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FINE ARTS

Workshop Jan Vorisek

by Caroline Bischoff, Louis Fontaine, Giada Gollin, Olivia Handschin, Amina Loumachi, Clara Luna, Axel Mattart, Achille Meier, Charlie Schär, Jamie Soria, Nayla Younes, Mayalène de Roquemaurel

Self explanatory

FINE ARTS

ECAL×Cheryl Donegan

Nostalagia Is a Different Kind of Pain(t) ECAL x Cheryl Donegan On the occasion of  artgenève  from 3 to 6 March at Palexpo, ECAL presents projects by Bachelor Fine Arts students produced during a workshop with American artist  Cheryl Donegan Initiated in the context of a collaboration with the Art & Vie Foundation, whose mission revolves around textiles, this workshop aimed at crossing everyday objects, subverting craft processes and reproductive gestures. Produced by students from the first to the third year, the selection of works presented reflects the transdisciplinary approach of the programme, where tapestry meets painting in dialogue with more performative pieces or digitally printed and cut aluminium sculptures. Students Patricia Araujo Roxanne Christinet Alexis Colin Oriane Emery Salomé Engel Maria Esteves Albertine Grbic Clément Grimm Laura Hagmann Mathilde Hansen Mariana Isler Charlie Jannes Anna Kawahara Nolan Lucidi Ella Minton Romane Roy Lou-Anna Ulloa del Rio Flavio Visalli Florentina Walser Opening hours Thursday 3 March: 12 - 7pm Friday 4 March: 12 - 8pm Saturday 5 March: 12 - 8pm Sunday 6 March: 12 - 7pm Palexpo Rte François-Peyrot 30 1218 Le Grand-Saconnex https://palexpo.ch/

FINE ARTS

Evaluations 3AV 2022

by Roxane Christinet, Salomé Engel, Maria Esteves, Assadour Matthey, Léonard Vazquez Vila, Flavio Visalli

FINE ARTS

Evaluations 2AV

by Fanny Dunning, Clément Grimm, Laura Hagmann, Mathilde Hansen, Noemi Leneman, Nolan Lucidi, Lou-Anna Ulloa del Rio, Florentina Walser, Ysé Willemin

FINE ARTS

Evaluations 1AV

by Charlie Jannes, Anna Kawahara, Romane Roy

FINE ARTS

Workshop Cheryl Donegan

FINE ARTS

Workshop with Lydia Lunch

FINE ARTS

Evaluations 2AV

FINE ARTS

Evaluations 1AV

FINE ARTS

Workshop Gabriele Garavaglia

with Gabriele Garavaglia

FINE ARTS

Workshop John M. Armleder

with John M. Armleder

FINE ARTS

Evaluations 3AV

FINE ARTS

Evaluations 2AV

FINE ARTS

Workshop Dorota Gawęda & Eglė Kulbokaitė

FINE ARTS

Evaluations 2AV

FINE ARTS

Evaluations 1AV

FINE ARTS

Mémoires

Jury 2020 Paul Bernard Stéphanie Serra

FINE ARTS

Workshop Marie Matusz

FINE ARTS

Workshop Rochelle Feinstein

FINE ARTS

Workshop Mario de Vega - MID+AV

FINE ARTS

Prometheus

by Terat Thanaworrawatniti

FINE ARTS

Workshop Precious Okoyomon

FINE ARTS

ECAL Concerts: Arto Lindsay

with Arto Lindsay

Concerts ECAL ( mars 2019 ) Arto Lindsay Musicien ( chant & guitare ) et artiste, Rio www.artolindsay.com Jeudi 21 mars à 19h30 Studio Cinéma, ECAL Entrée libre Né en 1953, Arto Lindsay se situe à l’intersection de la musique et de l’art depuis plus de quatre décennies. En tant que membre de DNA, il a contribué à la fondation de la No Wave fin des années 70 à New York. Il a ensuite développé une musique pop extrêmement subversive, un mélange de styles américain et brésilien, notamment avec Ambitious Lovers. Au cours de sa carrière, Lindsay a également collaboré avec des artistes visuels et musicaux, dont Vito Acconci, Laurie Anderson, Animal Collective, Matthew Barney, Dominique Gonzalez-Foerster, Rirkrit Tiravanija et Caetano Veloso. Il sera à l’ECAL pour un concert exceptionnel donnant la part belle au Brésil et aux guitares électriques.

