TYPE DESIGN
Rasa
with Marie Lusa
Rasa is a modular stencil typeface designed by Mac Wang. It consists of two masters, Roman and Alien, with the possibility of complementing each other by overlaying them. Semester project mentored by Marie Lusa.
TYPE DESIGN
Wallace
with Kai Bernau
Wallace is a semester project by Gabriela Jaime and Pauline Heppeler, developed during the course “Tools Make Shapes”, led by Kai Bernau. “We worked with the metaphor of dancing and how our body behaves when it moves. This led to experimentation with two types of mechanisms; the first prototype followed the scissors logic, while the later one (and final) followed the compass logic. This typology of object allowed us to translate dance movements like spin and pivot, drag and drag across (sliding along the floor) onto an open typographical stroke and structure. It was important for us to show the coordination and movement of two that becomes one – hence we chose to maintain the final output as an open stroke typeface.”
TYPE DESIGN
ON 2040 - MASTER TYPE DESIGN
with Larissa Kasper
Following a collaboration with the Swiss avant-garde brand On, ECAL is proud to present the interdisciplinary work carried out jointly by the 2nd year students of the Product Design, Photography and Type Design Masters.
TYPE DESIGN
Labour Tool Product
with Julia Born
“Labour, Tool, Product” is an editorial project, self-initiated by Samira Schneuwly. The book explores the universal profession of farming, its evolution and the technologies and possibilities associated with it through carefully curated images from ETH Zürich’s online image archive and excerpts from her great-grandfather’s and grandfather’s inventory books.
TYPE DESIGN
Excerpts from Master Type Design theses
with Anniina Koivu, Roland Früh, Wayne Daly
TYPE DESIGN
Max Fett
by Weichi He
MaxFett is a free interpretation of the typeface Fette Grotesk, widely distributed as a single cut among former German type foundries under different names. Fette Grotesque, Breite fette grotesque, Fette Steinschrift, Zeitung-Grotesque, Ganz fette Groteske. This interpretation of the source by Herrlinger & Schmidt from 1881 is taking a contemporary approach on heavy squarish grotesks.
TYPE DESIGN
Typetitle, projet de semestre par Quentin Coulombier
with Kai Bernau
Typetitle is a condensed typeface designed for newspaper headlines which was inspired by American wooden type models.
TYPE DESIGN
Inside-Out semester project by Dávid Molnár
with Radim Peško
TYPE DESIGN
Didot Vafflard semester project by Dávid Molnár
with François Rappo
TYPE DESIGN
Tools make shapes. Semester Project by Malte Bentzen et Kaj Lehmann
with Kai Bernau
TYPE DESIGN
Type Bulletin #1
with MATD
TYPE DESIGN
Modern Gothic, Semester Project by Malte Bentzen
with François Rappo