
GRAPHIC DESIGN
Les statues de la discorde
with Gilles Gavillet & Jonathan Hares
GRAPHIC DESIGN
with Gilles Gavillet & Jonathan Hares
GRAPHIC DESIGN
with Nicole Udry
GRAPHIC DESIGN
by Jean Ducret
Every year our contemporary society generates billions of tons of CO2. The greenhouse gas curve continues to rise and it is becoming difficult to keep track of these ever-expanding numbers. A401 GES is intended to be a current and factual report of the global carbon balance.
GRAPHIC DESIGN
by Isabel Garcia Argos
Voz (voice in Spanish) is an audio-visual project that aims to make these voices heard by the public in order to raise awareness of the issue. Through four fictional yet likely stories, this series take us into the intimacy and feelings of women survivors. The narrative style and the visual universe contrast with the real cruelty of the images and language.
GRAPHIC DESIGN
by Ares Pedroli
The Golden Shield Project is a censorship and surveillance programme run by the Ministry of Public Security of the People’s Republic of China, which aims to intercept potentially unfavourable computer data by filtering certain keywords in search engines.
GRAPHIC DESIGN
by Guillaume Besson
This project is a documentation and analysis of surveillance equipment in contemporary society, using the airport as a metaphorical object.
GRAPHIC DESIGN
by Hugo Hectus
Prix BCV | Visite de Courtoisie – Vol 1 is a 280-page art critical journal that recounts an 8-hour dinner performance on contemporary art that I organised at the Arsenic theatre (Lausanne, CH) with artists, curators, art historians and theatre programmers.
GRAPHIC DESIGN
by Pauline Baldinetti
Entrecroisés is a multilingual book featuring nine languages that addresses multilingualism in Switzerland. The aim of the book is to promote foreign languages in Switzerland and to compare the data of the Federal Statistical Office with reality. Throughout the book, the reader discovers the interweaving of this linguistic diversity within Switzerland through colours, infographics, expressions, photographic surveys and testimonies. The book thus sheds new light on migration in Switzerland and the cohabitation of these different cultures within one nation.
GRAPHIC DESIGN
by Elena Najdovski
Intra Carnem is a quest for shapes derived from animal anatomy, with the aim of chimerising a human body.
GRAPHIC DESIGN
by Amanda Puna
Polymorphe presents, in the form of three fabrics, the different issues that the African diaspora have to face during their integration process in Switzerland.
GRAPHIC DESIGN
by Lynne Nougou
The project is a visual and textual research on the different aspects of Voguing , combining different methods of image processing, while offering a critique of the practices of its appropriation. A combination of rhythm, style, dance and performance, Voguing is a cultural form that is part of the Ballroom Scene founded in New York in the 1960s. This space of expression, sharing and performance is both a safe place and a means of expression for marginalised people but also a manifestation of the appropriation of the trans, queer, black, Afro-descendant and Latino space. Yet, it has been cyclically reduced to a mere trend, stripping it of all its history and claims.
GRAPHIC DESIGN
by Laetitia Paroz
Linguistic sexism expresses the gender-based discriminatory nature of some words and expressions in language. After drawing up an alphabetical list of misogynous terms in French such as “blondasse” (blonde bimbo), “pute” (whore) or “sorcière” (witch), I carried out research on each term, allowing me to take a variety of informative, funny, absurd or first-degree approaches to the word depending on its definition. This work took the shape of a book featuring a rich diversity of content. Page after page, archival images, rap punchlines and historical texts are mixed with series of popular images. The whole forms a book that questions and challenges readers according to their own sensitivity.
GRAPHIC DESIGN
by Adeline Vermot
This project is an analysis of gender representation in contemporary popular cinema. The choice of films was based on the ones that were the most successful at the box office. I was interested to see the messages they conveyed, as they had been seen by a large number of people. The choice was also based on French cinema since Hollywood has already dealt with these issues a lot. To do this, a system was established to compare the six films with each other as well as the situation of men and women. The content is in the form of images and dialogues from these films and is supplemented with infographics and texts. The result shows how strong stereotypes still are and that being aware of them is a first step towards deconstructing them.
