Résultats pour “Adoptable character art (CA113) (139) Bylenimal” (1153)

Pool CH — ECAL at Arsenic,31.10–02.11.2017,Arsenic , Lausanne Pool CH — ECAL at Arsenic — Centre d art scénique contemporain Tuesday 31 October Wednesday 1 November Thursday 2 November The Pool CH organised by ECAL offers two distinct workshops, one lead by Cecilia Bengolea, the other by Karl Holmqvist. Each attending student registers for one workshop only. Both Cecilia Bengolea and Karl Holmqvist find themselves in shifting positions, moving alongside the art scene, towards the space of the stage, between writing practices, language, poetry, visual forms, film, and sound. The workshops will take place outside of the art school, in a location suited to host both practices, at the Arsenic – Centre d art scénique contemporain, the theatre located in the city centre of Lausanne. --- Cecilia Bengolea Workshop statement I would like to share a practice of dance and writing. The ancestors of Bolivia, the Argentine cumbia street dances and Jamaican dancehall as well as automatic writing. The work on breathing, on hyperventilation as practiced in these dances interest me particularly in order to then write and think about other rhythms and speeds. Biography Born in Buenos Aires, Cecilia Bengolea was trained in urban dances and studied anthropological dance with Eugenio Barba before graduating in philosophy and art history from the University of Buenos Aires. In 2001, she moved to Paris and attended the Ex.e.r.c.e. course in Montpeller, directed by Mathilde Monnier. In 2011, Cecilia Bengolea co-directed two short films which were in dialogue with Levi-Strauss s work : Tristes Tropiques : La Beauté (tôt) vouée à se défaire with Donatien Veisman and Cri de Pilaga with Juliette Bineau. Cecilia Bengolea performs dance like animated sculpture, with the possibility of becoming object and subject in the same instance. She regularly collaborates with artists such as Dominique Gonzalez-Foerster, Monika Gintersdorfer and Knut Klassen, as well as with dancehall specialists Damion BG Dancerz et Joan Mendy. In collaboration with the British artist Jeremy Deller, Cecilia Bengolea has also co-directed the films RythmAssPoetry and Bombom s Dream. Dates and hours Tuesday 31 October 2pm – 6pm Wednesday 1 November 2pm – 6pm Thursday 2 November 2pm – 6pm Location Arsenic – Centre d art scénique contemporain Rue de Genève 57, 1004 Lausanne --- Karl Holmqvist Workshop statement The term “Deep Listening” was coined by composer Pauline Oliveros in the 1980s and has mostly been used in relation to contemporary experimental music. I wanted to invoke it however with the sense that there s something beneath the surface, behind the noise or what artist James Benning has stated as artists being people “who are able to look at the world around them”, the notion that art making is in fact part of processing this act of looking or “listening”. Part of “deepening” it. Proposing a workshop at ecal about the use of language in art, as spoken word or graphic design. As meaning carrier or a type of flashing picture largely part of today s urban landscape. Also about memory function, “brain washing” techniques and repetition. How things can stay perfectly clear in one s memory and yet also change over time or even right there in the moment. Biography Karl Holmqvist is an artist living and working in Berlin. The main focus of his artistic practice is on language and includes writing in the form of artist s books, in video animations and room size installations as well as in spoken word performances. His writing is mostly made up of quotations from a variety of sources rearranged in the form of a type of written collage that deals with repetition, double meaning and memory function. Recent one-person exhibitions include Centre d Art Contemporain, Geneva, Indipendenza, Rome (with Klara Liden), Kunstverein Braunschweig (with Klara Liden), Power Station, Dallas and Camden Arts Centre, London. He has participated in the Venice Biennial in 2003 and 2011, and Performa, New York in 2005, 2007 and 2013. Dates and hours Tuesday 31 October 10am – 1pm, Wednesday 1 November 10am – 1pm Thursday 2 November 10am – 1pm Location Arsenic – Centre d art scénique contemporain Rue de Genève 57, 1004 Lausanne Registration conditions Students choose one workshop. Each workshop can host up to 20 students. Students cannot attend both workshops. Registration by mentioning the workshop you are interested in at dimitri.depreux@ecal.ch
ECAL Masterclass: Gus Van Sant,25.10.2017,IKEA Auditorium, ECAL ECAL Masterclass: Gus Van Sant – Filmmaker, Portland Masterclass ECAL (octobre 2017) A l occasion de l exposition Gus Van Sant au Musée de l Elysée du 25 octobre 2017 au 7 janvier 2018 et d une rétrospective à la Cinémathèque suisse du 1er novembre au 21 décembre 2017. Gus Van Sant, Cinéaste, Portland Mercredi 25 octobre 2017 à 18h, Auditoire IKEA, ECAL Né en 1952 à Louisville (Kentucky), Gus Van Sant est un réalisateur, directeur de la photographie, scénariste et musicien américain. Touche-à-tout de génie, diplômé de la Rhode Island School of Design, passionné de peinture et de musique, il s affirme dès ses débuts comme un digne hériter de la Beat Generation avec des films tels que Drugstore Cowboy ou My Own Private Idaho. Il rencontre ensuite le succès auprès du grand public avec Prête à tout, Will Hunting (Oscar du meilleur scénario pour Ben Affleck et Matt Damon) et A la rencontre de Forrester. En 2003, il connaît la consécration en recevant la Palme d or au Festival de Cannes pour Elephant. Depuis, il a notamment réalisé Harvey Milk, pour lequel il sera nommé à l Oscar du meilleur réalisateur, et des films à la veine plus indépendante comme Last Days ou Paranoid Park. En conversation avec Matthieu Orléan, commissaire de l exposition présentée à la Cinémathèque française, et Lionel Baier, responsable du Département Cinéma à l ECAL. La masterclass sera suivie à 20h30 de la projection de Drugstore Cowboy organisée par la Cinémathèque suisse au cinéma Capitole à Lausanne. Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch

ECAL at the Dutch Design Week and at Grafik 17,21–29.10.2017,Eindhoven, Netherlands – Grafik 17 Zurich From 21 to 29 October during the Dutch Design Week and from 27 to 29 October durung Grafik 17, ECAL presents "ECAL Graphic Design", an exhibition of projects created by students of the Bachelor Graphic Design and the Master Art Direction. Information Dutch Design Week: http://www.ddw.nl Grafik 17: www.grafik-schweiz.ch

Workshop Bloc studios Marble connotes weight, stability and robustness, and is a quintessentially noble material. In light of this, what kind of objects are able to take full advantage of these properties? How can the sensations of balance or weight be fully expressed, while respecting the innate qualities and limits of this substance? This was the question that ECAL /University of Art and Design Lausanne Industrial Design Bachelor s students addressed in 2016 at a workshop led by Swiss designers Joséphine Choquet and Virgile Thévoz. This collection has been jointly developed over recent years by Bloc studios and ECAL, and comprises a selection of objects that focus on the rational balance between materials and proportions – playful ball-joint mirrors, punk marble plates pierced through with steel, marble vases in tension with aluminium, minimal tub plugs and mesmerising wedged vases.

Exhibition and Symposium "Augmented Photography",12.10–03.11.2017,Gallery l elac & Auditorium IKEA Exhibition "Augmented Photography": 12/10/17 A Research Project by Master Photography. Opening reception 6pm, Gallery l elac, ECAL Exhibition until 03/11/17 (closed from 16 to 22 October) From Monday to Friday, 1pm to 5pm. Symposium "Augmented Photography": 13/10/17 9am – 6pm, Gallery l elac, ECAL www.augmented-photography.ch Ann-Christin Bertrand Curator, C/O Berlin (DE) Estelle Blaschke Researcher & Writer (CH) Claus Gunti Art Historian and Researcher (CH) Maxime Guyon Researcher & Photographer (FR) Harm van den Dorpel Artist (NL/DE) Milo Keller Head of Photography, ECAL (CH) Kim Knoppers Curator, FOAM Amsterdam (NL) It s Our Playground Artists & Curators (FR) Marco De Mutiis Digital Curator, Fotomuseum Winterthur (CH) Nicolas Nova Researcher & Writer (CH) Joël Vacheron Researcher & Writer (CH) “Augmented Photography” is a research project conducted at ECAL/University of Art and Design Lausanne by the Master Photography programme, examining recent changes in photography. It aims to explore creative potential which has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. ECAL invites you to discover the multi-faceted exhibition (Gallery l elac) and symposium (IKEA Auditorium) with its related publication. ECAL & Gallery l elac Avenue du Temple 5 1020 Renens Switzerland

ECAL at Mexico Design Week 2017,11–15.10.2017,Mexico City As part of the Mexico Design Week from 11 to 15 October 2017 and its special programme "Swiss Design Mexico 2017" organised by Francisco Torres (ECAL Bachelor Industrial Design graduate), ECAL and its alumni will benefit from numerous exhibitions and events. In addition to ECAL Graphic Design at the Centro de Cultura Digital (from 11 October to 8 December, cocktail on 12 October at 7.30pm), which presents works by Bachelor Graphic Design and Master Art Direction students, and a lecture by Alexis Georgacopoulos, ECAL Director, various ECAL alumni and professors will be featured. Therefore, Giacomo Bastianelli, Thilo Alex Brunner, Michel Charlot, Christophe Guberan, Bertille Laguet, Nicolas Le Moigne, Julie Richoz, Francisco Torres will participate in this event. In collaboration with the Swiss Embassy in Mexico and Pro Helvetia. Download the programme! www.designweekmexico.com

Augmented Photography Photography has contributed, throughout its history, to building up a framework of knowledge based on an ability to demonstrate visibly, and therefore objectively, the reality of things. The widespread nature of digital imagery – images that have been created, processed, disseminated or stored as digital data – has led us to review critically the precision of our gaze. In the past, photographic images were deemed to be trustworthy and irrefutable documents. They have now become malleable and plausible data that we instantly assimilate into our visual habits. Since the 1990s, this development has given rise to considerable discussion about the nature of photographic realism, and a questioning of entire areas of activity. The digital creation of images has been accompanied by their manipulation in ways that are similar to painting, sculpture and, more analytically, the computer sciences. In this respect, Web 2.0, by facilitating in the circulation of ideas, things and persons at unprecedented speed, has further accelerated a process that began with the advent of the Internet. This research project allowed us to experiment with new practices and analyse the positions adopted by influential actors, such as photographers, critics and curators. It offered participants conceptual and practical tools to allow them to position themselves in hyper-connected environments. In the absence of any master s degrees in photography in Switzerland, this research helps provide a robust theoretical framework and a way of keeping abreast of the shifting nature of the discipline.Main applicantsECAL/University of Art and Design Lausanne (project leader)Research team (researcher) (research assistant)Visiting lecturersAnn-Christin Bertrand, Estelle Blaschke, Rachel de Joode, Marco De Mutiis, Anne de Vries, Christophe Gaillard, Claus Gunti, Joe Hamilton, Kim Knoppers, Nicolas Nova, Harm Van Den DorpelPeriodoctober 2016 – october 2017Supported byECAL/University of Art and Design Lausanne Strategic fund of the University of Applied Sciences Western Switzerland (HES-SO RCDAV)DisseminationPublication Augmented Photography, edited by Milo Keller, Joël Vacheron and Maxime Guyon, ECAL, Renens, 2017 Website augmented-photography.ch

