Questionner l’économie des images et l’idée d’authorship à travers un exercice de manipulations d’images digitales vers un objet physique.
Workshop (2022) with David Douard
BA GRAPHIC DESIGN
by Candice Aepli, Amélie Bertholet, Coraline Beyeler, Delphine Brantschen, Léa Corin, Matteo Cortesi, Mathilde Driebold, Eliot Dubi, Marc Facchinetti, Sébastien Follet, Emilie Müller, Dorian Pangallo, Paul Paturel, Adam Saragoussi, Hugo Scholl, Diego Steiner, Cyprien Valenza, Alfredo Venti, Arnaud Wenger
Workshop with Helmo During this week, the students created a new version of vinyl cover by remixing their graphic elements.
BA GRAPHIC DESIGN
by Candice Aepli, Amélie Bertholet, Coraline Beyeler, Delphine Brantschen, Léa Corin, Matteo Cortesi, Mathilde Driebold, Eliot Dubi, Marc Facchinetti, Emilie Müller, Dorian Pangallo, Paul Paturel, Hugo Scholl, Diego Steiner, Cyprien Valenza, Alfredo Venti, Arnaud Wenger, Constance Mauler, Flora Hayoz, Lidia Molina González, Vladislav Tschumi
During this week, the students had to create Obi Strip, a strip of paper surrounding the cover of a vinyl. A visible layer representing the world of their vinyl and an invisible layer creating a security raster. The result was screen-printed, using visible ink and UV ink for the security design.
MA FINE ARTS
by Hugo Baud
ALCOVE is an installation located in the ECAL lobby that invites a reflection on such an exhibition space. It consists of the school's display walls, each measuring 2.06m by 2.8 0m. The structure, which is 6.18 m long, 4.12 m wide, and 2.80 m high, forms a rectangle on the floor with an area of 25.46 m². The exterior of the structure is painted in S 1502-R, the official color of the building's walls, and the interior in RAL 9016, the color designated for exhibition spaces. The name ALCOVE echoes that of the iconic sofas in the ECAL entrance hall.
MA FINE ARTS
by Iulia Bucuresteanu
Somewhere in Draculaland explores how the figure of Dracula shaped the Western construction of Eastern Europe through imperialist and neo-gothic frameworks. It examines how these narratives persist today through Hollywood-driven, pseudo-folkloric images that reinforce cultural hierarchies. Drawing on the figure of the vampire and its associations with contagion, otherness, and invasion, this project traces how these images emerge from late 19th-century anxieties and continue to circulate. Somewhere in Draculaland focuses on the way these representations detach from their literary origins and are reintroduced as pseudo-folkloric truths, creating a cycle in which identity is reduced to mere recognizability, to the benefit of Western cultural authority.
MA FINE ARTS
by Hugo Cuenot
Mixing sound and sculpture, A strip of fruitful land of our own is an installation of three paper windows with dedicated texts that can be heard near them. Made out of delicate Xuan paper, the frail windows are a reproduction of the artist's home windows, brining his fragile perception into the space. The three texts, read in three different voices and coming from three different timelines, weave stories of displacement, war, desire and queerness, bringing a vision of the world to be seen and heard through these veil-thin Swiss windows. As the fragility of our perception of the world is constantly challenged by the stories we are told, now is the time to listen to them.