We Do The Rest - PERFORMANCE WORKSHOP & EXHIBITION

We Do The Rest - PERFORMANCE WORKSHOP & EXHIBITION

From image capture to distribution, "We do the Rest" explores the notions of effort and bodily constraint in contemporary photographic mechanics. Through a series of spectacular and deceptive per-formances, Master Photography students at ECAL/University of Art and Design Lausanne translate the gestures and the actions of visual fabrication with humor and absurdity.

The project, conducted by Augustin Lignier, recalls the radical performances of the 60%, revisited in the digital age, when audiences are mainly virtual, and relationships are reduced to pixels. In search of permanent validation, we evolve in a digital theater governed by cameras, screens, and algorithms. We invite you to dive into these simulations, for real. And it's up to you to press the shutter...

"We do the Rest" was created as a workshop during the second semester and was further developed in Italy, where it celebrated its premiere at the Biennale dell'Immagine di Chiasso. The constantly reimagined project was later presented at the Rencontres d'Arles 2024 photography festival, where it found a wide audience. The third and final edition was presented at ECAL in September 2024, closing the circle and illustrating the dynamic development process.

Workshop (2024) with Augustin Lignier, Milo Keller, Clément Lambelet

Assistants
Giacomo Bastianelli, Mahalia Taje Giotto, Fabienne Watzke
Students
Riccardo Androni, Elisa Azevedo, Francesca Bergamini, Min Dai, Nabarun Gogoi, Doyoung Kim, Jose Martin Martinez, Daniel Martinez, Eriko Miyata, Visvaldas Morkevicius, Eva Manuela Rivas Bao
1ère année
2ème semestre
ECAL/Nabarun Gogoi
ECAL/Eriko Miyata

1/2

MA2_S3_WE-DO-THE-REST 2.jpg
ECAL/Visvaldas Morkevicius
MA2_S3_WE-DO-THE-REST 7.jpg
ECAL/Doyoung Kim
MA2_S3_WE-DO-THE-REST 8.jpg
ECAL/Eva Rivas Bao
ECAL/Riccardo Androni
ECAL/Elisa Azevedo
ECAL/Jose Martin Martinez

1/3

MA2_S3_WE-DO-THE-REST 5.jpg
ECAL/Daniel Martinez
MA2_S3_WE-DO-THE-REST.jpg
ECAL/Francesca Bergamini
MA2_S3_WE-DO-THE-REST 3.jpg
ECAL/Min Dai
ECAL/Daniel Martinez at Arles
ECAL/Daniel Martinez in Arles
ECAL/Elisa Azevedo in Arles
ECAL/Riccardo Androni in Arles
ECAL/Eriko Miyata in Arles
ECAL/Visvaldas Morkevicius in Arles
ECAL/Arles

1/7

Projets similaires

Daniel Martinez – A River Has No Shore

MA PHOTOGRAPHY

Daniel Martinez – A River Has No Shore

by Daniel Martinez

Flowing from an Alpine glacier to the Mediterranean Sea, the Rhône River runs through ice caves, forests, cities and industrial sites. It sustains ecosystems, defines geographies and connects cultures across space and time. However, the boundless flux of the world’s waters today faces increasing stories of tragedy and collapse. Climate change doesn’t manifest only on a material level but also overwhelms the emotional dimension of human life. Today, the psychological toll of environmental crisis amplifies states of eco-anxiety and solastalgia, triggered by lived experiences, mediated imagery and narratives of apocalyptic breakdown. A River Has No Shore reflects on the distress caused by climate change and its representation by looking at the water along the Rhône River in its endless forms.

Doyoung Kim – Flattened Roughness

MA PHOTOGRAPHY

Doyoung Kim – Flattened Roughness

by Doyoung Kim

The work Flattened Roughness explores war image consumption and resulting guilt. The photographer collects and prints images of death then lick and absorb them physically, confronting the emotional and physical distance created by media. Suicide drones’ cameras constantly calculate distance to humans for destruction. In this process, the distance between humans is forgotten. To overcome this distance, he brings the images into my body. This act, where intimacy and brutality coexist, transforms voyeurism into mourning and care, confronting my lost humanity. Through sensory performance, he bridges the gap between himself and mediated death, exploring the clash of dulled emotion and sensation. This confessional, physically exhausting work explores alternative sensory approaches for the recovery of broken humanity.

Elisa Azevedo – Daydream

MA PHOTOGRAPHY

Elisa Azevedo – Daydream

by Elisa Azevedo

Daydream is an intimate exploration of sexuality, embodiment, and the search for connection in a world increasingly shaped by performance and consumption.  The photographic series began with an investigation of highly sexualized spaces — environments where the body often appears fragmented, mediated, and as a representation. Present, yet absent, lingering only as a trace of desire. By reenacting some of these gestures herself, the photographer embodies a role and expectation that she cannot naturally fulfill. This performative process reveals the dissonance between imposed ideals and personal reality. Through photography, feelings of loneliness, inadequacy, and vulnerability are confronted — but also curiosity, longing, and the wish for a more sincere relation to her own body and her own sense of intimacy.

Eriko Miyata – Chronicle Void

MA PHOTOGRAPHY

Eriko Miyata – Chronicle Void

by Eriko Miyata

Chronicle Void explores how Japanese pop culture portrays women and shapes societal attitudes, especially around normalized sexual harassment. Growing up female in Japan and later moving to Europe revealed to the photographer how deep implicit biases run across cultures. This video installation blends personal memories with public symbols like anti-harassment signs. Using biased AI filters on childhood photos, she reveals how memory and identity are shaped by social bias. Referencing Japan’s selfie culture, the photographer experiments with AI and video to critique identity, memory, and cultural influence.

Eva Manuela Rivas Bao – An Italian Story

MA PHOTOGRAPHY

Eva Manuela Rivas Bao – An Italian Story

by Eva Manuela Rivas Bao

Starting from the trial of former Italian president Berlusconi, An Italian Story examines Italian-Moroccan model and aspiring sports journalist Imane Fadil. Attending the ex-president’s parties, she was a key witness, confessing abuse of power and underage prostitution at his residence in Arcore, near Milan. In 2019, she died at 34, weeks after announcing her upcoming book. Berlusconi reduced the representation of women in Italy to few pixels. The book manipulates "photographic leftovers" and documentary pictures at Imane’s Milan house with AI, aiming to recreate missing images that Fadil shared in court. Deconstructing "an Italian story" - famouspropaganda zine of the ex-president - to reconstruct another Italian story, a collective memory from the rubble of the "Italian failed Me Too" (2010-2023).

Related courses