GRAPHIC DESIGN

Federico Barbon – Alessandro Calabrese — The Long Thing

with Jonathan Hares, Guy Meldem

I had the opportunity to collaborate with the Italian artist Alessandro Calabrese on a monograph of his latest work. In this work the artist used a flatbed scanner to create all the works that are part of this project. Initially I was faced with this gap between photographic production and manual photographic composition. I was spontaneously inspired to take over the artist's production codes to design the book. In fact the entire book is composed through the use a scanner by hand.

GRAPHIC DESIGN

Projet de création

with Guy Meldem

GRAPHIC DESIGN

Multiple Choice

with Gilles Gavillet, Jonathan Hares

GRAPHIC DESIGN

Type Design S3 2018

GRAPHIC DESIGN

Type specimen

Type design displayed on a specimen. Second year course supervised by Aurèle Sack.

GRAPHIC DESIGN

Communication of a press article

with Nicole Udry

Communication of a chosen press article. Second year course of graphic design in context, centered on image creation and editorial design.

GRAPHIC DESIGN

My First Kiss

with Emmanuel Crivelli

Poster design about "My First Kiss", with Emmanuel Crivelli (Dual Room). All the students wrote down their first kiss story. Following this, all stories were anonymously shared before being redistributed.

GRAPHIC DESIGN

Time is Form, Form is Time

with Mitch Paone (Dia Studio)

GRAPHIC DESIGN

Communication of a press article

with Nicole Udry

Communication of a chosen press article. Second year course of graphic design in context, centered on image creation and editorial design.

GRAPHIC DESIGN

Portrait

with Diego Bontognali

Political/Futuristic/Historical/Demagogue/Slanderous Portrait Two different layouts of a strictly identical content, in two publications: A – small (+/- A5) B – big (+ A4)

GRAPHIC DESIGN

A Copy is a Meta-Original

with Florian Lamm

Redefine/rearrange an old socialist photography magazine. Each student had one year of the magazine, they form groups and work on several years together. The text is completly ignored. Only the Images reappear. The are used in a completly different way then before: Which means they should rearrange, cut, collage them: make something completely new, out of the given material. In the end of the workshop every student had a clip-stitched Magazine of 32 Pages. They all be bound as a book.