Praberians

Thomas Rousset – Praberians

“This artistic project is the result of four years of research developed around a unique place: the village of Prabert. My photos offer an ambiguous overlapping of representations and realities, a mixture that is constantly flirting with the limits of real life and imagination, and result in a staging device that plays with the codes of both fairytales and realism. Here routine and strangeness dovetail, the Here and the Elsewhere become indistinguishable, tracks are covered up, time and space slowly crumble. The framework rests on the setting, often dipping in Fellini for inspiration in its colors or Kusturica in its folly. The situations showcased are absurd and create a picturesque and playful world. The subjects, who often take the central position in terms of composition, seem to come from a different time or culture. Their adornments and costumes only reinforce this melting pot of traditions. Animals also hold a very significant role, through ritual or even sacred function. This blend of references creates intense activity, symbolizing the coming together, the thresholds and crossroads in the creation of a new society. The objects that are enhanced here speak of the effort behind organization and solidarity. Cultures are hence rethought and transformed into bridges. Borders are no longer considered as walls but rather as areas of contact. “Praberians” is therefore a resolutely utopian world, and this series, the result of a sudden awareness of how shallow the notion of community is in our contemporary Western world.“

Diploma project (2009) by Thomas Rousset

PHOTOGRAPHY, Praberians, Thomas Rousset
PHOTOGRAPHY, Praberians, Thomas Rousset
PHOTOGRAPHY, Praberians, Thomas Rousset
PHOTOGRAPHY, Praberians, Thomas Rousset
PHOTOGRAPHY, Praberians, Thomas Rousset
PHOTOGRAPHY, Praberians, Thomas Rousset
PHOTOGRAPHY, Praberians, Thomas Rousset

Projets similaires

ECAL X MHL – ECAL After Schmid

BA PHOTOGRAPHY

ECAL X MHL – ECAL After Schmid

with Philippe Jarrigeon

Drawing inspiration from the 19th-century archives of photographer André Schmid, second-year Bachelor’s students collaborated with the Lausanne History Museum to create an inspiring dialogue between the past and the present. For most of the students, his name was unfamiliar. Discovering his work, preserved in the collections of the Lausanne History Museum, opened up a field of exploration that was both historical and artistic. Through André Schmid’s images, a foundational chapter in Swiss photography was revealed to them. Through an immersion in the archives, they were invited to engage in a dialogue with this pioneering practice—not to cite or reproduce it, but to reimagine it, question it, and interpret it, thereby creating a tension between the origins of photography and its most contemporary developments.

Staged Photography – 2026

BA PHOTOGRAPHY

Staged Photography – 2026

with Charlotte Krieger

Unseen This course introduces students to the creation of a seven-image series built around the theme Unseen. They will learn to combine set design, characters, and lighting to produce strong, coherent staged images. Through a practical and technical approach, the course develops their ability to conceive and manage a complete photographic project, direct models, work with natural and artificial light, and collaborate under conditions similar to professional editorial or commercial shoots. Students will refine their photographic vision while preparing for the creative and technical demands of the industry.

Création cinématographique– 2026

BA PHOTOGRAPHY

Création cinématographique– 2026

with Orsola Valenti

Off-camera By exploring what lies outside the frame, students develop a sensitive and reflective approach to audiovisual creation. Throughout the semester, students are encouraged to reflect on the political and formal issues surrounding the moving image, as well as the relationship between the visible and the invisible. 

Analog Medium format workshop – 2026

BA PHOTOGRAPHY

Analog Medium format workshop – 2026

with Anoush Abrar

Deconstructed Portrait The goal of this workshop, led by photographer Anoush Abrar, is to explore the meaning of the contemporary portrait.  Working with the concept of the “deconstructed portrait,” the students created an image in pairs.  The Digital Medium Format workshop week serves as an introduction to both photography equipment and specialized software.  

Création photographique– 2026

BA PHOTOGRAPHY

Création photographique– 2026

with Natacha Lesueur

Documentary, the power of make-believe Based on projects developed around a common theme, the students develop a personal, in-depth project around the theme of pretense. They build a project that plays with the limits of veracity in photography, using it as an artifice of deception. 

Related courses