This work consists in two different approaches of what photography can go through as a representative tool. On the one hand there is a book with a selection of images from the CERN archive from 1960 to 1983. On the other, there are different photographic experiences around the medium’s own materiality and metaphysicality. One becomes the signifier of the other and their layers of representation never stabilize.
This work consists in two different approaches of what photography can go through as a representative tool. On the one hand there is a book with a selection of images from the CERN archive from 1960 to 1983. On the other, there are different photographic experiences around the medium’s own materiality and metaphysicality. One becomes the signifier of the other and their layers of representation never stabilize.
Tiphanie Mall
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