“Being the daughter of a Burmese father and having lived in Myanmar, the idea of exploring this side of my identity, and travelling to Myanmar felt like a necessity. When I arrived I felt like I wasn’t part of the culture as much as I thought. In contrast to this I felt very comfortable with my surroundings, which made everything feel strange yet familiar at the same time. I decided to use this feeling as the main structure for this project. When I arrived back in Switzerland, I split the photos into two parts, I used installation to create an atmosphere that could translate how the mystical and the mysterious aspects of the country marked my understanding, and my way of seeing and taking photographs. For the second half of the project I decided to create a book. I tried to make this as honestly as possible in the hope of creating an intimate relationship between the country and myself as well as providing the reader with an insight into who I am. It has been an important insight into my life, enabling me to answer many questions in regard to my identity and my work.“
BA PHOTOGRAPHY
with Natacha Lesueur
Documentary, the power of make-believe Based on projects developed around a common theme, the students develop a personal, in-depth project around the theme of pretense. They build a project that plays with the limits of veracity in photography, using it as an artifice of deception.
BA PHOTOGRAPHY
with Natacha Lesueur
Off-camera By exploring what lies outside the frame, students develop a sensitive and reflective approach to audiovisual creation. Throughout the semester, students are encouraged to reflect on the political and formal issues surrounding the moving image, as well as the relationship between the visible and the invisible.
BA PHOTOGRAPHY
with Charlotte Krieger
Unseen This course introduces students to the creation of a seven-image series built around the theme Unseen. They will learn to combine set design, characters, and lighting to produce strong, coherent staged images. Through a practical and technical approach, the course develops their ability to conceive and manage a complete photographic project, direct models, work with natural and artificial light, and collaborate under conditions similar to professional editorial or commercial shoots. Students will refine their photographic vision while preparing for the creative and technical demands of the industry.
BA PHOTOGRAPHY
with Rineke Dijkstra
What is good portrait? What technique do you choose? What kind of light do you use? Daylight or flash? What location or backdrop do you choose for? How do you choose your subject? How do you approach someone you don’t know? In this workshop, the students have explored what makes a good portrait and which tools you can use to create one.
BA PHOTOGRAPHY
with Laurence Bonvin
Take risks, experiment, and try out new approaches or techniques in relation to a current or past project, or their future graduation project. Encourage them to take a project or idea further by experimenting with methodology, technique, and production methods, rather than relying on familiar processes, solutions, know-how, or tried-and-true formulas.