Graduation Show 2017,27.09–13.10.2017,Auditorium Leenaards, ECAL From 27 September (opening reception at 6pm) to 13 October, ECAL presents a selection of the Bachelor and Master diplomas 2017 in its building in Renens. Through editions, pictures, fonts, paintings, interactive installations or design objects, this exhibition offers the unique opportunity to discover the work of students from Bachelor (Fine Arts, Industrial Design, Graphic Design, Photography, Media & interaction Design) and Master (Art Direction, Fine Arts, Design Product) as well as the creations of the Master of Advanced Studies in Design for Luxury & Craftsmanship. The films of the Bachelor Cinema will enjoy a screening in November (Cinema Capitole, Lausanne). On this occasion, the ECAL publishes for the sixth year in a row a "Yearbook" with all the projects of the graduates. Available directly at ECAL. The exhibition will be open from 28 September to 13 October 2017, from 11am to 6pm (closed on Saturdays and Sundays). ECAL 5, avenue du Temple 1020 Renens Links images HD Bachelor Industrial Design Bachelor Photography Bachelor Graphic Design Bachelor Media & Interaction Design Bachelor Fine Arts Master Product Design Master of Advanced Studies in Design for Luxury & Craftsmanship Master Art Direction Master Fine Arts

Grant of the Leenaards Foundation to Maya Rochat and Frédéric Gabioud Congratulations to Maya Rochat, Bachelor Photography graduate, and Frédéric Gabioud, Bachelor Fine Arts graduate, who each won a 50 000.- grant from the Leenaards Foundation www.leenaards.ch/prix-bourses-culturels-2017

HKDI presents: Masterclasses by ECAL,08–17.09.2017,HKDI, Hong Kong ECAL/University of Art and Design Lausanne is ranked amongst the top 10 design institutions in the world by Business Week while ranked 5th in the latest Dezeen Hot List. It is the first time ECAL delivers Executive Courses in Hong Kong. Professionals (from design and non-design fields) are welcome to join us! *** Certificates by ECAL and HKDI will be issued to participants upon successful completion of the course. Seats are limited. First come, first served! Supporting organisations: Hong Kong Design Centre – Design Council of Hong Kong – Federation of Hong Kong Industries – Hong Kong Watch Manufacturers Association Limited – Federation of Hong Kong Watch Trades & Industries Ltd Download Brochure More details and applications http://www.hkdi.edu.hk/?l=en&s=4&p=958 1. Light in Photography (67096M) Date: 8 to 10 Sep, 2017 (Fri, Sat & Sun) Time: 9:30am to 12:30pm & 1:30pm to 5:30pm (7hrs) Standard rate: HK$ 11,500 Special rates: - 10% discount (HK$10,500) for early bird (Deadline 30 June 2017) - 15% discount (HK$9,800) 2 course enrolments or 2 person enrollment at the same time (Deadline 30 June 2017) - 15% discount (HK$9,800) VTC Alumni and Members of Supporting Organisations (Deadline 30 June 2017) 2. Augmented Reality (67097M) Date: 8 to 10 Sep, 2017 (Fri, Sat & Sun) Time: 9:30am to 12:30pm & 1:30pm to 5:30pm (7hrs) Standard rate: HK$ 11,500 Special rates: - 10% discount (HK$10,500) for early bird (Deadline 30 June 2017) - 15% discount (HK$9,800) 2 course enrolments or 2 person enrollment at the same time (Deadline 30 June 2017) - 15% discount (HK$9,800) VTC Alumni and Members of Supporting Organisations (Deadline 30 June 2017) 3. Modular Typeface (67098M) Date: 15 to 17 Sep, 2017 (Fri, Sat & Sun) Time: 9:30am to 12:30pm & 1:30pm to 5:30pm (7hrs) Standard rate: HK$ 11,500 Special rates: - 10% discount (HK$10,500) for early bird (Deadline 30 June 2017) - 15% discount (HK$9,800) 2 course enrolments or 2 person enrollment at the same time (Deadline 30 June 2017) - 15% discount (HK$9,800) VTC Alumni and Members of Supporting Organisations (Deadline 30 June 2017) 4. Watch Design (67099M) Date: 15 to 17 Sep, 2017 (Fri, Sat & Sun) Time: 9:30am to 12:30pm & 1:30pm to 5:30pm (7hrs) Standard rate: HK$ 11,500 Special rates: - 10% discount (HK$10,500) for early bird (Deadline 30 June 2017) - 15% discount (HK$9,800) 2 course enrolments or 2 person enrollment at the same time (Deadline 30 June 2017) - 15% discount (HK$9,800) VTC Alumni and Members of Supporting Organisations (Deadline 30 June 2017) Requirements Applicants should normally hold: - a Bachelor s degree awarded by a recognised school, preferably with experience in the chosen field - a recognised tertiary level quali cation, with substantial experience in the chosen field Certificate Certificate of Attendance by ECAL and HKDI will be issued to participants upon successful completion of the course(s) Contact+852 3928 2000 peec.hkdi@vtc.edu.hk www.facebook.com/HKDIPEEC

The Sausage of the Future Can we count on the sausage to provide a solution, in order to reduce the consumption of meat? And can the use of new ingredients increase the diversity of our diets? Can the sausage make a considerable contribution to a sustainable food culture? To answer these questions, a chef of molecular gastronomy, a master butcher and a designer have teamed up to look into sausage production techniques and potential new ingredients – such as insects, nuts, and legumes – to reinvent the sausage of the future. The final publication Sausage of the Future takes the reader on a journey through all the building blocks of a sausage. It stops along the way to explore issues like moistness, flavoring, glue, and preservation. The publication catalogues different types of sausages and presents lesser-known ingredients, carefully selected for their potential regarding the future. In our days, according to the Food and Agriculture Organization (FAO), we are facing a serious shortage of protein-rich-food. The reason is the overconsumption of animal products. Meat, in particular, will be scarce: thus, we need alternatives. The sausage is one of mankind s first-ever designed food items. A paragon of efficient butchery, it was originally designed to make the most of animal protein in times of scarcity. With its wide variety of sizes and its endless choice of possible fillings, the sausage offers itself again to take a pioneering role. This time, not only to make the most of animal protein, but to be a shell for all kinds of nutrition.Main applicantsECAL/University of Art and Design Lausanne (project leader)Research teamSupervision Mock-ups Gabriel Serero Herman ter Weele Graphic design and illustrations Helge Hjorth Bentsen Olli Hirvonen Photography Emile Barret Noortje Knulst Jonas MarguetPeriodmarch 2014 – november 2017Supported byECAL/University of Art and Design LausanneDisseminationPublication Carolien Niebling, The Sausage of the Future, Zurich: Lars Müller Publishers, 2017. Exhibitions Design Parade, Hyères, Villa Noailles, June 30 – Sept 24, 2017. Hublot Design Miami, Miami, December 7, 2017. The Sausage of the Future, Milan, SaloneSatellite, April 4–9, 2017. WantedDesign, Brooklyn, May 17–21, 2018. Design Parade, Hyères, Villa Noailles, June 29 – September 23, 2018. Dutch Design Week, Eindhoven, Strijp, October 20 – 28, 2018. Food Revolution 5.0, Winterthur, Gewerbemuseum, December 2, 2018 – April 28, 2019 FOOD: Bigger than the plate, London, Victoria and Albert Museum, May 18 – October 10, 2019. Broken Nature: Design Takes on Human Survival, Milano, Triennale, March 01–November 09, 2019. Serial Eater, Hornu, CID Grand-Hornu, May 27 – November 29, 2020. Design Preis Schweiz, Langenthal, November 02 – 10, 2019. Awards Winner of Design Prize Switzerland (Research) – 2019 Winner of Norway s most beautiful books competition (Nonfiction) – 2018 Silver Hare (second prize) in Hochparterre s Die Besten (design and research category) – 2017 Winner of Hublot Design Prize – 2017 Winner of Design Parade Hyères Grand Prix at Villa Noailles – 2017 Press Penelope Vaglini, The Future Sausage, lofficielitalia.com, 11 mai 2017 Phillip Löwe, Wurst case scenario, Spiegel.de, 10 avril 2017 Emma Rawson, In search of the missing link: Tasting the future of sausage with Carolien Niebling, thisNZlife.co.nz, 12 Septembre 2019 Daphne Milner, Designer Carolien Niebling wants you to meet the meat we eat, itsnicethat.com, 25 Avril 2018 Spencer Bailey, How the Sausage Is Made, Literally, surfacemag.com, 30 décembre 2017 Alexander Kühn, Die Wurst der Zukunft, tagesanzeiger.ch, 7 décembre 2017 Dutch food designer Carolien Niebling on why the future of food might not be fake meat or veganism, but sausages, idealog.co.nz, 22 août 2019 Katharine Schwab, The Sausage Gets A Radical Redesign, Fastcompany.com, 4 juillet 2017 Sofia Lekka Angelopoulou, the future sausage by carolien niebling wins the design prize switzerland 2019, designboom.com, 2 novembre 2019 Ali Morris, Alternatives for meat consumption to be explored by ECAL during Milan design week, dezeen.com, 29 mars 2017 Conferences And the day after? lecture, TEDxGeneva, Geneva, March 22, 2018 Semi-Permanent, lecture, Semi-Permanent, Auckland, August 15, 2019 Design Indaba conference, lecture, Design Indaba, Cape Town, February 27, 2019 Future of Production, Panel talk, Global Design Forum at V&A, London, September 14, 2019 Sustainability by Design: Innovation for a Circular Economy, Panel talk, Swissnex, San Francisco, January 14, 2020

ECAL at Numerik Games,25–27.08.2017,Y-Parc, Yverdon-les-Bains Le Numerik Games Festival est une manifestation tout public dédiée à l art numérique, qui se tiendra du 25 au 27 août 2017 à Yverdon-les-Bains. Totalement repensé pour sa deuxième édition, Numerik Games cherche à valoriser le digital à travers les différents champs qu il peut recouvrir: culturel, artistique, musical, économique, patrimonial, académique et associatif! Que vous soyez petits ou grands, geeks ou pas geeks, passionnés ou simplement curieux, le festival vous réserve un programme débordant d originalité. Entre spectacles et ateliers, vous allez vous régaler! Télécharger programme complet + plan A cette occasion, les étudiants en Bachelor Media & Interaction Design de l ECAL présenteront une douzaine de jeux vidéo, alors que fragment.in, composé de Laura Perrenoud et Marc Dubois (diplômés en BA Media & Interaction Design), proposera une installation VR multi-utilisateurs immersive. Sous Contrôle (ECAL + fragment.in) Vendredi et samedi de 16h à 1h Dimanche de 11h à 18h Y-Parc (stand 25) Rue Galilée 6 1400 Yverdon-les-Bains http://y-parc.ch Information et billetterie www.numerik-games.ch

