The Assembly of Writings

The Assembly of Writings

A collective exploration of the new relations between contemporary writing and artistic practice.

Research project (2025) with Federico Nicolao

Courses
BA FINE ARTS, MA FINE ARTS, MAC MA CI
Assistants
Valentina Parati, Alice Peach
Image
Untitled 1 (La casa delle schegge), 2025 nitro print on tissue paper, cardboard, labels 27,0 x 20,0 cm, © Alice Peach

The Assembly of Writings is a research project conducted at ECAL / University of Art and Design Lausanne, between September 2024 and October 2025. Conceived and directed by Federico Nicolao, assisted by Valentina Parati and Alice Peach, and supported by the HES-SO, the project gathered artists, writers, philosophers, and key figures from the contemporary arts scene to examine the transformations of writing and its dialogue with the arts. Through a year of encounters, workshops, and discussions, the participants explored how writing today extends beyond its literary field to intersect with visual and performative practices. The project culminated in a collective publication, bringing together more than thirty contributions in diverse formats—texts, images, conversations, fragments— each revealing a new way of perceiving and transmitting the experience of the possible synergies between arts and writings.

The Assembly of Writings positions writing as both material and gesture, an experimental field where thought and creation merge. This collective inquiry reflects ECAL’s commitment to fostering new forms of knowledge at the crossroads of art, literature, and philosophy.

Principal investigator

Federico Nicolao

Research team

Valentina Parati
Alice Peach

Lecturers and researchers

Emmanuel Alloa, Luc Andrié, Micol Assaël, Mathias Augustyniak, Gabriela Carneiro da Cunha, Mariacristina Cavagnoli, Zoé Cornelius, Roberto Cuoghi, Tacita Dean, Marcelline Delbecq, Camille de Toledo, Suzanne Doppelt, Haytham El Wardany, Lucas Erin, Elein Fleiss, Linda Fregni Nagler, Mathilde Girard, Donatien Grau, Alain Guiraudie, Yannick Haenel, Koo Jeong-A, Jochen Lempert, Angèle Metzger, Stéphanie Moisdon, Gaëlle Obiegly, Hans Ulrich Obrist, Chiara Parisi, Fabienne Raphoz, Francesca Torzo, Carmen et Franco Toselli, Shirin Yousefi, Hanns Zischler

Assistants

Valentina Parati
Alice Peach

Students and alumni

Lucas Aulaigner, Francesco de Bernardi, Jean Bourgois, Lorenzo De Bellis, Francesco De Bernardi, Livia De Gumoëns, Ange Frédéric Koffi, Taleb Lacheb, Asia Lapai, Paul R. Levante, Mélody Lu, Marta Morandini, Ludovico Orombelli

Funded by

HES-SO – Haute école spécialisée de Suisse occidentale (RCDAV)

Period

01.09.2024 – 31.10.2025

DELBECQ.png
10. 12. 2024, meeting with Marcelline Delbecq, Evian, © Valentina Parati
DELBECQ_PARATI.jpeg
10. 12. 2024, Marcelline Delbecq reading in Evian, Valentina Parati, Evian, © Alice Peach
NAGLER_LEMPERT.jpeg
07. 02. 2025, meeting with Jochen Lempert and Linda Nagler, Hambourg, © Federico Nicolao
OBIEGLY.jpeg
26. 02. 2025, meeting with Gaëlle Obiegly, Lausanne, © Federico Nicolao
ASSAEL.png
28. 02. 2025, meeting with Micol Assaël, Lausanne, © Valentina Parati
CAVAGNOLI_CUOGHI.jpeg
06. 05. 2025, dialogue between Mariacristina Cavagnoli and Roberto Cuoghi, Soresina © Alessandra Sofia
TOLEDO.jpeg
15. 05. 2025, meeting with Camille de Toledo, Lausanne, © Federico Nicolao
EL_WARDANY.jpeg
01. 04. 2025, dialogue between Haytham el Wardany and Alice Peach, Lausanne, © Federico Nicolao

Projets similaires

Amina Loumachi – Pleaser Flamingo-808G 8 inches schlong

BA FINE ARTS

Amina Loumachi – Pleaser Flamingo-808G 8 inches schlong

by Amina Loumachi

This performance play with themes of spaces. Through sexualities, the artist questions power dynamics, creating a link amongst the bioluminescence concept as a visibility strategy and queer activism. With heels dancing and a neon atmosphere, the project explores the way of inhabiting the space which could either be intimate or the public. The artist amplifies the echo of their heels, which draws the silence while lighting up the space with each clack. A dialogue is created with the public, still but here. A biocenosis takes place where a space-sound landscape exists creating a tangible discomfort. Bodies become a vector of memories, breathing as the performance goes. A shared heritage gets distributed but also reverses the positions of everyone.

Anna Cocimarov – De deux choses l'urne (qui rit), l'autre c'est le sommeil...

BA FINE ARTS

Anna Cocimarov – De deux choses l'urne (qui rit), l'autre c'est le sommeil...

by Anna Cocimarov

Laughter on TV was recorded in the 1950s. Today, most of the people you hear laughing are dead.” This line from the novel Berceuse by Chuck Palahniuk  feels like an urban legend — half true. It echoes Bruce Nauman’s Partial Truth, a cold, minimalist stele shaped like a dead TV screen. Television, too, builds partial truths: cutting, filtering, reframing reality. We watch the news like a sitcom, between forced laughter and banalized tragedy. This installation reflects this fractured perception: two urns — one laughs, the other sleeps. Vessels of memory, they embody both absurdity and numbness. Between laughter and sleep, death and spectacle, the boundary fades — like truth itself.

Baptiste Schaerer – La Vanrac

BA FINE ARTS

Baptiste Schaerer – La Vanrac

by Baptiste Schaerer

A bull's voice, a linnet's head, an elephant's memory, BANG! a viper's tongue, an ostrich's stomach, a lion's heart, a monkey's grin, as sharp as a blackbird, POUET! as nasty as a caterpillar, BOOM! as stubborn as a donkey, as cunning as an old monkey, as talkative as a magpie, as cowardly as a rabbit YOUPIII

Caroline Bischoff – Daisy Selfie

BA FINE ARTS

Caroline Bischoff – Daisy Selfie

by Caroline Bischoff

I want to go out but I also want to stay in.

Céleste Meylan – Duels

BA FINE ARTS

Céleste Meylan – Duels

by Céleste Meylan

If you come looking for me, you will find me. 

Related courses