Résultats pour “director died 2015 2023 divorced twice directed 2000s film” (1265)
ECAL Conference: Dieter Meier,09.12.2015,IKEA Auditorium, ECAL ECAL Conference: Dieter Meier - Swiss artist, director, musician and entrepreneur, Mendoza (ARG) Conférences ECAL Né en 1945 à Zurich, Dieter Meier est un artiste, réalisateur, musicien et entrepreneur suisse. Proche en tant qu artiste de l esprit Fluxus ou des situationnistes, ce touche-à-tout de génie s est fait mondialement connaître comme chanteur de Yello dans les années 80. Il a également réalisé des films tels que The Lightmaker, sélectionné au Festival international du film de Berlin en 2001, et signé tous les clips de Yello, ainsi que celui de Big in Japan, chanson mythique d Alphaville. Après une douzaine d albums avec son groupe, il a sorti en 2014 un disque solo intitulé Out of Chaos. Le Centre culturel suisse à Paris vient de présenter une exposition photographique de ses premières performances en tant qu artiste. Dieter Meier Artiste et musicien, Mendoza (Argentine) www.dietermeier.com Mercredi 9 décembre 2015 à 18 h, Auditoire IKEA, ECAL Concert avec un orchestre spécial pour les 10 ans des Docks à Lausanne le vendredi 11 décembre 2015. www.docks.ch ECAL/Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
ECAL Conference: Yorgo Tloupas,25.11.2015,IKEA Auditorium, ECAL ECAL Conference: Yorgo Tloupas - Art Director, Paris Conférences ECAL (novembre 2015) Yorgo Tloupas, Directeur artistique, Paris Mercredi 25 novembre 2015 à 18 h, Auditoire IKEA, ECAL Issu du monde énergique et coloré du skate et du snowboard, Yorgo Tloupas est d abord attiré par une esthétique épurée où la typographie peut s épanouir avec toute sa force. Sa curiosité lui permet de multiplier les supports et d intervenir autant sur des flyers de musique électronique que sur des chartes graphiques et des catalogues pour des marques telles que Armani, Castelbajac, Kenzo, Lacoste ou Yves Saint Laurent. Il a souvent participé à des expositions et conférences, aussi bien en France qu au Brésil, au Japon, au Mexique ou en Suisse. Après avoir cofondé le magazine Intersection à Londres et dirigé sa création artistique, il a travaillé à Paris sur des magazines tels que Vanity Fair France et GQ France. Récemment, il a œuvré sur la refonte de la charte graphique de Libération Next, ainsi qu en partie sur celle du quotidien. ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
Exhibition «The Shape, the sound and the Space»,20.11–11.12.2015,Gallery l elac, ECAL A l occasion d une semaine de workshop avec Hans-Walter Müller et Bernhard Leitner, l ECAL/Ecole cantonale d art de Lausanne vous invite à découvrir une installation réalisée par les étudiants de Bachelor Arts Visuels. Vernissage le vendredi 20 novembre 2015 de 17 h à 19 h. Du 23 novembre au 11 décembre, du lundi au vendredi, de 10 h à 17 h. Né en 1935 à Worms (Allemagne), Hans-Walter Müller est un ingénieur et architecte qui appartient au mouvement d Art cinétique. Il est le créateur des « Gonflables », constructions à structure de plastique et mises en tension par l air sous pression. Né en 1938 à Feldkirch (Autriche), Bernhard Leitner est un artiste et architecte pionnier dans le domaine des « Sound Spaces ». Il est connu notamment pour « Le Cylindre Sonore » construit dans le Parc de la Villette à Paris. Galerie l elac 5, avenue du Temple CH-1020 Renens
ECAL Conference: Eike König,19.11.2015,IKEA Auditorium, ECAL ECAL Conference: Eike König – Graphic Design Studio HORT, Frankfurt A l occasion d une semaine de workshop à l ECAL avec les étudiants en Bachelor Design Graphique. Eike König a fondé le studio de design graphique HORT à Francfort en 1994, puis l a déplacé à Berlin en 2007. Cet espace multidisciplinaire est un formidable « playground » créatif, où il marie avec succès travail et jeu. Même s il collabore avec des clients tels que Get Physical Music, New York Times, Nike, Universal Music ou Wallpaper*, sa philosophie ne repose pas uniquement sur l exécution de projets pour des clients, mais également sur la création d idées qui permettent de rendre la vie globalement meilleure. Eike König, Designer graphique et fondateur de HORT, Berlin www.hort.org.uk Jeudi 19 novembre 2015 à 18h, Auditoire IKEA, ECAL ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
ECAL at the Capitole,09.11.2015,Capitole, Lausanne Nous avons le plaisir de vous inviter à deux projections (à choix ou à y assister sans modération) de films Bachelor 2015 du Département Cinéma de l ECAL/Ecole cantonale d art de Lausanne le lundi 9 novembre 2015 au Capitole. Entrée libre. 18h30 – Projection de cinq films réalisés par les étudiants de 1re année Bachelor, sous la direction de Guillaume Brac, pour l Aide Suisse aux Montagnards. 20h30 – Projection des films de diplôme Bachelor 2015: Belle comme un coeur, Grégory Casares, 11 54 Blind date à la Juive, Anaëlle Morf, 16 Victoria, Anouk Chambaz, 14 09 Suspendu, Elie Grappe, 14 59 Entracte offert par Mövenpick Martin Champion, Timothée Zurbuchen, 12 40 Boucherie*, Max Idje (chef opérateur), 11 30 Les avalanches, Maxime Descloux, 18 Nirin, Josua Hotz, Julia Sangnakkara (cheffe opératrice), 15 * Réalisation hors diplôme par Christophe Saber, diplômé Bachelor 2014 Cinéma Capitole Avenue du Théâtre 6 1002 Lausanne www.lecapitole.ch www.cinematheque.ch Image ECAL/Younès Klouche
ECAL Lectures: Louise Bourgoin,05.11.2015,IKEA Auditorium, ECAL ECAL Conference: Louise Bourgoin - Actress, Paris Conférences ECAL (novembre 2015) Après des études d arts plastiques à Rennes, Louise Bourgoin débute sa carrière à la télévision et obtient rapidement son premier rôle en tant qu actrice dans le film d Anne Fontaine, La Fille de Monaco, qui lui vaudra une première nomination aux César en 2009. Depuis, elle a joué dans des films de cinéastes aussi variés et réputés que Frédéric Beigbeder, Luc Besson, Nicole Garcia, Joachim Lafosse ou Axelle Ropert. Louise Bourgoin, Actrice, Paris En conversation avec Lionel Baier, responsable du Département Cinéma. Jeudi 5 novembre 2015, 18 h, Auditoire IKEA, ECAL A 20 h 30, Louise Bourgoin présentera en avant-première suisse Je suis un soldat de Laurent Larivière (2015) au Cinétoile, Prilly. ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
ImaginaSon For this forth edition, the Swiss Cinematheque presented last September a collection of movies, short and features, anomy s or not, adds, scientific or artistic documents... all of which where found in the Cinémathèques archives. For this forth edition, the Swiss Cinematheque presented last September a collection of movies, short and features, anomy s or not, adds, scientific or artistic documents... all of which where found in the Cinémathèques archives. The 3 editing students from Ecal/Head, helped by their tutor Jean-Christophe Hym, cut and uncut, paste and unpaste in order to create their own new short films. They then send them to the music composing students from HEMU who create an original soundtrack on this basis. This collaboration ended up into 7 short movies that were screened in the Cinémathèque, while nine other students from HEMU s Jazz section played the newly composed sound tracks.
