Résultats pour “Adoptable character art (CA113) (139) Bylenimal” (1155)
ECAL-Typefaces.ch,30.04.2015,Harpe 45, Lausanne ECAL/University of Art and Design Lausanne launches an online foundry in association with Swiss Typefaces, allowing to acquire fonts realized by the students in Bachelor Graphic Design and in Master Art Direction. A premiere for a school! www.ecal-typefaces.ch With this website created in collaboration with Swiss Typefaces, ECAL is probably the first university in the world to have launched an online type foundry, allowing direct access for anyone to a selection of typefaces, all designed by students. Thanks to renowned professors such as François Rappo, Aurèle Sack, Ian Party, Gilles Gavillet and Ludovic Balland, and prestigious visiting lecturers such as Frederik Berlaen, Kai Bernau, Peter Bilak, Laurenz Brunner, Christian Schwartz, Paul Barnes and Emmanuel Rey, ECAL has been able to boast a solid reputation in Type Design teaching for several years. Fonts designed by students during the Bachelor Graphic Design and Master Art Direction courses (or for the diploma) are regularly used for ECAL corporate communications (posters, invitations cards, catalogues...), and because of this usage, people often ask to us how to acquire these typefaces, in particular our Headline Fonts. This website is here to answer those requests. ECAL is proud to be able to share these fonts with the largest possible audience and to offer a platform for our students, deserving heirs of a typically Swiss know-how.
Exhibition «Antoine Boudin – Arundo e Estrambord»,29.04–29.05.2015,Gallery l elac, ECAL Du 1 er au 29 mai 2015 à la Galerie l elac à Renens, l ECAL/Ecole cantonale d art de Lausanne présente «Antoine Boudin – Arundo e Estrambord». Proposée dans le cadre des Designer s Days au Palais de Tokyo à Paris en 2014, cette exposition du designer français, diplômé en 2008 du Bachelor Design Industriel de l ECAL, aborde la thématique du mouvement avec la présence d un bateau réalisé en cannes de Provence et dévoile les nouveaux matériaux, ainsi que les objets issus de cette recherche. Dans la continuité de son projet sur la canne de Provence initié avec la Bourse Agora pour le Design, Antoine Boudin présente un nouveau volet de son travail à partir de cette graminée géante. Il propose un point de vue fort sur la place du designer dans la valorisation de déchets issus d une culture très présente dans le Var. Le designer invite également l artiste vidéaste Jean-Baptiste Warluzel à travers une installation et des vidéos qui poussent l art et le design au dialogue avec la canne de Provence comme matière première. Antoine Boudin Antoine Boudin est né en Avignon en 1986. Il est diplômé de l ECAL (Bachelor Design Industriel) en 2008 avec «Quieu Bagna», un bateau de camps à voile latine. En 2009, il assiste le designer Alexander Taylor à Londres avant de remporter le grand prix du jury de Design Parade 4, présidé par Jasper Morrison. Il devient ensuite l assistant de François Azambourg de 2009 à 2011. En 2010, il présente quatorze nouvelles pièces dans son exposition «…E ié vivèn de belli causo» («… et on y vit de belles choses»), retraçant un an de résidence à la Villa Noailles à Hyères. Passionné par la matière et par le «faire», Antoine Boudin développe un travail axé sur les matériaux ancrés dans le territoire où il est amené à travailler, s inscrivant dans une démarche d éco-conception. Ses projets sont influencés par ses origines provençales et méditerranéennes, abordant l industrie et l artisanat avec la même volonté d innovation. En 2011, il ouvre son propre atelier à Hyères afin de développer de nouveaux projets et de continuer ses recherches sur les matériaux, la Provence et la mer. En parallèle, il enseigne le design à l Ecole Supérieure d Art et Design Toulon Provence Méditerranée (ESADTPM). www.antoineboudin.com «Antoine Boudin – Arundo e Estrambord» Exposition ouverte du 1er au 29 mai 2015 (fermée les 14 et 15 mai) du mercredi au vendredi de 13h à 17h. Cette exposition est réalisée avec le soutien de la Bourse Agora pour le Design. Galerie l elac 5 av. du Temple 1020 Renens +41 (0)21 316 99 33 ecal@ecal.ch
Films screenings «Exhibited Cinema»,18.04–23.05.2015,Circuit, Lausanne Conjointement à l exposition «Impact Art Vidéo Art 74» présentée jusqu au 23 mai à Circuit, découvrez un cycle de films d avant-garde dans le cadre d un projet de recherche HES-SO de l ECAL mené par François Bovier et Tristan Lavoyer ( Cinéma exposé: l année 1974 en Suisse romande, entre le white cube et la salle obscure ). L ECAL propose, du 21 au 30 mai, en collaboration avec la Cinémathèque suisse et le Cinéma Bellevaux, une sélection de films minimalistes, structurels, systématiques, qui ont été initialement présentés par Annette Michelson en 1974, à Montreux, dans le cadre du festival New Forms in Film. Parallèlement, jusqu au 23 mai, l espace d art Circuit revient sur l une des principales manifestations européennes d art vidéo, organisée à Lausanne en 1974 par le collectif Impact et Jean Otth. Les enjeux liés à ces deux manifestations seront abordés lors d une table ronde au Cinéma Bellevaux le 29 mai, à 19h30. Horaires du cycle «New Forms in Film»: Cinémathèque Suisse 21 mai, 18h30, Cinématographe Courts-métrages de Peter Kubelka, Paul Sharits, George Landow 22 mai, 18h30, Cinématographe Courts-métrages de Stan Brakhage, Robert Breer, Harry Smith 27 mai, 18h30, Cinématographe Courts-métrages de Bruce Baillie, Ken Jacobs, Joyce Wieland, Michael Snow, Ernie Gehr 28 mai, 18h30, Cinématographe Courts-métrages de Michael Snow, Hollis Frampton Cinéma Bellevaux 29 mai, 18h30, Bellevaux Long-métrage de Yvonne Rainer 29 mai, 20h-21h30, Bellevaux Table ronde: du black box au white cube Avec François Bovier, Nicolas Brulhart, Larisa Dryansky, Adeena Mey, Denis Savary 30 mai, 18h30, Bellevaux Long-métrage de Harry Smith 30 mai, 20h, Bellevaux Long-métrage de Stan Brakhage 3 juin, 18h30, Bellevaux Long-métrage de Jonas Mekas 4 juin, 18h30, Bellevaux Long-métrage de Joyce Wieland Horaires de l exposition «Impact Art Vidéo Art 74», à Circuit, jusqu au 23 mai 2015. Jeudi, vendredi et samedi de 14h à 18h et sur rendez-vous. www.circuit.li Prize The Most Beautiful Swiss Books 2017
Collaboration with Vacheron Constantin Vacheron Constantin presents the “Arts & Crafts & Design: Time according to ECAL and Swiss Craftsmen”, an exhibition produced in partnership with ECAL/University of Art and Design Lausanne and the Fondazione Cologni dei Mestieri d Arte for the Swiss Pavilion at the Milan Expo (May 1st – October 31st 2015), and presented as a preview during the Salone del Mobile at the Museo Bagatti Valsecchi in Milan. This original approach links contemporary creation to several time-honoured know-hows. Within the framework of this project, Vacheron Constantin has asked 12 students from the Master of Advanced Studies in Design for Luxury & Craftsmanship of ECAL to combine their creativity with that of experienced craftsmen in order to produce unique objects and demonstrate the richness, the variety, as well as the relevance to contemporary creation of these artisanal crafts. Under the leadership of Andrea Trimarchi and Simone Farresin (Studio Formafantasma) these 12 “duos” have worked on the same theme, Time, and more precisely on the cyclical time of the seasons, using materials as diverse as paper, stone, glass or carbon.
