Antoine
Woeffray

Projects

PRATIQUE PHOTOGRAPHIQUE

PHOTOGRAPHY

PRATIQUE PHOTOGRAPHIQUE

with Nicolas Poillot

The "Commission & Photography" course aims to conceptualize and produce visual content for an editorial series, emphasizing applied photography and collaboration with an Art Director. It allows students to explore various photographic territories such as editorial, documentary, fashion, still life, and fiction. Objectives include understanding editorial commissions, conceptualizing and presenting ideas, as well as effectively collaborating with an Art Director. Students are required to produce a series of images while adhering to the given theme and constraints, while also developing preliminary research, a structured methodology, series architecture, and finding solutions to creative problems encountered. The theme involves each student selecting and photographing three personal objects that are particularly meaningful to them.

Photographic revelation

PHOTOGRAPHY

Photographic revelation

with Laurence Bonvin

Endurance In this course, the objectives are to allow students to experiment with new approaches or techniques regarding past, ongoing, or diploma projects. They also have the opportunity to revisit and refine subjects that have not met their satisfaction in terms of concept, form, technique, or execution. This experience aims to expand ideas, refine techniques, continue unfinished work while improving it, or build a more comprehensive body of images. Endurance lies at the heart of this process, whether it's persevering in completing a project, revisiting an idea until it's exhausted, or overcoming obstacles such as lack of time, self-confidence, or courage. This semester thus offers students the opportunity to confront their limits, surpass them, and achieve their best in their endeavors.

Workshop with Taiyo Onorato

PHOTOGRAPHY

Workshop with Taiyo Onorato

with Taiyo Onorato

This workshop focused on staged photography, particularly emphasizing staged portraits. The concentration was on the two essential elements of the portrait: working with the object and manipulating its background. Staged portraits set themselves apart from mere snapshots by actively creating an image, steering clear of reality. Tools like light, background, and pose were employed to craft a deliberate narrative. Individuals were staged, altered in specific ways, adorned with outfits and masks. The workshop delved into the interest in masks as tools for transformation and representation. Throughout the workshop, masks were produced using available means, and they became the central objects of staging. Students photographed and filmed them, capturing the essence of transformation. The second element of the workshop, which focused on the background, pop-up techniques were experimented with. The backdrop, a dynamic part of the narrative, was manipulated using cleverly designed sets and unexpected spatial techniques. The focus was not just on capturing moments but on crafting them, bringing forth stories that transcended the boundaries of reality. The workshop provided a platform for unleashing creativity and experimentation.

Photographic Essays

PHOTOGRAPHY

Photographic Essays

with Matthieu Gafsou

In the second year, the course Photographic Essays course enables students to exercise a documentary photographic practice –one based on a relationship with reality, with something anchored in the here and now. This year, students worked on a theme related to ecology in the broadest sense: a very specific, concrete starting point (a permaculture garden, Extinction Rebellion activists, documentation of polluted sites, encounters with people working with more-than-human animals), a broader, multiple or personal approach.

Photographic Hanging

PHOTOGRAPHY

Photographic Hanging

with Laurence Bonvin

For two semesters, second-year students developped projects related to the thematic Reclaiming Water. They were invited to question and procuce images in relation to the countless political, social, economic, human and environmental issues linked to water. Who owns it? Is it a common good or a marketable resource? How can we visually address these issues?

ECAL × JEAN PAUL GAULTIER: Under Your Smell

PHOTOGRAPHY

ECAL × JEAN PAUL GAULTIER: Under Your Smell

with Milo Keller, Florence Tétier, Nicolas Coulomb, Calypso Mahieu

The exhibition Under Your Smell offers a hypnotic and immersive experience in Jean Paul Gaultier's headquarters by imagining new definitions of beauty and body expression. Under the direction of Florence Tétier and Nicolas Coulomb, 3rd year Bachelor Photography students brought to life the brand's iconic perfumes through an immersive photographic experience. In the first season, with the complicity of Claude Emmanuelle Gajan Maull, the young photographers have fluidified the iconic bottles with their gendered silhouettes — Le Mâle, Le Classique, Le Beau and La Belle — in a fresh LGBTQIA+ perspective. With this upcoming season, the project evolves around the Scandal fragrance, with the creation of still lives in which the liquid, dry and organic contrasting textures evoke the essence of the perfume, its bottle design and its complexities. Through staging, the perfumes become the backdrop for stories of transgression and fantastical projections. In addition to monumental fabric prints, giant image-cushions welcome the public to lay down and celebrate gender fluidity and the ever changing definitions of beauty and self expression.

Workshop Paolo Wood

PHOTOGRAPHY

Workshop Paolo Wood

with Paolo Wood

It has been established that photography is a language. With all its limitations and peculiarities, but a language anyway. Photography is often a relatively poor language that constantly repeats the same nouns and verbs. In the documentary tradition, the range of subjects treated is quite limited and recurrent, and for this reason, in order to make photographs, one must learn and master this language: its vocabulary, its grammar and its history.

Staged photography

PHOTOGRAPHY

Staged photography

with Milo Keller

Photographie et arts plastiques

PHOTOGRAPHY

Photographie et arts plastiques

with Natacha Lesueur

Reference to the masters of the past (even if irreverent) is a recurrent com- posant of modern and contemporary artistic approaches. (Postmodernism; Situationism, Appropriationism) Quotation, homage, parody, remake, pastiche, remix, détournement, recycling, mashup, appropriation, re-enactment, simulationism, found footage, sample, palimpsest - appropriations are numerous and touch all fields.

Earth is Already Crying

PHOTOGRAPHY

Earth is Already Crying

with Anouk Kruithof

"Earth is already crying" workshop d'une semaine avec l'artiste Anouk Kruithof.

Mapping Workshop - Nature morte

Mapping Workshop - Nature morte

with Florian Pittet, Clément Lambelet, Eric Morzier

The first year students in Graphic Design and Media & Interaction Design and Photography worked on mapping projects. The structures, which the different groups created with blocks of polystyrene, allowed them to experiment and create video, 2D and 3D content while playing with notions of space, depth and rhythm.

Events

ECAL×JEAN PAUL GAULTIER: Under Your Smell,10–12.11.2022,Paris

EXHIBITIONS

ECAL×JEAN PAUL GAULTIER: Under Your Smell,
10–12.11.2022,
Paris

From November 10 to 12 2022, Jean Paul Gaultier opens the doors of its Paris headquarters to the general public. During Paris Photo, the House is partnering with ECAL to present the photography exhibition Under Your Smell. Students from Bachelor Photography will show their interpretation of Gaultier's perfumes.

Articles

ECAL×JEAN PAUL GAULTIER: Under Your Smell

PARTNERSHIP

ECAL×JEAN PAUL GAULTIER: Under Your Smell

The exhibition Under Your Smell offers a hypnotic and immersive experience in Jean Paul Gaultier's headquarters by imagining new definitions of beauty and body expression. Under the direction of Florence Tétier and Nicolas Coulomb, 3rd year Bachelor Photography students brought to life the brand's iconic perfumes through an immersive photographic experience.