BAD WEATHER Workshop with Will Benedict Collective publication with the artist Will Benedict. Workshop part of the HES-SO network. BAD WEATHER 28-29-30 Octobre ECAL, Renens 2015 Lisa Stein, Matteo Pomati, Jonathan Vidal, Marilou Bal, Agathe Frasson-Cochet, Gabriele Garavaglia, Audrey Julien, Claudia Mougin, Francesco Nazardo, Virginia Ariu, Ilaria Vinci, Lucia Carlier 25 copies Collective publication with the artist Will Benedict. Workshop part of the HES-SO network.BAD WEATHER28-29-30 Octobre ECAL, Renens 2015Lisa Stein, Matteo Pomati, Jonathan Vidal, Marilou Bal, Agathe Frasson-Cochet, Gabriele Garavaglia, Audrey Julien, Claudia Mougin, Francesco Nazardo, Virginia Ariu, Ilaria Vinci, Lucia Carlier25 copies
ECAL «Stars of Tomorrow» by Wallpaper* Magazine Wallpaper* magazine has just published a Design Top 20 of the "Stars of Tomorrow". ECAL is very proud to have in this list Fabien Cappello (Bachelor Industrial Design graduate), Paul Cocksedge, Pauline Deltour, Formafantasma, Max Lamb, Daniel Rybakken, Bethan Laura Wood (Professors or visiting lecturers), Nicolas Le Moigne (ECAL graduate, Head of the MAS in Design for Luxury & Craftsmanship) and also Alexis Georgacopoulos (ECAL Director). Last but not least, ECAL is presented in this list as the "Europe s most innovative design school" http://www.wallpaper.com/design/top-20-under-40-design-stars-of-tomorrow
The Embarrassment Show After ECAL in June 2015 and Unseen Photo Fair Amsterdam in September 2015, ECAL Bachelor Photography students present "The Embarrassment Show", an exhibition curated by Erik Kessels, cofounder & creative director of KesselsKramer (Amsterdam), at the NRW-Forum Düsseldorf from 20 November to 10 January. --------- The Embarrassment Show A workshop and exhibition curated by Erik Kessels cofounder & creative director KesselsKramer (Amsterdam), with Bachelor Photography students. “Embarrassment is important. If you re not willing to humiliate yourself, make mistakes and downright fuck up, you should consider working in a cubicle farm. It s safer there. Because as a creative person, you ll be called an idiot at least once a day. That s okay. Making mistakes and risking embarrassment, even failure, is how you make progress. Without it, you ll be stuck in the same old safe zone: not embarrassed, but not better either. In other words: boring. So if we want to do this thing we love – making stuff – we mustn t be afraid of looking stupid. In this workshop and exhibition I stretched the abilities of 2nd year ECAL Bachelor Photography students to the limit. By embarrassing themselves they are able to tell a personal, often awkward and risky story. This gives them an opportunity to explore an area of photography which they would probably not have dared to touch.” Erik Kessels
Exhibition of the Bachelor and Master diplomas 2015,24.09–09.10.2015,Hall Stefan Kudelski, ECAL From September 25 to October 9 (opening Sept. 24 from 6pm to 8pm), ECAL/University of Art and Design Lausanne presents a selection of diplomas Bachelor and Master 2015 in its building in Renens. Images Bachelor Images Master Video1 + Video2 + Video3 (Media & Interaction Design) Through editions, photography, fonts, paintings, interactive installations or design objects, this exhibition offers the unique opportunity to discover the work of students from Bachelor (Fine Arts, Industrial Design, Graphic Design, Photography, Media & interaction Design) and Master (Art Direction, Fine Arts, Design Product) as well as the creations of the Master of Advanced Studies in Design for Luxury & Craftsmanship. The films of the Bachelor Cinema will enjoy a screening Monday, November 9 at 8.30pm (cinema Capitole in Lausanne). On this occasion, the ECAL publishes for the fourth year in a row a "Yearbook" of 244 pages (CHF 20.-) with all the projects of graduate students. Available directly at ECAL. Exhibition will be open from September 25 to October 9, 2015, from 11 am to 6pm (closed on Saturdays and Sundays). ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple, Renens Case Postale, CH-1001 Lausanne Suisse/Switzerland
Dialogues in Design & Craftsmanship,19–27.09.2015,Victoria & Albert Museum, London As part of the exhibition “What is Luxury?” at the Victoria and Albert Museum and on the occasion of the London Design Festival, ECAL/University of Art and Design Lausanne presents recent works by students of the Master of Advanced Studies in Design for Luxury and Craftsmanship, a programme supported by Vacheron Constantin. Dialogues in Design & Craftsmanship Opening reception on Friday 18 September 2015, 6pm to 7.30pm, Gallery 40. Followed by a cocktail in the Lunch Room (1st Floor). Exhibition opens daily from 19 to 27 September 2015, from 10am to 5.45pm. ECAL Director, Alexis Georgacopoulos, will also take part in the “Future Skills” panel discussion where the topics of future modes of teaching will be debated. Monday 21 September 2015, 11.45am to 12.45pm, Lecture Theatre. Victoria and Albert Museum Cromwell Road London SW7 2RL United Kingdom www.vam.ac.uk Image ECAL/Jonas Marguet, collaboration with Vacheron Constantin