#Photobooth The ECAL students of the Bachelor Photography and Master Product Design present a series of interactive installations showing how mobile phone cameras and the selfie phenomenon changed the way we look at ourselves. How can one create objects and installations around the portrait theme in this digital age? What means are available to disseminate these? How can one make visitors interact with the exhibits and turn viewers into the main actors in the exhibition? Over a semester, 1st year Master Product Design students and 2nd year Bachelor Photography students from ECAL/University of Art and Design Lausanne worked on these issues with the aim to present their findings as part of an exhibition. Under the watchful eye of Vincent Jacquier, Head of the Visual Communication Department, of designer Camille Blin and photographer Nicolas Haeni, the students were able to understand, using various approaches, how current – material or virtual – technology alters our traditional relationship with portraits, be they selfies or pictures of others. Using modern media as well as more run-of-the-mill devices, exhibition visitors are invited to directly experiment the processes imagined by the students, allowing them to discover new interactive and fun ways of having their picture taken 3.0 style. Based on this principle, the exhibition stages an installation playing with the visitor s shadow; the combination of a mirror and scanner to create realistic or distorted self-portraits; an image which is altered through song; a tribute to famous departed designers through a system of filters placed in front of a smartphone; analogically merged faces; a 180° portrait produced by a range of reflective surfaces; a trompe-l œil projection on a mask; a family of objects able to hijack the smartphone camera function to create original images; a poetic reinterpretation Instagram; and finally, self-portraits captured by the photo itself. Video Images: ECAL/Nicolas Haeni The ECAL students of the Bachelor Photography and Master Product Design present a series of interactive installations showing how mobile phone cameras and the selfie phenomenon changed the way we look at ourselves. How can one create objects and installations around the portrait theme in this digital age? What means are available to disseminate these? How can one make visitors interact with the exhibits and turn viewers into the main actors in the exhibition? Over a semester, 1st year Master Product Design students and 2nd year Bachelor Photography students from ECAL/University of Art and Design Lausanne worked on these issues with the aim to present their findings as part of an exhibition. Under the watchful eye of Vincent Jacquier, Head of the Visual Communication Department, of designer Camille Blin and photographer Nicolas Haeni, the students were able to understand, using various approaches, how current – material or virtual – technology alters our traditional relationship with portraits, be they selfies or pictures of others. Using modern media as well as more run-of-the-mill devices, exhibition visitors are invited to directly experiment the processes imagined by the students, allowing them to discover new interactive and fun ways of having their picture taken 3.0 style. Based on this principle, the exhibition stages an installation playing with the visitor s shadow; the combination of a mirror and scanner to create realistic or distorted self-portraits; an image which is altered through song; a tribute to famous departed designers through a system of filters placed in front of a smartphone; analogically merged faces; a 180° portrait produced by a range of reflective surfaces; a trompe-l œil projection on a mask; a family of objects able to hijack the smartphone camera function to create original images; a poetic reinterpretation Instagram; and finally, self-portraits captured by the photo itself. VideoImages: ECAL/Nicolas Haeni
ECAL Milano 2015: #ECAL #PhotoBooth,14–19.04.2015,Spazio Orso 16, Milan On the occasion of the Milan International Furniture Fair 2015, from 14th to 19th April, the ECAL/University of Art And Design Lausanne presents “#ECAL #PhotoBooth”. The ECAL students of the Bachelor Photography and Master Product Design present a series of interactive installations showing how mobile phone cameras and the selfie phenomenon changed the way we look at ourselves. Images HD Video Catalogue/Cards Press release How can one create objects and installations around the portrait theme in this digital age? What means are available to disseminate these? How can one make visitors interact with the exhibits and turn viewers into the main actors in the exhibition? Over a semester, 1st year Master Product Design students and 2ndyear Bachelor Photography students from ECAL/University of Art and Design Lausanne worked on these issues with the aim to present their findings as part of an exhibition. Under the watchful eye of Vincent Jacquier, Head of the Visual Communication Department, of designer Camille Blin and photographer Nicolas Haeni, the students were able to understand, using various approaches, how current – material or virtual – technology alters our traditional relationship with portraits, be they selfies or pictures of others. Using modern media as well as more run-of-the-mill devices, exhibition visitors are invited to directly experiment the processes imagined by the students, allowing them to discover new interactive and fun ways of having their picture taken 3.0 style. Based on this principle, the exhibition stages an installation playing with the visitor s shadow; the combination of a mirror and scanner to create realistic or distorted self-portraits; an image which is altered through song; a tribute to famous departed designers through a system of filters placed in front of a smartphone; analogically merged faces; a 180° portrait produced by a range of reflective surfaces; a trompe-l oeil projection on a mask; a family of objects able to hijack the smartphone camera function to create original images; a poetic reinterpretation Instagram; and finally, self-portraits captured by the photo itself. Cocktail Tuesday 14 April, 6.30 pm to 9 pm Exhibition Tuesday to Sunday, 11 am to 8 pm Spazio Orso 16 Via dell Orso 16 20121
ECAL Milano 2015,14–19.04.2015,Milan International Furniture Fair ECAL/University of Art and Design Lausanne at Salone Internazionale del Mobile, Milano (14 – 19 April 2015). ECAL/University of Art and Design Lausanne Salone Internazionale del Mobile, Milano 14 – 19 April 2015 -------- #ECAL #PhotoBooth The ECAL students of the Bachelor Photography and Master Product Design present a series of interactive installations showing how mobile phone cameras and the selfie phenomenon changed the way we look at ourselves. A project led by Camille Blin, Nicolas Haeni and Vincent Jacquier. Spazio Orso 16 Via dell Orso 16 20121 Milano www.ecal.ch Cocktail Tuesday 14 April 6.30 pm to 9 pm Opening hours Tuesday to Sunday 11 am to 8 pm --------- ECAL • Vacheron Constantin Arts & Crafts & Design: Time according to ECAL & Swiss Craftsmen Swiss watchmaking manufacture Vacheron Constantin, Fondazione Cologni dei Mestieri d Arte and ECAL students of the Master of Advanced Studies in Design for Luxury and Craftsmanship present 12 objects developed with Swiss craftsmen, under the guidance of Studio Formafantasma. Museo Bagatti Valsecchi Via Gesù 5 20121 Milano www.vacheron-constantin.com Opening hours Tuesday to Sunday 10 am to 7 pm ------- Luceplan x ECAL Luceplan presents a series of lamps using LED sources developed in collaboration with ECAL students of the Bachelor Industrial Design, following a workshop guided by Swiss designer Michel Charlot. Showroom Luceplan Corso Monforte 7 20122 Milano www.luceplan.com Cocktail Tuesday 14 April 7 pm to 10 pm Opening hours Tuesday to Sunday 10 am to 8 pm ------- Rethink the Modular USM has invited seven international schools to celebrate the 50th anniversary of USM Modular Furniture Haller. Following a workshop in Boisbuchet with Swiss designer Dimitri Bähler, a team of ECAL graduates focuses on the active moment of modularity and the relation between man and machine. Salone dei Tessuti Via San Gregorio 29 20124 Milano usm.com/project50 Opening Monday 13 April 6 pm to 8 pm Opening hours Tuesday to Sunday 10 am to 8 pm -------- Axor WaterDream: a Conceptual Study of Glass Spouts In a one-of-a-kind collaboration, Axor, the design brand of Hansgrohe, has given the ECAL Bachelor Industrial Design and Master Product Design students the opportunity to design a series of interchangeable glass spouts for the bathroom using the innovative U-Base system. Axor Duriniquindici Via Durini 15 20122 Milano www.axor-design.com Opening hours Tuesday to Sunday 10 am to 7 pm ------ ECAL graduates at the SaloneSatellite Apartment Shanghai by Benwu Studio – Hongchao Wang, MAS in Design for Luxury & Craftsmanship 2014 – Stand C16 Be Ready by Superlife – Edrris Gaaloul & Cyrille Verdon, Bachelor Industrial Design 2014 – Stand C10 Recent Thoughts by Daniel Wehrli Industrial Design – Daniel Wehrli, Master Product Design 2013 – Stand D19 The Next Space by SCMP Design Office – Sébastien Cluzel, Master Product Design 2013 – Stand A31 Zinc Project by e7 – Giulia Chéhab, Micael Filipe & Romain Viricel, Bachelor Industrial Design 2013 – Stand E7 SaloneSatellite Padiglione 22-24 Fiera Milano, 20017 Rho www.cosmit.it Opening hours Tuesday to Sunday 9.30 am to 6.30 pm Lettering: ECAL/Romain Collaud
Workshop Pasolini The Master students of Mise en scène of the Lausanne University of Theatre and the film directors of Master Ecal/Head collaborated for a work shop around the critical and political impact of Pasolini s work. Multidisciplinary workshop given by Stéphane Bouquet, Lionel Baier and Robert Cantarella The Master students of Mise en scène of the Lausanne University of Theatre and the film directors of Master Ecal/Head collaborated for a work shop around the critical and political impact of Pasolini s work. It aimed to create a boundary between art and politics, and to develop and find traces of politics in all artistic forms. All the students worked together for 3 weeks, by pairs, tutored by Stéphane Bouquet, Lionel Baier and Robert Cantarella to create pluri disciplinary work of arts, movies, stand ups, installations, video art, all of which freely adapted from Pasolini s work.
Best Swiss Videoclip for ECAL graduates Bravo au réalisateur Julien Mercier, diplômé du Bachelor Design Graphique, et au groupe Larytta (Guy Meldem, professeur et diplômé Bachelor Design Graphique, ainsi que Christian Pahud, professeur et diplômé Bachelor Arts Visuels) qui ont gagné pour «Osama Obama» le Prix du Best Swiss Video Clip remis par le jury dans le cadre du festival m4music
Printmaking by ECAL As part of its mission to showcase contemporary creativity, the Cabinet cantonal des estampes presents its recently acquired holdings of editions by the ECAL/University of Art and Design Lausanne. ECAL s publishing activities begin in 1995. Their aim is to involve students in practical projects and preserve a record of the artists who teach or are active at the institution. The initial phase, lasting until 1999, is concerned mainly with multiples; from 2007 a new project shifts the focus to lithography and screen printing. The corpus of some 70 prints produced since that time bears witness to the diversity of contemporary artistic approaches. John M Armleder, Pierre Charpin, Constance Guisset, Fabrice Gygi, Alex Hanimann, David Hominal, Helen Marten, Karim Noureldin, Mai-Thu Perret and Olivier Saudan reveal their preoccupation with the art of the print and the graphic resources available within the multiplied image. As part of its mission to showcase contemporary creativity, the Cabinet cantonal des estampes presents its recently acquired holdings of editions by the ECAL/University of Art and Design Lausanne. ECAL s publishing activities begin in 1995. Their aim is to involve students in practical projects and preserve a record of the artists who teach or are active at the institution. The initial phase, lasting until 1999, is concerned mainly with multiples; from 2007 a new project shifts the focus to lithography and screen printing. The corpus of some 70 prints produced since that time bears witness to the diversity of contemporary artistic approaches. John M Armleder, Pierre Charpin, Constance Guisset, Fabrice Gygi, Alex Hanimann, David Hominal, Helen Marten, Karim Noureldin, Mai-Thu Perret and Olivier Saudan reveal their preoccupation with the art of the print and the graphic resources available within the multiplied image.
