Spring break
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ECAL/Margret Gyda
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ECAL/César Miran
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ECAL/Thibault Jouvent, Jacques-Aurélien Brun & Younès Klouche
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ECAL/Maxime Guyon
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ECAL/Stéphane Mocan & Gianni Camporota
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ECAL/Camille Audibert
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ECAL/Stéphane Mocan & Gianni Camporota
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ECAL/Pauline Amacker & Alexandre Häfeli
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ECAL/Frédéric Bonna
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ECAL/César Miran
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ECAL/Stéphane Mocan & Gianni Camporota
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ECAL/Thibault Jouvent, Jacques-Aurélien Brun & Younès Klouche
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ECAL/Thibault Jouvent, Jacques-Aurélien Brun & Younès Klouche
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ECAL/Stéphane Mocan & Gianni Camporota
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ECAL/Coline Amos & Thibault Jouvent
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ECAL/Etienne Malapert
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ECAL/Coline Amos & Alexandre Häfeli
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ECAL/Coline Amos & Margret Gyda
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ECAL/Coline Amos & Alexandre Häfeli
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ECAL/Magret Gyda & Alexandre Häfeli
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ECAL/Magret Gyda & Alexandre Häfeli
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ECAL/Camille Audibert
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ECAL/Stéphane Mocan & Gianni Camporota
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ECAL/Stéphane Mocan & Gianni Camporota
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ECAL/Coline Amos, Pauline Amacker & Alexandre Häfeli
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ECAL/Thibault Jouvent, Jacques-Aurélien Brun & Younès Klouche
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ECAL/Benoît Jeannet
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ECAL/Coline Amos & Alexandre Häfeli
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ECAL/Thibault Jouvent, Jacques-Aurélien Brun & Younès Klouche

Projects related to Fiction

ECAL X MHL – ECAL After Schmid

BA PHOTOGRAPHY

ECAL X MHL – ECAL After Schmid

with Philippe Jarrigeon

Drawing inspiration from the 19th-century archives of photographer André Schmid, second-year Bachelor’s students collaborated with the Lausanne History Museum to create an inspiring dialogue between the past and the present. For most of the students, his name was unfamiliar. Discovering his work, preserved in the collections of the Lausanne History Museum, opened up a field of exploration that was both historical and artistic. Through André Schmid’s images, a foundational chapter in Swiss photography was revealed to them. Through an immersion in the archives, they were invited to engage in a dialogue with this pioneering practice—not to cite or reproduce it, but to reimagine it, question it, and interpret it, thereby creating a tension between the origins of photography and its most contemporary developments.

Staged Photography – 2026

BA PHOTOGRAPHY

Staged Photography – 2026

with Charlotte Krieger

Unseen This course introduces students to the creation of a seven-image series built around the theme Unseen. They will learn to combine set design, characters, and lighting to produce strong, coherent staged images. Through a practical and technical approach, the course develops their ability to conceive and manage a complete photographic project, direct models, work with natural and artificial light, and collaborate under conditions similar to professional editorial or commercial shoots. Students will refine their photographic vision while preparing for the creative and technical demands of the industry.

Last Minute Risk

BA PHOTOGRAPHY

Last Minute Risk

with Natacha Lesueur

“What is clearly conceived can be clearly expressed, and the words to say it come easily.” Nicholas Boileau, *L’art poétique*. As students embark on their final year of study at ECAL, with their interests and methods taking shape, this final project offers an opportunity to challenge their own rules, established practices and influences, to refuse to settle for the status quo and to take risks.

Création cinématographique– 2026

BA PHOTOGRAPHY

Création cinématographique– 2026

with Orsola Valenti

Off-camera By exploring what lies outside the frame, students develop a sensitive and reflective approach to audiovisual creation. Throughout the semester, students are encouraged to reflect on the political and formal issues surrounding the moving image, as well as the relationship between the visible and the invisible. 

Film Production – 2026

BA PHOTOGRAPHY

Film Production – 2026

with Julien Bourdeille

Événement Lumineux Through an in-depth exploration of light as a narrative and sensory medium, first-year students created a short film on the theme “Luminous Event.” This project allows them to learn how to manage a complete audiovisual project while mastering the tools of filming, framing, and camera movement.  

Related courses