«The Embarrasment Show» exhibition,18–20.09.2015,Hall Stefan Kudelski, ECAL After ECAL in June 2015 and Unseen Photo Fair Amsterdam in September 2015, ECAL Bachelor Photography students present "The Embarrassment Show", an exhibition curated by Erik Kessels, cofounder & creative director of KesselsKramer (Amsterdam), at the NRW-Forum Düsseldorf from 20 November to 10 January. A workshop and exhibition curated by Erik Kessels cofounder & creative director KesselsKramer (Amsterdam), with Bachelor Photography students. HD pictures “Embarrassment is important. If you re not willing to humiliate yourself, make mistakes and downright fuck up, you should consider working in a cubicle farm. It s safer there. Because as a creative person, you ll be called an idiot at least once a day. That s okay. Making mistakes and risking embarrassment, even failure, is how you make progress. Without it, you ll be stuck in the same old safe zone: not embarrassed, but not better either. In other words: boring. So if we want to do this thing we love – making stuff – we mustn t be afraid of looking stupid. In this workshop and exhibition I stretched the abilities of 2nd year ECAL Bachelor Photography students to the limit. By embarrassing themselves they are able to tell a personal, often awkward and risky story. This gives them an opportunity to explore an area of photography which they would probably not have dared to touch.” Erik Kessels
Tom Zambaz – It s not quite the Hilton It s not quite the Hilton is a fashion film created for fashion designer Jonathan Ageneau s diploma collection in which he imagined the hacker community s changing room. The film refers to the “whistleblower” figure, presenting characters trapped in a blank space experiencing paranoia and boredom at the same time. Through its webcam, the user can interact with the film all along. This prolific collaboration was a great opportunity to design two distinct projects feeding off our exchanges throughout the project.
Sebastian Vargas – Postgram Postgram is my personal automated online bot dedicated to the practice of “fair hacking”. Using an @post.gram instagram account, each time a photo is published, the bot uses geolocalisation data to seek someone living close by, using a public directory. Once someone has been found, he/she is automatically added as a new contact in my phone and is sent a printed postcard of the image. New contacts are notified of the postcard with a suggestion to meet and film the encounter. Postgram counterposes public data and image making, using a process of “fair hacking” of public services.
Océan Bussard – NIFFF Feature Presentation NIFFF Feature Presentation is a series of animated posters promoting the NIFFF (Neuchâtel International Fantastic Film Festival). Halfway between a poster and a video, this project reinterprets the codes of fantasy cinema with tools related to graphic design. Horror, gore and the intriguing are the themes covered in this hybrid work between cinema and graphics. This project allowed me to expand my practice of graphic design closer to the work of a film-maker by planning sequences with storyboards, experimenting with video editing – all of that through the prism of graphic design. NIFFF Feature Presentation is a series of animated posters promoting the NIFFF (Neuchâtel International Fantastic Film Festival). Halfway between a poster and a video, this project reinterprets the codes of fantasy cinema with tools related to graphic design. Horror, gore and the intriguing are the themes covered in this hybrid work between cinema and graphics. This project allowed me to expand my practice of graphic design closer to the work of a film-maker by planning sequences with storyboards, experimenting with video editing – all of that through the prism of graphic design.
Grégory Casares – Belle Comme un Coeur Rosie, 12 years old, will pact with a witch in order to be accepted by the other children. Animation / 12min Synopsis Rosie is a little girl marginalized because she s ugly. Her classmates victimize her constantly. One day she meets a witch, old and lonely who makes her wish come true instantly. Now there s no one prettier than Rosie. But she will soon understand that there is nothing more empty than the fleeting, fragile mask of beauty. Commentaire In a black and white of great elegance, Gregory Casares tells the story of the difficulty of taming one s appearance and the spells of love. Quoting Tim Burton or Miyazaki, Gregory invents a magical world with disturbing contours whose interstices reveal the beauty of childhood, but also its cruelty. Fred Guillaume / Director
ECAL at Locarno Festival 2015,05–15.08.2015,Locarno Présence de l ECAL/Ecole cantonale d art de Lausanne au 68e Festival del Film Locarno du 5 au 15 août 2015 . « Joconde » (15 ) de Lora Mure-Ravaud, 1re année Bachelor Cinéma Lundi 10 août à 14 h à La Sala (Sélection officielle Pardi di domani). Deux projections supplémentaires auront lieu mardi 11 et mercredi 12 août à L altra Sala Vernissage du DVD « ECAL Cinéma 2015 » Lundi 10 août à 16 h au Spazio Cinema « Cyclique » (71 ) de Frédéric Favre, Master ECAL/HEAD Jeudi 13 août à 11 h au FEVI (Programme Panorama Suisse) « La Vanité » (75 ) de Lionel Baier, Responsable du Département Cinéma Avec les diplômés de l ECAL: Guillaume Brandt, Julia Bünter, Marie-Eve Hildbrand, Rob-Jan Lacombe Jeudi 13 août à 21 h 30 sur la Piazza Grande www.pardolive.ch
Timothée Zurbuchen – Martin Champion At the age of thirteen, Martin is the main goalkeeper of the FC Cugy junior team. His father trains him everyday and his grandfather films each of his games on his DV camera, despite his nascent Parkinson s disease. Fiction / 13 min Synopsis At the age of thirteen, Martin is the main goalkeeper of the FC Cugy junior team. His father trains him everyday and his grandfather films each of his games on his DV camera, despite his nascent Parkinson s disease. Let s just say that in the Gaillard family, football is a very important tradition that has been passed down from one generation to the next. However, Martin is no longer interested in catching balls all day long. He would like to do something else, but no one in his family seems to be listening to him. It is therefore today, the day of the final, that Martin will have to find a way to make himself heard.