Exhibition "Printmaking by ECAL" at the Musée Jenisch,27.03–31.05.2015,Musée Jenisch, Vevey As part of its mission to showcase contemporary creativity, the Cabinet cantonal des estampes presents its recently acquired holdings of editions by the ECAL/University of Art and Design Lausanne. ECAL s publishing activities begin in 1995. Their aim is to involve students in practical projects and preserve a record of the artists who teach or are active at the institution. The initial phase, lasting until 1999, is concerned mainly with multiples; from 2007 a new project shifts the focus to lithography and screen printing. The corpus of some 70 prints produced since that time bears witness to the diversity of contemporary artistic approaches. John M Armleder, Pierre Charpin, Constance Guisset, Fabrice Gygi, Alex Hanimann, David Hominal, Helen Marten, Karim Noureldin, Mai-Thu Perret and Olivier Saudan reveal their preoccupation with the art of the print and the graphic resources available within the multiplied image. Musée Jenisch Vevey Avenue de la Gare 2 CH –1800 Vevey T + 41 21 925 35 20 F + 41 21 925 35 25 info@museejenisch.ch Opening hours Tuesday to Sunday 10 a.m. to 6 p.m. Thursdays until 8 p.m. Closed on Mondays http://museejenisch.ch Image: Sans titre, Christian Floquet, 2011
Exhibition and book "1020 Renens" From 13 to 27 March 2015, the city of Renens and ECAL /University of Art and Design of Lausanne present "1020 Renens", a project by the students of the 3rd year Bachelor Photography led by Nicolas Faure, for his latest project as a teacher at ECAL. Discover Renens otherwise through original images presented in an exhibition and a book. Publication «1020 Renens» Soft Cover, 204 pages, 153 photographs (color and black/white) Texts by Marianne Huguenin (syndicate of Renens), Alexis Georgacopoulos (director of ECAL), Milo Keller (Head of Bachelor Photography) Interview with Nicolas Faure (photographer et professor at ECAL) by Joël Vacheron, sociologist et critic of photography ISBN 978-2-9700962-4-5 Price Chf 30.— Available by the city of Renens or at ECAL With the support of the Foundation Baccarini, the Presses Centrales SA, the inter-service electricity (SIE SA). From 13 to 27 March 2015, the city of Renens and ECAL /University of Art and Design of Lausanne present "1020 Renens", a project by the students of the 3rd year Bachelor Photography led by Nicolas Faure, for his latest project as a teacher at ECAL. Discover Renens otherwise through original images presented in an exhibition and a book.Publication «1020 Renens»Soft Cover, 204 pages, 153 photographs (color and black/white) Texts by Marianne Huguenin (syndicate of Renens), Alexis Georgacopoulos (director of ECAL), Milo Keller (Head of Bachelor Photography)Interview with Nicolas Faure (photographer et professor at ECAL) by Joël Vacheron, sociologist et critic of photographyISBN 978-2-9700962-4-5Price Chf 30.—Available by the city of Renens or at ECALWith the support of the Foundation Baccarini, the Presses Centrales SA, the inter-service electricity (SIE SA).
Exhibition "Hybridations" In response to the invitation of the Théâtre Vidy-Lausanne, whose winter programm reflects the special relationship and dynamic between theater and cinema, students of the 3rd year Bachelor of Photography worked on relations, features, interference and recurrent issues that run through these three display modes: theater, film and photography. This exhibition features a selection of works in the form of a set of arts hybridizations which was initiated in the course of the artist and photographer Natacha Lesueur. Théâtre Vidy-Lausanne Avenue Jaques-Dalcroze 5 1007 Lausanne +41 (0)21 619 45 44 www.vidy.ch In response to the invitation of the Théâtre Vidy-Lausanne, whose winter programm reflects the special relationship and dynamic between theater and cinema, students of the 3rd year Bachelor of Photography worked on relations, features, interference and recurrent issues that run through these three display modes: theater, film and photography.This exhibition features a selection of works in the form of a set of arts hybridizations which was initiated in the course of the artist and photographer Natacha Lesueur.Théâtre Vidy-LausanneAvenue Jaques-Dalcroze 51007 Lausanne+41 (0)21 619 45 44www.vidy.ch
ECAL Lectures: Romeo Castellucci,18.03.2015,IKEA Auditorium, ECAL ECAL Conference: Romeo Castellucci – Theater director and visual artist, Cesena A l occasion de la présentation à l ECAL de la performance « Giulio Cesare. Pezzi Staccati » de Romeo Castellucci dans le cadre du « Programme Commun » organisé avec le Théâtre de Vidy. Du 19 au 21 mars 2015 – www.programme-commun.ch Romeo Castellucci est un homme de théâtre qui vient des arts plastiques : formé aux Beaux-Arts de Bologne, c est d abord l image qu il travaille pour fonder un art de la scène sensationnel, qui agit sur les sens du spectateur. Il puise à tous les langages disponibles pour faire du public le partenaire d une véritable expérience scénique, visuelle et auditive. Avec sa compagnie, la Socìetas Raffaello Sanzio, il a créé notamment Divine Comédie (2008), Parsifal (2011) et Go Down, Moses (2014). Romeo Castellucci Metteur en scène et plasticien, Cesena Mercredi 18 mars 2015 à 18 h Auditoire IKEA, ECAL ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens
Exposition et livre de photographie: «1020 Renens»,12–27.03.2015,Ancien Cinéma Corso, Renens Du 13 au 27 mars 2015, la ville de Renens et l ECAL/Ecole cantonale d art de Lausanne présentent «1020 Renens», un projet réalisé par les étudiants du Bachelor Photographie sous la conduite de Nicolas Faure, pour son dernier projet à l ECAL en tant que professeur. Découvrez Renens autrement par le biais d images originales présentées dans le cadre d une exposition et d un livre qui accompagne l événement. Images HD C est une question de temps. Une photographie se prend en une fraction de seconde, en un instant. Une ville se modifie, elle se transforme et pour qu elle se définisse en une nouvelle image, ça peut prendre des années, des décennies, des siècles. Sous l impulsion de Marianne Huguenin, syndique de Renens, et de Milo Keller, responsable du Bachelor Photographie, un projet de collaboration entre la municipalité et l ECAL, sise au cœur de la ville, est né. Pendant une année, le photographe suisse Nicolas Faure a travaillé avec 15 étudiants de 3e année dans le périmètre de Renens. Ils ont abordé des thématiques variées: de l enquête documentaire sur la communauté africaine, en passant par les adolescents dans les écoles ou à la piscine communale, jusqu à la vie standardisée des bureaux ou à l intimité d appartements de retraités. Ce livre et cette exposition s adressent à tout le monde, des jeunes Renanais aux personnes habitant bien au-delà de ce territoire. Publication «1020 Renens» Soft Cover, 204 pages, 153 images (couleur & noir/blanc) Textes de Marianne Huguenin (syndique de Renens), Alexis Georgacopoulos (directeur de l ECAL), Milo Keller (responsable du Bachelor Photographie) Interview de Nicolas Faure (photographe et professeur à l ECAL) par Joël Vacheron, sociologue et critique de la photographie ISBN 978-2-9700962-4-5 Prix Chf 30.— Disponible auprès de la ville de Renens ou à l ECAL Avec le soutien de la Fondation Baccarini, les Presses Centrales SA, le Service intercommunal de l électricité (SIE SA). Exposition «1020 Renens» du 13 au 27 mars 2015 du mardi au samedi de 15h à 18h sous-sol de l ancien cinéma Corso (accès par la rue du Midi) 1020 Renens www.renens.ch En parallèle, l Espace CJS (rue de Lausanne 21, entrée par la rue Neuve) accueille l exposition du Prix d encouragement de la ville de Renens 2014 avec des travaux de deux étudiants de l ECAL: Iris Andreadis, 3e année Bachelor Design Industriel, et Jacques-Aurélien Brun, 3e année Bachelor Photographie. Vernissage commun. Exposition du 13 au 28 mars 2015 (jeudi, vendredi et samedi, de 15h à 18h). www.renens.ch
ECAL students in Shanghai with Vacheron Constantin,02–06.03.2015,Shanghai At the invitation of the Swiss watch manufacturer Vacheron Constantin, twelve students of the ECAL Master of Advanced Studies in Design for Luxury & Craftsmanship, accompanied by the director Alexis Georgacopoulos and Nicolas Le Moigne head of programme, they went to Shanghai for an exploratory week. On this occasion, they were able to participate in the context of Twin Villas (a property that hosts the Vacheron Constantin Mansion) to a press conference celebrating the partnership Vacheron Constantin/ECAL and unveiled a preview of the exhibition "Arts & Crafts & Design: Time according to ECAL and Swiss Craftsmen » which will be presented during the Milan International Furniture Fair in April, as well as the Expo Milano 2015 (World Expo) from May. They could also discover cultural venues such as Tongji University, the Shanghai Museum, the Maison Hermès, the Glass Museum, visit iconic company related to design as MXM (upholstered furniture), Shang Xia (hi-end craftsmanship) Stellar Works (wood specialist) Spin Ceramics (ceramic brand), Neri & Hu (architecture and design agency) and look over typical neighborhoods for luxury and crafts.
COLLABORATION WITH VACHERON CONSTANTIN, Shanghai At the invitation of the Swiss watch manufacturer Vacheron Constantin, twelve students of the ECAL Master of Advanced Studies in Design for Luxury & Craftsmanship, accompanied by the director Alexis Georgacopoulos and Nicolas Le Moigne, head of programme, went to Shanghai for an exploratory week. On this occasion, they were able to participate in the context of Twin Villas (a property that hosts the Vacheron Constantin Mansion) to a press conference celebrating the partnership Vacheron Constantin/ECAL and unveiled a preview of the exhibition "Arts & Crafts & Design: Time according to ECAL and Swiss Craftsmen » which was presented during the Milan International Furniture Fair in April, as well as the Expo Milano 2015 (World Expo) in May. They could also discover cultural venues such as Tongji University, the Shanghai Museum, the Maison Hermès, the Glass Museum, visit iconic companies related to design as MXM (upholstered furniture), Shang Xia (hi-end craftsmanship) Stellar Works (wood specialist) Spin Ceramics (ceramic brand), Neri & Hu (architecture and design agency) and look over typical neighborhoods for luxury and crafts. On this occasion, they were able to participate in the context of Twin Villas (a property that hosts the Vacheron Constantin Mansion) to a press conference celebrating the partnership Vacheron Constantin/ECAL and unveiled a preview of the exhibition "Arts & Crafts & Design: Time according to ECAL and Swiss Craftsmen » which was presented during the Milan International Furniture Fair in April, as well as the Expo Milano 2015 (World Expo) in May. They could also discover cultural venues such as Tongji University, the Shanghai Museum, the Maison Hermès, the Glass Museum, visit iconic companies related to design as MXM (upholstered furniture), Shang Xia (hi-end craftsmanship) Stellar Works (wood specialist) Spin Ceramics (ceramic brand), Neri & Hu (architecture and design agency) and look over typical neighborhoods for luxury and crafts.