GRAPHIC DESIGN
by Thaïs Nguyen Huu
Mises à nues is a collection of five outfits. In my opinion, clothes are a reflection of who we are and the values we defend. Wearing an outfit is assuming one’s identity, being confident and loving oneself. Each outfit represents the series of gestures and attentions one can do for oneself to feel good and confident on a daily basis. Five women confided in me a part of their intimacy through a selfie and words they use to highlight their body. I then interpreted their stories and transcribed them on textile. Each fragment of life becomes a visual that is captured. Once worn, the static illustrations become a moving volume that takes our inner story to the outside world – out in the open, for ll to see.
GRAPHIC DESIGN
by Timo Tiffert
Ornamental Impulse , the first issue of SUPER FRESCO FUMETTI , is a magazine that addresses a variety of topics in a playful and visually experimental way.
GRAPHIC DESIGN
by Julie Neuhaus
Prix BG Ingénieurs Conseils | The Bio Mind illustrates eight principles of creation and function existing in nature and thus focuses on biomimetics.
GRAPHIC DESIGN
by Laura Trummer
In her latest collection When She Left the Room, the Spirits Went With Her , fashion designer Tara Mabiala brings together various sources of inspiration, including those of 70s Blaxploitation films and Westerns. The two genres might seem far apart but they meet on the importance of the characters’ clothing: it is symbolic of their roles, asserts their statuses and anchors the action.
GRAPHIC DESIGN
by Guillaume Pavia
Medium is the Party aims to communicate and defend the importance and benefits of partying while bringing together a worldwide community around these claims.
GRAPHIC DESIGN
by Inés Barrionuevo
L10n is an independent web platform and magazine allowing the geolocation of a quality but non-mediatised movement. It supports artists and aims to compensate for social inequalities.
GRAPHIC DESIGN
by Samuel Schmidt
A handbook for handmade screen printing, this project offers an alternative frame construction technique.
GRAPHIC DESIGN
by Julie Ryser
Dupliréalité aims to immerse us into reproductions of places of life that are essential to an individual’s existence. The cities explored include La Chaux-de-Fonds, Lausanne and Renens, which have a direct link with my own reality.
GRAPHIC DESIGN
by Emilie Bouchet
Through this project, I have tried to reappropriate this automotive world by focusing on the forgotten details of the car while creating a publication bordering on fetishism, which retraces my various outdoor rides of the past few months.
GRAPHIC DESIGN
by Emma Chapuis
This project offers a typographic approach to express emotions in digital communication.
GRAPHIC DESIGN
with Nicole Udry
Create a communication of a chosen building (a school, a religious space, an office building, a theater, etc.). Second year course of graphic design in context, centered on image creation and editorial design.
GRAPHIC DESIGN
with Aurèle Sack
Type design displayed on a specimen.
GRAPHIC DESIGN
with Aurèle Sack
GRAPHIC DESIGN
with Diego Bontognali
GRAPHIC DESIGN
with Guy Meldem
GRAPHIC DESIGN
with Marietta Eugster
During this workshop, each student had to design a poster presenting a cryptocurrency. Each student had to visually reinterpret the characteristics of his cryptocurrency while taking into account an imposed grid in constant evolution. The posters printed with the plotter will then be overprinted.
GRAPHIC DESIGN
with Atlas Studio
After choosing a demon from Theresa Bane's Encyclopedia of Demons, each student had to visually reinterpret the characteristics of their demon in several ways. A stencil printing technique (cutting a sheet of paper) allowed students to create their visuals on the spot and independently.
GRAPHIC DESIGN
with Robert Huber
Type design displayed on a specimen.
GRAPHIC DESIGN
with Aurèle Sack
Type design displayed on a specimen.
GRAPHIC DESIGN
with Guy Meldem
GRAPHIC DESIGN
with Samuel Bregnard
Choose a paperback book on political engagement from a library or bookstore and from this existing book, propose 2 expanded versions of it (adding other texts, images, graphics, etc.). One version must be recomposed without the help of a computer.
GRAPHIC DESIGN
with Nicole Udry
Create a communication of a chosen building (a school, a religious space, an office building, a theater, etc.). Second year course of graphic design in context, centered on image creation and editorial design.
GRAPHIC DESIGN
with Guy Meldem
GRAPHIC DESIGN
with Diego Bontognali, Nicole Udry
GRAPHIC DESIGN
with Harry Bloch
GRAPHIC DESIGN
with Gilles Gavillet, Jonathan Hares