Collection d'art de la Banque Cantonale Vaudoise

Collection d'art de la Banque Cantonale Vaudoise

A catalogue published on the occasion of the exhibition “Contemporary… Is It? The BCV Art Collection”. It offers a look at the BCV art collection, a major player in the art scene in the canton of Vaud. Through the eye of photographers Michal Schorro Florence and Prune Simon Vermot, the reader is invited to discover the works in unusual contexts, ranging from workshops, meetings with artists, spaces of the banks, places of the artworks’ creation, to the status of art objects and collectibles. The visual essay provides a unique glimpse into the artistic creation in the canton of Vaud and the active support of the BCV. It is thus, by its content and by the point of view of photographers, a reference light on the artist’s life here and now. In addition to the two photographers, the graphic design and realization of the catalogue was coordinated by Katharina Tauer and Simon Ladoux, students of the Master Art Direction, supervised and guided by François Rappo, Anouk Dulguerov, Robert Huber and Alexis Georgacopoulos. Published by BCV and co-published with the Hermitage Foundation, the exhibition catalogue is prefaced by Sylvie Wuhrmann, Director of Fondation de l’Hermitage, and Olivier Steimer, Chairman of the Board of Directors of the BCV and President of the Commission of the art collection BCV. It brings together contributions from Jean-Paul Felley and Olivier Kaeser, co-directors of the Centre Culturel Suisse in Paris, and Catherine Girard-Othenin, curator of the art collection BCV and curator of the exhibition.

Collaboration (2012) by Michal Florence Schorro, Simon Ladoux, Prune Simon-Vermot, Katharina Tauer

A catalogue published on the occasion of the exhibition “Contemporary… Is It? The BCV Art Collection”. It offers a look at the BCV art collection, a major player in the art scene in the canton of Vaud. Through the eye of photographers Michal Schorro Florence and Prune Simon Vermot, the reader is invited to discover the works in unusual contexts, ranging from workshops, meetings with artists, spaces of the banks, places of the artworks’ creation, to the status of art objects and collectibles. The visual essay provides a unique glimpse into the artistic creation in the canton of Vaud and the active support of the BCV. It is thus, by its content and by the point of view of photographers, a reference light on the artist’s life here and now.

In addition to the two photographers, the graphic design and realization of the catalogue was coordinated by Katharina Tauer and Simon Ladoux, students of the Master Art Direction, supervised and guided by François Rappo, Anouk Schneider Agabekov, Robert Huber and Alexis Georgacopoulos.

Published by BCV and co-published with the Hermitage Foundation, the exhibition catalogue is prefaced by Sylvie Wuhrmann, Director of Fondation de l’Hermitage, and Olivier Steimer, Chairman of the Board of Directors of the BCV and President of the Commission of the art collection BCV. It brings together contributions from Jean-Paul Felley and Olivier Kaeser, co-directors of the Centre Culturel Suisse in Paris, and Catherine Girard-Othenin, curator of the art collection BCV and curator of the exhibition.

ART DIRECTION, BCV, Simon Ladoux, Michal Florence Schorro, Prune Simon-Vermot  Katharina Tauer
Collection d'art de la Banque Cantonale Vaudoise, Simon Ladoux, Michal Florence Schorro, Prune Simon-Vermot and Katharina Tauer, 2012
ART DIRECTION, BCV, Simon Ladoux, Michal Florence Schorro, Prune Simon-Vermot  Katharina Tauer
Collection d'art de la Banque Cantonale Vaudoise, Simon Ladoux, Michal Florence Schorro, Prune Simon-Vermot and Katharina Tauer, 2012
ART DIRECTION, BCV, Simon Ladoux, Michal Florence Schorro, Prune Simon-Vermot  Katharina Tauer
Collection d'art de la Banque Cantonale Vaudoise, Simon Ladoux, Michal Florence Schorro, Prune Simon-Vermot and Katharina Tauer, 2012
ART DIRECTION, BCV, Simon Ladoux, Michal Florence Schorro, Prune Simon-Vermot  Katharina Tauer
Collection d'art de la Banque Cantonale Vaudoise, Simon Ladoux, Michal Florence Schorro, Prune Simon-Vermot and Katharina Tauer, 2012
ART DIRECTION, BCV, Simon Ladoux, Michal Florence Schorro, Prune Simon-Vermot  Katharina Tauer
Collection d'art de la Banque Cantonale Vaudoise, Simon Ladoux, Michal Florence Schorro, Prune Simon-Vermot and Katharina Tauer, 2012

1/5

Projets similaires

Messe

MA ART DIRECTION

Messe

by Héloïse Schwab

This photography book explores five Swiss fairs. The artificial textures, the objects and the stands are the heart of the project. Human beings are squashed by blurred, pixilated and scaled effects. The amount of pictures is huge and the layout is dense in order to give the reader a feeling of immersion into this artificial world, close to claustrophobia. In my life, I have really struggled between fascination with and rejection of this luxury world you can meet in Baselworld for example. And this diploma project was a way to explore that in a totally different manner.

The everyday

MA ART DIRECTION

The everyday

by Leonoor Knulst

During this Master, I have worked on two photography projects where I search for the illusion in everyday life versus a series of sets and objects I build in the studio. In my publication, I look for the boundary between a real and a fictional space. Where do these worlds meet and how do they interact with each other? From the boundaries of the real world to the carte blanche in the studio, this non-existent space is what interests me. In the process of building and making, I worked together with a set designer. As a still life photographer, this was an interesting collaboration and it gave me new ideas on props and set building. The technical process, the composition, the light, every item needs to be found from scratch and brought together in order to enhance the studio.

Pícara

MA ART DIRECTION

Pícara

by Sandra Carrera

Pícara is a bookish text typeface, a tool for graphic designers, which draws its roots from 18th century Spanish type design. It’s a 12 cuts family. The 6 text cuts: Pícara Regular , Pícara Sans Regular have both their matching italic and bold. The 6 extravagant display cuts: Pícara Display , Stripes , Dual have their matching italic. This project allowed me to define my tastes, give personality to a shape, create a design with its own constraints, decide that the curves of the letters would be tight and the endings “cut with a knife”, giving the typeface a contemporary and digital texture.

Bootycelli

MA ART DIRECTION

Bootycelli

by Anaïs Schrameck

Bootycelli is a one shot magazine focused on the body and beauty. It depicts a world without any rules or politics. Everything revolves around the ego. Narcissism, a growing value of our century, is treated in a humorous rather than a sanctimonious way. I learnt that outer beauty is the most important here.

Alberto&Claudia

MA ART DIRECTION

Alberto&Claudia

by Filippo Pellini

Alberto&Claudia is a type design project specifically aimed at the contemporary editorial scene. In recent years magazines rapidly evolved from physical products to real brands and services accessible throughout different media. More than ever they need strong identities. Alberto&Claudia started in order to meet this requirement. The project consists of four typefaces: Alberto Editor and Claudia Shouter for display and headline use; Claudia Columnist and Claudia Insider for bodytext and small sizes. The last two also include matching italics.

Related courses