"Hybridations" exhibition,19.02–29.03.2015,Théâtre Vidy-Lausanne En réponse à l invitation du Théâtre Vidy-Lausanne, dont la programmation cet hiver reflète le lien privilégié et les dynamiques entre théâtre et cinéma, les étudiants de 3e année en Bachelor Photographie de l ECAL/Ecole cantonale d art de Lausanne ont travaillé sur les relations, les particularités, les interférences et les problématiques récurrentes qui traversent ces trois modes de représentation : le théâtre, le cinéma et la photographie. Cette exposition propose une sélection de travaux, sous la forme d un jeu d hybridation des arts qui a été initié dans le cours de l artiste et photographe Natacha Lesueur. Vernissage mercredi 18 février 2015 à 18 h 30 à la Kantine de Vidy. Exposition du 19 février au 29 mars 2015, du lundi au samedi de 13 h à 19 h et les soirs de représentations. Théâtre Vidy-Lausanne Avenue Jaques-Dalcroze 5 1007 Lausanne +41 (0)21 619 45 44 www.vidy.ch Image: ECAL/Maxime Guyon
ECAL Research Day,12.02.2015,IKEA Auditorium, ECAL An exceptional series of conferences on the theme of design research. Nous avons le plaisir de vous inviter le jeudi 12 février 2015 à l ECAL/Ecole cantonale d art de Lausanne (Auditoire IKEA) à un cycle de conférences exceptionnel sur le thème de la recherche en design. 17h30 Conférences Nicolas Henchoz, directeur EPFL+ECAL Lab, Renens Eckart Maise, Chief Design Officer Vitra, Birsfelden Jonathan Olivares, designer JODR, Los Angeles Deyan Sudjic, directeur Design Museum, Londres Johannes Torpe, Creative Director Bang & Olufsen, Copenhague 19h00 Table ronde avec les conférenciers modérée par Anniina Koivu, responsable Théorie Master Design de Produit, ECAL 20h00 Apéritif Conjointement, à la Galerie l elac, vous pourrez visiter l exposition Heart of Glass, issue d un projet de recherche HES-SO autour du verre organisé dans le cadre du Master Design de Produit de l ECAL. ECAL 5, avenue du Temple CH-1020 Renens
Masterclass with Juergen Teller Ahead of his conference at ECAL on February 11, 2015, the artist and photographer Juergen Teller visited Fine Arts Master students at their studio, to answer their questions and discuss their works. A group of photography students also participated in this masterclass. Born in Erlangen (Germany) in 1964, Juergen Teller studied at Bayerische Staatslehranstalt für Photographie in Munich, before moving to London in 1986. He is known to navigate between art and commercial photography, blurring the boundaries between his commissioned works and more personal images. He has published over thirty artist books and he exhibits internationally, with solo shows at venues including the Photographers Gallery and the Institute of Contemporary Arts in London, Kunsthalle Vienna and Fondation Cartier in Paris. His photographs are regularly published in magazines such as POP, Die Zeit, 032c , Purple , Self Service and W Magazine . He also collaborates with numerous brands among which Céline, Helmut Lang, Louis Vuitton, Marc jacobs, and Vivienne Westwood. Ahead of his conference at ECAL on February 11, 2015, the artist and photographer Juergen Teller visited Fine Arts Master students at their studio, to answer their questions and discuss their works. A group of photography students also participated in this masterclass.Born in Erlangen (Germany) in 1964, Juergen Teller studied at Bayerische Staatslehranstalt für Photographie in Munich, before moving to London in 1986. He is known to navigate between art and commercial photography, blurring the boundaries between his commissioned works and more personal images. He has published over thirty artist books and he exhibits internationally, with solo shows at venues including the Photographers Gallery and the Institute of Contemporary Arts in London, Kunsthalle Vienna and Fondation Cartier in Paris. His photographs are regularly published in magazines such as POP, Die Zeit, 032c, Purple, Self Service and W Magazine. He also collaborates with numerous brands among which Céline, Helmut Lang, Louis Vuitton, Marc jacobs, and Vivienne Westwood.
ECAL Lectures: Juergen Teller,11.02.2015,IKEA Auditorium, ECAL ECAL Conference: Juergen Teller - Fashion photographer and artist, London Né à Erlangen (Allemagne) en 1964, Juergen Teller étudie à la Bayerische Staatslehranstalt für Photographie à Munich, avant de déménager à Londres en 1986. Il est connu pour naviguer entre l art et la photographie commerciale, brouillant les frontières entre ses travaux de commande et ses images plus personnelles. Il a publié plus de trente livres d artistes et expose internationalement avec des expositions monographiques notamment à la Photographer s Gallery et à l Institute of Contemporary Arts à Londres, à la Kunsthalle de Vienne et à la Fondation Cartier à Paris. Ses photographies sont régulièrement publiées dans des magazines comme POP, Die Zeit, 032c, Purple, Self Service ou encore W Magazine. Il collabore également avec de nombreuses marques dont Céline, Helmut Lang, Louis Vuitton, Marc Jacobs et Vivienne Westwood. Conversation avec Eric Troncy, critique d art, commissaire d exposition et codirecteur du centre d art Le Consortium à Dijon Juergen Teller, Photographe de mode et artiste, Londres Mercredi 11 février 2015 à 18 h Auditoire IKEA, ECAL ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
Exhibition «Half-Time 2015» at ECAL,09–20.02.2015,Auditorium Leenaards, ECAL During the academic break, ECAL shares the finest achievements of its students by presenting a selection of works of the first semester 2014-2015. The exhibition offers Bachelor and Master projects in Art Direction, Finel Arts, Film, Graphic Design, Industrial and Product Design, Design for Luxury & Craftsmanship, Media & Interaction Design, Photography. From 9 to 20 February 2015, Monday to Saturday from 10 am to 5 pm. ECAL University of Art and Design Lausanne 5, avenue du Temple CH-1020 Renens Image: ECAL/Anaïs Boileau, Bachelor Photography
Mobilière Award 2015 for an ECAL graduate Le Prix Mobilière 2015 (CHF 15 000.-) a été remis dans le cadre d Art Genève à Raphael Hefti, diplômé de l ECAL en Bachelor Photographie. Par ailleurs, Raphael Hefti inaugure le jeudi 29 janvier 2015 à 18h au Centre d Art Contemporain Genève l exposition «OR OR OR?»
Cinema graduate has won the Upcoming Talents Award Rhona Mühlebach has won duri ng the 50th Solothurn Film Festival the "Upcoming Talents" award (CHF 15,000) for "Abseits der Autobahn", diploma film 2014 produced as part of the ECAL Bachelor Cinema «Abseits der Autobahn» by ECAL/Rhona Mühlebach, 22 minutes Roman and Linda are a couple that don t have much in common anymore besides drinking Bloody Marys. They go on a bike trip across the Swiss mountains. Roman rides a normal bike although he is out of shape. Linda rides an electrical bike. Their trip quickly becomes more complicated than expected. The couple find themselves at a crossroad and must make a choice. Information ECAL University of Art and Design Lausanne 5, avenue du Temple, Renens Case Postale, CH-1001 Lausanne Suisse/Switzerland Tel.: +41 (0)21 316 99 33 Email: ecal@ecal.ch
Exhibition "Heart of Glass",21.01–20.02.2015,Gallery l elac, ECAL "Heart of Glass" is a design research project HES-SO to take place within the Master in Product design of ECAL/University of art and design Lausanne. UPDATE: On the occasion of WantedDesign in Brooklyn (New York) from May 7 to 17, ECAL presents the exhibition "Heart of Glass". www.wanteddesignnyc.com Special Website: www.heartofglass.ch Using the school s multidisciplinary strength it involved master students, assistants and professors as well as young graduates in the fields of product design, fine arts, photography and interaction design to explore the possibilities offered by glass as a material in different contexts. The results include contributions by Camille Blin, Ronan Bouroullec, Cyril Porchet, Mathieu Rivier, Pauline Saglio, Augustin Scott de Martinville, Brynjar Sigurðarson and Baker Wardlaw, in collaboration with glass experts such as Matteo Gonet or the CIAV Meinsenthal. An exhibition showcasing more than 300 pieces resulting from the project will open on 21 January 2015 in the Gallery l elac in Renens. Exhibition opens from 22 January to 20 February 2015, Wednesday to Friday, 1pm to 5pm. It will be accompanied by the launch of a dedicated website (www.heartofglass.ch) accessible on computers, phones and tablets to browse the comprehensive database as well as a publication. A Reasearch Day about design with internationally renowned speakers will take place Thursday 12 February 2015 at ECAL (programme). Galerie l elac 5, avenue du Temple CH-1020 Renens
Process of improvisation: performance and situated action Performance and situated action, from social sciences to artistic practices This transdisciplinary research project aims to elaborate a critical and collaborative reflexion, between social sciences and artistic practices (i.e. visual arts, performance arts, music and film) upon the function of improvisation, as a theoretical model and a creative process, related to situated action and performance. Based on recent researches in social sciences around improvisation through different modes of actions (conversations, urgency situations, etc.), the stakes is to understand how artistic models inform social theories and render legible their interpretative process. At the same time, the ambition of this research project is to demonstrate that these same models are at the core of artistic practices and can shade a new light on the creative process. During the first year, the research resolves around four workshops-laboratories led by an artist and involving Bachelor students in each art school: Oscar Gomez Mata at the HETSR, Véronique Goël at ECAL, Yan Duyvendak at HEAD and Rudy Decelière at HEMU. During the second year, the workshop-laboratory will be led in common with the four art schools and will take shape through a collaborative research and experimental form, presented to the audience at the end of the project. A colloquium in May 2015 and a special issue of the anthropological magazine Gradhiva will conclude this research project.Main applicantManufacture - HETSR, Frédéric Plazy, with Serge Margel and Claire de RibaupierreCo-applicantsFrançois Bovier (ECAL) Christophe KihZ (HEAD – Genève) Angelika Güsewell with Bastien Gallet (HEMU)Periodseptember 2013 – september 2015Supported bySwiss National Fund (SNF)