ECAL at Locarno 2017,02–12.08.2017,Festival del Film, Locarno Présence de l ECAL/Ecole cantonale d art de Lausanne au 70e Festival del Film Locarno du 2 au 12 août 2017 . - Les intranquilles de Magdalena Froger, diplômée Bachelor Cinéma 2017 (Sélection Pardi di domani) - ECAL Cinéma 2017, vernissage du DVD. Lundi 7 août à 16 h au Spazio Cinéma ------ Anciens étudiants : - Villa Ventura de Roman Hüben diplômé Bachelor Cinéma 2014. Produit par Cinédokké et Amka films (Sélection Pardi di domani) - Resistance de Laurence Favre, diplômée Master Cinéma ECAL/HEAD 2012. Produit par Matza (Sélection Pardi di domani) - L Opéra de Paris de Jean-Stéphane Bron. Produit par Bande à Part Films (Section Panorama Suisse). Egalement juré à la Compétition internationale - Le Vénérable W. de Barbet Schroeder. Coproduit par Les Films du Losange et Bande à Part Films. Avec la participation des diplômés Bachelor Cinéma 2016 (orientation Caméra) Lieux et dates des films disponibles sur le site officiel du festival www.pardolive.ch www.ecal.ch

Collaborate! On the occasion of Foam 15th anniversary, students of the Royal Academy of Art (KABK) in The Hague and the University of Art and Design (ECAL) in Lausanne were asked by Foam to work together on the theme: COLLABORATE. In the months running up to the opening week of Les Rencontres d Arles the students of both schools have been exchanging material and ideas to create works, preparing for an exhibition at La Bourse du Travail during the opening week of the festival Les Rencontres de la Photographie 2017. Also, when in Arles they make a daily report to be shared with the public. The exhibition space in La Bourse functions as a large studio in which the international students work on these reports. On the occasion of Foam 15th anniversary, students of the Royal Academy of Art (KABK) in The Hague and the University of Art and Design (ECAL) in Lausanne were asked by Foam to work together on the theme: COLLABORATE.In the months running up to the opening week of Les Rencontres d Arles the students of both schools have been exchanging material and ideas to create works, preparing for an exhibition at La Bourse du Travail during the opening week of the festival Les Rencontres de la Photographie 2017. Also, when in Arles they make a daily report to be shared with the public. The exhibition space in La Bourse functions as a large studio in which the international students work on these reports.

L ECAL à Arles: collaboration with Foam & KABK,03–09.07.2017,La Bourse du Travail, Arles To celebrate its 15th anniversary, Foam Photography Museum Amsterdam will be present in Arles during the international festival Les Rencontres de la Photographie. On this occasion, Foam promotes international cooperation and exchange between art schools and initiates a collaboration between photography students of ECAL and KABK/Royal Academy of Art The Hague. The outcome of this collaboration will be exhibited during the opening week of the festival. From 3 to 9 July 2017 Daily from 10am to 7pm La Bourse du Travail 3, rue Parmentier 13200 Arles www.foam.org www.ecal.ch www.kabk.nl Image: ECAL/Myriam Bonaglia Font: Magister & Forma by ECAL/Leonardo Azzolini

Laura Zoccarato – Spectacle Total “Spectacle Total” is a term derived from the concept of “Gesamtkunstwerk”: a total work of art, in which all elements (music, voice, movement and show) work together. The choreographer Maurice Béjart staged a ballet as a “spectacle total”, by getting his inspiration from different sources, mixing different styles, experimental music, African dances and theatre. I used his idea of mixing different methods to create new visuals by manipulating the images of his archive, both analogically and digitally. The result is an experimental narrative that combines his most famous performances into one book. “Spectacle Total” is a term derived from the concept of “Gesamtkunstwerk”: a total work of art, in which all elements (music, voice, movement and show) work together. The choreographer Maurice Béjart staged a ballet as a “spectacle total”, by getting his inspiration from different sources, mixing different styles, experimental music, African dances and theatre. I used his idea of mixing different methods to create new visuals by manipulating the images of his archive, both analogically and digitally. The result is an experimental narrative that combines his most famous performances into one book.

Imanol Pittaluga – Enbata A young man, Iago, wakes up in a hospital waiting room and finds out that he now has to look after his 3yr old brother who he s never met. Fiction / 30 min Synopsis A young man, Iago, wakes up in a hospital waiting room and finds out that he now has to look after his 3yr old brother who he s never met. For a few hours, he s responsible for a life that s just beginning. In the middle of natural scenery, yet confronted by the real world, buffeted by gusts of wind and surrounded by abandoned ships and skeleton-like cranes, Iago realizes that life can come to an end. Comment The great success of the film is that it never loses sight of its narrative stakes, a young adult and a child who learn to discover each other, while slipping quietly into a more experimental region, which Imanol Pittaluga populates with dreamlike visions that are always inspired. This shift, through the play of time and the use of scenery, produces a troubling connection between these two characters even though they are long separated. This game of persistence of figures, as well as these two fascinating actors to watch simply walking, waiting for each other, turning around or getting lost, make all the strength of Embata. Thomas Salvador / Director

Frager Alexandre – Dancing Encounters A virtual dance. A futuristic blind-date. Two Two geeky and solitary players will meet for the first time and struggle with an unpredictable reality. Fiction / 14 min Synopsis “Dancing Encounters” is a virtual-reality dancing game combined with a dating application. Having played online, Jérémie and Marion, two geeky and solitary young adults, will obtain a blind-date. The main characters will have to get rid of their technological outfit un order to immerge themselves in a complex and unpredictable reality.

Grand Prix Design Parade to Carolien Niebling Congratulations to Carolien Niebling, Master Product Design graduate, won the Grand Prix (1st Prize) Design Parade (Hyères) at the Villa Noailles with a research project conducted at ECAL about the "Sausage of the Future". The jury was presided by Inga Sempé This project explores the design and taste of the future sausage, while critically discussing alternatives to meat consumption worldwide. The Grand Prix Design Parade consists of: a research scholarship of one year at Sèvres – Cité de la céramique a research scholarship of one year at CIRVA (International Glass and Arts Research Centre in Marseille, to create a vase. This vase will be produced in triplicate and will then become a part of the collections of the villa Noailles and of the CIRVA, one vase for the designer a grant of 5 000 euros given by Galerie kreo for a personal design project that could be represented by Galerie kreo a personal exhibition at the villa Noailles during Design Parade 13, in July 2018 a series of exhibitions in Europe in 2019 a personal exhibition at espace d art Le Moulin in La Valette-du-Var in July 2019. Exhibition until 24 Septembre at the Villa Noailles, Hyères www.villanoailles-hyeres.com http://carolienniebling.com/THE-FUTURE-SAUSAGE

