Mandate for the Maison Rousseau et Littérature, Genève

Mandate for the Maison Rousseau et Littérature, Genève

The Maison Rousseau et Littérature (MLR) in Geneva commissioned the ECAL/HEAD Master in Cinema to produce the audiovisual works for the museum, which reopened its doors in the old town of Geneva  after a period of restructuring in Spring 2021.

Collaboration (2022)

The Maison Rousseau et Littérature (MLR) in Geneva commissioned the ECAL/HEAD Master in Cinema to produce the audiovisual works for the museum, which reopened its doors in the old town of Geneva after a period of restructuring in Spring 2021. The 15 students in directing, scriptwriting, sound and editing produced the works that will be exhibited at the MLR for several years.

MACI_ECAL_HEAD_Maison Rousseau_00.jpg
MACI_ECAL_HEAD_Maison Rousseau_04.jpg
MACI_ECAL_HEAD_Maison Rousseau_02.jpg
MACI_ECAL_HEAD_Maison Rousseau_03.jpg
MACI_ECAL_HEAD_Maison Rousseau_05.jpg
MACI_ECAL_HEAD_Maison Rousseau_06.jpg
MACI_ECAL_HEAD_Maison Rousseau_07.jpg
MACI_ECAL_HEAD_Maison Rousseau_09.jpg
MACI_ECAL_HEAD_Maison Rousseau_12.jpg
MACI_ECAL_HEAD_Maison Rousseau_13.jpg
MACI_ECAL_HEAD_Maison Rousseau_10.jpg
MACI_ECAL_HEAD_Maison Rousseau_14.jpg
MACI_ECAL_HEAD_Maison Rousseau_11.jpg
IMG-20210503-WA0000.jpg

Projets similaires

Tabarak Allah Abbas – Spring Fugue – 2026 #1

MA FILM STUDIES

Tabarak Allah Abbas – Spring Fugue – 2026 #1

by Tabarak Allah Abbas

Spring Fugue is a short film following a 13-year-old Georgian girl living in Switzerland. Over the course of a single day, the film moves through family silence, cultural displacement, and political tensions inherited from the adult world. By deconstructing classical dramaturgical structures, Spring Fugue seeks to place the audience in the same position as the girl's mother: observing, interpreting, and questioning. Within the constraint of a ten-minute format, the film builds tension through gesture, gaze, and movement rather than dialogue or exposition.

Gabrielle Amapakabo – One Fine Evening In Santa Paura

MA FILM STUDIES

Gabrielle Amapakabo – One Fine Evening In Santa Paura

by Gabrielle Amapakabo

One Fine Evening in Santa Paura is a first draft of a feature-length fiction screenplay that blends a coming-of-age story with a fantasy epic. The story follows Craig Melville, a 10-year-old American boy, who spends the summer with his older sister Theo in a small village in Ticino. While the young boy dreams of being noticed by his father, Charles, an absent businessman, he befriends Otto, the mute gardener of the villa they are staying in, who introduces him to the beauty of nature. But Charles' plans for the valley could threaten their budding friendship. This project seeks to explore the staging of silence, childhood, and places as a narrative language in their own right.

Mariam Bitsadze – Spring Fugue – 2026 #2

MA FILM STUDIES

Mariam Bitsadze – Spring Fugue – 2026 #2

by Mariam Bitsadze

Spring Fugue is a short film following a 13-year-old Georgian girl living in Switzerland. Over the course of a single day, the film moves through family silence, cultural displacement, and political tensions inherited from the adult world. By deconstructing classical dramaturgical structures, Spring Fugue seeks to place the audience in the same position as the girl's mother: observing, interpreting, and questioning. Within the constraint of a ten-minute format, the film builds tension through gesture, gaze, and movement rather than dialogue or exposition.

Romane Demidoff – Ada s'en va

MA FILM STUDIES

Romane Demidoff – Ada s'en va

by Romane Demidoff

On the evening of August 1st, as her entire family prepares to celebrate the Swiss National Day, 20-year-old Ada receives a shock: she is pregnant. Reeling from the news, she flees her suffocating home. While waiting for a bus that never arrives, a car pulls over. Behind the wheel is a young man named Merlin, convinced he has just found Sandra, his long-lost first love. At first surprised, Ada quickly regains her composure and begins pretending to be her. Together, they set off toward Montreux. But their nighttime journey takes an unexpected turn when they discover a little girl hiding in the back seat. On the shores of Lake Geneva, this unlikely trio improvises a fragile, fleeting family, while Ada struggles to come to terms with a shifting identity that she can barely define herself.

Jacob Detwiler – Toilet – 2026 #1

MA FILM STUDIES

Jacob Detwiler – Toilet – 2026 #1

by Jacob Detwiler

Toilet tells the story of two women after the end of the world. The older one builds a toilet by stacking stones, almost like a ritual, while the younger one is drawn to her gestures and the rhythm of her work. The film explores what forms of humanity might remain in such a world, looking at the way someone's habits and sensations can be passed on to another person. As the film has almost no dialogue, it traces the shift from hostility to intimacy through the characters' gestures, gazes, and sound rather than through language. Sound, in particular, is an important element: it reveals emotions and changes in the relationship that the characters do not express through language, and supports the film's most delicate moments.

Related courses