The work on display stages an attempt to inhabit a psychological space characterized by new intentions and antagonistic ideas. A lucid dream in which the tools for measuring architecture reappear as nailed shadows, black silhouettes. Physical and atmospheric alterations accompany a misuse of the mentioned objects, making them apparently unrecognizable. The union of each element articulates an improbable metaphor that, in a poetic and ironic key, seeks to emphasize the doubts that drive us to observe reality and the criticality of the measures that control it.
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