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Materialized Photography - Automn 2024

PHOTOGRAPHY

Materialized Photography - Automn 2024

with Alix Marie

This course led by Alix Marie explored the creation and invention of visual languages for lens-based photographic objects and focused on the transformation of images into materialised forms. Students explored the practices of contemporary artists such as Katja Novitskova, Thomas Ruff, Seth Price and others and learnt how technologies such as CGI and photogrammetry have influenced artistic expression. The students explored the interplay between digital and physical spaces and developed unique approaches to creating photographic objects. The course focused on understanding historical and contemporary trends, analysing artists' case studies and creating materialised works, including single images, 3D objects, installations and immersive media such as AR and VR. Through research and practice, students conceptualised and materialised projects and presented their work as physical installations or objects. They developed the ability to articulate the meaning behind their creations, critique and collaborate with colleagues to expand their artistic practice.

SELF-INITIATED PROJECT - Automn 2024 - MAP2

PHOTOGRAPHY

SELF-INITIATED PROJECT - Automn 2024 - MAP2

with Katy Hundertmark

This module assists the students to develop into a finalized work a project that further expands their interests and research. The module gives the opportunity to take some of the ideas, skills and themes explores in the first semester and make into a brand new work that can take any possible form: a book, an installation, an online project, a performance.

Applied Photography - Fall 2024

PHOTOGRAPHY

Applied Photography - Fall 2024

with Charles Negre

This course focuses on the ability to answer a commission within one’s own artistic practice, guiding students towards a deeper understanding of studio photography, the challenges of constructed images and the processes involved. With an emphasis on still life photography, this applied photography course aims to sharpen the students sensivity to photographing and interpreting objects. For this semester, the group of students will conceptualize, shoot, and designed an alternative issue of Paperboy Magazine. Founded by David McKendrick three years ago, Paperboy will serve as the creative platform for this project.

Self-Initiated Project - Fall 2024 - MAP1

PHOTOGRAPHY

Self-Initiated Project - Fall 2024 - MAP1

with Milo Keller

The course is a platform for the development of personal projects that arise from the desire and curiosity of each student. The basic concept of the work must be relevant to the field of contemporary photographic images. Each project can take a different form depending on the specificities, contents and inclinations of each participant. From books to multimedia installations, from performance to CGI, group discussions will articulate a plural vision of photography’s applications today.

Photobook - Fall 2024

PHOTOGRAPHY

Photobook - Fall 2024

with Bruno Ceschel

The photobook module introduces students to the history of photobooks and artists’ books and leads them to consider different strategies and approaches to contemporary book-making. In the first term students individually conceptualised a publication that have been designed, printed and distributed.

Materialized Photography - Spring 2024

PHOTOGRAPHY

Materialized Photography - Spring 2024

with Victoria Pidust

This course led by Victoria Pidust explored the creation and invention of visual languages for lens-based photographic objects and focused on the transformation of images into materialised forms. Students explored the practices of contemporary artists such as Katja Novitskova, Thomas Ruff, Seth Price and others and learnt how technologies such as CGI and photogrammetry have influenced artistic expression. The students explored the interplay between digital and physical spaces and developed unique approaches to creating photographic objects. The course focused on understanding historical and contemporary trends, analysing artists' case studies and creating materialised works, including single images, 3D objects, installations and immersive media such as AR and VR. Through research and practice, students conceptualised and materialised projects and presented their work as physical installations or objects. They developed the ability to articulate the meaning behind their creations, critique and collaborate with colleagues to expand their artistic practice.

self-Initiated Project - Spring 2024 - MAP1

PHOTOGRAPHY

self-Initiated Project - Spring 2024 - MAP1

with Bruno Ceschel

This module assists the students to develop into a finalized work a project that further expands their interests and research. The module gives the opportunity to take some of the ideas, skills and themes explores in the first semester and make into a brand new work that can take any possible form: a book, an installation, an online project, a performance.

Applied Photography - Spring 2024

PHOTOGRAPHY

Applied Photography - Spring 2024

with David Luraschi

This course focused on location photography. Students were asked to step outside the studio into the real world and amplify what they discover. Each student did develop one or several bodies of work around the theme of water. The water was their studio. Taking account of what has been done in different mediums in the past (cinema, literature, theater, fashion) - students were encouraged to build a visual dynamic with a strong point of view. A big part of the course was motivated by the idea of finding elements (people, places, things) and turning them into a story. A central emphasis was on collaborating with people: models, actors, dancers, strangers and building their story with them. Casting and creating a growing dialog with their models, finding a common interest and expanding a playful territory to photograph was a recurring exercise.

Materialized Photography - Fall 2023 - MAP2

PHOTOGRAPHY

Materialized Photography - Fall 2023 - MAP2

with Mazaccio & Drowilal

The purpose of this class is to examine the relationships between photography — in a context shaped by the digital — and its various modes of display. Students will have to consider what a photograph may be materially and explore how an image’s meaning is derived from both the mode of its distribution and the material form that it assumes. Although the final outcome has to include photography in a third dimensional way ( installation ), projects may use and combine image-based practices such as digital photography, collage, CGI, projection, printmaking, sculpture, objects, or performance, to encourage an expanded approach to photographic practice. The idea is to challenge the different types of engagement possible with pictures today.