Josua Hotz – Nirin La terre rouge. La route interminable. L enfant qui ne sait pas où on l emmène. Cette simplicité, Josua ne l a pas trouvé sans mal et c est un véritable chemin en lui-même qui l a poussé à faire ce film sincère et bouleversant. Raphaëlle Desplechin Film de diplôme 2015, fiction, 15min Fiction / 16min Synopsis Nirin is 6. His mother had promised they d go on a lovely, long trip and Nirin is eagerly looking forward to discovering his country on a journey in a bush taxi, together with his two younger brothers. It s the first time he s leaving his native village in Madagascar. However, this great journey doesn t turn out the way Nirin had imagined it. Commentary The red earth. The endless road. The child who doesn t know where he is being taken. This simplicity, Josua did not find it without difficulty and it is a real path within himself that pushed him to make this sincere and moving film. Raphaëlle Desplechin / Screenwriter
ECAL Appartement 50, Cité Radieuse,04–19.07.2015,Cité Radieuse, Marseille In September 2014, twelve Master Product Design students of ECAL/University of Art and Design Lausanne were invited to reflect on a collection of objects to meet everyday needs in the Cité Radieuse in Marseille. The outcome of this research is being displayed as part of an exhibition staged in Apartment 50 from 4 to 19 July 2015. A 52-page publication produced by the Art Direction Master students will be issued concurrently. HD PICTURES Apartment 50 was restored by two enthusiasts, Jean-Marc Drut and Patrick Blauwart, as close as possible to its original condition. Listed as a historical monument, the venue occasionally hosts exhibition projects. World-renowned designers have already exhibited there, such as Jasper Morrison, Ronan & Erwan Bouroullec, Konstantin Grcic and Pierre Charpin. Thus, under the direction of Thilo Alex Brunner, head of the Master Product Design at ECAL, and of ECAL professor Augustin Scott de Martinville, a series of objects was produced over one semester by the Product Design Master students. The project began in September 2014 with a three-day workshop in the Cité Radieuse, allowing students to experience life in the building. Based on their various observations, they created objects to “inhabit” Apartment 50, focusing particularly on the following features: The specific climate of the apartments: the fan creates an air flow on the mezzanine and the cushions are designed to fit both on the living room s indoor parapets and on the loggias tables. The flexibility of interior spaces: the large rotating lamp serves to light either the dining room or the living room in turn, while the small model can be used either on a desk or a bedside table. Tours of Apartment 50 which take place regularly: the carpet, crafted with the support of the Ruckstuhl AG manufacture in Langenthal, displays a map showing how the Cité Radieuse blended in with its environment at the time of construction, while the “unit” metre provides a simple tool to explain the Modulor system. Life in the communal areas, especially the roof terrace which serves as a meeting place: the chair and folding table are designed to facilitate migration from the living room of the apartment, while the picnic box allows to comfortably carry everything you for an aperitif. In addition to the projects around the above-mentioned specificities, half a dozen other objects can be discovered on the spot or in the related publication. In March 2015, the students of the ECAL Master Art Direction were invited to attend a four-day workshop to experience and document everyday life in the building with a view to editing a publication. Through the architectural spectrum across 52 pages, this editorial project includes portraits of residents or fictional characters inspired by the Modulor system, as well as still lifes and original typefaces echoing the building s proportions. Unité d habitation Le CorbusierAppartement 50 / 5e rue 280 boulevard Michelet 13008 Marseille France www.appt50lc.org
The Most Beautiful Swiss Books: many awards for ECAL graduates Ce jeudi 25 juin dès 18h au Helmhaus à Zurich, vernissage de l exposition «Les plus beaux livres suisses» avec la présence parmi les 17 livres primés de 12 ouvrages réalisés par des personnalités en lien avec l ECAL 11 diplômés (aussi professeurs à l ECAL pour certains) du Bachelor Design Graphique ont été récompensés: Nicolas Eigenheer + Vera Kaspar, Teo Schifferli 2x, David Keshavjee + Guy Meldem, Marie Lusa, Gavillet & Rust + Vincent Devaud, Marietta Eugster, Rober Huber. Ainsi que trois intervenants: Laurenz Brunner 2x, Lex Trüb et Jonathan Hares. Ce dernier a également remporté la médaille d or au «Best Book Design from all over the World», où Paul Elliman, intervenant à l ECAL, est reparti avec la «Goldene Letter» (plus haute distinction). A noter qu Urs Lehni, un autre intervenant, a gagné le Prix Jan Tschichold. Les plus beaux livres suisses 2014 du 26 au 28 juin 2015 Helmhaus, Limmatquai 31, 8001 Zürich www.helmhaus.org
pauline amacker – Shadia and Saphira This atlas describes the relationship between two Métis sisters who lived in Switzerland and then in Cameroon after their parent s divorce. They haven t seen each other for 5 years as the eldest came back in Switzerland. They kept in touch through Facebook messages and looking at them points out a cultural gap. Shadia and Saphira s duet was forged through separation and their striking resemblance leads to confusion. They are proud of their dual identity but saddened to be rejected in both countries. My aim is to discuss physical distance within the family and question cultural barriers. This atlas describes the relationship between two Métis sisters who lived in Switzerland and then in Cameroon after their parent s divorce. They haven t seen each other for 5 years as the eldest came back in Switzerland. They kept in touch through Facebook messages and looking at them points out a cultural gap. Shadia and Saphira s duet was forged through separation and their striking resemblance leads to confusion. They are proud of their dual identity but saddened to be rejected in both countries.My aim is to discuss physical distance within the family and question cultural barriers.
