Lyga

Projects MA TYPE DESIGN

Samira Schneuwly – Lyga

Lyga is a restrained and balanced serif typeface family with heavily angled italics to emphasise individual words, short paragraphs or brief headlines. Designed as a utilitarian text font, it is well suited for small sizes where its even and harmonious text colour comes into effect. Lyga draws from a source originally designed as a lead typeface in the late 19th century. Elzévir Turlot was found in the Caractères de Labeurs de l’Imprimerie A. Rey specimen and was carefully interpreted in order to create a design that supports present-day text settings, while retaining the spirit and charm of its original appearance. Lyga comes in six weights with corresponding italics.

Diploma project (2022) by Samira Schneuwly

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MA TYPE DESIGN

Mirela Belcheva – Astra

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MA TYPE DESIGN

Eran Ben Barak – Olivia Typeface

by Eran Ben Barak

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Hólmfríður Benediktsdóttir – KRULLA.SANS

MA TYPE DESIGN

Hólmfríður Benediktsdóttir – KRULLA.SANS

by Hólmfríður Benediktsdóttir

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Thorgeir Kristinn Blöndal – Flaneri

MA TYPE DESIGN

Thorgeir Kristinn Blöndal – Flaneri

by Thorgeir Kristinn Blöndal

Flaneri is a cursive script-like typeface that invites references born after industrialization to find its place. Torn between the human stroke and its translation into the machine, it steps into a world where authenticity is becoming harder to detect, and a longing for “human made” becomes greater. While wandering around many places, Flaneri finds inspiration in everything from Jan van de Velde’s art of writing to my grandmother’s and my own handwriting, the digital translation carries questions on what is to be left out, polished or even highlighted. Resulting in a cursive font with a physical texture and broken connections, leaving the observer with a feeling of what has been or what is to come.
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MA TYPE DESIGN

Pauline Heppeler – Shift

by Pauline Heppeler

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