BIO
Clemens Fischer’s artistic practice engages image apparatuses as operative systems that mediate the relationship between images and their viewers. His work examines the technical and spatial conditions under which images are produced, circulated, and perceived. Through an experimental methodology, he constructs installations and experimental configurations that combine photographic, kinetic, hydraulic, and pyrotechnic elements. By deploying analogue apparatuses and automata, Fischer interrogates the operational logic of digital image regimes, foregrounding contingency, humour, and moments of structural instability.