Ten ECAL graduates awarded during Art Basel A l occasion des Swiss Art Awards – Swiss Design Awards présentés à Art Basel du 16 au 21 juin 2015, 10 diplômés de l ECAL ont été primés par l Office fédéral de la culture (OFC) et ses partenaires. Les anciens écaliens remportent ainsi 7 récompenses sur les 18 attribuées dans le cadre des Prix fédéraux de design. Ils repartent également avec un Prix Kiefer Hablitzel et deux Prix fédéraux d art. A noter que sur les 54 finalistes des Swiss Design Awards, 23 diplômés de l ECAL étaient sélectionnés! Lauréats Swiss Design Awards: Lauréats Swiss Design Awards: Photographie Cyril Porchet (BA Photographie 2009 et MA Art Direction 2011) Elena Rendina (BA Photographie 2008) Jean-Vincent Simonet (BA Photographie 2014) Joël Tettamanti (BA Photographie 2001) Design Graphique Giliane Cachin (BA Design Graphique 2014) Objets et produits Julie Richoz (BA Design Industriel 2014) Brynjar Sigurðarson (MA Design de Produit 2011) Lauréats Swiss Art Awards: Gilles Furtwängler (BA Arts Visuels 2006) Mélodie Mousset (BA Arts Visuels 2004) Fondation Kiefer Hablitzel Alfredo Aceto (BA Arts Visuels 2014) Les autres diplômés de l ECAL sélectionnés: Design Graphique Mateo Broillet (BA Design Graphique 2014), Julien Mercier (BA Design Graphique 2012) Photographie Federico Berardi (BA Photographie 2009 et Master Art Direction 2011), Aladin Borioli (BA Photographie 2011), David Excoffier (BA Photographie 2010 et Master Art Direction 2012), Yann Gross (BA Photographie 2005 et EPG 2007) Produits et objets Dimitri Baehler (BA Design Industriel 2010), Stéphane Barbier Bouvet (BA Design Industriel 2006), Isaure Bouyssonie (BA Design Industriel 2012), Michel Charlot (BA Design Industriel 2009), Charlotte Sunnen (MAS Luxe 2012) + Aurélie Mathieu (MAS Luxe 2012), Nicolas Le Moigne (BA Design Industriel 2005 et EPG 2007), Terrazzo Project: Stéphane Halmaï-Voisard (MAS Luxe 2010) + Philippe-Albert Lefevbre (MAS Luxe 2010) Scénographie Luke Archer (MA Art Direction 2012) + Camille Blin (BA Design Industriel 2009) Expositions Foire de Bâle Halle 4.0 16 – 21 juin 2015, 10h – 20h, dimanche jusqu à 19h, entrée libre www.swissdesignawards.ch www.swissartawards.ch www.swissdesignawardsblog.ch
Diplomas – 2015 Jérôme Wilfredo Baccaglio , Logos for Drones and Such... I created a catalogue for drone logos. It gathers a heterogenous iconography (invented, drawn, found) whose every motif is available for purchase as a canvas, a tattoo, a drawing or a sticker. This is an oblique strategy adopted to talk about the interpretation of an image (as the spectator, or as the artist, to assign it a meaning, a name); the versus created by hand-made work and a digital image; mercantilism; the matter of copyright and its role in an information-infested era. Tina Braegger, Fasanenstrasse 30 I made an architectural model of white cardboard, placed on four white metal legs. I decorated the model with white curtains that flow over the model down to the floor. Inside the model, I put old toys of mine, objects that originally belong to a doll s house. By attaching the legs directly to the model, it looks like a table. I wanted to create something surreal, like a dream; the objects inside the model are slightly too big, and the model bleeds off as the curtains overflow. Arthur Fouray , Andy IV, #aaafff Studio Modernes, Helio noir cendré 2011: Enters 2nd year ECAL. Dia: Beacon visit. 2012: First artist exchange with Frédéric Gabioud. 2013: Begins the notes website "arthurfouray.website. » Fine Arts Bachelor s degree. Obtains a studio funded by the city of Lausanne. Assistant to Pierre Huyghe . Co-founding of a + o - ( a-plus-o-min.us ). 2013 - 2014: The Lauren bedspring-painting inaugurates the objects-canvases series. #aaafff first painting for Philippe Decrauzat. 2015: Co-founding of Silicon Malley ( siliconmalley.ch ), artist-run space in Prilly. Julien Gremaud , The Big Picture Two wallpapers face each other. They are very white, their black lines are basic. The templates have been done. It was questioned whether the surfaces should be solid or empty, filled with monochromy or blocks of primary colour. One can always enlarge them if necessary. These are ai files. One no longer needs a Hasselblad camera. There is not a whole lot left of the source image. By the way: photography wants to appropriate space. But we are still unable to do so. Eventually, the finishings, very weighty. I promise you Johanne, I will take some pictures for our collaboration s archives. Emanuele Marcuccio , Untitled (Serve the Servants) This is a partial truth, a fragment of my understanding, my sense of things. Being alone in the office, being alone in the library, being alone in the studio is still about a certain notion of improving. I have this impulse that pushes me right in the situation that makes me improve. Well then, I feel specially special. Photo credit : ECAL/Axel Crettenand. Jérôme Wilfredo Baccaglio, Logos for Drones and Such... I created a catalogue for drone logos. It gathers a heterogenous iconography (invented, drawn, found) whose every motif is available for purchase as a canvas, a tattoo, a drawing or a sticker. This is an oblique strategy adopted to talk about the interpretation of an image (as the spectator, or as the artist, to assign it a meaning, a name); the versus created by hand-made work and a digital image; mercantilism; the matter of copyright and its role in an information-infested era. Tina Braegger, Fasanenstrasse 30 I made an architectural model of white cardboard, placed on four white metal legs. I decorated the model with white curtains that flow over the model down to the floor. Inside the model, I put old toys of mine, objects that originally belong to a doll s house. By attaching the legs directly to the model, it looks like a table. I wanted to create something surreal, like a dream; the objects inside the model are slightly too big, and the model bleeds off as the curtains overflow. Arthur Fouray, Andy IV, #aaafff Studio Modernes, Helio noir cendré 2011: Enters 2nd year ECAL. Dia: Beacon visit. 2012: First artist exchange with Frédéric Gabioud. 2013: Begins the notes website "arthurfouray.website. » Fine Arts Bachelor s degree. Obtains a studio funded by the city of Lausanne. Assistant to Pierre Huyghe . Co-founding of a + o - ( a-plus-o-min.us ). 