FINE ARTS

Long String Instrument

FINE ARTS

Animation musicale

by Sunna Margrét Þórisdóttir, Christian Schulz

FINE ARTS

Workshop Thomas Tilly

with Thomas Tilly

FINE ARTS

Summer University Tehran

with Luc Andrié, Stéphane Kropf

Some thoughts and starting points for an art event about Ta’ârof to be held at Bon Gah Thinking the interrelations within the art world, taking as a starting point an Iranian artist run space inviting a visiting Swiss art school wishing to understand (or underscore…) if and how Ta’ârof may be of any help to try to build a temporary community, and make art. Drawing on some recent UN General Assembly speeches, that Trick or Treat is the ultimate geopolitical strategy tool, where USA is working towards a « more just and peaceful future ». Assuming that Switzerland is a neutral country and thereafter represents consular and diplomatic interests of USA in Iran. Taking in consideration that the art community doesn’t differ from society in general: it is just a reductio ad absurdum. Artists tend to recognize each other globally, assuming some kind of moral superiority towards the rest of society, or at least pretending to understand the complex tissues of relationships and power relations that makes (and destroys) a community. But fundamentally there is almost no solidarity within the artists. Ta’ârof continually questions hierarchy, be it the artist towards other artists, the artist towards the spectator and so on. Ta’ârof plays the game of an ideal society, like art, where the artist is benevolent and humble towards the spectator. Ta’ârof shows that every word always tends to have a hidden desire.

FINE ARTS

FINE ARTS

And Now We're Steady

with Luc Andrié

FINE ARTS

Untitled

by Serge Ghazale

FINE ARTS

Evaluations 2AV

with Collège des professeurs

FINE ARTS

Beasts and Spirits

with Tina Braegger

You think of thy body as a cage and a cage becomes obsolete You breed thy beast, you tame thy beast, you put thy beast on a leash Thy beast be trapped, you trap thy beast, you put thy beast on a leash You breed thy beast, you tame thy beast, you trap thy beast inside Thy body a cage, the cage obsolete, thy beast be trapped inside

FINE ARTS

IKEA Festival – Let’s Make Room for Life

with Stéphane Kropf

FINE ARTS

Workshop Julia Rommel

with Julia Rommel

FINE ARTS

Workshop Ryan Foerster

with Ryan Foerster

FINE ARTS

Construire un feu

with Denis Savary

Une exposition réalisée par les étudiants de troisième année Bachelor Arts Visuels, dans le cadre du cours de Denis Savary. A partir du titre d’une nouvelle de Jack London*, proposer aux étudiants d’envisager leur pratique artistique comme une sorte de géographie. Les inciter à explorer cette  région  à la manière d’un trappeur ou d’un touriste éclairé afin d’élargir et de diversifier leurs champs de connaissance et tenter ainsi de les aider à mieux percevoir les contours nécessairement mouvants de leur  territoire.  Pour cette exposition, les étudiants ont été invités à envisager leurs productions artistiques comme des feux, des dispositifs d’allumages. Ceci afin de tenter de s’approcher le plus possible des choses qui les animent. L’étincelle étant nécessaire à tout engagement. « Construire un feu » c’est poser la question du foyer. « Construire un feu » c’est l’idée de la lanterne magique. « Construire un feu » c’est les notions de chaud/froid. « Construire un feu » c’est la question de la destruction, de l’autodafé. « Construire un feu » c’est être prêt à envisager la suite. *Jack London  To Build a Fire , 1907