Heart of glass This project questions the potential for glass in contemporary art and design to adopt a pragmatic approach with a view to producing extraordinary results. This research project also offers a cutting- edge model in the field of creative research, which places students at the heart of the process. Given the particular qualities of glass, the multiple shapes it can take and its many potential applications to art, crafts and industry, the Heart of Glass project has chosen to experiment with this material and explore new opportunities for creating and designing products. This project was partly driven by a need to question certain modes of production, both in industry and in the crafts, that are central to the concerns of young designers today. This research has also generated productive links between practical experimentation, the evaluation of the findings of these experiments and their ultimate dissemination. Finally, leaving aside the issues involved in project development itself, Heart of Glass offers a potential model for research-creation in design, based on an innovative, forward-looking approach. The objectives of the project included: developing and conducting a range of activities rooted in developing original tools and procedures and contributing to the state of the art and current body of knowledge relating to the design of glass products; using protocols to document experimental and empirical developments to ensure that experiences are shared and skills are applied; proposing samples and prototypes of objects whose formal and/or functional qualities render them suitable subjects for promising further developments; creating relevant links between experimentation, documentation and assessment to furnish designers with a suitable research methodology. The research team first identified, through a review of the literature and the potential partnerships, the best opportunities available for experimenting with new approaches in designing products in glass. On the basis of this, they identified three key themes: the application of industrial technologies to contexts other than those for which they had been designed; the design of glass projects in the context of a semi-industrial production and marketing structure; the forming of new refractory materials for the design of moulds to produce objects. Initially, these themes gave rise to practical workshops for students and assistants in the Master s degree in Product Design, supervised by professors and lecturers from ECAL. Plan B: this work on industrial technologies led to the creation of five prototypes that illustrated the potential of each of the procedures used. Technical data sheets explained their working principles. Meisenthal: six prototypes were created during a workshop held at CIAV (Centre International d Art Verrier). They were each supported by fact sheets that describe the manufacturing process. Mould Machine: in the course of a workshop covering the forming of original moulds, representative samples of the most promising techniques were selected. Different fact sheets were drawn up identifying the properties of each material tested. At a later stage, the most promising findings from each workshop were selected, and representative items were produced by practitioners from product design-related disciplines for the final project exhibition. The Heart of Glass project allowed us to develop an entire range of original tools and procedures, and consequently a very large number of samples that could serve as sources of inspiration for the design of future glass objects. A wide selection of the most interesting pieces was presented at the exhibition that marked the closure of the project. They can also be viewed on the website. In the context of this research-creation project and in accordance with the model developed by ECAL, the use of experimental workshops based on tightly defined complementary themes has proved to be extremely effective in developing original, innovative artefacts. Extreme care went into workshop organisation to ensure a clear fit between objectives and findings: the tools and procedures that were developed broadly met our expectations and the resulting datasheets offered a first, promising attempt to record and disseminate these experiments. Heart of Glass is the first of a series of research-creation projects focusing on design and materials. To its credit, this first experiment led to very important discussions about the definition of research in design and how it could be included within a master s degree curriculum. The publication that grew out of the project offers clear evidence, among other things, of this discussion.Main applicantECAL/University of Art and Design Lausanne (project leader)Research team, , Visiting lecturersRonan Bouroullec, Matteo Gonet Cyril Porchet, Mathieu Rivier, Pauline Saglio, Baker WardlawSupported byECAL/University of Art and Design Lausanne Strategic fund of the University of Applied Sciences Western Switzerland (HES-SO RCDAV)PartnersBaccarat, CIAV Meisenthal, Matteo Gonet/GlassworksPeriodnovember 2012 – february 2015DisseminationExhibitions Heart of Glass, ELAC (Espace Lausannois d Art Contemporain), Renens, 22.01–20.02.2015. Heart of Glass, WantedDesign, Brooklyn, New York, 7–17.05.2015. Website www.heartofglass.ch Publication Augustin Scott de Martinville (ed.), Heart of Glass, ECAL, Renens 2015. Prize Prize The project was nominated for the 2015–2016 Design Preis Schweiz in the ‘Research category.
Lecture and exhibition Conférence et exposition Taiyo Onorato & Nico Krebs,10–19.12.2014,ECAL & Gallery l elac Conférence à l ECAL & exposition à la Galerie l elac à l occasion d une semaine de workshop avec les étudiants du Master Art Direction. Taiyo Onorato (né en 1979 à Zurich) et Nico Krebs (né en 1979 à Winterthour) se sont connus lors de leurs études à la Zurich University of the Arts (ZHdK) et travaillent ensemble depuis 2003. Ils ont participé à de nombreuses expositions monographiques et collectives en Europe (Kunsthalle Mayence, Foam Amsterdam, Fotomuseum Winterthour, PhotoIreland Dublin…) et aux Etats-Unis (Contemporary Arts Center Cincinnati, MoMA PS1 New York). Conférence ECAL Mercredi 10 décembre 2014 à 18h Auditoire IKEA, ECAL Vernissage de l exposition des travaux d étudiants Vin chaud de Noël offert par l ECAL Vendredi 12 décembre 2014 de 17h à 19h Galerie l elac, ECAL Exposition ouverte du 15 au 19 décembre 2014 de 10h à 17h ECAL Ecole cantonale d art de Lausanne & Galerie l elac 5, avenue du Temple CH-1020 Renens
Exhibition "ECAL Photography" in London,04.12.2014–15.01.2015,Display Gallery, London ECAL/University of Art and Design Lausanne presents the “ECAL Photography” exhibition at Display Gallery in London. The exhibition offers a selection of works produced by 58 young talents during their Photography Bachelor curriculum at ECAL. All these images were chosen by exhibition curator Nathalie Herschdorfer, who has developed several internationally acclaimed projects around emerging photography, as well as by Milo Keller, head of the Photography programme at ECAL, and Alexis Georgacopoulos, ECAL director. The scenography of the exhibition is created especially by Swiss designer Adrien Rovero. The “ECAL Photography” book (296 pages, 385 images) supports this event. Private view on the 4th of December from 6pm to 9pm. Exhibition opens from 5 December 2014 until 15 January 2015. Tuesday to Friday 12pm to 6pm – Wednesday 12pm to 8pm or by appointment. The gallery will be closed for Christmas from 20 December 2014 until 5 January 2015. Display Gallery, 26 Holborn Viaduct, London EC1A 2AQ www.displaygallery.co.uk Image: ECAL/Charlotte Krieger. Font : ECAL/Yin Fei Gwee
Masterclass ECAL: Amoi Gitai,03.12.2014,IKEA Auditorium, ECAL Masterclass ECAL: Amoi Gitai - Filmmaker, Israel Pour clore la grande rétrospective à la Cinémathèque suisse et l exposition au Musée de l Elysée consacrées à l œuvre d Amos Gitai, l ECAL a le plaisir d accueillir le cinéaste israélien pour une masterclass le mercredi 3 décembre 2014 de 18h à 20h. Né en 1950 à Haïfa, deux ans après la création de l Etat d Israël, Amos Gitai étudie l architecture et commence par réaliser des documentaires après avoir participé à la guerre du Kippour, où il faillit perdre la vie. Il entreprend une description en profondeur de la société et de l histoire d Israël et de la Palestine. Travail analytique qu il poursuivra dans des fictions comme Kadosh, Promised Land ou Kedma. En 1982, la polémique déclenchée par Yoman Sade (Journal de campagne) le contraint à quitter Israël pour Paris. A travers différentes méthodes narratives et stylistiques (films, théâtre, installations, livres...), il continue d étudier les thèmes transversaux de l exil et de l immigration tout en se focalisant sur les destins croisés de ceux qui composent l histoire d Israël. ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
Exhibition "ECAL Diplomas" in Hong Kong,28.11.2014–28.02.2015,HKDI, Hong Kong ECAL/University of Art and Design Lausanne in collaboration with Hong Kong Design Institute (HKDI) and Hong Kong Institute of Vocational Education (Lee Wai Lee) is proud to showcase 30 projects originating from both its Bachelor and Master s degrees, including selected projects from the award-winning Delirious Home presented in 2014 Milan International Furniture Fair. Exhibition "ECAL Diplomas – Best Emerging Designers from Switzerland" special website: www.hkdi.edu.hk/hkdi_gallery/ecal/ ECAL/University of Art and Design Lausanne in collaboration with Hong Kong Design Institute (HKDI) and Hong Kong Institute of Vocational Education (Lee Wai Lee) is proud to showcase 30 projects originating from both its Bachelor and Master s degrees, including selected projects from the award-winning Delirious Home presented in 2014 Milan International Furniture Fair. Opening reception Friday 28 November 2014 from 5.30 pm to 7.30 pm at the Design Boulevard of HKDI and IVE (LWL) in Hong Kong. Exhibition opens from 28 November 2014 to 28 February 2015, from 10 am to 8 pm (Closed on Tuesdays, 21 & 28 December 2014 and 4 January 2015). Experience Centre 3 King Ling Road, Tseung Kwan O New Territories, Hong Kong (Tiu Keng Leng MTR Station, Exit A2) www.hkdi.edu.hk
ECAL Conférence: Studio Formfantasma,20.11.2014,IKEA Auditorium, ECAL ECAL Conference: Studio Formafantasma - Industrial designers, Amsterdam Conférences ECAL (novembre 2014) Studio Formafantasma, Designers industriels, Amsterdam Jeudi 20 novembre 2014 à 18 h Auditoire IKEA, ECAL A l occasion d une semaine de workshop avec les étudiants du MAS in Design for Luxury & Craftsmanship. Andrea Trimarchi (1983) et Simone Farresin (1980) forment Studio Formafantasma, un duo de designers italiens basés à Amsterdam. Diplômés de la Design Academy Eindhoven en 2009, ils établissent des ponts entre l artisanat et l industrie, leur permettant de collaborer avec Droog, Established & Sons, Fendi, Gallery Libby Sellers, J. & L. Lobmeyr ou Nodus Rug. Leur travail est également présent dans des institutions comme l Art Institute of Chicago, le Victoria & Albert Museum à Londres ou encore le mudac à Lausanne. Paola Antonelli, curatrice au MoMA, considère qu ils font partie de l avenir du design mondial. ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
