BA FINE ARTS
MA FINE ARTS
MAC MA CI
The Assembly of Writings
with Federico Nicolao
A collective exploration of the new relations between contemporary writing and artistic practice.
A l’occasion du Symposium Master Arts Visuels à l’ECAL, Tristan Garcia a réalisé une conférence sur son livre Nous.
Né en 1981 à Toulouse, Tristan Garcia est un philosophe et écrivain français, qui s’impose parmi les plus intéressants de sa génération. Il co-dirige avec Vincent Normand le laboratoire de recherche Théâtre, jardin, bestiaire : une histoire matérialiste de l’exposition, soutenu par l’ECAL et la HES-SO. Ses romans comprennent La Meilleure Part des hommes (2008) qui a obtenu le Prix de Flore en 2008 et qui fut adapté au théâtre en 2012, Mémoires de la jungle (2010), En l’absence de classement final (2012), Les Cordelettes de Browser (2012), Faber. Le Destructeur (2013) et 7 récompensé par le prix du Livre Inter 2016. Ses travaux philosophiques incluent L’Image (2007), Nous, Animaux et Humains. Actualité de Jeremy Bentham (2011), Forme et objet. Un Traité des choses (2011), Six Feet Under. Nos vies sans destin (2012), La Vie intense. Une obsession moderne (2016) et Nous (2016). Depuis 2015, il est professeur associé à l’Université Lyon-3.
BA FINE ARTS
MA FINE ARTS
MAC MA CI
with Federico Nicolao
A collective exploration of the new relations between contemporary writing and artistic practice.
MA FINE ARTS
by Alessandra Ghiazza
In the empty spaces I find pieces of dreams fields and water, of the forgotten green. A stratification of memories that leads to reveal experiences in natural landscapes, real but also places suspended between memory and the dreamlike, creating through geometric and repetitive shapes a space of contemplation on places, to find them again; postcards of a fragile and continuously changing landscape.
MA FINE ARTS
by Axel Mattart
Tired of Fighting Against Your Brain ?
MA FINE ARTS
by Camila Polania
Some say the body arrives first, and the soul takes longer. This installation begins with that delay, in the tension between presence and absence. Instructions of Rematriation is a video installation projected onto a wind-moved fabric, a surface that never fully settles. In front, white Rimax chairs evoke everyday spaces of waiting across Latin America: porches, patios, sidewalks. The work follows the passing of a single day, tracing the slow return to the body after displacement. Through video, writing, textile, and sound, the installation holds a kind of return, not geopolitical, but personal and ancestral: a political and spiritual reconnection with what was once left behind.
MA FINE ARTS
by Giorgio Cassano
ZONA DI SACRIFICIO is a film study that fuses documentary, ethnography, and poetic montage around the Fiume Tara—Taranto’s revered “miracle river.” Through a tapestry of memories, legends, visions, and personal testimonies, the film explores how this sacred source has sustained local identity and resilience, even as the encroachment of the ILVA steelworks has turned the surrounding landscape into a literal “sacrifice zone.” It is both a visual elegy to a once-pure watercourse and a poignant reflection on environmental violence, tracing the uneasy coexistence of spiritual reverence and industrial devastation in a community striving to reclaim its voice.