Marine
Vallotton

Projects

Marine Vallotton – Bleu Horizon

PHOTOGRAPHY

Marine Vallotton – Bleu Horizon

by Marine Vallotton

This book is the portrait of my interaction with a hypersensitive  boy. I approach him and discover his singularity trough the points of view that we share: sensitive and excited. Objects are means to interpret his peculiarities and places are the ground allowing his release. “You always enact a lot of laws to feel reassured, but you don’t need any laws to say something. Because when you work, you always have to be on the edge, otherwise it’s not interesting. You always have to be on the edge of sight (…).”

The Embarrassment Show

PHOTOGRAPHY

The Embarrassment Show

with Milo Keller, Erik Kessels

After ECAL in June 2015 and Unseen Photo Fair Amsterdam in September 2015, ECAL Bachelor Photography students present "The Embarrassment Show", an exhibition curated by Erik Kessels, cofounder & creative director of KesselsKramer (Amsterdam), at the  NRW-Forum Düsseldorf  from 20 November to 10 January. --------- The Embarrassment Show A workshop and exhibition curated by Erik Kessels cofounder & creative director KesselsKramer (Amsterdam), with Bachelor Photography students. “Embarrassment is important. If you’re not willing to humiliate yourself, make mistakes and downright fuck up, you should consider working in a cubicle farm. It’s safer there. Because as a creative person, you’ll be called an idiot at least once a day. That’s okay. Making mistakes and risking embarrassment, even failure, is how you make progress. Without it, you’ll be stuck in the same old safe zone: not embarrassed, but not better either. In other words: boring. So if we want to do this thing we love – making stuff – we mustn’t be afraid of looking stupid. In this workshop and exhibition I stretched the abilities of 2nd year ECAL Bachelor Photography students to the limit. By embarrassing themselves they are able to tell a personal, often awkward and risky story. This gives them an opportunity to explore an area of photography which they would probably not have dared to touch.”  Erik Kessels