Il y a un ciel dès lors qu’il y a une terre ou se repose les corps lourds.

Projects MA FINE ARTS

Eva Ayache-Vanderhorst – Il y a un ciel dès lors qu’il y a une terre ou se repose les corps lourds.

This immersive installation, consists of delicate, dreamlike paintings stretched over metal frames, suspended in space like windows into inner worlds.
These paintings, on second-hand linen sheets as a medium, evoke evanescent landscapes, blurred figures, and fragmented scenes, appearing to float in a dimension between dream and reality, much like memories float in our minds.
This space has the embodiment of the intangible barrier between the past and the present, between what we remember and what we forget, highlighting the ephemeral and sometimes deceptive nature of our recollections and its subjective fragmentation. The dagger-like pendulum, a divinatory tool, hangs above the ceiling. It refers to the tension emanating from such subjectivity.

Diploma project (2024)

Students
Eva Ayache-Vanderhorst
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In the empty spaces I find pieces of dreams fields and water, of the forgotten green. A stratification of memories that leads to reveal experiences in natural landscapes, real but also places suspended between memory and the dreamlike, creating through geometric and repetitive shapes a space of contemplation on places, to find them again; postcards of a fragile and continuously changing landscape.
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Camila Polania – Instructions of Rematriation

MA FINE ARTS

Camila Polania – Instructions of Rematriation

by Camila Polania

Some say the body arrives first, and the soul takes longer. This installation begins with that delay, in the tension between presence and absence. Instructions of Rematriation is a video installation projected onto a wind-moved fabric, a surface that never fully settles. In front, white Rimax chairs evoke everyday spaces of waiting across Latin America: porches, patios, sidewalks. The work follows the passing of a single day, tracing the slow return to the body after displacement. Through video, writing, textile, and sound, the installation holds a kind of return, not geopolitical, but personal and ancestral: a political and spiritual reconnection with what was once left behind.
Giorgio Cassano – ZONA DI SACRIFICIO

MA FINE ARTS

Giorgio Cassano – ZONA DI SACRIFICIO

by Giorgio Cassano

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