We are not so far away, it’s just water

Gedvile Tamosiunaite – We are not so far away, it’s just water

The two-channel video installation aims to transfer contemporary human emotions into visual digital culture and non-verbal codes. Our desire to connect with other species (AI, nature) is explored through the premise that it is rooted in deep existential fear. This emotional experience requires dominance, seen here as a form of captivity: by investigating artificial environments we create for this purpose, I question whether we can still see ourselves as a part of nature. Lastly, a tactile experience is sought by visually conveying limiting and unpleasant sensations.

Diploma project (2020) by Gedvile Tamosiunaite

Mention
Très bien

The two-channel video installation aims to transfer contemporary human emotions into visual digital culture and non-verbal codes. Our desire to connect with other species (AI, nature) is explored through the premise
that it is rooted in deep existential fear. This emotional experience requires dominance, seen here as a form of captivity: by investigating artificial environments we create for this purpose, I question whether we can still see ourselves as a part of nature. Lastly, a tactile experience is sought by visually conveying limiting and unpleasant sensations.


1920_Diploma_Tamosiunaite-Gedvile_we are not so far away its just water 3.jpg

1/3

Projets similaires

Workshop - Rachel de Joode - 2026

MA PHOTOGRAPHY

Workshop - Rachel de Joode - 2026

with Rachel de Joode, Clément Lambelet

For this workshop, ECAL invited Rachel de Joode, Berlin-based artist whose practice explores the relationship between photography, sculpture, and digital images. During the week, students experimented with transforming photographic images into three-dimensional forms. Starting from simple concepts, they produced or gathered image material intended for printing and treated images as surfaces to cut, fold, layer, and assemble into sculptural objects. Through rapid tests and material experimentation, the workshop encouraged students to move repeatedly between image, surface, object, and documentation. By working with printing, scale, and spatial placement, they explored how photographic images can gain physical presence and occupy space beyond the screen.

Self-Initiated Project - Fall 2025 - MAP2

MA PHOTOGRAPHY

Self-Initiated Project - Fall 2025 - MAP2

with Elisa Medde

This module assists the students to develop into a finalized work a project that further expands their interests and research. The module gives the opportunity to take some of the ideas, skills and themes explores in the first semester and make into a brand new work that can take any possible form: a book, an installation, an online project, a performance.

Materialized Photography - Fall 2025 - MAP2

MA PHOTOGRAPHY

Materialized Photography - Fall 2025 - MAP2

with Mazaccio & Drowilal

The purpose of this class is to examine the relationships between photography — in a context shaped by the digital — and its various modes of display. Students will have to consider what a photograph may be materially and explore how an image’s meaning is derived from both the mode of its distribution and the material form that it assumes. Although the final outcome has to include photography in a third dimensional way ( installation ), projects may use and combine image-based practices such as digital photography, collage, CGI, projection, printmaking, sculpture, objects, or performance, to encourage an expanded approach to photographic practice. The idea is to challenge the different types of engagement possible with pictures today.

Soft Photography - Fall 2025 - MAP2

MA PHOTOGRAPHY

Soft Photography - Fall 2025 - MAP2

with Marco De Mutiis

The course, tutored by Marco De Mutiis, explored how emotions are being exploited and transformed by social media practices and aesthetics (e.g. influencer photography and CGI, operational beauty and weaponized cuteness), as well as through recent image technologies (e.g. generative AI platforms and text-to-image services).

Workshop - Simone C Niquille - 2025

MA PHOTOGRAPHY

Workshop - Simone C Niquille - 2025

with Simone Niquille, Milo Keller, Clément Lambelet

For this workshop, ECAL invited Simone C Niquille, Swiss designer and researcher based in Amsterdam whose practice investigates how digital images, computer vision, and 3D technologies shape the way bodies and objects are represented in contemporary visual culture. Through her research platform Technoflesh, Niquille examines the infrastructures behind digital imagery (from stock images and 3D assets to machine vision systems) and the cultural assumptions embedded in them. Her work reveals how datasets, rendering software, and visual standards influence how bodies, materials, and environments are modeled and understood.

Related courses