Arunà
Canevascini

Projects

Arunà Canevascini – Villa Argentina

PHOTOGRAPHY

Arunà Canevascini – Villa Argentina

by Arunà Canevascini

This work is a visual exploration of the relationship I have with my mother, Anahita, set in our family house in the South of Switzerland. My mother is an Iranian artist. She spent her childhood in Tehran as a secluded child, a condition of isolation which she somehow replicates in her adult life. The work represents the house of Villa Argentina as a stage for her poetic universe and a backdrop for the poetic arrangements of objects I made for the camera. In this creative solitude à deux , the work attempts to explore issues of domesticity, feminity and sexual boundaries.

The Embarrassment Show

PHOTOGRAPHY

The Embarrassment Show

with Milo Keller, Erik Kessels

After ECAL in June 2015 and Unseen Photo Fair Amsterdam in September 2015, ECAL Bachelor Photography students present "The Embarrassment Show", an exhibition curated by Erik Kessels, cofounder & creative director of KesselsKramer (Amsterdam), at the  NRW-Forum Düsseldorf  from 20 November to 10 January. --------- The Embarrassment Show A workshop and exhibition curated by Erik Kessels cofounder & creative director KesselsKramer (Amsterdam), with Bachelor Photography students. “Embarrassment is important. If you’re not willing to humiliate yourself, make mistakes and downright fuck up, you should consider working in a cubicle farm. It’s safer there. Because as a creative person, you’ll be called an idiot at least once a day. That’s okay. Making mistakes and risking embarrassment, even failure, is how you make progress. Without it, you’ll be stuck in the same old safe zone: not embarrassed, but not better either. In other words: boring. So if we want to do this thing we love – making stuff – we mustn’t be afraid of looking stupid. In this workshop and exhibition I stretched the abilities of 2nd year ECAL Bachelor Photography students to the limit. By embarrassing themselves they are able to tell a personal, often awkward and risky story. This gives them an opportunity to explore an area of photography which they would probably not have dared to touch.”  Erik Kessels