Collaboration with Gourmand Magazine

Projects MA PHOTOGRAPHY

Collaboration with Gourmand Magazine

‘There are many known connections between food and medicine but there is one quirky link which has not yet been explored: the culinary art of medical training. Despite all the fancy technologies available to educate doctors today teachers still turn to the kitchen fridge or pantry to train students in the skills of their profession. Grapes are perfect for practicing fragile skin suturing. Neurosurgeons learn how to measure the pres-sure of a robotic drill on eggshells.‘ We collaborated with The Gourmand, London based magazine initiated by art director David Lane.

Collaboration (2019)

‘There are many known connections between food and medicine but there is one quirky link which has not yet been explored: the culinary art of medical training. Despite all the fancy technologies available to educate doctors today teachers still turn to the kitchen fridge or pantry to train students in the skills of their profession. Grapes are perfect for practicing fragile skin suturing. Neurosurgeons learn how to measure the pres-sure of a robotic drill on eggshells.‘ We collaborated with The Gourmand, London based magazine initiated by art director David Lane.

Schuhmacher Jelena's project
Schuhmacher Jelena's project
Schuhmacher Jelena's project

1/3
Philipp Klak's project
Philipp Klak's project

1/2
Anja Karolina Furrer's project
Anja Karolina Furrer's project

1/2
Igor Lucena's project
Igor Lucena's project
Igor Lucena's project
Igor Lucena's project
Igor Lucena's project

1/5
Doruk Kumkumoğlu's project
Doruk Kumkumoğlu's project
Doruk Kumkumoğlu's project
Doruk Kumkumoğlu's project

1/4
Johanna Hullár's project
Johanna Hullár's project
Johanna Hullár's project
Johanna Hullár's project

1/4
Gedvile Tamosiunaite's project
Gedvile Tamosiunaite's project
Gedvile Tamosiunaite's project
Gedvile Tamosiunaite's project
Gedvile Tamosiunaite's project
Gedvile Tamosiunaite's project
Gedvile Tamosiunaite's project

1/7

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Soft Photography

MA PHOTOGRAPHY

Soft Photography

with Salomé Chatriot, Charlie Engman, Simon Lehner , Milo Keller, Marco De Mutiis, Claus Gunti, Clément Lambelet, Giulia Bini, Simone Niquille

Soft Photography is a research project conducted by the Master of Photography at ECAL/University of Art and Design Lausanne with the support of the HES-SO. It aims to shed light on the role of human emotions in the creation and reception of images produced using generative Artificial Intelligence (AI) or computer-generated imagery (CGI).
Contemporary Photography - Spring 2025 - MAP1

MA PHOTOGRAPHY

Contemporary Photography - Spring 2025 - MAP1

with Kim Knoppers

Do Not Disturb – Curating in Progress The course Do Not Disturb – Curating in Progress is designed to give students a sneak peek into the craft of curating an exhibition from the perspective of an independent curator (formerly at Foam, Amsterdam 2011-2021). The course teaches to engage with the historical, theoretical, and practical matters of curating a photography exhibition, with issues regarding the desperate desire of mankind to display objects, the photography exhibition in the digital age, the blending of photography with other disciplines in a physical space, Imaging the Anthropocene and Photography in Times of Radical Change. Students were invited to create a group exhibition with a physical model and an online solo exhibition with their own work.
Self-Initiated Project - Spring 2025 - MAP1

MA PHOTOGRAPHY

Self-Initiated Project - Spring 2025 - MAP1

with Bruno Ceschel

The course is a platform for the development of personal projects that arise from the desire and curiosity of each student. The basic concept of the work must be relevant to the field of contemporary photographic images. Each project can take a different form depending on the specificities, contents and inclinations of each participant. From books to multimedia installations, from performance to CGI, group discussions will articulate a plural vision of photography’s applications today.
Materialized Photography- Spring 2025 - MAP1

MA PHOTOGRAPHY

Materialized Photography- Spring 2025 - MAP1

with Felicity Hammond

In this module, we will explore the potential for the photographic image to simultaneously be a backdrop, object, and prop. We will make images both for the purpose of being re-imaged and for their sculptural possibilities, ending in a work that investigates the potential for an endless cycle of images and objects. Crucially, we will consider the staging of the work, and the conceptual and physical site for which it is intended.
Applied Photography - Spring 2025 - MAP1

MA PHOTOGRAPHY

Applied Photography - Spring 2025 - MAP1

with Charlie Engman

This course explores contradiction, ambiguity, and authorship in photographic meaning and the role of aesthetics in shaping an image’s function across contexts. Photography operates in a complex space where visual style, context, and audience expectations interact to produce meaning. This course asks students to examine how photographic aesthetics influence interpretation and how an image’s function shifts when adapted for different applied photography frameworks. This course explores contradiction and ambiguity in photographic meaning and the role of aesthetic conventions in shaping an image’s function across contexts. Through the course, students will be expected to develop a coherent series of at least 10 images that applies a distinct treatment or aesthetic to a subject matter or multi-image narrative not typically represented in that style or aesthetic. Through this process, students will examine how visual codes, contextual shifts, and aesthetic strategies influence interpretation.

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MA PHOTOGRAPHY
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