2013 - 2014: The Lauren bedspring-painting inaugurates the objects-canvases series. #aaafff first painting for Philippe Decrauzat. 2015: Co-founding of Silicon Malley ( siliconmalley.ch ), artist-run space in Prilly. Julien Gremaud, The Big Picture Two wallpapers face each other. They are very white, their black lines are basic. The templates have been done. It was questioned whether the surfaces should be solid or empty, filled with monochromy or blocks of primary colour. One can always enlarge them if necessary. These are ai files. One no longer needs a Hasselblad camera. There is not a whole lot left of the source image. By the way: photography wants to appropriate space. But we are still unable to do so. Eventually, the finishings, very weighty. I promise you Johanne, I will take some pictures for our collaboration s archives. Emanuele Marcuccio, Untitled (Serve the Servants) This is a partial truth, a fragment of my understanding, my sense of things. Being alone in the office, being alone in the library, being alone in the studio is still about a certain notion of improving. I have this impulse that pushes me right in the situation that makes me improve. Well then, I feel specially special. Photo credit : ECAL/Axel Crettenand.
Appartement 50 Cité Radieuse Apartment 50 was restored by two enthusiasts, Jean-Marc Drut and Patrick Blauwart, as close as possible to its original condition. Listed as a historical monument, the venue occasionally hosts exhibition projects. World-renowned designers have already exhibited there, such as Jasper Morrison, Ronan & Erwan Bouroullec, Konstantin Grcic and Pierre Charpin. Thus, under the direction of Thilo Alex Brunner, head of the Master Product Design at ECAL, and of ECAL professor Augustin Scott de Martinville, a series of objects was produced over one semester by the Product Design Master students. The project began in September 2014 with a three-day workshop in the Cité Radieuse, allowing students to experience life in the building. Based on their various observations, they created objects to “inhabit” Apartment 50, focusing particularly on the following features: The specific climate of the apartments: the fan creates an air flow on the mezzanine and the cushions are designed to fit both on the living room s indoor parapets and on the loggias tables. The flexibility of interior spaces: the large rotating lamp serves to light either the dining room or the living room in turn, while the small model can be used either on a desk or a bedside table. Tours of Apartment 50 which take place regularly: the carpet, crafted with the support of the Ruckstuhl AG manufacture in Langenthal, displays a map showing how the Cité Radieuse blended in with its environment at the time of construction, while the “unit” metre provides a simple tool to explain the Modulor system. Life in the communal areas, especially the roof terrace which serves as a meeting place: the chair and folding table are designed to facilitate migration from the living room of the apartment, while the picnic box allows to comfortably carry everything you for an aperitif. In addition to the projects around the above-mentioned specificities, half a dozen other objects can be discovered on the spot or in the related publication. In March 2015, the students of the ECAL Master Art Direction were invited to attend a four-day workshop to experience and document everyday life in the building with a view to editing a publication. Through the architectural spectrum across 52 pages, this editorial project includes portraits of residents or fictional characters inspired by the Modulor system, as well as still lifes and original typefaces echoing the building s proportions. Apartment 50 was restored by two enthusiasts, Jean-Marc Drut and Patrick Blauwart, as close as possible to its original condition. Listed as a historical monument, the venue occasionally hosts exhibition projects. World-renowned designers have already exhibited there, such as Jasper Morrison, Ronan & Erwan Bouroullec, Konstantin Grcic and Pierre Charpin. Thus, under the direction of Thilo Alex Brunner, head of the Master Product Design at ECAL, and of ECAL professor Augustin Scott de Martinville, a series of objects was produced over one semester by the Product Design Master students. The project began in September 2014 with a three-day workshop in the Cité Radieuse, allowing students to experience life in the building. Based on their various observations, they created objects to “inhabit” Apartment 50, focusing particularly on the following features: The specific climate of the apartments: the fan creates an air flow on the mezzanine and the cushions are designed to fit both on the living room s indoor parapets and on the loggias tables. The flexibility of interior spaces: the large rotating lamp serves to light either the dining room or the living room in turn, while the small model can be used either on a desk or a bedside table. Tours of Apartment 50 which take place regularly: the carpet, crafted with the support of the Ruckstuhl AG manufacture in Langenthal, displays a map showing how the Cité Radieuse blended in with its environment at the time of construction, while the “unit” metre provides a simple tool to explain the Modulor system. Life in the communal areas, especially the roof terrace which serves as a meeting place: the chair and folding table are designed to facilitate migration from the living room of the apartment, while the picnic box allows to comfortably carry everything you for an aperitif. In addition to the projects around the above-mentioned specificities, half a dozen other objects can be discovered on the spot or in the related publication. In March 2015, the students of the ECAL Master Art Direction were invited to attend a four-day workshop to experience and document everyday life in the building with a view to editing a publication. Through the architectural spectrum across 52 pages, this editorial project includes portraits of residents or fictional characters inspired by the Modulor system, as well as still lifes and original typefaces echoing the building s proportions.