ECAL Awards and grants 2017 Awards and grants given on the occasion of the Graduation Ceremony 2017 BACHELOR Prix de l Année Propédeutique - CHF 500.- (chacun) 2 prix décernés aux étudiants de l Année Propédeutique de l ECAL qui se sont distingués par l excellence de leur travail et qui ont obtenu les meilleurs résultats de leur volée. Remis par M. David Monnet, responsable de l Année Propédeutique Linn Henz (CH) PPci CHF 500.- Bérengère Bussioz (FR) PPdi CHF 500.- Prix EXECAL - CHF 1 000.- 1 prix décerné à un étudiant diplômé qui s est distingué par la qualité de son mémoire. Remis par M. Yves Zbinden, membre exécal Laura-Issé Tusevo (CH-Angolais) 3CVdg CHF 1 000.- Prix du Mérite Helena Zanelli Création - CHF 1 000.- 1 prix destiné à un étudiant en Communication Visuelle qui a fait preuve d un important investissement personnel pour atteindre ses objectifs et qui a réalisé des progrès remarquables en cours d année. Remis par Alexis Georgacopoulos au nom de la directrice Mme Helena Zanelli David Loy (FR) 2CVdg CHF 1 000.- Prix Visarte Vaud - CHF 1 000.- 1 prix décerné à un étudiant diplômé en Arts Visuels qui s est distingué par l excellence de son travail. Remis par Madame Patricia Glave, vice-présidente de Visarte Vaud Zoé Cornelius (CH-Suède) 3AV CHF 1 000.- Prix BCV - CHF 1 000.- 1 prix destiné à récompenser un étudiant diplômé en Bachelor Design Graphique qui s est distingué par la qualité d ensemble de son travail. Remis par M. Angelo Benedetto, responsable du Bachelor Design Graphique Amaury Hamon (FR) 3CVdg CHF 1 000.- Prix Jacqueline Veuve - CHF 1 000.- 1 prix décerné à une étudiante en Bachelor ou Master Cinéma qui s est illustrée durant l année par la qualité de ses réalisations ou de ses travaux techniques. Remis par M. Lionel Baier, responsable du Département Cinéma Mariama Baldé (CH) 2CVci CHF 1 000.- Prix du Risque (Jacques Bonnard) - CHF 1 000.- 1 prix décerné à un étudiant particulièrement talentueux dans le domaine des Arts Visuels. Remis par M. Stéphane Kropf, responsable du Bachelor Arts Visuels Gina Proenza (FR-Colombie) 3AV CHF 1 000.- Prix Ernest Manganel – CHF 2 000.- (chacun) 3 prix décernés par le jury de la Fondation Ernest Manganel à des étudiants diplômés en Arts Visuels, pour récompenser la pertinence de leurs recherches et la qualité très professionnelle de leur travail de diplôme. Remis par M. Yves Zbinden, membre du Conseil de la Fondation Manganel Zoé Cornelius (CH-Suède) 3AV CHF 2 000.- Iseult Perrault (FR) 3AV CHF 2 000.- Gina Proenza (FR-Colombie) 3AV CHF 2 000.- Prix Elinchrom (Set d éclairage flash) 3 prix destinés à récompenser des étudiants diplômés en Bachelor Photographie qui ont réalisé un excellent travail de diplôme. Remis par MM Sandro et Pascal Bizzarro, conseillers Pro Studio et Digital Imaging Profot en Suisse romande 3ème prix : Anaïs Leu (CH) 3CVph 2ème prix : Yasmina Gonin (CH) 3CVph 1er prix : Marvin Leuvrey (FR) 3CVph Prix Profot (Trépieds de caméra) 1 prix destiné à récompenser un étudiant diplômé en Bachelor Photographie qui a réalisé un excellent travail de diplôme. Remis par MM Sandro et Pascal Bizzarro, conseillers Pro Studio et Digital Imaging Profot en Suisse romande Angélique Stehli (CH-FR) 3CVph La maison Profot offre également un bon de réduction de 25 % sur un achat à tous les diplômés du Bachelor en Photographie. Prix Eyes On Talents - CHF 2 000.- 1 prix décerné par l agence Eyes On Talents basée à Paris, à un étudiant en Bachelor Design Industriel ou en Master de produit. Ce prix récompense un projet de design au fort potentiel de production et commercialisation. Le lauréat bénéficiera également d un accompagnement et suivi médiatique dédié. Remis par Mme Yasmina de Takacsy de Eyes on Talents Jules Mas (FR) 3DI CHF 2 000.- Prix de la Ville de Renens - CHF 2 000.- 1 prix d encouragement destiné à récompenser un étudiant de 2e année Bachelor qui s est distingué par la qualité de son travail. La possibilité est offerte au lauréat d exposer son travail dans un lieu de Renens. Remis par M. Jean-François Clément, syndic de la Ville de Renens Célestine Claudin (FR) 2CVdg CHF 2 000.- Prix Bonnard Gardel – Ingénieurs Conseils - CHF 2 500.- (:2) 2 prix décernés à deux étudiants diplômés auteurs d un projet s inscrivant dans la prise en compte du développement durable, notamment par ses aspects économiques, environnementaux et sociaux. Remis par M. Pierre Kohler, CEO de la société BG Jules Mas (FR) 3DI CHF 1 250.- Valentin Kaiser (CH) 3CVdg CHF 1 250.- Prix d excellence du domaine Design et Arts Visuels de la HES-SO - CHF 2 500.- (chacun) 2 prix décernés à des étudiants de l ECAL qui se sont distingués par l excellence de leur travail de diplôme. Remis par Mme Geneviève Le Fort, vice-rectrice Qualité de la HES-SO Marine Giraudo (FR) 3CVdg CHF 2 500.- Pietro Alberti (CH) 3CVmid CHF 2 500.- Prix La Foncière – CHF 3 000.- 1 prix décerné par la Foncière, un fonds de placement immobilier, à un étudiant méritant pour le travail accompli durant l année. Remis par M. Arnaud de Jamblinne, directeur général à la Foncière Florian Sebastian Amoser (CH) 3CVph CHF 3 000.- Bourses Fondation Walter + Eve Kent - CHF 5 000.- (chacune) 3 bourses décernées à des étudiants particulièrement talentueux dans le domaine de la peinture et de la sculpture (AV). Remises par M. Alexis Georgacopoulos, membre du Conseil de la Fondation Walter + Eve Kent Martin Bonnaz (FR) 1AV CHF 5 000.- Line Chevalley (CH) 2AV CHF 5 000.- Kelly Tissot (FR) 2AV CHF 5 000.- Bourses Fondation Casino Barrière de Montreux CHF 10 000.- (chacune) 2 bourses décernées à des étudiants sur le point d accomplir leur année de diplôme Bachelor ou Master. Les étudiants ont été choisis en fonction de leur talent et de leur sens de la créativité. Remises par M. Pierre Keller, membre du Conseil de Fondation Casino Barrière de Montreux Yohanna Rieckhoff (CH) 2DI CHF 10 000.- Luca Kasper (CH) 2CVmid CHF 10 000.- CHIC – China Hardware Innovation Camp Ce programme d enseignement pratique de 2 mois permet à des étudiants de l ECAL de développer avec des étudiants de l EPFL et HEC Lausanne un prototype d objet connecté et de le manufacturer lors d un séjour en Chine (Hong Kong et Shenzhen). Remis par M. Alexis Georgacopoulos, directeur de l ECAL Dylan Casasnovas (FR) 2DI Manon Membrez (CH-FR) 2DI Dimitri Nassisi (CH-IT) 2DI Yohanna Rieckhoff (CH) 2DI Thomas Faucheux (FR) 3CVmid Elise Migraine (CH-FR) 3CVmid Hélène Portier (CH) 3CVmid Erika Marthins (Suède) 3CVmid Hong Kong Design Institute Une résidence d une durée de 5 mois à Hong Kong, en partenariat avec la Hong Kong Design Institute, pour des étudiants diplômés. Remis par M. Alexis Georgacopoulos, directeur de l ECAL Tobias Brunner (CH) 3DI Hélène Portier (CH) 3CVmid MASTER Prix David Rust - CHF 1 000.- 1 prix décerné par l association In Rust We Trust à un étudiant diplômé en Bachelor ou Master qui s est distingué par la qualité de son travail typographique. La possibilité est offerte au lauréat d éditer un visuel qui sera destiné à la récolte de dons pour l action Design against Cancer (menée par l association). Remis par Mlle Lola Rust, fille de David et membre du comité de l association Arve Båtevik (NOR) 2MaAD CHF 1 000.- Prix BCV - CHF 1 000.- 1 prix destiné à récompenser un étudiant diplômé en Master Design de Produit qui s est distingué par la qualité d ensemble de son travail. Remis par M. Thilo Alex Brunner, responsable du Master Design de Produit Christian Holweck (DE) 2MaDP CHF 1 000.- Prix de la Ville de Renens - CHF 2 000.- 1 prix d encouragement destinés à récompenser un étudiant en 1ère année Master qui s est distingué par la qualité de son travail. La possibilité est offerte au lauréat d exposer son travail dans un lieu de Renens. Remis par M. Jean-François Clément, syndic de la Ville de Renens Eduardo Garcia Rennó Pereira 1MaTD CHF 2 000.- Bourse Fondation Walter + Eve Kent - CHF 5 000.- 1 bourse décernée à des étudiants particulièrement talentueux dans le domaine de la peinture et de la sculpture (AV). Remis par M. Alexis Georgacopoulos, membre du Conseil de la Fondation Walter + Eve Kent Una Björg Magnúsdóttir (ISL) 1MaAV CHF 5 000.- Prix Beau Virage du Lausanne Palace – CHF 10 000.- 1 prix décerné à un étudiant méritant en cours d étude en 2ème année Bachelor ou en 1ère année Master. Remis par M. Edouard Millet, directeur adjoint du Lausanne Palace & SPA Robert Swierczynski (POL) 1MaCVph CHF 10 000.- Soma Summer Mexico 2017 Attribué à 2 étudiants en Arts Visuels, sélectionnés pour une résidence d artistes d une durée de 2 mois à Mexico City. Remis par M. Alexis Georgacopoulos, directeur de l ECAL Virginia Ariu (IT) 2MaAV Shirin Yousefi (Iran) 2MaAV Hong Kong Design Institute Une résidence d une durée de 5 mois à Hong Kong, en partenariat avec la Hong Kong Design Institute, pour des étudiants diplômés. Remis par M. Alexis Georgacopoulos, directeur de l ECAL Juliette Collin (FR) 2MaAD Sara Regal (ESP) 2MaD

Amaury Hamon – Grandmaster Mind Fascinated by the age of externalization of memory we live in, I inquired about its antagonist: the Art of Memory. Grandmaster Mind is an initiatory journey through mnemonic techniques. From beginner to Grandmaster, the book travels through the re-encoding of mundane datas (lists, numbers…) into memorable visual narratives. The design is built on the duality between data and its mental projection. The digital aesthetic acts as a personal database of pre-existing memories and knowledge—a key to visualize to-be-remembered informations.

Cécilia Poupon – Another Hydra Another Hydra is a personal overview of the consequences of contemporary society on the definition of our identity. We tend to become fragmented individuals, displaying our multiplied identity on an ever-growing number of surfaces around us, like screens, for instance. Never too opaque nor transparent, this work constantly confronts characters who resist the idea of image-altering surfaces. The recurring fragmentation of our lives and of our identity is visible through technology, architecture and our everyday life interactions. Another Hydrais a personal overview of the consequences of contemporary society on the definition of our identity. We tend to become fragmented individuals, displaying our multiplied identity on an ever-growing number of surfaces around us, like screens, for instance. Never too opaque nor transparent, this work constantly confronts characters who resist the idea of image-altering surfaces. The recurring fragmentation of our lives and of our identity is visible through technology, architecture and our everyday life interactions.

Tanya Kottler – Behind Closed Doors « In the 1960 s, an American created a viewing platform in his motel in order to observe his guests in their rooms, invading what is deemed of private nature. Using this as a starting point, the motel room enabled me to create a vacant space that belongs to no one. I was thus able to imagine characters and scenes in a place that I fully reconstructed myself. Mundane actions of people coming and going with nothing ever happening, yet still offering a glimpse into their lives, spark curiosity about what can occur behind closed doors. While looking at my pictures, the viewer evolves into a voyeur. »

«ECAL Graphic Design» at swissnex San Francisco,16.06–25.08.2017,swissnex San Francisco In collaboration with swissnex San Francisco, ECAL presents an exhibition of projects created by students of the Bachelor Graphic Design and the Master Art Direction. Images HD ECAL/University of Art and Design Lausanne has long been recognised as a world reference in terms of – amongst others – graphic design. Be it in designing books, catalogues, magazines or posters, typography or digital projects, ECAL students are able to embrace all fields of this discipline and to masterfully perform a wide variety of assignments. This success is largely based on a policy of workshops allowing them to learn from the best Swiss or international graphic designers directly on the school premises. With this in mind, ECAL has had the good fortune of welcoming in recent years leading figures such as Ludovic Balland, Bibliothèque, Mirko Borsche, Thomas Buxo, Veronica Ditting, Europa, Johann Kauth, Jürg Lehni, Ari Marcopoulos, Maximage, Young Na Kim, NORM, OK-RM, Brian Roettinger, Hansje van Halem, Cornel Windlin and Job Wouters aka Letman. The exhibition and book “ECAL Graphic Design” largely retraces projects conducted in the Bachelor Graphic Design and Master Art Direction courses over the past five years in the framework of these visits, but also of other courses which have contributed to the School s reputation. Edited by the Gavillet & Rust studio, the book revolves around a long succession of tracking shots in which projects are not classified in categories, but organised by colour. The exhibition design orchestrated by Adrien Rovero is based on the same concept, allowing a total flexibility of the exhibition. «ECAL Graphic Design» exhibition Exhibition from 16 June 2017 to 25 August 2017. swissnex San Francisco Pier 17, Suite 800, San Francisco California 94111 www.swissnexsanfrancisco.org Book "ECAL Graphic Design" Distributed by JRP|Ringier Collection Anthologies & Art Theory www.jrp-ringier.com Edited by: Angelo Benedetto, Lionel, Bovier, Vincent Devaud (Graphic design), Gilles Gavillet (Graphic design), Alexis Georgacopoulos Authors: Angelo Benedetto, Alexis Georgacopoulos, François Rappo Photography: Philippe Fragnière Technical specifications: Hardcover, 225 x 295 mm, 160 pages, 64 color images, English/French, March 2016 ISBN: 978-3-03764-455-3 Price: CHF 48 / EUR 40 / £ 30 / US 49.95

Designing Writing symposium at ECAL,01–03.06.2017,ECAL, Renens Designing Writing – An editosensorial event at the crossroads of graphic design & literature and publishing & poetry Designing Writing June 1, 2, 3 – ECAL Schedule and more information: www.designingwriting.com is an editosensorial event at the crossroads of graphic design & literature and publishing & poetry is three days of conversations & propositions and production & distribution bringing together anthropologists, artists, authors, curators, graphic designers, historians, theorists, type designers, poets and publishers — voices speaking from the past or the present, both dead and alive is part of the eponymous ECAL research programme, investigating forms and modalities of writing to come is Reading at the ECAL Library with Fabrice Mabime is Assembling at the ECAL Printshop with Alexis Hominal, Simon Mager, Roman Seban is Liberating with Izet Sheshivari is Meditating at secret locations, secret schedule with Åbäke, Félicia Atkinson, Olivier Lebrun, Alice Vodoz & Eilean Friis-Lund is Talking at the IKEA Auditorium Sara De Bondt, Julia Born, Thierry Chancogne, Marcelline Delbecq, Pierre Déléage, Sophie Demay, Craig Dworkin, Christophe Jacquet, Christian Joschke, Robert Lzicar, Louis Lüthi, Philippe Millot, John Morgan, Camille Pageard, Muriel Pic, Manuel Raeder, François Rappo, Joanna Schaffer & Vincent Sahli is Meeting at the Gallery l elac future , Boabooks, Bom Dia Boa Tarde Boa Noite, Cent Pages, Dent-De-Leone, Eastside Projects, Four Corners Books, Héros-Limite, Information as Material, Éditions Macula, Éditions Mix., Occasional Papers, OEI, Onomatopee, Paraguay Press, Presses du Réel, Primary Information, Rollo Press, Roma Publications, Section 7 Books, Shelter Press, Spector Books, Triest Verlag, Tombolo Presses, Ugly Duckling Presse is a project proposed by Alexandru Balgiu @designingwriting Schedule and more information: www.designingwriting.com ECAL/University of Art and Design Lausanne 5, avenue du Temple 1020 Renens, Switzerland www.ecal.ch

Exhibited cinema Artists films, video art and exhibition of moving images in French-speaking Switzerland The aims of this project are twofold: to reconstruct the place of films and moving images in the field of contemporary art through researches into Swiss French archives; and to experience, through workshops with filmmakers and visual artists, conferences of curators and moving image practitioners, the involvements of the exhibition context on the open forms of film experiments (the treatment of duration, the multiplicity of screens, the mobile spectator).Main applicantsECAL/University of Art and Design Lausanne (project leader)Research teamAdeena Mey (assistant) Bachelor students in Visual Arts and Film Department of ECALPeriodseptember 2012 – june 2017Supported byECAL/University of Art and Design Lausanne Strategic fund of the University of Applied Sciences Western Switzerland (HES-SO RCDAV)DisseminationPublications François Bovier, Early Video Art and Experimental Films Networks, Renens: ECAL 2017 François Bovier, Adeena Mey, Cinéma Exposé / Exhibited cinema, Renens: ECAL 2015 Website cinemaexpose.ch Exhibition Films screenings «Exhibited Cinema»PartnersJRP|Ringier, Swiss Film Archive

«Corps-concept» exhibition in collaboration with ECAL,21.05–19.11.2017,Maison d Ailleurs, Yverdon-les-Bains “Corps-concept” is an exhibition that reflects on contemporary conceptions of the body that underpin numerous ideological movements, including transhumanism. Issues regarding the body-object, the body-draft, body-commodity and the anthropological consequences of these different “conceptional reductions” will be examined. The aim of the exhibition is to offer an unprecedented insight into our current utopias and on the technoscientific driving force that irrigates these. From 21 My to 19 November at the Maison d Ailleurs in Yverdon-les-Bains. Opening reception 21 May from 5pm. At the invitation of Marc Atallah, director and curator of the Maison d Ailleurs, first-year Bachelor degree Photography students at the ECAL/University of Art and Design Lausanne tackled the very contemporary issue of transhumanism. For two semesters, they confronted this school of thought which advocates the advent of a new human being and contends that the progress of science and technology makes it possible to transcend human nature. The project was led by Natacha Lesueur, a French artist-photographer and teacher at the ECAL. This exhibition presents a selection of photographic and filmic works, reflecting the transdisciplinary training programme offered by the ECAL. By contrasting different visions on ways of shaping the humanity of tomorrow, these projects express the numerous controversies and debates regarding transhumanism, as well as its accompanying ideologies. Exhibition opens from 21 May to 19 November 2017 Tu-Sun 11am-6pm Maison d Ailleurs Place Pestalozzi 14 Case postale 945 1400 Yverdon-les-Bains T. : + 41 24 425 64 38 www.ailleurs.ch

"Corps-concept" Exhibition “Corps-concept” is an exhibition that reflects on contemporary conceptions of the body that underpin numerous ideological movements, including transhumanism. Issues regarding the body-object, the body-draft, body-commodity and the anthropological consequences of these different “conceptional reductions” will be examined. The aim of the exhibition is to offer an unprecedented insight into our current utopias and on the technoscientific driving force that irrigates these. From 21 My to 19 November at the Maison d Ailleurs in Yverdon-les-Bains. Opening reception 21 May from 5pm. At the invitation of Marc Atallah, director and curator of the Maison d Ailleurs, first-year Bachelor degree Photography students at the ECAL/University of Art and Design Lausanne tackled the very contemporary issue of transhumanism. For two semesters, they confronted this school of thought which advocates the advent of a new human being and contends that the progress of science and technology makes it possible to transcend human nature. The project was led by Natacha Lesueur, a French artist-photographer and teacher at the ECAL. This exhibition presents a selection of photographic and filmic works, reflecting the transdisciplinary training programme offered by the ECAL. By contrasting different visions on ways of shaping the humanity of tomorrow, these projects express the numerous controversies and debates regarding transhumanism, as well as its accompanying ideologies. Exhibition opens from 21 May to 19 November 2017 Tu-Sun 11am-6pm 50% discount for ECAL students upon presentation of their legitimation card. Maison d Ailleurs Place Pestalozzi 14 Case postale 945 1400 Yverdon-les-Bains T. : + 41 24 425 64 38 www.ailleurs.ch “Corps-concept” is an exhibition that reflects on contemporary conceptions of the body that underpin numerous ideological movements, including transhumanism. Issues regarding the body-object, the body-draft, body-commodity and the anthropological consequences of these different “conceptional reductions” will be examined. The aim of the exhibition is to offer an unprecedented insight into our current utopias and on the technoscientific driving force that irrigates these. From 21 My to 19 November at the Maison d Ailleurs in Yverdon-les-Bains. Opening reception 21 May from 5pm. At the invitation of Marc Atallah, director and curator of the Maison d Ailleurs, first-year Bachelor degree Photography students at the ECAL/University of Art and Design Lausanne tackled the very contemporary issue of transhumanism. For two semesters, they confronted this school of thought which advocates the advent of a new human being and contends that the progress of science and technology makes it possible to transcend human nature. The project was led by Natacha Lesueur, a French artist-photographer and teacher at the ECAL. This exhibition presents a selection of photographic and filmic works, reflecting the transdisciplinary training programme offered by the ECAL. By contrasting different visions on ways of shaping the humanity of tomorrow, these projects express the numerous controversies and debates regarding transhumanism, as well as its accompanying ideologies.Exhibition opensfrom 21 May to 19 November 2017Tu-Sun 11am-6pm50% discount for ECAL students upon presentation of their legitimation card.Maison d Ailleurs Place Pestalozzi 14 Case postale 9451400 Yverdon-les-Bains T. : + 41 24 425 64 38www.ailleurs.ch

"Walk with Pierre Hardy" exhibition in Japan,18–22.05.2017,Paris Photo After Paris, Pierre Hardy & ECAL/University of Art and Design Lausanne are pleased to present the photo exhibition WALK WITH PIERRE HARDY in Japan. UPDATE Exposition «Walk with Pierre Hardy» au Japon After Paris, Pierre Hardy & ECAL/University of Art and Design Lausanne are pleased to present the photo exhibition WALK WITH PIERRE HARDY in Japan. Exhibition open to the public from 18 May to 22 May 2017, from 12:00 to 19:00 PIERRE HARDY Yusen Building A-103 5-5-25 Minami-Aoyama Minato-ku, Tokyo www.pierrehardy.com On the occasion of Paris Photo, Pierre Hardy & the ECAL/University of Art and Design Lausanne present the exhibition "Walk with Pierre Hardy". Fifteen iconic models by the designer were visually reinterpreted by the students of Bachelor Photography under the direction of Philippe Jarrigeon. Additionally, a luxurious special publication marks the occasion. To be discovered from 11 to 13 November 2016 (10 am to 7 pm) at the Pierre Hardy boutique (9-11 Place du Palais-Bourbon). HD pictures: www.ecal.ch/en/1649 “I really enjoyed interacting with the students. At ECAL, my role was very different from that of a teacher coaching the students on their work – as I myself was the subject I knew the stuff inside out! Just show me half a centimetre of a heel and I instantly recognise the model which I created”, says Pierre Hardy. The ECAL Bachelor Photography students thus worked on various collections produced by the Parisian designer in the past fifteen years in order to give them a new visual interpretation. Photographer Philippe Jarrigeon comments on the method he chose to conduct this workshop at ECAL: “Together with Pierre Hardy s team we selected fifteen pairs of shoes in the archives – a purely practical decision which allowed us to keep the models as long as we wanted at ECAL. In addition, this allowed students to free themselves from seasonal trends. At the beginning of the workshop in October 2015, each student got a model on which to work by drawing lots”. This project allowed the students to question the relationship between photography and footwear, and by extension to confront the interconnection between photography and fashion. Milo Keller, Head of Photography at ECAL, observes that “Students, working without any business constraints in that case, are less formatted than a professional and therefore often offer unexpected approaches”. The results are indeed surprising and offbeat, sometimes even provocative or poetic, but always treat the original creations with respect. "Walk with Pierre Hardy" Exhibition 11 to 13 November 2016 10 am to 7 pm Pierre Hardy 9-11 Place du Palais-Bourbon 75007 Paris www.pierrehardy.com "Walk with Pierre Hardy" Publication Text (French): conversation between Pierre Hardy, Philippe Jarrigeon and Milo Keller Transcript: Sylvain Menétrey Softcover, 220 × 280 mm, 52 pages, 48 colour images, November 2016 ISBN: 978-2-9700962-9-0 Price: CHF 15 / EUR 15
ECAL Conference: David Reinfurt,15.05.2017,IKEA Auditorium, ECAL ECAL Conference : David Reinfurt – Designer, author and publisher New York Conférences ECAL (mai 2017) Dans le cadre du projet de recherche Designing Writing à l ECAL, David Reinfurt présentera le travail qu il mène actuellement autour de machines et objets programmés inventés par Bruno Munari au milieu des années soixante, notamment lors de collaborations avec Danese et Olivetti. David Reinfurt, Designer, auteur et éditeur, New York – www.o-r-g.com Lundi 15 mai à 18 h, Auditoire IKEA, ECAL Par le biais de son studio O-R-G, David Reinfurt propose des solutions éditoriales digitales qui interrogent la technologie, le langage et le temps. Contributeur régulier à la passionnante revue Dot Dot Dot, il a co-fondé l atelier Dexter Sinister — librairie et structure éditoriale — avec le designer Stuart Bailey. Ces deux designers ont initié, en 2012, la structure The Serving Library, à la fois publication périodique écran et papier, mais également espace d exposition d édition et de rencontres basé à Liverpool. Il enseigne régulièrement à Princeton University et est également intervenu (entre autres) à Yale, Columbia et RISD. En 2016, il a reçu le prix Mark Hampton Rome, devenant ainsi membre de l American Academy à Rome pour 2017. Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch

