Marvin
Armand

Projects

Marvin Armand – Bibliothèque

GRAPHIC DESIGN

Marvin Armand – Bibliothèque

Diploma project with Gilles Gavillet, Nicole Udry

“Bibliothèque” addresses typographical signs and their use in the perfume industry. This project features an olfactory alphabet of 45 elements. Each represents a scent of the perfume company “L’Eau de Cassis”. At the crossroads of illustration and typography, this alphabet takes us on a journey through the ephemeral nature of smells. Indeed, this notion of time and temporality inspired me to define a protocol to develop the nature of each sign from figuration to abstraction. “Bibliothèque” thus offers a new way of exploring signs and visual identity.

Multiple Choices

GRAPHIC DESIGN

Multiple Choices

Studio project with Gilles Gavillet, Jonathan Hares

Pick a subject, an editorial style, and a medium – either book or digital.

An addendum for the Universal Declaration of Human Rights

GRAPHIC DESIGN

An addendum for the Universal Declaration of Human Rights

Workshop with Roosje Klap

During this workshop, all students were asked to write an extension article for the Universal Declaration of Human Rights, which together formed an addendum for this historical text. It has formed a new part of the temple that hold and protect our humanity. To provide contextual background to the work, students had been reading and discussing an article each day, followed by a daily topic. By the end of the week, an extension of the Universal Declaration of Human Rights was celebrated in the form of 20 flags and a collaborative video of 20×20 seconds.

Design en contexte

GRAPHIC DESIGN

Design en contexte

Studio project with Nicole Udry

Editorial Design

GRAPHIC DESIGN

Editorial Design

Studio project with Diego Bontognali

Identité Visuelle

GRAPHIC DESIGN

Identité Visuelle

Studio project with Jonas Wandeler

The international typographic style, also known as Swiss style, is a trend in graphic design developed in Switzerland in the 1950s by Armin Hofmann and Emil Ruder. It emphasizes simplicity, readability and objectivity, using sans-serif fonts as the main and structuring element of the design. Among the corporate identities and logos emblematic of the international style are American Airlines (1967, Massimo Vignelli) Fiat, (Jean Reiwald and Armin Vogt), or Swissair (1978, Karl Gerstner). (source: wikipedia) One of the effects of this very widespread (and rather rigid) style is that everything ends up looking the same. During the next semester, you will give a brand an identifiable personality, in the figurative sense of the word.

Type Design

GRAPHIC DESIGN

Type Design

Studio project with Aurèle Sack

Workshop Studio Feixen

GRAPHIC DESIGN

Workshop Studio Feixen

Workshop by Marvin Armand, Sidonie Bays, Guillaume Besson, Arnaud Claret, Elise Connor, Jean Ducret, Loïc Dupasquier, Astrid Durand, Basile Fournier, Leah Hardy, Lucas Haussener, Bruno Jolliet, Alexandre Lescieux, Niki Paltenghi, Noé Proton, Aurore Péry, Lou Rais, Jean Reynaud, Arthur Seguin, Andréa Uldry

Projet de création

GRAPHIC DESIGN

Projet de création

Studio project with Guy Meldem

Adventures in typography

GRAPHIC DESIGN

Adventures in typography

Workshop with Tony Brook (SPIN), Claudia Klat (SPIN)

Orbis Pictus Politicus

GRAPHIC DESIGN

Orbis Pictus Politicus

Workshop with Jonas Vögeli

Bloc Week with Jonas Vögeli (Hubertus Design)

A–Z

GRAPHIC DESIGN

A–Z

Studio project with Harry Bloch

Composition of a textual alphabet with the 26 letters of the Latin alphabet. 1 letter = a word This list must represent each student in one way or another.

Manual

GRAPHIC DESIGN

Manual

Studio project with Guy Meldem

Creation of a manual about a theme chosen by the student.