Comfort Zone

Projects BA PHOTOGRAPHY

Zoé Aubry – Comfort Zone

Comfort Zone is a video installation that questions in  a hypnotically way the ambiguous boundary between  resisting and breaking up. These images create a space  where pressure, rhythm and the everyday confront each  other, which challenges the viewer’s endurance.  My parallel interest for electromagnetic waves  originates from their double nature both invisible and in  concrete interaction with living beings, which echoes  the feeling of social pressure. Between a body being  deformed by wind and the immobility of a suffocated face,  temporality is altered through performed actions.

Diploma project (2016) by Zoé Aubry

Comfort Zone is a video installation that questions in a hypnotically way the ambiguous boundary between resisting and breaking up. These images create a space where pressure, rhythm and the everyday confront each other, which challenges the viewer’s endurance.

My parallel interest for electromagnetic waves originates from their double nature both invisible and in concrete interaction with living beings, which echoes the feeling of social pressure. Between a body being deformed by wind and the immobility of a suffocated face, temporality is altered through performed actions.

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ECAL X MHL – ECAL After Schmid

BA PHOTOGRAPHY

ECAL X MHL – ECAL After Schmid

with Philippe Jarrigeon

Drawing inspiration from the 19th-century archives of photographer André Schmid, second-year Bachelor’s students collaborated with the Lausanne History Museum to create an inspiring dialogue between the past and the present. For most of the students, his name was unfamiliar. Discovering his work, preserved in the collections of the Lausanne History Museum, opened up a field of exploration that was both historical and artistic. Through André Schmid’s images, a foundational chapter in Swiss photography was revealed to them. Through an immersion in the archives, they were invited to engage in a dialogue with this pioneering practice—not to cite or reproduce it, but to reimagine it, question it, and interpret it, thereby creating a tension between the origins of photography and its most contemporary developments.
Staged Photography – 2026

BA PHOTOGRAPHY

Staged Photography – 2026

with Charlotte Krieger

Unseen This course introduces students to the creation of a seven-image series built around the theme Unseen. They will learn to combine set design, characters, and lighting to produce strong, coherent staged images. Through a practical and technical approach, the course develops their ability to conceive and manage a complete photographic project, direct models, work with natural and artificial light, and collaborate under conditions similar to professional editorial or commercial shoots. Students will refine their photographic vision while preparing for the creative and technical demands of the industry.
Création cinématographique– 2026

BA PHOTOGRAPHY

Création cinématographique– 2026

with Orsola Valenti

Off-camera By exploring what lies outside the frame, students develop a sensitive and reflective approach to audiovisual creation. Throughout the semester, students are encouraged to reflect on the political and formal issues surrounding the moving image, as well as the relationship between the visible and the invisible. 
Analog Medium format workshop – 2026

BA PHOTOGRAPHY

Analog Medium format workshop – 2026

with Anoush Abrar

Deconstructed Portrait The goal of this workshop, led by photographer Anoush Abrar, is to explore the meaning of the contemporary portrait.  Working with the concept of the “deconstructed portrait,” the students created an image in pairs.  The Digital Medium Format workshop week serves as an introduction to both photography equipment and specialized software.  
Création photographique– 2026

BA PHOTOGRAPHY

Création photographique– 2026

with Natacha Lesueur

Documentary, the power of make-believe Based on projects developed around a common theme, the students develop a personal, in-depth project around the theme of pretense. They build a project that plays with the limits of veracity in photography, using it as an artifice of deception. 

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BA PHOTOGRAPHY
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