"Walk With Pierre Hardy" in Tokyo PIERRE HARDY & the ECAL/University of Art and Design Lausanne present the exhibition Walk with Pierre Hardy . Fifteen iconic models by the designer were visually reinterpreted by the students of Bachelor Photography under the direction of Philippe Jarrigeon. Additionally, a luxurious special publication marks the occasion. Presented for the first time in November 2016 during Paris Photo at the PIERRE HARDY boutique (Palais Bourbon), this exhibition was a huge success. Pierre Hardy thought that it was absolutely necessary to share this event with his Japanese friends. Therefore, the exhibition will be discovered from 18 to 22 May in the exhibition space related to the PIERRE HARDY boutique in Tokyo. “I really enjoyed interacting with the students. At ECAL, my role was very different from that of a teacher coaching the students on their work – as I myself was the subject I knew the stuff inside out! Just show me half a centimetre of a heel and I instantly recognise the model which I created”, says Pierre Hardy. The ECAL Bachelor Photography students thus worked on various collections produced by the Parisian designer in the past fifteen years in order to give them a new visual interpretation. Photographer Philippe Jarrigeon comments on the method he chose to conduct this workshop at ECAL: “Together with PIERRE HARDY s team we selected fifteen pairs of shoes in the archives – a purely practical decision which allowed us to keep the models as long as we wanted at ECAL. In addition, this allowed students to free themselves from seasonal trends. At the beginning of the workshop in October 2015, each student got a model on which to work by drawing lots”. This project allowed the students to question the relationship between photography and footwear, and by extension to confront the interconnection between photography and fashion. Milo Keller, Head of Photography at ECAL, observes that “Students, working without any business constraints in that case, are less formatted than a professional and therefore often offer unexpected approaches”. The results are indeed surprising and offbeat, sometimes even provocative or poetic, but always treat the original creations with respect. PIERRE HARDY & the ECAL/University of Art and Design Lausanne present the exhibition Walk with Pierre Hardy . Fifteen iconic models by the designer were visually reinterpreted by the students of Bachelor Photography under the direction of Philippe Jarrigeon. Additionally, a luxurious special publication marks the occasion. Presented for the first time in November 2016 during Paris Photo at the PIERRE HARDY boutique (Palais Bourbon), this exhibition was a huge success. Pierre Hardy thought that it was absolutely necessary to share this event with his Japanese friends. Therefore, the exhibition will be discovered from 18 to 22 May in the exhibition space related to the PIERRE HARDY boutique in Tokyo. “I really enjoyed interacting with the students. At ECAL, my role was very different from that of a teacher coaching the students on their work – as I myself was the subject I knew the stuff inside out! Just show me half a centimetre of a heel and I instantly recognise the model which I created”, says Pierre Hardy. The ECAL Bachelor Photography students thus worked on various collections produced by the Parisian designer in the past fifteen years in order to give them a new visual interpretation. Photographer Philippe Jarrigeon comments on the method he chose to conduct this workshop at ECAL: “Together with PIERRE HARDY s team we selected fifteen pairs of shoes in the archives – a purely practical decision which allowed us to keep the models as long as we wanted at ECAL. In addition, this allowed students to free themselves from seasonal trends. At the beginning of the workshop in October 2015, each student got a model on which to work by drawing lots”. This project allowed the students to question the relationship between photography and footwear, and by extension to confront the interconnection between photography and fashion. Milo Keller, Head of Photography at ECAL, observes that “Students, working without any business constraints in that case, are less formatted than a professional and therefore often offer unexpected approaches”. The results are indeed surprising and offbeat, sometimes even provocative or poetic, but always treat the original creations with respect.
ECAL Conference: Aldo Bakker,27.04.2017,IKEA Auditorium, ECAL ECAL Conference: Aldo Bakker – Designer, Amsterdam Conférences ECAL (avril 2017) A l occasion d une semaine de workshop avec les étudiants en Bachelor Design Industriel. En collaboration avec le mudac – musée de design et d arts appliqués contemporains, qui présente l exposition Aldo Bakker. PAUSE (Lausanne) jusqu au 30 avril 2017. Aldo Bakker, Designer, Amsterdam www.aldobakker.com Jeudi 27 avril à 18 h, Auditoire IKEA, ECAL Né en 1971 à Amersfoort (Pays-Bas), Aldo Bakker est un designer autodidacte qui a développé une œuvre radicale, animée par une recherche patiente et appliquée sur la forme. Fils des designers Gijs Bakker et Emmy Van Leersum, il a produit un large panel de pièces uniques et d éditions limitées, mais aussi des créations avec des entreprises de renommée mondiale telles que Karakter, Georg Jensen, Puiforcat, Sèvres ou Swarovski. Très prisées par les musées et galeries, ses œuvres ont ainsi été exposées au Centre d Innovation et de Design du Grand-Hornu, chez Rossana Orlandi à Milan, à la Galerie Libby Sellers à Londres ou encore à la Galerie Vivid à Rotterdam. Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
ECAL Conference: Peter Knapp,26.04.2017,IKEA Auditorium, ECAL ECAL Conference: Peter Knapp – Art director, photographer, artist, graphic designer, filmmaker, Paris Conférences ECAL (avril 2017) A l occasion d une semaine de workshop avec les étudiants en Bachelor Photographie. Peter Knapp, Directeur artistique, photographe, artiste, designer graphique, cinéaste, Paris Mercredi 26 avril à 18 h, Auditoire IKEA, ECAL Né en 1931 à Bäretswil (Suisse), Peter Knapp commence par suivre les cours de l Ecole des arts et métiers de Zurich. En 1952, il décide de s installer à Paris où il peint, encouragé notamment par Robert Rauschenberg et Barnett Newmann. Egalement photographe de mode, il exerce en tant que directeur artistique de Elle jusqu en 1978. Il continue ensuite à travailler pour des publications telles que le Sunday Times, Vogue ou Stern. Touche-à-tout de génie, il a aussi redessiné le logo des Galeries Lafayettes et réalisé de nombreux documentaires et émissions télévisuelles, dont le célèbre Dim, Dam, Dom. Multi-récompensé, son talent a été salué par près d une vingtaine de médailles du Art Directors Club International. Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch

Dye City Dye City New York is an inescapable place of the world s artistic and photographic scene, and is experiencing an unprecedented effervescence in the revival of conceptual art. After the strong dematerialization of photographic practice, many artists working in New York have taken advantage of the technological upheaval to break the codes and social norms of photographic devices and objects. Without a doubt, the dynamic spatial framework of New York gives artists and art establishments a frenzied impulse of research and experimentation on the photographic medium.The students were able to follow a week-long workshop with Letha Wilson and Ethan Greenbaum, two renowned American artists working on the concept of three dimensions of the photographic image, enabling students to develop their knowledge of printing techniques but also their relation to the realisation of a physical work with few means of production and very short schedule.The result of the workshop was presented in Ethan Greenbaum s workshop in Long Island on Friday, May 12th as a collective exhibition where all the students showed them their successful project.In addition, students were able to benefit from a wide selection of artists meetings and visits to workshops, museums and galleries, their best references and dreams with a view to achieving free artistic work. The boundaries that the photographic medium observes. Dye CityNew York is an inescapable place of the world s artistic and photographic scene, and is experiencing an unprecedented effervescence in the revival of conceptual art. After the strong dematerialization of photographic practice, many artists working in New York have taken advantage of the technological upheaval to break the codes and social norms of photographic devices and objects. Without a doubt, the dynamic spatial framework of New York gives artists and art establishments a frenzied impulse of research and experimentation on the photographic medium.The students were able to follow a week-long workshop with Letha Wilson and Ethan Greenbaum, two renowned American artists working on the concept of three dimensions of the photographic image, enabling students to develop their knowledge of printing techniques but also their relation to the realisation of a physical work with few means of production and very short schedule.The result of the workshop was presented in Ethan Greenbaum s workshop in Long Island on Friday, May 12th as a collective exhibition where all the students showed them their successful project.In addition, students were able to benefit from a wide selection of artists meetings and visits to workshops, museums and galleries, their best references and dreams with a view to achieving free artistic work. The boundaries that the photographic medium observes.

IKEA Festival – Let s Make Room for Life,04–09.04.2017,Officina Ventura 14, Milano IKEA invites LMX, a collective of ECAL Bachelor Fine Arts and Bachelor Media & Interaction Design students, to produce acrylic paintings with a programmable machine. Using the extensive possibilities of randomness, colour mix, superposition and serial production provided by this new machine, the students create numerous artworks. HD Images IKEA has invited LMX, an ECAL collective made up of students from the Bachelor Fine Arts and the Bachelor Media & Interaction Design programmes, to produce paintings with a programmable machine. In changing the machine original settings (x, y and z shifting positions, cyan, magenta, yellow, black and white percentages, nozzle size, paint flow, random parameters…) and in using technology to address essential issues in painting, LMX tested the creative and repetitive gesture potential allowed by the mathematical precision of the code and the infallible mechanism of the machine. During the IKEA Festival, LMX mass-produces some artefacts that were designed during a workshop that took place in the countryside around Zurich in February 2017, and continues to explore the potential of this machine, which showcases its production performance to the public. Opening hours Tuesday – Sunday, 10 am – 8 pm Wednesday, 10 am – 10 pm Officina Ventura 14 Via Privata Giovanni Ventura 14, 20134 Milano www.ikea.com www.ikea.today

PUMP – The Punkt. Urban Mobility Project,04–09.04.2017,Palazzo Litta, Milano The Swiss technology company Punkt. invites three leading schools (Design Academy Eindhoven, ECAL, Royal College of Art) to design an e-bike, which expresses the brand s philosophy of “taming technology”. ECAL Master Product Design students present e-CAL 1020, a plug-and-play electrical engine, which transforms your personal bicycle into an e-bike. HD Images The Punkt. Urban Mobility Project is an educational collaboration between Punkt. and three leading design schools: ECAL (Lausanne), RCA (London) and Design Academy (Eindhoven). The brief: create a personal transportation product that innovates in both style and function, specific to the needs and opportunities found in the cities where the students are studying. Travelling in Lausanne means short distances but steep hills. This retro-fit motor harvests downhill braking energy that would otherwise be wasted as heat, and stores it ready to send back to the wheel the moment it is needed. Under the guidance of Thilo Alex Brunner, Head of the programme, ECAL Master Product Design students created e-CAL 1020, a plug and play electrical engine which transforms your bicycle into an e-bike. It is solely recharged by human effort using a generator similar to KERS (Kinetic Energy Recovery System), a technology used in Formula 1. Opening hours Tuesday – Sunday, 11 am – 9 pm Palazzo Litta Corso Magenta 24, 20123 Milan www.punkt.ch

More Rules for Modern Life,04–09.04.2017,Spazio Orso 16, Milano A selection of pieces by ECAL Bachelor Industrial Design and Bachelor Fine Arts students under the guidance of Christophe Guberan and Stéphane Kropf. Exhibition curated by John M Armleder. HD Images Brochure with explanations Asserting its wish to play with the flimsy distinctions between “objets d art” and practical objects and to question the legitimacy of an exhibition on the fringes of such an outstanding event as the Milan Salone del Mobile, ECAL has invited visual artist John M Armleder to curate an exhibition displaying side by side the works of students from the Bachelor Fine Arts and the Bachelor Industrial Design programmes. After having (re)visited some of John M Armleder exhibitions and seen his iconic pieces, the Furniture Sculpture among others, the students used their chosen materials and processes to devise their exhibition pieces, which they developed at ECAL during a full semester under the watchful eye of designer and professor Christophe Guberan and Stéphane Kropf, artist and Head of the Bachelor Fine Arts. Playing with scale, shapes, colours and materials, the exhibited works defy pre-established categories: a rocking zebra for gangling children, a handless clock, a minimal painting with maximalist details, taped ceramic vases, a menhir made from recycled plastic, concrete marble… All piled up in a visual cacophony that is happily deliberate. Press preview Monday 3 April, 4 pm – 6 pm Opening hours Tuesday – Sunday, 11 am – 8 pm Spazio Orso 16 Via dell Orso 16, 20121 Milan www.orso16.com

