Basile Avvanzino

Basile
Avvanzino

Projects

INDUSTRIAL DESIGN

Basile Avvanzino – Chrysalide

by Basile Avvanzino

Mountain amateurs and beginners can have a hard time in selecting, buying and getting familiar with the equipment needed to sleep outdoor. The 3 objects that are usually necessary are a mattress, a tent and a sleeping bag. Unfortunately these objects are not always designed to fit each other, requiring a lot of space and extra effort. Chrysalide is a new typology of sleeping bag, that combines everything you need in one single object. This new proposition allows the user to sleep comfortably in all weather conditions, while being lightweight and easy to pack. Chrysalide makes sleeping in the nature a simple, handy and pleasurable experience.

INDUSTRIAL DESIGN

Figure Libre

with Elric Petit

Figure libre is an industrial design project that empowers students to explore topics of their choice. This semester, guided by Elric Petit, students developed their personal projects inspired by articles from specialized newspapers or magazines. The objective is to create projects with the potential to seamlessly integrate in our contemporary society and its economy, leveraging their personal affinities and interests to enhance their work.

INDUSTRIAL DESIGN

Presque Rien

with Erwan Bouroullec

Led by the acclaimed French designer Erwan Bouroullec, the workshop 'Presque Rien' unfolded as an exploration of design possibilities within the setting of his estate and recently renovated Burgundy farm. The project envisioned an open canvas, encouraging ECAL’s Bachelor Industrial Design students, to diverge from traditional problem-solving.

INDUSTRIAL DESIGN

Wonderbread

with Francesca Sarti

Within the Wonderbread workshop led by Francesca Sarti, food designer and founder of Arabeschi di Latte, BA Industrial Design students explored history, traditions, rituals, and recipes related to bread, in order to imagine new unique signature bread.

INDUSTRIAL DESIGN

Soft Power

with Christophe Guberan

Under the direction of Christophe Guberan, the students used their design talents to rethink an everyday object that consumes more energy than it should, using their powers of observation to choose a type of contemporary object that consumes energy and reduce its dependence on energy during use.

INDUSTRIAL DESIGN

Inclusive Soft Goods Hardware

with Friederike Daumiller

In collaboration with ASA-Handicap mental and the Senior-lab, the Bachelor students, led by designer Friederike Daumiller, present a collection of closing and fastening systems for clothing, bags and wearable accessories that make them easier to use, helping to make them more universal and inclusive.

INDUSTRIAL DESIGN

Abundance & Scarcity

with Nadine Sterk

When we live in a society with so much abundance yet at the same time so much scarcity, how do we discern the resources around us? How can we look to our surroundings to learn about where things come from, or how we might apply them in our own lives? More importantly, how can we live more harmoniously with nature by respecting it and taking only what we need? Within the workshop held by Nadine Sterk from Atelier NL the BA Industrial Design students were asked to create tableware around the theme ‘Abundance & Scarcity' from vernacular earth collected together in the Sauvabelin woods in Lausanne. Students and crew had no hesitation in getting their hands (and clothes) dirty to knead, turn, form, glaze, and fire ceramic tableware that tells a story.

INDUSTRIAL DESIGN

Hands On

with Adrien Rovero

The 1st year BA Industrial Design was invited by the Museum für Gestaltung in Zurich to design wooden toys that were exhibited as part of the retrospective exhibition 'Willy Guhl: thinking with your hands'.

INDUSTRIAL DESIGN

Molds

with Elric Petit

The aim of this project was to approach industrial casting techniques through a playful, experimental laboratory. The students produced objects in plaster, which did not necessarily have to have a function. However, they must be technically interesting, i.e. their molds must be simple to produce, and the molded parts must feature singular characteristics inherent in the molding process. The molds (free materials), together with the plaster castings, were shown for evaluation in the form of a group exhibition.