Projection des films de diplôme Bachelor et Master 2014,18.11.2014,Cinéma Capitole Nous avons le plaisir de vous inviter à la projection des films de diplôme Bachelor et Master 2014 du Département Cinéma de l ECAL/Ecole cantonale d art de Lausanne le mardi 18 novembre 2014 à 20 h au Capitole. Programme: Songe d une nuit*, Josua Hotz, 6 38 Viande*, Christophe Saber, 7 54 Jour J, Julia Bünter, 18 56 Only Pleasure, Oskar Rosetti, 18 32 Parades, Charlotte de Rufz, 16 46 Abseits der Autobahn**, Rhona Mühlebach, 21 14 Entracte offert par Nestlé Frisco A briglie strette, Roman Hüben, 16 Le miel est plus doux que le sang, Colia Vranici, 22 46 Discipline***, Christophe Saber, 11 35 * Rétrospective Félix Vallotton, Grand Palais, Paris, 2013 ** Prix Action Light et Prix Cinema & Gioventù, Festival del Film Locarno, 2014 *** Sélection au Toronto International Film Festival, 2014 Entrée libre Cinéma Capitole Avenue du Théâtre 6 1002 Lausanne www.lecapitole.ch www.cinematheque.ch Photo: ECAL/Axel Crettenand
Exhibition SHS/ECAL at EPFL,17–21.11.2014,Building SG, EPFL Dans le cadre des cours de design industriel et design graphique organisés en Sciences humaines et sociales (SHS) par l ECAL/Ecole cantonale d art de Lausanne, les étudiants de l EPFL ont réalisé des projets originaux allant du mobilier aux affiches, en passant par des éditions graphiques. Cette exposition présente une sélection de travaux qui ont été développés sous la supervision de Gaël Faure, Grégoire Jeanmonod, Tomas Kral, et Tatiana Rihs, professeurs ECAL. Vernissage lundi 17 novembre à 18h Exposition du 18 au 20 novembre 2014 de 9h à 18h EPFL Entrée principale Section d architecture Bâtiment SG www.epfl-ecal-lab.ch http://cdh.epfl.ch/ www.epfl.ch Visuel: Design by Thibault Smith & Martin Noel. Image ECAL/Nicolas Genta
Exhibition and book Vertiginous Parallels From November 14 to December 4, 2014, Elac Gallery presents Vertige des correspondances (Vertiginous parallels), an exhibition by ECAL s Fine Arts Master students, while ECAL launches an eponymous publication. The show and the book are the twofold outcome of a research project directed by Julien Fronsacq with the support of HES-SO/University of Applied Sciences Western Switzerland. The works of Charles Blanc-Gatti (1890-1966) are largely unknown. In his search for synesthetic harmony, this musicalist painter also played with a loss of spatial markers. These two sides of Blanc-Gatti s art are explored in this project, through the relationship the artist entertained with the alpine space. The show presents a novel selection of artworks and documents by Charles Blanc-Gatti, together with works by student-researchers Jérôme Baccaglio, Anaïs Defago, Arthur Fouray, Julien Gremaud, Marine Julié, Emanuele Marcuccio, Rubén Valdez and Linda Voorwinde. Vertiginous Parallels is also a bilingual (FR/EN) publication comprising 188 pages with 85 reproductions from Blanc-Gatti s archives. Published by ECAL and distributed by Presses du réel, the book is edited by Julien Fronsacq in collaboration with Lucile Dupraz, with graphic design by Marietta Eugster and Teo Schifferli, and photographs by Jonas Marguet. Experts from various fields have contributed essays, including the music specialist Maxime Guitton, the art historian and curator Gallien Déjean, the cinema historian Teresa Castro, the artist and historian of medicine Jelena Martinovic, and the art historian and modern danse specialist Sarah Burkhalter. Documents and works by Charles Blanc-Gatti courtesy the Swiss Film Archive, the Swiss Institute for Art Research (SIK-ISEA) and the Cantonal Museum of Fine Arts in Lausanne.
Exhibition "Vertiginous Parallels" at the Gallery l elac,13.11–04.12.2014,Gallery l elac, ECAL Du 14 novembre au 4 décembre 2014 (vernissage le jeudi 13 novembre à 18h), la Galerie l elac présente une exposition réalisée par les étudiants du Master Arts Visuels de l ECAL/Ecole cantonale d art de Lausanne, dans le cadre de «Vertige des correspondances», projet de recherche sous la direction de Julien Fronsacq et soutenu par la HES-SO/Haute école spécialisée de Suisse occidentale. L œuvre de Charles-Blanc Gatti (1890-1966), figure trop méconnue de la peinture musicaliste, se situe entre une quête d harmonie synesthésique et la perte de repères sensoriels. Ces deux versants sont abordés dans l exposition «Vertige des correspondances» à travers le prisme de la relation que l artiste suisse a entretenu avec l espace alpin. En présentant une sélection inédite d œuvres et d archives de Blanc-Gatti, «Vertige des correspondances» offre une vue d ensemble de la production de l artiste non étudiée auparavant: en parallèle à sa participation à l aventure musicaliste, et à ses écrits au sujet des sons et couleurs, Charles Blanc-Gatti fut également un inventeur et écrivain qui n a eu de cesse d éprouver les forces que l espace exerce sur le corps et nos sens. En s appuyant sur «Chromophony» – film animé, abstrait et musical réalisé en 1939 –, les étudiants-chercheurs du Master Arts Visuels de l ECAL ont souhaité s affranchir d une approche exclusivement formelle de l œuvre de Charles Blanc-Gatti, au profit d une étude décloisonnée de l ensemble de ses recherches conceptuelles. «Vertige des correspondances» propose de découvrir les recherches de Charles Blanc-Gatti dans les domaines artistiques et au-delà. A la fin de sa vie, après l élaboration d espaces picturaux, lumineux puis cinématographiques, Blanc-Gatti se consacre à l observation de paysages alpins qu il conçoit à la manière de spectacles dont il réalise des relevés cartographiques et sensoriels. «Vertige des correspondances» est également une publication bilingue (FR/EN) de 188 pages avec 85 reproductions issues des archives de Charles Blanc-Gatti, conçue en collaboration avec les graphistes Marietta Eugster et Teo Schifferli et le photographe Jonas Marguet. Elle comprend des contributions d experts issus de disciplines complémentaires: Maxime Guitton, spécialiste en musique, programmateur musical et ancien assistant de la compositrice Eliane Radigue; Gallien Déjean, historien de l art et commissaire d exposition; Teresa Castro, historienne du cinéma; Jelena Martinovic, historienne de la médecine et artiste; et Sarah Burkhalter, historienne de l art et de la danse moderne. Documents et œuvres courtesy la Cinémathèque suisse, l Institut suisse pour l étude de l art (SIK-ISEA) et le Musée cantonal des beaux-arts de Lausanne. Exposition du 14 novembre au 4 décembre 2014, du mercredi au vendredi, de 13h à 17h. Galerie l elac 5 av. du Temple, 1020 Renens +41 (0)21 316 99 33 ecal@ecal.ch
Exhibition "Survival Camp" in Paris Photo,08–15.11.2014,Les Voûtes, Paris From 9th to 15th of November at Les Voûtes in Paris, ECAL/University of Art and Design Lausanne is pleased to invite you to an exhibition by third-year Photography Bachelor students further to a workshop led by French photographer Thomas Mailaender. HD pictures The artist and the students spent a full week in complete isolation in a forest of the Wild West of Lausanne. Once over the shock of the lack of usual comforts such as running water, electricity or heating, the young photographers embraced this new lifestyle which fuelled their imagination, leading them to produce a huge number of images. Cooking over a wood fire, sleeping under the stars, hunting and fishing became their everyday life and an enabling environment for visual experiments. The responses were varied, from still images to moving images, with some directly depicting contemporary delirious camping, while others flirt with historical reminiscences of the camps of the Great War. But one thing all works have in common is an offbeat sense of humour. During Paris Photo, the outcome is presented as an installation in an unusual place in an urban setting, Les Voûtes. After the one-week workshop in Switzerland all students worked with Thomas Mailaender on the design and set-up of the exhibition. The installation was a week of full immersion for the students, as they lived in the exhibition while setting it up. The images are displayed in a raw environment, a sort of village or makeshift camp. All this allowed them to go beyond the process of taking shots to tackle the issue of the production and exhibition of these images to the public. The exhibition is accompanied by a duotone catalogue-newspaper produced by the students and printed at ECAL. Private view on Saturday 8 November 2014 from 6pm to 10pm Exhibition from Sunday 9 November to Saturday 15 November 2014, 11am to 8pm DJ set on Friday 14 November 2014 from 9pm Les Voûtes 19 rue des Frigos 75013 Paris M14 arrêt Bibliothèque François-Mitterrand www.lesvoutes.org
ECAL events in Zurich,07.11–18.12.2014,Réunion, Zurich During November and December 2014, ECAL University of Art and Design Lausanne presents a series of events hosted by Réunion, Zurich 7 November – 18 December 2014 During November and December 2014, ECAL University of Art and Design Lausanne presents a series of events hosted by Réunion, Zurich Programme Languages: Presentations are in English or in German 7 — 8 November Master Fine Arts (Head: Stéphanie Moisdon) 5pm — 8pm Poxmodernism Two days program curated by Julien Berberat, Julien Gremaud and Emanuele Marcuccio about the exchange between ECAL and Soma Summer at Mexico City 14 November Bachelor Fine Arts (Head: Stéphane Kropf) 7pm — 8pm Performances 8pm — 9pm Live Act by The Staches 9pm DJ Set by Francis Baudevin and Stéphane Kropf 4 December Master Art Direction (Head: Philippe Egger) 7pm — 9pm What Would Mr.Nakajo Do? Exhibition of works by the Master Art Direction students, inspired by the legendary art director Masayoshi Nakajo, following a 10 day study trip to Tokyo in late October 2014 5 December Master Art Direction 7pm — 9pm Stories from Master Art Direction Observations from professors, assistants, alumni and students 11 December Master Product Design (Head: Thilo Alex Brunner) 7pm — 9pm Made in China Exhibition of sketches and photography by Master Product Design students, made during a study trip in China and Hong Kong in February 2014 7pm — 9pm Made in Lausanne Exhibition of selected objects by students 7pm — 9pm Stories from Master Product Design Observations from professors, assistants, alumni and students 12 December Master Product Design 7pm — 9pm ‘Diversions Book Launch Essays written by students 13 December Master Product Design 11am — 6pm Made in China Exhibition of sketches and photography by Master Product Design students, made during a study trip to China and Hong Kong in February 2014 Made in Lausanne Exhibition of selected objects by students 17 — 18 December Master Art Direction 6pm — 9pm Finissage: Gift in a Minute Have your portrait taken in the ECAL Christmas Decor and share a ‘Glühwein Réunion Müllerstrasse 57 CH–8004 Zurich www.reunion.la Image: ECAL/Jacques-Aurelien Brun, Thibault Jouvent, Younes Klouche Font: ECAL/Sarah Klein
