Workshop Antony Cairns

Workshop Antony Cairns

For one week Ecals bachelor students had the chance to work with photographer and artist Antony Cairns. The workshops aim was to investigate a variety of processes within the history of photography.  Since the invention of the medium, photography has shared a close relationship with technology. Students had the chance to explore a range of forgotten techniques and machines to create artworks around the theme of time while researching its connection to other art pieces, films, books, and images that shared the same theme. Cairns' practice has been hugely inspired by cyberpunk science fiction and Futurology. These subject matters led him to explore new ways to interpret the photographic medium.

Workshop (2018) with Antony Cairns

Students
2 BAPH

For one week Ecals bachelor students had the chance to work with photographer and artist Antony Cairns. The workshops aim was to investigate a variety of processes within the history of photography.

Since the invention of the medium, photography has shared a close relationship with technology. Students had the chance to explore a range of forgotten techniques and machines to create artworks around the theme of time while researching its connection to other art pieces, films, books, and images that shared the same theme.

Cairns' practice has been hugely inspired by cyberpunk science fiction and Futurology. These subject matters led him to explore new ways to interpret the photographic medium.

_DSC7096.jpg
ECAL/ Pavo Marinovic and Mindaugas Matulis
Repro by ECAL/ Clément Lambelet
ECAL/ Gaël Corboz, Margot Sparkes
ECAL/ Margot Sparkes

1/3

_DSC7091.jpg
ECAL/ Sarah Coppet
_DSC7089.jpg
ECAL/ Laurent Fiorentino
Repro by ECAL/ Clément Lambelet
Repro by ECAL/ Clément Lambelet

1/2

_DSC7097.jpg
ECAL/ Jenna Callewaert and Maëwenn Bourcelot
_DSC7102.jpg
ECAL/ Faustine Ardaine
_DSC7092.jpg
Repro by ECAL/ Clément Lambelet
_DSC7127.jpg
ECAL/ Gohan Keller
ECAL/ Achille Laplante - Le Brun
ECAL/ Achille Laplante - Le Brun

1/2

_DSC7094.jpg
ECAL/ Alexandra Dautel, Charlotte Favre
_DSC7098.jpg
ECAL/ Maxime Pouillot
_DSC7110.jpg
Repro by ECAL/ Clément Lambelet

Projets similaires

Film Production – 2026

BA PHOTOGRAPHY

Film Production – 2026

with Julien Bourdeille

Événement Lumineux Through an in-depth exploration of light as a narrative and sensory medium, first-year students created a short film on the theme “Luminous Event.” This project allows them to learn how to manage a complete audiovisual project while mastering the tools of filming, framing, and camera movement.  

Last Minute Risk

BA PHOTOGRAPHY

Last Minute Risk

with Natacha Lesueur

“What is clearly conceived can be clearly expressed, and the words to say it come easily.” Nicholas Boileau, *L’art poétique*. As students embark on their final year of study at ECAL, with their interests and methods taking shape, this final project offers an opportunity to challenge their own rules, established practices and influences, to refuse to settle for the status quo and to take risks.

Suspended Motion

BA PHOTOGRAPHY

Suspended Motion

with Nicolas Poillot

By conceptualizing and producing visual content as part of an editorial series, students will explore the concept of applied photography in a practical, creative, and professional manner, working closely with Art Director Nicolas Poillot.

ANALOG MEDIUM FORMAT WORKSHOP

BA PHOTOGRAPHY

ANALOG MEDIUM FORMAT WORKSHOP

with Anoush Abrar

DRIVE For this week’s theme, “Drive,” first-year photography students were asked to create a portrait shot on medium-format film. Inspired by the sensation of a first driving experience, travel, empowerment, or discovery, the week aimed to explore the relationship between one or more people and a vehicle.

ECAL Light House

BA GRAPHIC DESIGN

BA MEDIA & INTERACTION DESIGN

BA PHOTOGRAPHY

ECAL Light House

with Jean-Vincent Simonet, Léonard Guyot, Florian Pittet (Sigmasix), Vincent Jacquier, Julien Gurtner

During a week of collaborative work, first-year students in the Visual Communication department at ECAL were given the ambitious task of creating a complete audiovisual experience, designing a light and sound architecture based solely on five original musical compositions. Using a central totem-like screen installation and projections on the surrounding walls, enhanced with lasers, they created a visual environment, broadcast in real time, which was presented as a performance to the public at the end of the week. The aim was to construct a universe capable of fully utilizing the space and the various stage elements, inviting the audience to move around and experience the live performance in its entirety. Five cross-functional creative groups, each with a different sound base, were supervised by Jean-Vincent Simonet and Léonard Guyot to produce images and test them throughout the week on the device, which was developed, set up and operated by a sixth group under the supervision of Florian Pittet, Matthieu Minguet and Achille Masson.

Related courses