L’exposition s'inscrit dans le prolongement d'un processus de recherche et de production initié par David Douard, Julien Laugier et Stéphanie Moisdon. Deuxième volet d’une collaboration entre l’ECAL et la galerie Treize, elle fait le pari initial d’une expérience collective hors programme, sans vision déterminée. Deemed Visionless esquisse des cartographies humaines, la topographie d’un lieu traversé par des relations, des apparitions, des silhouettes et le fantôme d’une architecture — une tentative de formation d’un groupe sans modèle ni fondation.
6 Septembre 2025
18h
Entrée libre
Treize
24 Rue Moret, 75011, Paris
Stéphanie Moisdon
David Douard et Julien Laugier
Felice Berny-Tarente
Hugo Baud, Iulia Bucuresteanu, Hugo Cuenot, Gaia Del Santo, Paul Fritz, Olive Godlee, Taleb Lachheb, Mélody Lu, Axel Mattart, Charly Mirambeau, Marta Morandini, Matthias Reclus
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BA FINE ARTS
MA FINE ARTS
MAC MA CI
with Federico Nicolao
A collective exploration of the new relations between contemporary writing and artistic practice.
MA FINE ARTS
by Alessandra Ghiazza
In the empty spaces I find pieces of dreams fields and water, of the forgotten green. A stratification of memories that leads to reveal experiences in natural landscapes, real but also places suspended between memory and the dreamlike, creating through geometric and repetitive shapes a space of contemplation on places, to find them again; postcards of a fragile and continuously changing landscape.
MA FINE ARTS
by Axel Mattart
Tired of Fighting Against Your Brain ?
MA FINE ARTS
by Camila Polania
Some say the body arrives first, and the soul takes longer. This installation begins with that delay, in the tension between presence and absence. Instructions of Rematriation is a video installation projected onto a wind-moved fabric, a surface that never fully settles. In front, white Rimax chairs evoke everyday spaces of waiting across Latin America: porches, patios, sidewalks. The work follows the passing of a single day, tracing the slow return to the body after displacement. Through video, writing, textile, and sound, the installation holds a kind of return, not geopolitical, but personal and ancestral: a political and spiritual reconnection with what was once left behind.
MA FINE ARTS
by Giorgio Cassano
ZONA DI SACRIFICIO is a film study that fuses documentary, ethnography, and poetic montage around the Fiume Tara—Taranto’s revered “miracle river.” Through a tapestry of memories, legends, visions, and personal testimonies, the film explores how this sacred source has sustained local identity and resilience, even as the encroachment of the ILVA steelworks has turned the surrounding landscape into a literal “sacrifice zone.” It is both a visual elegy to a once-pure watercourse and a poignant reflection on environmental violence, tracing the uneasy coexistence of spiritual reverence and industrial devastation in a community striving to reclaim its voice.