Construire un feu Une exposition réalisée par les étudiants de troisième année Bachelor Arts Visuels, dans le cadre du cours de Denis Savary. A partir du titre d une nouvelle de Jack London*, proposer aux étudiants d envisager leur pratique artistique comme une sorte de géographie. Les inciter à explorer cette région à la manière d un trappeur ou d un touriste éclairé afin d élargir et de diversifier leurs champs de connaissance et tenter ainsi de les aider à mieux percevoir les contours nécessairement mouvants de leur territoire. Pour cette exposition, les étudiants ont été invités à envisager leurs productions artistiques comme des feux, des dispositifs d allumages. Ceci afin de tenter de s approcher le plus possible des choses qui les animent. L étincelle étant nécessaire à tout engagement. « Construire un feu » c est poser la question du foyer. « Construire un feu » c est l idée de la lanterne magique. « Construire un feu » c est les notions de chaud/froid. « Construire un feu » c est la question de la destruction, de l autodafé. « Construire un feu » c est être prêt à envisager la suite. *Jack London To Build a Fire , 1907 Une exposition réalisée par les étudiants de troisième année Bachelor Arts Visuels, dans le cadre du cours de Denis Savary. A partir du titre d une nouvelle de Jack London*, proposer aux étudiants d envisager leur pratique artistique comme une sorte de géographie. Les inciter à explorer cette région à la manière d un trappeur ou d un touriste éclairé afin d élargir et de diversifier leurs champs de connaissance et tenter ainsi de les aider à mieux percevoir les contours nécessairement mouvants de leur territoire. Pour cette exposition, les étudiants ont été invités à envisager leurs productions artistiques comme des feux, des dispositifs d allumages. Ceci afin de tenter de s approcher le plus possible des choses qui les animent. L étincelle étant nécessaire à tout engagement.«Construire un feu» c est poser la question du foyer.«Construire un feu» c est l idée de la lanterne magique.«Construire un feu» c est les notions de chaud/froid.«Construire un feu» c est la question de la destruction, de l autodafé.«Construire un feu» c est être prêt à envisager la suite.*Jack London To Build a Fire, 1907
Entrepreneurial week at ECAL,03–07.11.2014,ECAL & UniverCité The goal of this week is to provide everyone with information covering innovation support, financing and feedback from renowned alumni and entrepreneurs. La semaine entrepreneuriale s adresse avant tout aux étudiants de l ECAL/Ecole cantonale d art de Lausanne, mais les événements seront aussi ouverts au public (voir programme). Le but de cette semaine est d apporter à tous une information couvrant à la fois le support à l innovation, le financement et le retour d expérience d anciens élèves et d entrepreneurs de renom. Cette semaine se déroule du lundi 3 au vendredi 7 novembre 2014 grâce au soutien de la ville de Renens, de l ECAL et du Service de la promotion économique et du commerce (SPECo). www.renens.ch www.semaine-entrepreneuriale.com Programme: Lundi 3 novembre 2014 11 h 00 Conférence de presse Présentation de la dynamique au sein du Pôle Design de Renens Auditoire IKEA, ECAL 12 h 00 Présentation de la semaine entrepreneuriale Lancement du Challenge Agorabee Auditoire IKEA, ECAL 18 h 00 – 19 h 00 Conférence plénière Christian Saclier, Global Head of Industrial Design, Nestlé Auditoire IKEA, ECAL -------- Mardi 4 novembre 2014 12 h 30 – 13 h 30 Soutiens à l innovation Présentation d Innovaud, des soutiens et des parcs vaudois Auditoire IKEA, ECAL 19 h 00 – 20 h 00 Soirée municipalité-entreprises « Un incident… et une nouvelle direction » Avec la participation exceptionnelle de Jean Troillet, alpiniste suisse Présentation du film « Vertige à l Annapurna » Auditoire IKEA, ECAL -------- Mercredi 5 novembre 2014 12 h 30 – 13 h 30 Soutiens à l innovation Présentation de Lausanne Région, des soutiens et du prix PERL Auditoire IKEA, ECAL 18 h 00 – 20 h 00 Soirée BioArt@UniverCité Chemin du Closel 5, UniverCité -------- Jeudi 6 novembre 2014 12 h 30 – 13 h 00 Success Stories Présentation d anciens élèves de l ECAL qui apportent leur témoignage d entrepreneurs à succès : – A C E (Camille Blin, Bachelor Design Industriel 2009) – Sigmasix (Florian Pittet, Bachelor Media & Interaction Design 2008) – Swiss Koo (Alexandre Gaillard, Bachelor Design Industriel 2002) Auditoire IKEA, ECAL 18 h 00 – 19 h00 Conférence plénière Willi Glaeser, industriel, designer et fondateur de la marque de mobilier Wogg Auditoire IKEA, ECAL -------- Vendredi 7 novembre 2014 12 h 30 – 13 h 20 Workshop Présentation des espaces de co-working Networking Cocktail Yann Heurtaux (UniverCité) et Moloudi Hadji (Ateliers6) Auditoire IKEA, ECAL 13 h 20 – 13 h 45 Conférence de presse et remise du prix Challenge Agorabee Auditoire IKEA, ECAL ------- ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens www.ecal.ch UniverCité 5, chemin du Closel CH-1020 Renens www.univercite.ch Tous les événements sont ouverts au public sur inscription www.semaine-entrepreneuriale.com Photographie : ECAL/Marie Rime, courtoisie Raiffeisen Vaud
Vitra & ECAL: "Out of the Box" at Designers Saturday,01–02.11.2014,Designers Saturday, Langenthal At the 15th edition of Designers Saturday in Langenthal on 1–2 November 2014, Vitra and ECAL/University of Art and Design Lausanne invite you to discover the mythical aura of great furniture classics. The installation ‘Out of the Box , designed by Joelle Aeschlimann and Sylvain Aebischer, offers an enjoyable exploration of the inception, production and impact of these iconic designs. (Pictures HD) Pieces like the Eames Lounge Chair, the Panton Chair or the Landi Chair are counted among the great classics of industrial furniture design. Over the years they have earned iconic status and established their place as cherished objects in our everyday lives. But how were these designs created, and who was responsible for them? What is the source of their enduring appeal, and why do they only get better with age? Last but not least: how were they originally produced, and how are they manufactured today? With their installation ‘Out of the Box , Joelle Aeschlimann and Sylvain Aebischer – graduates of ECAL Lausanne in the respective fields of Media & Interaction Design and Industrial Design – provide an entertaining look at well-known furniture classics. The factory stands at the focus of their installation as the place where design objects are created. Stories, myths, ideas and objects emerge and intersect in the factory. It is where designer and developer work on prototypes, where materials are processed and details are refined, where structural components are assembled by people and machines, where the finished furniture pieces are packed and shipped, and where the classics are repaired and refurbished even after decades of use. The exhibition is located on the production floor of the Ruckstuhl factory in Langenthal (Bleienbachstrasse 9, 4901 Langenthal) and is open to the public on 1 November, 9:00 am to 6:30 pm / 2 November, 10:00 am to 6:00 pm. Designers Saturday Ruckstuhl AG Bleienbachstrasse 9 CH-4901 Langenthal www.designerssaturday.ch www.vitra.com
ECAL at BIENNALE INTERIEUR KORTRIJK,17–26.10.2014,Kortrijk, Belgium The "Rise & Shine" exhibition is a unique opportunity to discover the young designers of tomorrow, all graduates of the Bachelor in Industrial Design, Master in Product Design or MAS in Design for Luxury & Craftsmanship of ECAL/University of Art and Design Lausanne. This highly international selection (Belgium, Canada, France, Germany, Iceland, Italy, Portugal and Switzerland) demonstrates the outreach of an institution like ECAL and proves that talent has no boundaries. Everyone already has their very own singular approach and has been noticed through awards, partnerships or significant exhibitions. With distinctions like the Grand Prix at the Villa Noailles Design Parade, the Design Prize Switzerland awarded in Langenthal or the SaloneSatellite Award in Milan or the Interieur Awards in Kortrijk, editions produced by renown brands such as Belux, Camper, Hay, Moroso, Moustache or Vitra, not to mention exhibitions in prestigious venues such as Galerie kreo in Paris or the Triennale Design Museum in Milan, all doors open for this generation of designers, including those of Biennale Interieur which presents, from 17 to 26 October 2014, an anthology of their projects. BIENNALE INTERIEUR 2014 From 17 to 26 October 2014 Biennale locations in Kortrijk City: Broel School - Broel Towers - Broel Museum - Buda Tower - Buda Gallery - Buda Factory http://www.interieur.be/biennale/2014/practical-info
Alma Cecilia Suarez – Jannis Jannis is a photographic atlas portraying a young Chinese man who migrated to Singapore. In search of identity, he oscillates between his native culture and western influences. This multifaceted person is portrayed by the play of contrasts between archive images, portraits and writing. These typologies come together to form a complex imaging of this person. Jannis plays with his image and affirms himself through it; its reflection has a universal character. Jannis is a photographic atlas portraying a young Chinese man who migrated to Singapore. In search of identity, he oscillates between his native culture and western influences. This multifaceted person is portrayed by the play of contrasts between archive images, portraits and writing. These typologies come together to form a complex imaging of this person. Jannis plays with his image and affirms himself through it; its reflection has a universal character.
Die Nacktwanderer When I saw a nudist beach for the first time last summer, I immediately knew that I had to deal with this group nudity in my diploma. “Naked hiking” is a modern split-off from which even primal naturists take distance; nudity in public provokes. Nudity and Nature have always been big subjects in art. Inspired by the romantic paintings I was hunting for photographs which feature this tension between romantic nature and disturbing contemporary elements – an opposition between nature and culture. When I saw a nudist beach for the first time last summer, I immediately knew that I had to deal with this group nudity in my diploma. “Naked hiking” is a modern split-off from which even primal naturists take distance; nudity in public provokes. Nudity and Nature have always been big subjects in art. Inspired by the romantic paintings I was hunting for photographs which feature this tension between romantic nature and disturbing contemporary elements – an opposition between nature and culture.