ECAL Cinema: screening in Renens,04.06.2015,Place du Marché, Renens La Ville de Renens est heureuse de vous proposer quelques-uns des meilleurs crus de la dernière cuvée des films de l ECAL/Ecole cantonale d art de Lausanne. Aux côtés de films de diplôme Bachelor, un court métrage inspiré par le peintre Félix Valloton, et trois films issus d un workshop à Istanbul. ECAL Cinéma Place du Marché à Renens, jeudi 4 juin 2015 à 21h30 «Discipline», Christophe Saber, 2014, fiction, 10 Une épicerie à Lausanne. Excédé, un père de famille corrige sa fille désobéissante. Une cliente choquée exprime son désaccord. D autres clients interviennent, chacun y met son grain de sel. La situation vire au chaos. «Répétition», Elie Grappe, 2014, documentaire, 11 Un professeur de chant, une classe de collège au conservatoire de Lyon. Une répétition, l avant-dernière avant le spectacle de fin d année. «Songe d une Nuit», Josua Hotz, 2013, fiction, 6 Une soirée comme les autres. La fête bat son plein. Julie retrouve Sara, son amie qui est dans un drôle d état. «Abseits der Autobahn», Rhona Mühlebach, 2014, fiction, 21 Roman et Linda sont en couple depuis longtemps, mais ils n ont plus rien en commun. Ils partent pour un tour à vélo dans les montagnes suisses. Leur virée se révèle rapidement plus compliquée que prévue. «Révolte dans son téléphone», M. Goupil & A. Losserand, 2013, documentaire, 5 Une jeune Turque nous raconte, au travers des images qu elle a capturées avec son téléphone, les manifestations du printemps 2013 place Taksim. «Balik», C. Dondénaz & R. Dubach, 2013, fiction, 4 Byzance la Grecque, Constantinople la Romaine, Istanbul l Ottomane, puis Céline… Jeune femme à la recherche d une identité et d un lieu sûr dans cette cité, où elle fuit Raphaël… «La pêche aux Turcs», M. Pillonel & N. Rohrer & A. Sublet, 2013, fiction, 6 Véritable microcosme, le pont de Galata est décortiqué par l oeil curieux de trois personnages. L occasion de partir à la rencontre de pêcheurs turcs. Accès libre, âge légal 12 ans/suggéré 16 ans En cas de fortes intempéries, la projection se fera à l abri Informations dès midi au numéro 1600 Organisation Ville de Renens Informations 021 632 75 06 www.renens.ch
Exhibition "Inhabiting and Interfacing the Cloud(s)" at H3K From May 29 to August 30 2015, the ongoing design research "Inhabiting and Interfacing the Cloud(s)" is presented at the Haus der elektronischen Künste (H3K) in Basel, in the frame of the exhibition Poetics and Politics of Data. From May 29 to August 30 2015, the ongoing design research "Inhabiting and Interfacing the Cloud(s)" is presented at the Haus der elektronischen Künste (H3K) in Basel, in the frame of the exhibition Poetics and Politics of Data.Inhabiting & Interfacing the Cloud(s) is an ongoing design research about Cloud Computing, as well as about the iconic infrastructure that underpinns this service, the data center. With the support of HES-SO/University of Applied Sciences Western Switzerland, it explores the creation of design counter-proposals to the current expression of this technological and functional arrangement, particularly in its forms intended for private individuals and end users (Personal Cloud). Halfway through the exploration process, the current status of the work is presented with a scenography by fabric | ch as part of the media art exhibition Poetics and Politics of Data, curated by Sabine Himmelsbach, at the Haus der elektronschen Künste (H3K) in Basel.http://www.iiclouds.orgResearch assistants: Lucien Langton, Charles ChalasPartners: James Auger (Auger-Loizeau), Christian Babski (fabric | ch), Matthew Plummer-Fernandez (#algopop)Photography: David Colombini, Marco Frauchiger
Exhibition "Inhabiting and Interfacing the Cloud(s)" at H3K,28.05.2015 From May 29 to August 30 2015, the ongoing design research "Inhabiting and Interfacing the Cloud(s)" is presented at the Haus der elektronischen Künste (H3K) in Basel, in the frame of the exhibition "Poetics and Politics of Data". Inhabiting & Interfacing the Cloud(s) is an ongoing design research about Cloud Computing, as well as about the iconic infrastructure that underpinns this service, the data center. With the support of HES-SO/University of Applied Sciences Western Switzerland, it explores the creation of design counter-proposals to the current expression of this technological and functional arrangement, particularly in its forms intended for private individuals and end users (Personal Cloud). Halfway through the exploration process, the current status of the work is presented with a scenography by fabric | ch as part of the media art exhibition Poetics and Politics of Data, curated by Sabine Himmelsbach, at the Haus der elektronschen Künste (H3K) in Basel. http://www.iiclouds.org Research assistants: Lucien Langton, Charles Chalas Partners: James Auger (Auger-Loizeau), Christian Babski (fabric | ch), Matthew Plummer-Fernandez (#algopop) Photography: David Colombini, Marco Frauchiger
