How is cinema approached, told, understood, criticized, admired and heckled, what reflections, meditations and musings does it inspire, what pleasures and displeasures does it nourish?
How is cinema approached, told, understood, criticized, admired and heckled, what reflections, meditations and musings does it inspire, what pleasures and displeasures does it nourish? In what states does the work of the critic, the theorist, the film historian struggle?
While the spaces reserved for film criticism in the print, radio and television media are shrinking, while the amalgam between promotion, communication, journalism and film criticism is a generalized media strategy, the Master's degree in Cinema meets with personalities who take the time to write - again and again - about cinema.
These are statements of commitments that are at one with the cinema, that speak to it, that question it and encourage it to circulate in inspired and necessarily, resolutely partisan dialogues.
4 conferences were proposed:
