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Know-how

Years

1979 2022
Essais photographique

PHOTOGRAPHY

Essais photographique

with Matthieu Gafsou

The mere mention of the term animal already raises questions; the most general of all is the following: do we, as humans, belong to this kingdom, or have we become totally alien to it ? The aim here is not to answer such a question, but to understand that the divide between humans and non-humans is extremely strong in our society - the only one in human history that has forged such a boundary. Yet the animal is everywhere in our daily lives. There is the animal we eat, or refuse to eat, the one we domesticate, the one that lives in our - its? - environment, the one we hunt, the one we cage in zoos, the one we study, the one we protect, etc... There is now talk of the sixth mass extinction of biodiversity. This context, which is ours today, complicates our relationship with living beings and with animals in particular. We are forced to rethink our relationship with others and become aware that life is a complex network in which we do not have all the space. Moreover, recent scientific research has exploded the Cartesian theory of the animal-machine and demonstrated that we are not the only ones to have developed an interiority. During this year-long project, students were asked to produce a series that addresses one or more of the themes associated with the animal world, in the form of their choice but using reality as raw material.

Accrochage Photographique

PHOTOGRAPHY

Accrochage Photographique

with Laurence Bonvin

How can we move from the two-dimensionality of the image to the multi-dimensionality of the experience ? How can we introduce notions of space, volume, tactility and sensuality into images and the way they are presented ? If images can allow us to create new links with the world, how can we possibly move away from an essentially technically based vision, a perspectivist and anthropocentric vision ? How can we imagine and represent what a representation detached from our human point of view would be ? In our culture a separation has been established between culture and nature. This dichotomy has determined the way we see, understand and represent the world around us. How can we create images of the living, of "nature" that go beyond this distinction and this point of view ? Images that contribute to recreating a link with what is nonhuman: the plant, the mineral, the animal, the cosmic. What does an animal, a plant, an object, a tree, the earth feel and perceive ?

Staged photography

PHOTOGRAPHY

Staged photography

with Milo Keller

Photographie et arts plastiques

PHOTOGRAPHY

Photographie et arts plastiques

with Natacha Lesueur

Reference to the masters of the past (even if irreverent) is a recurrent com- posant of modern and contemporary artistic approaches. (Postmodernism; Situationism, Appropriationism) Quotation, homage, parody, remake, pastiche, remix, détournement, recycling, mashup, appropriation, re-enactment, simulationism, found footage, sample, palimpsest - appropriations are numerous and touch all fields.

Création cinématographique

PHOTOGRAPHY

Création cinématographique

with Clément Lambelet

Pratique photographique

PHOTOGRAPHY

Pratique photographique

with Milo Keller

Séquence photographique

PHOTOGRAPHY

Séquence photographique

with Olivia Schenker

Pratique photographique

PHOTOGRAPHY

Pratique photographique

with Natacha Lesueur

Pratique Photographique

PHOTOGRAPHY

Pratique Photographique

with Milo Keller

Pratique Cinématographique

PHOTOGRAPHY

Pratique Cinématographique

with Orsola Valenti

Atelier Photographique

PHOTOGRAPHY

Atelier Photographique

with Kalev Erickson (AMC), Luce Lebart

Accrochage Photographique

PHOTOGRAPHY

Accrochage Photographique

with Clément Lambelet

Pratique photographique

PHOTOGRAPHY

Pratique photographique

with Matthieu Gafsou

Pratique photographique

PHOTOGRAPHY

Pratique photographique

with Sebastian Vargas

Pratique photographique

PHOTOGRAPHY

Pratique photographique

with Natacha Lesueur

Pratique photographique

PHOTOGRAPHY

Pratique photographique

with Milo Keller

Essais photographique

PHOTOGRAPHY

Essais photographique

with Matthieu Gafsou

Credo

PHOTOGRAPHY

Credo

with Matthieu Gafsou

The aim of the Centre intercantonal d’information sur les croyances (CIC) is to map the religious diversity of our regions and to explain in a neutral way how the cantonal communities function. The director, Brigitte Knobel, contacted the ECAL to create a visual cartography of the communities. Second-year students were asked to photograph the project. They worked throughout the year on an assigned religious community, selected beforehand according to geographical and diversity criteria.

"Corps-concept" Exhibition

PHOTOGRAPHY

"Corps-concept" Exhibition

with Natacha Lesueur

“Corps-concept” is an exhibition that reflects on contemporary conceptions of the body that underpin numerous ideological movements, including transhumanism. Issues regarding the body-object, the body-draft, body-commodity and the anthropological consequences of these different “conceptional reductions” will be examined. The aim of the exhibition is to offer an unprecedented insight into our current utopias and on the technoscientific driving force that irrigates these. From 21 My to 19 November at the Maison d'Ailleurs in Yverdon-les-Bains. Opening reception 21 May from 5pm. At the invitation of Marc Atallah, director and curator of the Maison d’Ailleurs, first-year Bachelor degree Photography students at the ECAL/University of Art and Design Lausanne tackled the very contemporary issue of transhumanism. For two semesters, they confronted this school of thought which advocates the advent of a new human being and contends that the progress of science and technology makes it possible to transcend human nature. The project was led by Natacha Lesueur, a French artist-photographer and teacher at the ECAL. This exhibition presents a selection of photographic and filmic works, reflecting the transdisciplinary training programme offered by the ECAL. By contrasting different visions on ways of shaping the humanity of tomorrow, these projects express the numerous controversies and debates regarding transhumanism, as well as its accompanying ideologies. Exhibition opens from 21 May to 19 November 2017 Tu-Sun 11am-6pm 50% discount for ECAL students upon presentation of their legitimation card. Maison d’Ailleurs Place Pestalozzi 14 Case postale 945 1400 Yverdon-les-Bains T. : + 41 24 425 64 38 www.ailleurs.ch

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