FILM STUDIES
by Loris Ciaburri, Jonathan Daza Ospina, Loïs de Goumoëns, Sara Dutch, Fei Fan, Pablo Guscetti, Anna Joos, Saleh Kashefi, Theofanis Papadopoulos, Valentina Parati, Antoine Scalese
Students in the Master Film Studies ECAL/HEAD produced documentary vignettes for the Paléo Festival, which were shown for the first time at Visions du Réel in April 2024.
FILM STUDIES
with Kaltrina Krasniqi
Each year, students of the Master's program undertake a "Great Trip" to discover the territory of a filmmaker. In 2022, they went to Kosovo with the director and screenwriter Kaltrina Krasniqi.
FILM STUDIES
with Alejo Moguillansky
A 1 week filmmaking workshop led by the Argentinian director, screenwriter and producer Alejo Moguillansky with the students of the Master in Film - major direction.
FILM STUDIES
by Valentina Parati
A lullaby of engines and love, this short movie is an emotional and hypersensorial journey into the deep world of mechanophilia.
FILM STUDIES
with Elene Naveriani
Through a metaphor with mechanical overtones, an unbroken chain of three situations, divergent and yet so connected by a single element: pulsating, living steel. A family car with a mom and her kid, a furious truck, flying cars. An endless lullaby of engines.
FILM STUDIES
with Yann Gonzalez
In partnership with La Manufacture, the Master Cinema ECAL/HEAD invited director Yann Gonzalez to take part in a directing workshop.
FINE ARTS
by Valentina Parati
The place becomes time Space becomes mine On the one hand we have reality, a delicate analysis of the place of observation, a meeting place for enthusiasts but also for children who enjoy dreaming and watching planes; on the other hand, we have a magical, transformative part: an airport that comes alive and produces music in the absence of people. Combining these two characteristics, I decided to transform the airport, not into a place of observation, but of listening, a place to appreciate repetition. Spotter is an invitation to listen with your eyes and watch with your ears.
FINE ARTS
with David Douard
Questionner l’économie des images et l’idée d’authorship à travers un exercice de manipulations d’images digitales vers un objet physique. Remettre en question le rapport d’une génération artistique « Google » qui se servait volontiers dans un gouffre d’image internet pour les manipuler à foison. Aujourd’hui ce rapport est contesté par de nouvelles technologies servant et à donner une valeur et une authenticité au détournement ( NFT ) David Douard propose ainsi un workshop de sérigraphie sur 3 jours comme un moment de jouissance productive où les enjeux seraient l’appropriation par la superposition. C’est une réflexion sur l’image à capturer et sur la potentialité subjective d’une image à travers le rapport au texte, la poésie ou le langage.