Self-Initiated Project - Fall 2023 - MAP2

PHOTOGRAPHY

Self-Initiated Project - Fall 2023 - MAP2

with Elisa Medde

This module assists the students to develop a long term project - touching upon all stages from the idea to the final presentation. Students will have the opportunity to take some of the ideas and project from the previous semesters, in order to explore them further, or engage in brand new ones. The outcome of the project could take any form - from book to performance, from physical exhibition to digital presentations. A strong emphasis will be on the research/concept and the impact, experience of the outcome.

Photobook - Fall 2023

PHOTOGRAPHY

Photobook - Fall 2023

with Bruno Ceschel

The module introduces students to the history of photobooks and artists’ books prompting them to study different strategies and approaches to contemporary book-making. That will lead to students individually working on a publication that will be presented at evaluations in January 2023. Students will have the opportunity to create a new body of work in relation to the book form, learning about editing, sequencing and designing.

Self-Initiated Project - Fall 2023 - MAP1

PHOTOGRAPHY

Self-Initiated Project - Fall 2023 - MAP1

with Milo Keller

The course is a platform for the development of personal projects that arise from the desire and curiosity of each student. The basic concept of the work must be relevant to the field of contemporary photographic images. Each project can take a different form depending on the specificities, contents and inclinations of each participant. From books to multimedia installations, from performance to CGI, group discussions will articulate a plural vision of photography’s applications today.

Applied Photography - Fall 2023

PHOTOGRAPHY

Applied Photography - Fall 2023

with Charles Negre

STILL LIFE PAPER - This course focuses on the ability to answer a commission within its own artistic practice and leading the students through a better understanding of studio photography, challenges of constructed images and their processes. This applied photography course has an emphasis on still life photography, our aim is to sharpen the students sensitivity to photographing and interpreting objects. For this semester, the group of students will develop their own printed magazine focusing on the practice of still life.

Photobook - Fall 2023

PHOTOGRAPHY

Photobook - Fall 2023

with Bruno Ceschel

<meta charset="UTF-8">The photobook module introduces students to the history of photobooks and artists’ books and leads them to consider different strategies and approaches to contemporary book-making. In the first term students individually conceptualised a publication that have been designed, printed and distributed.

PHOTOGRAPHY

MAP Books 2023

with Bruno Ceschel

These publications are special editions produced within the framework of the Master in Photography at ECAL in 2023 for Bruno Ceschell's Photobook class. This curated selection was later showcased at Offprint during Paris Photo, providing a prestigious platform to exhibit and share the emerging talent in the field of photography.

Automated - Fall 2023 - MAP2

PHOTOGRAPHY

Automated - Fall 2023 - MAP2

with Marco De Mutiis

Artificial Photography looks at the recent and current developments in computational forms of image-making. The course focuses on the ways in which algorithmic imaging systems have been shaping the role of the photographer and the material and aesthetic properties of images, challenging the traditional understanding of photography. Through a series of lectures and workshops, Artificial Photography will specifically centre on so-called AI image generators and Text-to-Image software, addressing notions of truth and photographic manipulation, image labour and digital economies, agency and authorship, circulation and networked images, representational bias and discrimination, ownership and political imaginations.

Materialized Photography - Spring 2023

PHOTOGRAPHY

Materialized Photography - Spring 2023

with Rachel de Joode

This course, taught by Rachel de Joode explores sculptural photography. Through a combination of material experimentation, research, and collaboration, students explore the visual and physical dimensions of photography, sculpture, and installation. The course focuses on ways of seeing and thinking differently about materials, surroundings, and oneself. The curriculum includes a mix of reading and discussion as well as focused individual critique, all taught through the lens of the instructor’s practice.

self-Initiated Project - Spring 2023 - MAP1

PHOTOGRAPHY

self-Initiated Project - Spring 2023 - MAP1

with Bruno Ceschel

This module assists the students to develop into a finalized work a project that further expands their interests and research. The module gives the opportunity to take some of the ideas, skills and themes explores in the first semester and make into a brand new work that can take any possible form: a book, an installation, an online project, a performance.

Applied Photography - Spring 2023

PHOTOGRAPHY

Applied Photography - Spring 2023

with Cactus Digitale

The Applied Photography course will look into the concept of photorealism in all its means. Cactus Magazine has always worked on new visual languages through all sorts of techniques; classic photography, graphic design, video, CGI, VR, Sound design. The only feature that has always guided this research was to seek for a photorealistic result that could ensure a sophisticated and luxurious feeling to the final outcome. In the past 4 years Cactus Magazine has been exploring the CGI technique and always tried to emulate the classic photographic style applied in the 3D realm. This had been done by the means of lights, textures, modeling and also camera techniques. After doing a lot of CGI work we got interested in merging the IRL world in a seamless way with the CGI world. Using XR techniques or VFX. But always looking to have a perfect photorealistic result. With the emergence of Ai powered software for image generating, creating HD images of almost everything seems to be everyone’s finger tip. Nowadays people consume more CGI imagery than IRL imagery, just think of Instagram filters.