Exhibition Foudation Year at the BCV,29.09.2014,Centre de formation BCV/BCL, Prilly Le Centre de formation de la BCV, des Banques Cantonales Latines et l ECAL/Ecole cantonale d art de Lausanne ont le plaisir de vous convier à la présentation d une sélection de travaux des étudiants de l Année Propédeutique lundi 29 septembre 2014 à 17 h au Centre de formation BCV/BCL. L exposition est ouverte au public à l occasion du vernissage uniquement. Centre de formation BCV/BCL 100, avenue de la Vallombreuse CH-1008 Prilly Image : ECAL/Marion Aeby
ECAL Conference: Patricia Urquiola,26.09.2014,IKEA Auditorium, ECAL ECAL Conference: Patricia Urquiola – Architect and industrial designer, Milan A l occasion des Design Days 2014 organisés par le magazine Espaces contemporains du 25 au 28 septembre 2014. www.designdays.ch Patricia Urquiola, architecte et designer industriel, Milan Vendredi 26 septembre 2014 à 18 h, auditoire IKEA, ECAL Née en 1961 à Oviedo, Patricia Urquiola étudie l architecture à l Université de Madrid, puis soutient sa thèse sous la direction d Achille Castiglioni à l Ecole Polytechnique de Milan. De 1990 à 1996, elle est responsable du développement chez De Padova. Par la suite, elle travaille pour Piero Lissoni avant d ouvrir son agence en 2001. Elle dessine et collabore avec d importantes compagnies comme BMW, Hermès, Honda, Kartell, Mandarin Oriental Hotels, Missoni, Panasonic, Maurice Lacroix et Moroso. Ses produits sont exposés dans des musées de renommée internationale tels que le MoMA à New York, le Fonds national d art contemporain de Paris ou la Triennale de Milan. ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 www.ecal.ch
ECAL partner of Design Days Renens 2014,25–28.09.2014,Renens L ECAL fait partie des partenaires principaux des Design Days 2014 et présente plusieurs événements. ECAL Dipômes Bachelor et Master 2014 ECAL/FREITAG: V30 Les plus beaux livres suisses 2013 Exposition d affiches Gavillet & Rust (avec Vincent Devaud) Conférence Tom DIxon, designer industriel, Londres Conférence Patrica Urquioa, achitecte et designer industriel, Milan ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 De nombreux diplômés de l ECAL participent également à cette manifestation Michel Charlot, Carlo Clopath, Thilo Alex Brunner, Lucile Conti, Yann Mathys dans le cadre des Espaces du design 2013-2014 Allegory, BIG-GAME, CHIC CHAM, Egli Studio, Lausanne Jardins, Luciano Dell Orefice... Design Studio Renens Programme complet en PDF Anciens Ateliers Mayer & Soutter Rue de Lausanne 64 1020 Renens Horaires: Jeudi 25 septembre : 18h00-22h00 - vernissage Vendredi 26 septembre : 12h00-20h00 Samedi 27 septembre : 10h00-20h00 Dimanche 28 septembre : 10h00-18h00 Plan PDF à télécharger
ECAL/FREITAG: V30,25–28.09.2014,Mayer & Soutter, Renens On the occasion of the Design Days from September 25 to 28 2014 at Mayer & Soutter in Renens, ECAL/University of Art and Design Lausanne and FREITAG are presenting the exhibition V30. HD Pictures Under the direction of the Swiss designer Jörg Boner and in partnership with FREITAG, ECAL students have been working on ways to incorporate into domestic spaces V30 SKID module, a shelving system designed by Colin Schaelli to equipe all FREITAG stores. Nearly thirty original projects made by students from the second year of the Bachelor Industrial Design will be showcased for the first time at the Design Days. Anciens Ateliers Mayer & Soutter Rue de Lausanne 64 1020 Renens Hours: Thursday, September 25 : 18h00-22h00 - opening Friday, September 26 : 12h00-20h00 Saturday, September 27 : 10h00-20h00 Sunday, September 28 : 10h00-18h00 http://www.designdays.ch/
Exhibition Gavillet & Rust,25.09–11.10.2014,Gallery l elac, Renens Du 26 septembre au 11 octobre 2014 à la Galerie l elac à Renens, l ECAL/Ecole cantonale d art de Lausanne présente une exposition conçue et réalisée par Gavillet & Rust avec Vincent Devaud à partir de la collection du FRAC Champagne-Ardenne (France). Images HD «A l invitation du FRAC Champagne-Ardenne, le studio de design graphique Gavillet & Rust, responsable depuis 2008 de l identité graphique du FRAC, a conçu un dispositif inédit de présentation de sa collection. «Quel regard porter sur une collection? Selon quel axe l aborder? Thématique? Chronologique? Les possibilités sont nombreuses, et chacune d elles raconte une histoire particulière. Les membres du studio de design graphique Gavillet & Rust, invités à écrire leur propre récit, ont abordé la question d une manière assez singulière, en appliquant à la collection les codes et systèmes qu ils manient dans leur pratique quotidienne du graphisme. Ainsi, plutôt que de s atteler à un display «classique» d œuvres, c est à la représentation de celles-ci qu ils se sont intéressés. Un parti pris qui fait notamment écho au célèbre «Ceci n est pas une pipe» de Magritte. Une vingtaine de visuels ont été sélectionnés, permettant de multiples combinaisons possibles via un étonnant jeu d impressions et de surimpressions en sérigraphie. Aucune irrévérence dans cet exercice, plutôt un plaisir certain à s emparer d images au «potentiel graphique» indéniable, à les superposer, les confronter, les recadrer, voire les manipuler. La proposition de Gavillet & Rust mêle par ailleurs deux approches a priori radicalement antinomiques que sont le temps de l exposition et celui de la communication visuelle. Le premier laisse la possibilité de se familiariser à l œuvre, de l appréhender dans un contexte spécifique, pensé pour lui rendre justice au mieux. Le second, en revanche, nécessite un impact immédiat, afin de marquer les esprits dans un environnement surchargé de signes. Les graphistes sont ici parvenus à trouver un rare équilibre entre ces deux temporalités. Si les affiches éditées – d un format de 120 x 176 cm, fidèle au placard urbain à la française – sont efficaces et immédiatement séduisantes, elles restent toutefois énigmatiques, demandant un second temps de lecture pour se dévoiler dans leur entièreté. Et les questions d affleurer: quel rapport entre le portrait des deux trublions britanniques Gilbert & George réalisé par Gérard Rondeau et les peintures pop de Michel Majerus? Comment la Joconde de Filliou dialogue-t-elle avec les expérimentations photographiques de James Welling? Les clichés de Robert Adams peuvent-ils s accommoder des appropriations de Raymond Hains? Si certains «assemblages» ne manquent pas de surprendre, on ne peut que souligner la richesse d une telle proposition, chaque affiche créée recélant une potentielle exposition et offrant une lecture inédite des différentes œuvres réunies sur le papier.» Texte de Florence Derieux, directrice du FRAC Champagne-Ardenne Biographie de Gavillet & Rust (www.gavillet-rust.com) Gavillet & Rust est une agence fondée en 2001 par Gilles Gavillet & David Rust spécialisée dans le design éditorial et les identités visuelles. Depuis 2004, Gavillet & Rust assure la direction artistique des éditions JRP|Ringier à Zürich. Le studio a collaboré avec différentes institutions internationales, notamment le Centre Pompidou à Paris (2008), la Biennale d Art de Venise (2011) et le Guggenheim Museum de New York (2014). Parmi leurs clients figurent Marc Newson et les montres Ikepod ou Jay-Z pour qui le studio a réalisé l identité de son label Roc Nation (2009). Depuis 2013, le studio collabore avec Art|Basel sur le nouveau catalogue de la foire. En 2012, le studio a reçu le Grand Prix Design de la Confédération. «Adams x Burr x de Cointet x Coplans x Cordebard x Craven x Dheurle x Durham x Filliou x Fontcuberta x General Idea x Hains x Hains x Hains x Kasten x Majerus x Majerus x Rondeau x Wall x Welling» de Gavillet & Rust avec Vincent Devaud. Une co-production du Centre National des Arts Plastiques et du FRAC Champagne-Ardenne. Du 26 septembre au 11 octobre 2014, de 11h à 17h (fermée les dimanches). Cette exposition est présentée à la Galerie l elac conjointement à celle du concours « Les plus beaux livres suisses 2013 » et durant les Design Days 2014 du 25 au 28 septembre (horaires et programme sur www.designdays.ch Galerie l elac 5 av. du Temple, 1020 Renens +41 (0)21 316 99 33 ecal@ecal.ch www.ecal.ch
Graduates Show Bachelor and Master,25.09–11.10.2014,Auditorium Leenaards, ECAL From September 26 to October 11 (opening Sept. 25 from 6pm to 9pm), the ECAL/University of Art and Design Lausanne presents a selection of diplomas Bachelor and Master 2014 in its building in Renens. HD pictures Bachelor HD pictures Master Through editions, pictures, fonts, paintings, interactive installations or objects, this exhibition offers the unique opportunity to discover the work of students from Bachelor (Fine Arts, Industrial Design, Graphic Design, Photography, Media & interaction Design) and Master (Art Direction, Visual Arts, Design Product) as well as the creations of the Master of Advanced Studies in Design for Luxury & Craftsmanship. The films of the Bachelor Cinema and the Master Cinema ECAL/HEAD will enjoy a screening Tuesday, November 18 at 8pm (cinema Capitole in Lausanne). On this occasion, the ECAL publishes the third time a "Yearbook" of 250 pages (CHF 20) with all the work of graduate students this year. Available directly at ECAL. Open from September 26 to October 11, 2014 from 11 am to 5pm (closed on Sundays). This exhibition is presented during the Design Days 2014, September 25 to 28 (time and program www.designdays.ch) HD Pictures Bachelor Design Industriel/Bachelor Industrial Design Bachelor Photographie/Bachelor Photography Bachelor Design Graphique/Bachelor Graphic Design Bachelor Media & Interaction Design + Vidéo1 Vidéo2 Vidéo3 Vidéo4 Vidéo5 Vidéo 6 Bachelor Arts Visuels/Bachelor Fine Arts Master Design de Produit/Master Product Design Master of Advanced Studies in Design for Luxury & Craftsmanship Master Art Direction Master Arts Visuels/Master Fine Arts ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens www.ecal.ch