We Do The Rest - PERFORMANCE WORKSHOP & EXHIBITION

We Do The Rest - PERFORMANCE WORKSHOP & EXHIBITION

From image capture to distribution, "We do the Rest" explores the notions of effort and bodily constraint in contemporary photographic mechanics. Through a series of spectacular and deceptive per-formances, Master Photography students at ECAL/University of Art and Design Lausanne translate the gestures and the actions of visual fabrication with humor and absurdity.

The project, conducted by Augustin Lignier, recalls the radical performances of the 60%, revisited in the digital age, when audiences are mainly virtual, and relationships are reduced to pixels. In search of permanent validation, we evolve in a digital theater governed by cameras, screens, and algorithms. We invite you to dive into these simulations, for real. And it's up to you to press the shutter...

"We do the Rest" was created as a workshop during the second semester and was further developed in Italy, where it celebrated its premiere at the Biennale dell'Immagine di Chiasso. The constantly reimagined project was later presented at the Rencontres d'Arles 2024 photography festival, where it found a wide audience. The third and final edition was presented at ECAL in September 2024, closing the circle and illustrating the dynamic development process.

Workshop (2024) with Augustin Lignier, Milo Keller, Clément Lambelet

Assistants
Giacomo Bastianelli, Mahalia Taje Giotto, Fabienne Watzke
Students
Riccardo Androni, Elisa Azevedo, Francesca Bergamini, Min Dai, Nabarun Gogoi, Doyoung Kim, Jose Martin Martinez, Daniel Martinez, Eriko Miyata, Visvaldas Morkevicius, Eva Manuela Rivas Bao
1ère année
2ème semestre
ECAL/Nabarun Gogoi
ECAL/Eriko Miyata

1/2

MA2_S3_WE-DO-THE-REST 2.jpg
ECAL/Visvaldas Morkevicius
MA2_S3_WE-DO-THE-REST 7.jpg
ECAL/Doyoung Kim
MA2_S3_WE-DO-THE-REST 8.jpg
ECAL/Eva Rivas Bao
ECAL/Riccardo Androni
ECAL/Elisa Azevedo
ECAL/Jose Martin Martinez

1/3

MA2_S3_WE-DO-THE-REST 5.jpg
ECAL/Daniel Martinez
MA2_S3_WE-DO-THE-REST.jpg
ECAL/Francesca Bergamini
MA2_S3_WE-DO-THE-REST 3.jpg
ECAL/Min Dai
ECAL/Daniel Martinez at Arles
ECAL/Arles
ECAL/Daniel Martinez in Arles
ECAL/Elisa Azevedo in Arles
ECAL/Riccardo Androni in Arles
ECAL/Eriko Miyata in Arles
ECAL/Visvaldas Morkevicius in Arles

1/7

Projets similaires

Lóa Fenzy – Remy

MA PHOTOGRAPHY

Lóa Fenzy – Remy

by Lóa Fenzy

Remy is a hybrid short film that moves between constructed documentary and durational performance, using casting and rehearsal as both methodology and narrative structure. Starting from the question, “What happens if I hire actors to play my father?”, the film follows eight middle-aged men auditioning for the role of my absent father, before three are invited into increasingly intimate rehearsals and staged encounters. What initially resembles a familiar casting process slowly unfolds into a space where masculinity, authority, tenderness, and care are performed between strangers. Through repetition, direction, improvisation, and emotional negotiation, the film gradually exposes its own construction, blurring the line between sincerity and performance.

Xiao Fu – The Surrogate

MA PHOTOGRAPHY

Xiao Fu – The Surrogate

by Xiao Fu

The Surrogate is a mixed media project combining video installation and physical imagery. Inspired by the parallels between the controlled reproductive life of the giant panda and Chinese queer experiences of social pressure, these works explore the complexity of identity construction through synthetic images and tactile surfaces. Using a CGI panda as a digital avatar, The Surrogate weaves a narrative that is both absurd and emotional. Bodily materials attempt to physically deconstruct the image of the panda while introducing queer sensations linked to softness, eroticism, and unease that transcend the purely visual experience. Rather than seeking a stable truth about identity, the surrogate body remains in a state of perpetual rendering while maintaining a critical stance.

Elisa Hampe – Through My Hands, Broken into Fingers

MA PHOTOGRAPHY

Elisa Hampe – Through My Hands, Broken into Fingers

by Elisa Hampe

Through My Hands, Broken into Fingers is a photographic series addressing the detachment from reality through screens, from a digitally native perspective. The artist constructed painterly images by capturing objects, bodies, and spaces through photogrammetric scans made with a smartphone, and reassembling them into complex scenes using a 3D software. The resulting images depict exhausted figures suspended in states of waiting and immobility. Through the scanning process, surfaces and textures are transformed: blankets lose their softness and become rigid shells, bodies appear hollow and fragile, and familiar interiors collapse into unstable and claustrophobic environments. Alongside the wall-based images, a sculpture in printed aluminium reintroduces the mediated body back into physical space.

Binyu Lin – Still Cruising

MA PHOTOGRAPHY

Binyu Lin – Still Cruising

by Binyu Lin

Still Cruising restages the scenes that have shaped the artist's desire. These desires are built through the accumulation of a particular queer male imagery: a body that is exposed, trained, and performed. Repeatedly consumed, these images gradually slip into a state of exhaustion. Using staged photography, this project attempts to re-enter this imagery. Through the lens, between aiming and focusing, the desired body is propped up, suspended, or revealed in states of fatigue. As the gaze drifts, attention gradually shifts from the object of desire back toward the self. Through this repeated process of reconstruction and return, Still Cruising seeks to negotiate a space between obsession and the self, a space in which to dwell.

Zhiyue Liu – Crossing the River by Feeling the Stones

MA PHOTOGRAPHY

Zhiyue Liu – Crossing the River by Feeling the Stones

by Zhiyue Liu

Crossing the River by Feeling the Stones originates from a concealed childhood bodily experience and unfolding into an exploration of desire, sexuality, and fantasy shaped by migration. Borrowing from a Chinese metaphor for navigating uncertainty through instinct and touch, the project reflects a state of curiosity, confusion, and searching. Through staged photographs, the artist invites female friends to perform ordinary gestures of daily life: domestic, bodily, and playful actions moving between care, routine, intimacy, and the rituals through which a home is inhabited. Drawing on fantasies and desires repressed within the Chinese cultural context, the images complicate conventional ways of looking at the female body, inhabiting sapphic eroticism, exposure, curiosity, and strangeness.

Related courses