Jules
Moskovtchenko

Projects

Jules Moskovtchenko – Comparative Archaeology

PHOTOGRAPHY

Jules Moskovtchenko – Comparative Archaeology

by Jules Moskovtchenko

This project is a form of comparative archaeology in which  artefacts from the Upper Palaeolithic era are facing artefacts produced by contemporary society. Comparative archaeology is used when clues are missing in the study of a society: we then compare it to one better known so as to establish differences and similarities. This subject has been developed by appropriation, as an excavation work in the huge production of our society. A selection of images and objects offers a re-examination of our production.

The Embarrassment Show

PHOTOGRAPHY

The Embarrassment Show

with Milo Keller, Erik Kessels

After ECAL in June 2015 and Unseen Photo Fair Amsterdam in September 2015, ECAL Bachelor Photography students present "The Embarrassment Show", an exhibition curated by Erik Kessels, cofounder & creative director of KesselsKramer (Amsterdam), at the  NRW-Forum Düsseldorf  from 20 November to 10 January. --------- The Embarrassment Show A workshop and exhibition curated by Erik Kessels cofounder & creative director KesselsKramer (Amsterdam), with Bachelor Photography students. “Embarrassment is important. If you’re not willing to humiliate yourself, make mistakes and downright fuck up, you should consider working in a cubicle farm. It’s safer there. Because as a creative person, you’ll be called an idiot at least once a day. That’s okay. Making mistakes and risking embarrassment, even failure, is how you make progress. Without it, you’ll be stuck in the same old safe zone: not embarrassed, but not better either. In other words: boring. So if we want to do this thing we love – making stuff – we mustn’t be afraid of looking stupid. In this workshop and exhibition I stretched the abilities of 2nd year ECAL Bachelor Photography students to the limit. By embarrassing themselves they are able to tell a personal, often awkward and risky story. This gives them an opportunity to explore an area of photography which they would probably not have dared to touch.”  Erik Kessels