1,15m²

Projects BA GRAPHIC DESIGN

1,15m²

During this workshop week, the students worked on the curation, mediation and placement of their own exhibition. The students selected a corpus of works from the iconographic and textual collections of the Metropolitan Museum of Art and the Museum of Modern Art, both based in New York. The exhibition space, 1.15m² (refering to the surface area of an F4 poster) is printable, hangable and foldable. It is both a surface but also a base or a volume.  The students' results question the means of reproduction and representation of the works in the design of an exhibition.

Workshop (2019) with Sacha Léopold (Syndicat)

Students
Pauline Baldinetti, Inés Barrionuevo, Emilie Bouchet, Alexandre Brunisholz, Emma Chapuis, Isabel Garcia Argos, Hugo Hectus, Elena Najdovski, Julie Neuhaus, Thaïs Nguyen Huu, Lynne Nougou, Laetitia Paroz, Guillaume Pavia, Ares Pedroli, Amanda Puna, Julie Ryser, Samuel Schmidt, Timo Tiffert, Laura Trummer, Adeline Vermot
Know-how
Poster

During this workshop week, the students worked on the curation, mediation and placement of their own exhibition.

The students selected a corpus of works from the iconographic and textual collections of the Metropolitan Museum of Art and the Museum of Modern Art, both based in New York.

The exhibition space, 1.15m² (refering to the surface area of an F4 poster) is printable, hangable and foldable. It is both a surface but also a base or a volume.

The students' results question the means of reproduction and representation of the works in the design of an exhibition.

1/2
Jérémy Maffeï
Amanda Puna
Timo Tiffert
Thaïs Nguyen Huu
Vincent Freitag

1/6
Hugo Hectus
Ares Pedroli
Emma Chapuis & Pauline Baldinetti
Léa Guillon
Kenza Saleh
Julie Neuhaus

1/6

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Diego Steiner – Hybrid Modules

BA GRAPHIC DESIGN

Diego Steiner – Hybrid Modules

by Diego Steiner

Hybrid Modules explores the link between traditional craftsmanship and contemporary technologies through the creation of a 3D-printed modular typographic tool for use with a manual letterpress. Designed on a grid, the modular alphabet becomes a set of physical dies, which can be inserted by hand into the press. The slow, repetitive process becomes an integral part of the visual language, making visible the time and care of the gesture. A series of A2 posters promotes a series of fictitious conferences entitled “ART, CRAFT & TECHNOLOGY - Guests in Switzerland”.
Eliot Dubi – JUST IN CASE

BA GRAPHIC DESIGN

Eliot Dubi – JUST IN CASE

by Eliot Dubi

At the individual level, we can neither predict nor prevent the next disaster; we can only arm ourselves with the right reflexes to face it. JUST IN CASE is a website that gathers, through four scenarios — large wildfires, dam failures, industrial accidents and earthquakes — the key actions to remember when everything turns upside down. A clear tree-like navigation, concise texts and flat-style illustrations keep learning accessible without resorting to sensationalism. A triptych of posters promotes the site to the wider public. Designed for a generation flooded with anxiety-fuelled alerts, the project turns worry into simple, immediate actions — just in case.
Baptiste Godart – L'anarchisme n'est pas une invention des Sex Pistols.

BA MEDIA & INTERACTION DESIGN

Baptiste Godart – L'anarchisme n'est pas une invention des Sex Pistols.

with Christophe Guignard, Pauline Saglio, Alain Bellet, Lara Défayes, Laura Nieder, Gaël Hugo

The first international anarchist organization appeared in 1871—not in London, but in the Jura Mountains of Switzerland. Who would have thought? If you think anarchism is all about chaos, crust punks, or masked rioters, this web documentary will shatter those stereotypes. You’ll discover how the Jura watchmakers organized to unite their peers across borders and confront the domination of the bourgeois, capitalist class. The Jura Federation is a key chapter in the history of anarchism. The art direction combines the fanzine aesthetic of the late 20th century with a modern interface design. Visual work is a major part of the documentary, with most of the imagery being original creations.
Dynamic Identity - 2025

BA MEDIA & INTERACTION DESIGN

Dynamic Identity - 2025

with Angelo Benedetto

First-year students designed visual identities for fictional museums. As part of the Dynamic Display course led by Angelo Benedetto, this project led them to create graphic universes that that express the character of each imaginary exhibition site.
Alfredo Venti – Points de rencontre/Treffpunkte

BA GRAPHIC DESIGN

Alfredo Venti – Points de rencontre/Treffpunkte

by Alfredo Venti

Points de rencontre/Treffpunkte is an inclusive graphic system designed to make sociocultural resources more visible and accessible to people facing linguistic isolation, or to anyone seeking to join a social network. Inspired by educational tools used with non-native speakers, it combines pictograms, color coding, visual keywords, and modular signage. Installed at the entrances of community centers through interchangeable panels, and complemented by poster campaigns (print and web), it brings these structures into public view for those looking for a service, a network, or simply a welcoming place.

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BA GRAPHIC DESIGN
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