![ID](https://ecal-media.sos-ch-gva-2.exo.io/filer_public_thumbnails/filer_public/ea/d1/ead1da7a-1f39-4cae-83a7-4c30bd9777e6/a5fc0e857b3137482aa67307ac048dd6.jpg__800x800_q85_ALIAS-feed-thumbs_subsampling-2_upscale.jpg)
PHOTOGRAPHY
ID
with Namsa Leuba
Workshop given by Namsa Leuba (Switzerland/New-York) to second year students.
PHOTOGRAPHY
with Namsa Leuba
Workshop given by Namsa Leuba (Switzerland/New-York) to second year students.
PHOTOGRAPHY
by Namsa Leuba
“ I am an African-European, born in Switzerland and my project was accomplished on a trip to Guinea Conakry. In this work, I was interested in the construction and deconstruction of the body as well as the depiction of the invisible. I have studied ritual artifacts common to the cosmology of Guineans; statuettes that are part of a ceremonial structure. They are from another world, they are the roots of the living. Thereby, I sought to touch the untouchable. Modesty, luck, fecundity or a channel for exorcism, those statuettes hold a cultural value through what they represent or symbolise. With this work, I transform these objects, cosmological symbols of a community, who traditionally have a signification when used as part of rituals. These objects are part of a collective that they must not be separated from, or risk loosing their value. They are not the gods of this community but their prayers. They are integrated in a rigorous symbolic order, where every component has its place. They are ritual tools that I have animated by staging live models and in a way to desecrate them by giving them another meaning; an unfamiliar meaning in the Guinean context. In recontextualizing these sacred objects through the lens, I brought them in a framework meant for Western aesthetic choices and taste. This photographic eye would make them speak differently. Throughout my fieldwork, I had to deal with sometimes violent reactions from Guineans who viewed my procedures/practices as a form of sacrilege. Some were afraid and were struck with astonishment. “