Applied Photography - Fall 2022 - MAP1

PHOTOGRAPHY

Applied Photography - Fall 2022 - MAP1

with Charles Negre

This course focuses on the ability to answer a commission within its own artistic practice and leading the students through a better understanding of studio photography, challenges of constructed images and their processes. Experimenting with still life photography is a starting point, then anyone can develop a method for their ongoing subjects. For this semester, we will be collaborating with Macguffin, a magazine dedicated to the life of things, objects that tells stories, stories that are told by objects.

Self-Initiated Project - Fall 2022 - MAP2

PHOTOGRAPHY

Self-Initiated Project - Fall 2022 - MAP2

by Gina Bolle, Mattia Dagani Rio, Benjamin Freedman, Aniket Godbole, Moritz Jekat, Amandine Kuhlmann, Gabriela Marciniak, Fumi Omori, Carla Rossi, Luísa Tormenta, Mykolas Valantinas, Yuji Wang, Yumo Wu

The second-year students worked on projects that they themselves had initiated, under the direction of Elisa Medde.

Photobook - Fall 2022

PHOTOGRAPHY

Photobook - Fall 2022

with Bruno Ceschel

The photobook module introduces students to the history of photobooks and artists’ books and leads them to consider different strategies and approaches to contemporary book-making. In the first term students individually conceptualised a publication that have been designed, printed and distributed.

self-Initiated Project - Fall 2022 - MAP1

PHOTOGRAPHY

self-Initiated Project - Fall 2022 - MAP1

with Milo Keller

This module assists the students to develop into a finalized work a project that further expands their interests and research. The module gives the opportunity to take some of the ideas, skills and themes explores in the first semester and make into a brand new work that can take any possible form: a book, an installation, an online project, a performance.

Applied Photography - Spring 2023 - MAP1

PHOTOGRAPHY

Applied Photography - Spring 2023 - MAP1

with Cactus Digitale

The Applied Photography course will look into the concept of photorealism in all its means. Cactus Magazine has always worked on new visual languages through all sorts of techniques; classic photography, graphic design, video, CGI, VR, Sound design. The only feature that has always guided this research was to seek for a photorealistic result that could ensure a sophisticated and luxurious feeling to the final outcome. In the past 4 years Cactus Magazine has been exploring the CGI technique and always tried to emulate the classic photographic style applied in the 3D realm. This had been done by the means of lights, textures, modeling and also camera techniques. After doing a lot of CGI work we got interested in merging the IRL world in a seamless way with the CGI world. Using XR techniques or VFX. But always looking to have a perfect photorealistic result. With the emergence of Ai powered software for image generating, creating HD images of almost everything seems to be everyone’s finger tip. Nowadays people consume more CGI imagery than IRL imagery, just think of Instagram filters.

Photobook - Fall 2021

PHOTOGRAPHY

Photobook - Fall 2021

with Bruno Ceschel

The photobook module introduces students to the history of photobooks and artists’ books and leads them to consider different strategies and approaches to contemporary book-making. In the first term students individually conceptualised a publication that have been designed, printed and distributed.

Materialized Photography - Spring 2021

PHOTOGRAPHY

Materialized Photography - Spring 2021

with Rachel de Joode

First-year students have been tutored artist Rachel de Joode into using a more plastic approach in the way they conceive and display physical images.

Self-Initiated Project - Spring 2021 - MAP1

PHOTOGRAPHY

Self-Initiated Project - Spring 2021 - MAP1

with Bruno Ceschel, MAP

First-year course with Bruno Ceschel

Automated Photography - Autumn 2021

PHOTOGRAPHY

Automated Photography - Autumn 2021

with Marco De Mutiis

2nd year Automated Photography course tutored by Marco De Mutiis.

Self-Initiated Project - Fall 2020 - MAP1

PHOTOGRAPHY

Self-Initiated Project - Fall 2020 - MAP1

with Milo Keller

First-year students worked on self-initiated projects tutored by Milo Keller. Students had the option to propose projects that would explore technologies and themes related to the current master's research project Automated Photography.

Applied Photography - Fall 2020

PHOTOGRAPHY

Applied Photography - Fall 2020

with MAP, Charles Negre

The first year students have been tasked with creating a story for Klima magazine. The course was tutored by Charles Negre.

Materialized Photography - Autumn 2020

PHOTOGRAPHY

Materialized Photography - Autumn 2020

with MAP, Alix Marie

In this course tutored by guest lecturer Alix Marie, the second year students conceptualized and executed strategies to coherently materialize their image in the space.

Photobook - Fall 2017

PHOTOGRAPHY

Photobook - Fall 2017

with Bruno Ceschel

The photobook module introduces students to the history of photobooks and artists’ books and leads them to consider different strategies and approaches to contemporary book-making. In the first term students individually conceptualised a publication that have been designed, printed and distributed in the second term. In Spring 2017 each students publisheded a book that have been launched at Photo London / Offprint London.

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