ECAL Milano 2017,04–09.04.2017,SPBH Space, Milan A selection of pieces by ECAL Bachelor Industrial Design and Bachelor Fine Arts students under the guidance of Christophe Guberan and Stéphane Kropf. Exhibition curated by John M Armleder. ECAL University of Art and Design Lausanne Salone Internazionale del Mobile, Milano 4 – 9 April 2017 More Rules for Modern Life A selection of pieces by ECAL Bachelor Industrial Design and Bachelor Fine Arts students under the guidance of Christophe Guberan and Stéphane Kropf. Exhibition curated by John M Armleder. Press preview: Monday 3 April, 4 pm – 6 pm Opening hours: Tuesday – Sunday, 11 am – 8 pm Spazio Orso 16 Via dell Orso 16 20121 Milano Elite Hotel by ECAL The Swiss bed manufacturer Elite presents a collection of bedroom furniture, linen and accessories for hostelry in collaboration with ECAL Bachelor Industrial Design students under the guidance of Chris Kabel. Press preview: Wednesday 5 April, 5 pm – 6 pm Opening hours: Tuesday – Sunday, 10 am – 9 pm Elite Gallery Milano Via Marco Formentini 14 20121 Milano www.elitebeds.ch IKEA Festival – Let´s Make Room for Life IKEA invites LMX, a collective of ECAL Bachelor Fine Arts and Bachelor Media & Interaction Design students, to produce acrylic paintings with a programmable machine. Using the extensive possibilities of randomness, colour mix, superposition and serial production provided by the machine, the students create numerous artworks. Opening hours: Tuesday – Sunday, 10 am – 8 pm Wednesday, 10 am – 10 pm Officina Ventura 14 Via Privata Giovanni Ventura 14 20134 Milano www.ikea.com www.ikea.today The Punkt. Urban Mobility Project The Swiss technology company Punkt. invites three leading schools (Design Academy Eindhoven, ECAL, Royal College of Art) to design an e-bike, which expresses the brand s philosophy of “taming technology”. ECAL Master Product Design students present “e-CAL 1020”, a plug-and-play electrical engine, which transforms your personal bicycle into an e-bike. Opening hours: Tuesday – Sunday, 11 am – 9 pm Palazzo Litta Corso Magenta 24 20123 Milan www.punkt.ch ECAL presents The Future Sausage by Carolien Niebling A research project conducted at ECAL by Carolien Niebling, ECAL Master Product Design graduate. It explores the design and taste of the future sausage, while critically discussing alternatives to meat consumption worldwide. Tasting available at the stand. Opening hours: Tuesday – Sunday, 9.30 am – 6.30 pm SaloneSatellite Hall 22 – 24, Stand S02 Fiera Milano, 20017 Rho www.salonemilano.it www.carolienniebling.com www.thefuturesausage.com Fuori catalogo – 5 fotografi interpretano 5 prodotti di Vico Magistretti Five ECAL Bachelor & Master Photography graduates (Maxime Guyon, Quentin Lacombe, Calypso Mahieu, Nicolas Polli, Jean-Vincent Simonet) interpret five out of production objects designed by Vico Magistretti. A coproduction between Fondazione Vico Magistretti and ECAL. Exhibition curated by Anniina Koivu & Francesco Zanot. Opening hours: Tuesday – Sunday, 11 am – 8 pm Fondazione studio museo Vico Magistretti Via Vincenzo Bellini 1 20122 Milano www.vicomagistretti.it Font by ECAL/Jacopo Aztori. Graphic design by ECAL/Pierre Benoit

PUMP – The Punkt. Urban Mobility Project The Swiss technology company Punkt. invites three leading schools (Design Academy Eindhoven, ECAL, Royal College of Art) to design an e-bike, which expresses the brand s philosophy of “taming technology”. ECAL Master Product Design students present e-CAL 1020, a plug-and-play electrical engine, which transforms your personal bicycle into an e-bike. The Punkt. Urban Mobility Project is an educational collaboration between Punkt. and three leading design schools: ECAL (Lausanne), RCA (London) and Design Academy (Eindhoven). The brief: create a personal transportation product that innovates in both style and function, specific to the needs and opportunities found in the cities where the students are studying. Travelling in Lausanne means short distances but steep hills. This retro-fit motor harvests downhill braking energy that would otherwise be wasted as heat, and stores it ready to send back to the wheel the moment it is needed. Under the guidance of Thilo Alex Brunner, Head of the programme, ECAL Master Product Design students created e-CAL 1020, a plug and play electrical engine which transforms your bicycle into an e-bike. It is solely recharged by human effort using a generator similar to KERS (Kinetic Energy Recovery System), a technology used in Formula 1. The Swiss technology company Punkt. invites three leading schools (Design Academy Eindhoven, ECAL, Royal College of Art) to design an e-bike, which expresses the brand s philosophy of “taming technology”. ECAL Master Product Design students present e-CAL 1020, a plug-and-play electrical engine, which transforms your personal bicycle into an e-bike.The Punkt. Urban Mobility Project is an educational collaboration between Punkt. and three leading design schools: ECAL (Lausanne), RCA (London) and Design Academy (Eindhoven). The brief: create a personal transportation product that innovates in both style and function, specific to the needs and opportunities found in the cities where the students are studying.Travelling in Lausanne means short distances but steep hills. This retro-fit motor harvests downhill braking energy that would otherwise be wasted as heat, and stores it ready to send back to the wheel the moment it is needed. Under the guidance of Thilo Alex Brunner, Head of the programme, ECAL Master Product Design students created e-CAL 1020, a plug and play electrical engine which transforms your bicycle into an e-bike. It is solely recharged by human effort using a generator similar to KERS (Kinetic Energy Recovery System), a technology used in Formula 1.

More Rules for Modern Life Asserting its wish to play with the flimsy distinctions between “objets d art” and practical objects and to question the legitimacy of an exhibition on the fringes of such an outstanding event as the Milan Salone del Mobile, ECAL has invited visual artist John M Armleder to curate an exhibition displaying side by side the works of students from the Bachelor Fine Arts and the Bachelor Industrial Design programmes. After having (re)visited some of John M Armleder exhibitions and seen his iconic pieces, the Furniture Sculpture among others, the students used their chosen materials and processes to devise their exhibition pieces, which they developed at ECAL during a full semester under the watchful eye of designer and professor Christophe Guberan and Stéphane Kropf, artist and Head of the Bachelor Fine Arts. Playing with scale, shapes, colours and materials, the exhibited works defy pre-established categories: a rocking zebra for gangling children, a handless clock, a minimal painting with maximalist details, taped ceramic vases, a menhir made from recycled plastic, concrete marble… All piled up in a visual cacophony that is happily deliberate. Photos by ECAL/Younès Klouche assisted by Marceau Avogadro and Flora Mottini

More Rules for Modern Life A selection of pieces by ECAL Bachelor Industrial Design and Bachelor Fine Arts students under the guidance of Christophe Guberan and Stéphane Kropf. Exhibition curated by John M Armleder.

Symposium with Dominique Gonzalez-Foerster Avec ce workshop, Dominique Gonzalez-Foerster prolonge sa réflexion sur les apparitions et les transfomations qu elle pratique depuis 2012 (M.2062 et QM.15) autour du cinema, de l opéra et de la littérature avec des personnages réels ou fictionnels qui représentent chacun un point de vue sur l art, la représentation et l existence. Dominique Gonzalez-Foerster (born in 1965) is a French artist and an in influential figure in international contemporary art. She is known for her great variety of work in video projection, photography, and spatial installations. Recent solo exhibitions include “1887–2058” at Centre Pompidou, Paris and K.20 in Dusseldorf (2015/2016), “Temporama” at Mam, Rio de Janeiro (2015), “Splendide Hotel” at the Palacio de Cristal/Museo Reina Sofia in Madrid (2014), “Chronotopes and Dioramas” at the Dia Art Foundation, New York (2009); “TH.2058” in the Turbine Hall, Tate Modern, London (2008). She also participated in Skulptur Projekte Münster (2007) and Documenta XI, Kassel (2002). Dominique Gonzalez-Foerster has also staged “M.2062” in London, Amsterdam, Dublin, Kyoto and Paris between 2012 and 2014, and QM.16 in Paris in 2016. Her most recent films are “Otello 1887”, “Vera and Mr Hyde” and “Lola Montez in Berlin”. Avec ce workshop, Dominique Gonzalez-Foerster prolonge sa réflexion sur les apparitions et les transfomations qu elle pratique depuis 2012 (M.2062 et QM.15) autour du cinema, de l opéra et de la littérature avec des personnages réels ou fictionnels qui représentent chacun un point de vue sur l art, la représentation et l existence.Dominique Gonzalez-Foerster (born in 1965) is a French artist and an in influential figure in international contemporary art. She is known for her great variety of work in video projection, photography, and spatial installations. Recent solo exhibitions include “1887–2058” at Centre Pompidou, Paris and K.20 in Dusseldorf (2015/2016), “Temporama” at Mam, Rio de Janeiro (2015), “Splendide Hotel” at the Palacio de Cristal/Museo Reina Sofia in Madrid (2014), “Chronotopes and Dioramas” at the Dia Art Foundation, New York (2009); “TH.2058” in the Turbine Hall, Tate Modern, London (2008). She also participated in Skulptur Projekte Münster (2007) and Documenta XI, Kassel (2002). Dominique Gonzalez-Foerster has also staged “M.2062” in London, Amsterdam, Dublin, Kyoto and Paris between 2012 and 2014, and QM.16 in Paris in 2016. Her most recent films are “Otello 1887”, “Vera and Mr Hyde” and “Lola Montez in Berlin”.
ECAL Lectures: Thomas Traum,29.03.2017,IKEA Auditorium, ECAL ECAL Conference: Thomas Traum (Thomas Eberwein) – Interaction designer, London Conférences ECAL (mars 2017) A l occasion d une semaine de workshop avec les étudiants du Master Photographie. Thomas Traum (Thomas Eberwein), Designer d interaction, Londres www.thomastraum.com Mercredi 29 mars à 18 h, Auditoire IKEA, ECAL Né en Allemagne, Thomas Eberwein est diplômé de l ECAL en Communication Visuelle. Grâce à son approche novatrice qui marie digital, design d interaction et images en mouvement, il a été embauché par Hi-ReS à Londres, où il a remporté des prix prestigieux comme le Cannes Cyber Lion Gold et a été nommé pour les BAFTA, les Webby Awards ou encore les D&AD Pencils. Depuis, il dirige son propre studio Thomas Traum, qui partage son temps entre projets commerciaux et artistiques. Il collabore avec des marques de renom telles que H&M, Kenzo ou Victorinox et a récemment exposé chez Eyebeam à New York, au Garage CCC à Moscou ainsi qu à la Gaîté Lyrique à Paris. De 2011 à 2013, Thomas Eberwein a également travaillé comme designer d interaction pour l EPFL+ECAL Lab à Renens. Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
ECAL Conférence: Tristan Garcia,28.03.2017,IKEA Auditorium, ECAL ECAL: Tristan Garcia – Philosopher and French writer écrivain, Paris Conférences ECAL (mars 2017) A l occasion du Symposium Master Arts Visuels à l ECAL. Tristan Garcia, Philosophe et écrivain français, Paris Mardi 28 mars à 18 h, Auditoire IKEA, ECAL Né en 1981 à Toulouse, Tristan Garcia est un philosophe et écrivain français, qui s impose parmi les plus intéressants de sa génération. Il co-dirige avec Vincent Normand le laboratoire de recherche Théâtre, jardin, bestiaire : une histoire matérialiste de l exposition, soutenu par l ECAL et la HES-SO. Ses romans comprennent La Meilleure Part des hommes (2008) qui a obtenu le Prix de Flore en 2008 et qui fut adapté au théâtre en 2012, Mémoires de la jungle (2010), En l absence de classement final (2012), Les Cordelettes de Browser (2012), Faber. Le Destructeur (2013) et 7 récompensé par le prix du Livre Inter 2016. Ses travaux philosophiques incluent L Image (2007), Nous, Animaux et Humains. Actualité de Jeremy Bentham (2011), Forme et objet. Un Traité des choses (2011), Six Feet Under. Nos vies sans destin (2012), La Vie intense. Une obsession moderne (2016) et Nous (2016). Depuis 2015, il est professeur associé à l Université Lyon-3. Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch

