragile constructions and thus our desire for an intimate space, a place in society. Metaphorically, the still lifes show the individual manipulation of artefacts. At the same time they reflect the medium itself and show direct physical confrontation with the material in a spontaneous, light-hearted way. The work is presented in a spatial installation, in order to create a photographic situation and a connection between image and material.
PHOTOGRAPHY
with Bruno Ceschel
Virtual reality is becoming an essential means of experiencing interpersonal relationships and changes the way the space between bodies is performed. This project features a series of screenshots that document virtual encoun- ters between the artist and depicted figures – reciprocal performances through screens and webcams. Presented in the form of an installation, the project investigates the female body in space, the locus of relationships and space-time in the digital age.
PHOTOGRAPHY
with Bruno Ceschel
The photobook module introduces students to the history of photobooks and artists’ books and leads them to consider different strategies and approaches to contemporary book-making. In the first term students individually conceptualised a publication that have been designed, printed and distributed in the second term. In Spring 2017 each students publisheded a book that have been launched at Photo London / Offprint London.