GRAPHIC DESIGN

Loïc Dupasquier – Blackout

with Guy Meldem, Aurèle Sack

Blackest Ever Black, a British record label, announced it was shutting down in 2019. This project pays tribute to the label through a post-mortem cassette reissue of its ten most outstanding musical releases. These feature two levels of information, a listing of how the tracks make the listeners feel and the barely visible metadata of the releases. The font used is my revival of a typographic drawing by Peter Behrens, which, just like the label did, enables me to take things from the past and make them contemporary.

GRAPHIC DESIGN

Multiple Choices

with Gilles Gavillet, Jonathan Hares

Pick a subject, an editorial style, and a medium – either book or digital.

GRAPHIC DESIGN

An addendum for the Universal Declaration of Human Rights

with Roosje Klap

During this workshop, all students were asked to write an extension article for the Universal Declaration of Human Rights, which together formed an addendum for this historical text. It has formed a new part of the temple that hold and protect our humanity. To provide contextual background to the work, students had been reading and discussing an article each day, followed by a daily topic. By the end of the week, an extension of the Universal Declaration of Human Rights was celebrated in the form of 20 flags and a collaborative video of 20×20 seconds.

GRAPHIC DESIGN

Projet de création

with Guy Meldem

GRAPHIC DESIGN

Type Design

GRAPHIC DESIGN

Design en contexte

with Nicole Udry

GRAPHIC DESIGN

Multiple Choice

with Gilles Gavillet, Jonathan Hares

GRAPHIC DESIGN

Editorial Design

with Diego Bontognali

GRAPHIC DESIGN

Identité Visuelle

with Jonas Wandeler

The international typographic style, also known as Swiss style, is a trend in graphic design developed in Switzerland in the 1950s by Armin Hofmann and Emil Ruder. It emphasizes simplicity, readability and objectivity, using sans-serif fonts as the main and structuring element of the design. Among the corporate identities and logos emblematic of the international style are American Airlines (1967, Massimo Vignelli) Fiat, (Jean Reiwald and Armin Vogt), or Swissair (1978, Karl Gerstner). (source: wikipedia) One of the effects of this very widespread (and rather rigid) style is that everything ends up looking the same. During the next semester, you will give a brand an identifiable personality, in the figurative sense of the word.

GRAPHIC DESIGN

Type Design

with Aurèle Sack

GRAPHIC DESIGN

Workshop Studio Feixen

by Marvin Armand, Sidonie Bays, Guillaume Besson, Arnaud Claret, Elise Connor, Jean Ducret, Loïc Dupasquier, Astrid Durand, Basile Fournier, Leah Hardy, Lucas Haussener, Bruno Jolliet, Alexandre Lescieux, Niki Paltenghi, Noé Proton, Aurore Péry, Lou Rais, Jean Reynaud, Arthur Seguin, Andréa Uldry

GRAPHIC DESIGN

Projet de création

with Guy Meldem

GRAPHIC DESIGN

Type specimen

Type design displayed on a specimen. Second year course supervised by Aurèle Sack.

GRAPHIC DESIGN

Communication of a press article

with Nicole Udry

Communication of a chosen press article. Second year course of graphic design in context, centered on image creation and editorial design.

GRAPHIC DESIGN

My First Kiss

with Emmanuel Crivelli

Poster design about "My First Kiss", with Emmanuel Crivelli (Dual Room). All the students wrote down their first kiss story. Following this, all stories were anonymously shared before being redistributed.

GRAPHIC DESIGN

Time is Form, Form is Time

with Mitch Paone (Dia Studio)

GRAPHIC DESIGN

Orbis Pictus Politicus

with Jonas Vögeli

Bloc Week with Jonas Vögeli (Hubertus Design)

GRAPHIC DESIGN

A–Z

with Harry Bloch

Composition of a textual alphabet with the 26 letters of the Latin alphabet. 1 letter = a word This list must represent each student in one way or another.

GRAPHIC DESIGN

Manual

with Guy Meldem

Creation of a manual about a theme chosen by the student.

GRAPHIC DESIGN

Communication of a press article

with Nicole Udry

Communication of a chosen press article. Second year course of graphic design in context, centered on image creation and editorial design.

GRAPHIC DESIGN

Portrait

with Diego Bontognali

Political/Futuristic/Historical/Demagogue/Slanderous Portrait Two different layouts of a strictly identical content, in two publications: A – small (+/- A5) B – big (+ A4)

GRAPHIC DESIGN

Multiple Choices

with Gilles Gavillet, Jonathan Hares

Pick a subject, an editorial style, and a medium – either book or digital.

GRAPHIC DESIGN

Wrapping Paper

with Angelo Benedetto, Guy Meldem

Silk printed wrapping papers.