«General Audition» exhibition,22.03–05.05.2017,Gallery l elac, ECAL Orchestrée par Samuel Gross et Stéphane Kropf, l exposition «General Audition» a été imaginée comme une salle de concert, présentant une accumulation festive d œuvres de personnalités venues pour un temps à l ECAL au contact des étudiants. Concert de Christian Pahud (& Julien Mercier pour le visuel) le vendredi 5 mai à 18h. Sonorisation: Oovalove Sound System de Maximagie (David Keshavjee, Guy Meldem, Julien Tavelli). L exposition «General Audition» se propose de trouver un mode détourné pour évoquer l identité particulière de l ECAL/Ecole cantonale d art de Lausanne, en parcourant l histoire récente de ses étudiants, professeurs et intervenants. Vu de l extérieur, une des caractéristiques emblématiques de cette institution apparaît souvent être l intérêt précis et quasi général que chacun de ses acteurs porte à la musique. On ne compte plus les membres de groupes, d organisateurs de concert, d évènements musicaux, de collectionneurs de disques, ni le nombre de disques produits, de matériel de promotion imaginés, de concerts sauvages ou non, d artistes invités, d exposition dérivées, de sujets de mémoire soutenus, de multiples produits, de travaux de recherches envisagés, de performances liées, de titres d œuvres inspirées… Bref, la musique nous est apparue comme un facteur fédérateur à l ECAL. Nous avons donc imaginé cette exposition comme une salle de concert. Par effet de tautologie, par jeu formel et léger décalage, chaque œuvre présentée trouve sa place dans un étrange auditorium. Rien ne semble manquer. On y retrouve certes des instruments et une scène, mais aussi des amplis, une barrière pour canaliser les fans, un fond de scène, une régie, des vélos, des disques, etc. C est comme un décor possible, un espace à activer, pour rendre perceptible la densité et la diversité des acteurs de l ECAL. Si cette exposition s appelle «General Audition» c est bien pour suggérer que, plus qu une accumulation festive et légèrement désordonnée de personnalités venues pour un temps au contact des étudiants, dont cette exposition se joue, une école d art se doit d être, comme une salle de concert, disponible et adaptable, pour que puisse s exprimer la créativité de jeunes gens venu y passer une forme de première audition. Pour imaginer cet accrochage, nous avons parcouru les listes des intervenants de ses dix dernières années, marquées par le déménagement de l ECAL dans ces bâtiments actuels. Grace à la générosité de nombreux artistes, galeries et institutions, nous avons pu réunir des œuvres de: Alfredo Aceto • John M Armleder • Francis Baudevin Valentin Carron • Delphine Coindet • Isabelle Cornaro • Philippe Decrauzat • Stéphane Dafflon • Sylvie Fleury • Wade Guyton & Virginia Overton • Fabrice Gygi • David Hominal • Emil Michael Klein • Bertrand Lavier • Christian Marclay • David Monnet • Shana Moulton • Melodie Mousset • Kaspar Müller • Denis Savary • John Tremblay • Pierre Vadi • Dan Walsh. Texte de Samuel Gross et Stéphane Kropf «General Audition» Jusqu au 5 mai, du mercredi au vendredi, de 13h à 17h. Fermeture du 14 au 25 avril. Galerie l elac 5, avenue du Temple CH–1020 Renens www.ecal.ch

Symposium with Tristan Garcia A l occasion du Symposium Master Arts Visuels à l ECAL, Tristan Garcia a réalisé une conférence sur son livre Nous. Né en 1981 à Toulouse, Tristan Garcia est un philosophe et écrivain français, qui s impose parmi les plus intéressants de sa génération. Il co-dirige avec Vincent Normand le laboratoire de recherche Théâtre, jardin, bestiaire : une histoire matérialiste de l exposition, soutenu par l ECAL et la HES-SO. Ses romans comprennent La Meilleure Part des hommes (2008) qui a obtenu le Prix de Flore en 2008 et qui fut adapté au théâtre en 2012, Mémoires de la jungle (2010), En l absence de classement final (2012), Les Cordelettes de Browser (2012), Faber. Le Destructeur (2013) et 7 récompensé par le prix du Livre Inter 2016. Ses travaux philosophiques incluent L Image (2007), Nous, Animaux et Humains. Actualité de Jeremy Bentham (2011), Forme et objet. Un Traité des choses (2011), Six Feet Under. Nos vies sans destin (2012), La Vie intense. Une obsession moderne (2016) et Nous (2016). Depuis 2015, il est professeur associé à l Université Lyon-3. A l occasion du Symposium Master Arts Visuels à l ECAL, Tristan Garcia a réalisé une conférence sur son livre Nous.Né en 1981 à Toulouse, Tristan Garcia est un philosophe et écrivain français, qui s impose parmi les plus intéressants de sa génération. Il co-dirige avec Vincent Normand le laboratoire de recherche Théâtre, jardin, bestiaire : une histoire matérialiste de l exposition, soutenu par l ECAL et la HES-SO. Ses romans comprennent La Meilleure Part des hommes (2008) qui a obtenu le Prix de Flore en 2008 et qui fut adapté au théâtre en 2012, Mémoires de la jungle (2010), En l absence de classement final (2012), Les Cordelettes de Browser (2012), Faber. Le Destructeur (2013) et 7 récompensé par le prix du Livre Inter 2016. Ses travaux philosophiques incluent L Image (2007), Nous, Animaux et Humains. Actualité de Jeremy Bentham (2011), Forme et objet. Un Traité des choses (2011), Six Feet Under. Nos vies sans destin (2012), La Vie intense. Une obsession moderne (2016) et Nous (2016). Depuis 2015, il est professeur associé à l Université Lyon-3.

Workflow This project consists in a series of unprecedented experiments around the materiality of printed matter : ink, paper, printing techniques. Based on the available tools, various processes will be rigorously tested and random experiments will be carried out, then filtered and eventually presented in a publication, halfway between an artist book and a technical handbook. A first result is a database of color profiles for artists, designers and printers who are looking for a novel yet professional color management solution. These new tools can convert images for printing devices using two, three, four or five spot colors. It offers a large variety of combinations, from basic colors to metallics, neons and pastels.Main applicantsECAL/University of Art and Design Lausanne Tatiana Rhis (project leader)Research team Periodseptember 2014 – december 2017Supported byECAL/University of Art and Design Lausanne Strategic fund of the University of Applied Sciences Western Switzerland (HES-SO RCDAV)DisseminationWebsite colorlibrary.ch

15 ECAL personalities awarded at the Most Beautiful Swiss Books 2016 On the occasion of the "Most Beautiful Swiss Books 2016", around fifteen personalities in connection with ECAL – graduates, professors or lecturers (Ludovic Balland - Nicolas Eigenheer - Marietta Eugster - Noémie Gygax - Jonathan Hares - David Keshavjee - Larissa Kasper - Urs Lehni - Lusa Marie - NORM - Schaffter /Sahli - Teo Schifferli - Jonas Voegeli) – were rewarded. In addition, BONBON composed of Valérie Bonin et Diego Bontognali, ECAL professor, received the prestigious Jan Tschichold Award, which distinguishes outstanding performances in the art of book www.admin.ch/…/docume…/communiques.msg-id-65944.html

ECAL inaugurates its new Print Centre,02.02.2017,ECAL, Renens Thanks to Canton of Vaud and to generous support from institutions in the region, ECAL/University of Art and Design Lausanne has inaugurated its new Print Centre at the heart of its campus in Renens, offering new state-of-the-art equipment to its students. These premises can be discovered during the ECAL Open Days 2017 on Friday 3 February (afternoon) and Saturday 4 February (all day). ECAL is constantly rewriting the book. The spaces made available in June 2016 the ECAL building by the Ateliers de la Ville de Renens have served to establish a unique Print Centre dedicated to students, which brings together, over close to 900 sq.m, a printing press (offset press and binding equipment), plotters, inkjet and laser printers as well as screen printing, lithography and etching workshops. Transformed this summer, fitted out at the end of the year, and finally equipped with new machines, including a Heidelberg 5-colour offset press, these new premises are now fully operational. But why develop a printing house and related techniques in an all-digital era? The main answer is the explanation of the acronym ECAL: Ecole cantonale d art de Lausanne. The primary vocation of a SCHOOL is to teach know-how, to put fundamentals into practice, to encourage experiments and to provide skills in specific techniques. As such, a printing house is a great educational tool which is essential for a complete top-quality education. An art school without a quasi-professional printing house is not really an art school. The 600 ECAL students make this place their home to create or enhance their works. Graphic artists and photographers produce posters, magazines or books, industrial designers lay out portfolios, artists create editions, filmmakers print their posters. From an institutional point of view, all ECAL exhibition invitations, as well as numerous books and catalogues, are printed in-house, thus promoting the students achievements, but also highlighting the excellence of education in our Canton and region. Without a high-level printing facility on its premises, ECAL would not be what it is today - one of the world s top schools of art and design. And what would ART be without printing techniques and paper? Not much... No paintings, no books, no posters... Not to mention the contribution of techniques such as lithography, screen printing or etching, which are part of the history of art and which ECAL continues to develop, because this know-how allows widening the various media and promotes diversity in creativity. ECAL would like to thank Canton of Vaud, without which this project could not have been completed, as well as the generous institutions whose support allowed the development of the Print Centre: Loterie Romande, Sandoz Family Foundation and Fondation Casino Barrière de Montreux, Fondation ECAL+

Inhabiting and Interfacing the Cloud(s) The design research I&IC (Inhabiting and Interfacing the Cloud(s), explores the creation of counter-proposals to the current expression of “Cloud Computing”, particularly in its forms intended for private individuals and end users (“Personal Cloud”). Inhabiting and Interfacing the Cloud(s) is to offer an alternative point of view, a critical appraisal as well as an “access to tools” about this iconic infrastructure of our modernity and its user interfaces, because to date their implementation has followed a logic chiefly of technical development, mainly governed by corporate interests, and continues therefore to be paradoxically envisioned as a purely functional, centralized setup. However, the Personal Cloud holds a potential that is largely untapped in terms of design, novel uses and territorial strategies. Through its cross-disciplinary approach that links interaction design, the architectural and territorial dimensions as well as ethnographic studies, our project aims at producing alternative models resulting from a more contemporary approach, notably factoring in the idea of creolization (theorized by E. Glissant).Main applicantsECAL/University of Art and Design Lausanne Haute Ecole d Art et de Design - Genève (HEAD-GE) (project leader)Research team (professor) (professor) (assistant) Charles Chalas (assistant)PartnersALICE (EPFL) EPFL-ECAL Lab James Auger (Auger – Loizeau) Dr. Christian Babski (fabric | ch) Matthew Plummer-Fernandez (#algopop)Periodseptember 2014 – july 2017Soutenu parStrategic fund of the University of Applied Sciences Western Switzerland (HES-SO RCDAV)DisseminationWebsite iiclouds.org/