Exhibition Life is a Bed of Roses (un roman) From Wednesday, May 27, 2015 to Saturday, July 4, 2015. A project devised by Stéphanie Moisdon , with the participation of the Master s course students and teachers. In the form of a Bildingsroman (“education novel”) about imagination, or about imagination of education, the exhibition is the venue for a theatre and a choir, a set, and appearances of forms, objects and characters. The evolving path of this “education novel” has been gradually formed, over a whole year, around an Alain Resnais film, and the unfurled memory of Comte Forbek s castle, in the spirit of mediaeval times, the spirit of craftsmen of all times. For several pens to write this light and modern tale of youth, it was important to rely on a few oblique strategies, and travel between experience and immaturity, talent and craft, between personal predispositions and collective ideal. Workshops led by Valentin Carron , Sylvie Fleury , Tristan Garcia , Stéphane Kropf , Fabian Marti , in collaboration with Lucile Dupraz . Scenography realized by Denis Savary with Ruben Valdez , and opening credits video by Lisa Stein . With works by Jérôme Baccaglio, Tina Braegger, Lena Brudieux, Francesco Cagnin, Lucas Erin, Jean Etchevers-Bourgois, Arthur Fouray, Antoine Goudard, Thea Govorchin, Emanuele Marcuccio, Francesco Nazardo, Giulio Scalisi, Tomaso Semenzato, Konstantinos Sotiriou, Lisa Stein, and Linda Voorwinde . Photo credit : Aurélien Mole . From Wednesday, May 27, 2015 to Saturday, July 4, 2015.A project devised by Stéphanie Moisdon, with the participation of the Master s course students and teachers. In the form of a Bildingsroman (“education novel”) about imagination, or about imagination of education, the exhibition is the venue for a theatre and a choir, a set, and appearances of forms, objects and characters. The evolving path of this “education novel” has been gradually formed, over a whole year, around an Alain Resnais film, and the unfurled memory of Comte Forbek s castle, in the spirit of mediaeval times, the spirit of craftsmen of all times.For several pens to write this light and modern tale of youth, it was important to rely on a few oblique strategies, and travel between experience and immaturity, talent and craft, between personal predispositions and collective ideal.Workshops led by Valentin Carron, Sylvie Fleury, Tristan Garcia, Stéphane Kropf, Fabian Marti, in collaboration with Lucile Dupraz.Scenography realized by Denis Savary with Ruben Valdez, and opening credits video by Lisa Stein.With works by Jérôme Baccaglio, Tina Braegger, Lena Brudieux, Francesco Cagnin, Lucas Erin, Jean Etchevers-Bourgois, Arthur Fouray, Antoine Goudard, Thea Govorchin, Emanuele Marcuccio, Francesco Nazardo, Giulio Scalisi, Tomaso Semenzato, Konstantinos Sotiriou, Lisa Stein, and Linda Voorwinde. Photo credit : Aurélien Mole.
"Life is a Bed of Roses (un roman)" exhibition,26.05–04.07.2015,Fondation Ricard, Paris Une exposition de l ECAL/Ecole cantonale d art de Lausanne et de la Fondation d entreprise Ricard, Paris. «Life is a Bed of Roses (un roman)» – Exposition jusqu au 4 juillet 2015 – L Ecole de Stéphanie du 2 au 4 juillet 2015 Ce projet a été conçu par Stéphanie Moisdon, avec la participation des étudiants et des enseignants du Master Arts Visuels de l ECAL. Sous la forme d un roman d éducation de l imagination ou d imagination de l éducation, l exposition est le lieu d un théâtre et d un chœur, d un décor, d apparitions de formes, d objets et de personnages. Le cheminement évolutif de ce roman d apprentissage s est progressivement formé, durant toute une année, autour d un film d Alain Resnais, du souvenir déplié du château du Comte Forbek, dans l esprit des temps médiévaux, celui des artisans de tous temps. Pour écrire à plusieurs ce conte léger et moderne de la jeunesse, il aura fallu s appuyer sur quelques stratégies obliques, circuler entre l expérience et l immaturité, le talent et le métier, entre les prédispositions personnelles et l idéal collectif. Ce travail en «ateliers» a été conduit par Valentin Carron, Sylvie Fleury, Tristan Garcia, Stéphane Kropf, Fabian Marti, en collaboration avec Lucile Dupraz. La scénographie a été réalisée par Denis Savary avec Ruben Valdez et le générique par Lisa Stein. Avec: Jérôme Baccaglio, Tina Braegger, Lena Brudieux, Francesco Cagnin, Lucas Erin, Jean Etchevers-Bourgois, Arthur Fouray, Antoine Goudard, Thea Govorchin, Julien Gremaud, Emanuele Marcuccio, Francesco Nardozzi, Giulio Scalisi, Tomaso Semenzato, Konstantinos Sotiriou, Lisa Stein, Linda Voorwinde. L Ecole de Stéphanie L exposition accueille durant trois jours la 6ème édition de «L Ecole de Stéphanie», qui se déroule dans un espace modélisé à partir des fonctions minimales d une salle de classe. Son image a été pensée par Pierre Joseph, qui la définit ainsi: «L espace intègre une série de douze photographies de vitraux, une moquette bleue, une table de conférence, un équipement audio-visuel, et des sièges en nombre suffisant. L ensemble pourrait évoquer d emblée une salle de classe de l enseignement catholique mais ce n est pas ici véritablement l enjeu. La série d images, prise sans vocation documentaire, ni cadrage exigeant, nous renvoie davantage du côté du mitraillage photographique et touristique que vers une lecture savante de l iconographie religieuse. Malgré cela, fruit du hasard et de différents paramètres, dont l ensoleillement de la cathédrale Notre-Dame, où ont été prises ces photos, ce jour-là, de la distance objectif/sujet, de la focale et de l exposition, une seule scène de vitraux aura été choisie. Il s agit d un motif fréquent de l art chrétien, l arbre de Jessé, dans une version restaurée de Viollet-le-Duc. On pourra donc y voir et y lire, une allusion parcellaire à la généalogie de Jésus et donc à l histoire et la transmission au sens large. L arrière-plan de chacun des personnages de ces vitraux étant bleu comme l est la moquette qui emplit l espace de la classe, le dispositif inclut malgré lui le visiteur ou l élève dans cette «histoire» Ces images sérielles n en sont pas moins tout à fait décoratives et joueront de cette manière et sur ce registre avec le reste de l exposition.» Le prototype de «L Ecole de Stéphanie» n est ni une fiction ni une parodie, mais le pilote d une école, une situation amenée à se déplacer et à se renouveler, comme c est le cas depuis sa création en 2006 pour «La force de l art», triennale d art contemporain à Paris. «L Ecole de Stéphanie» est un espace de projection, de travail, de transmission et de mutualisation des savoirs. Une petite école temporaire où les questions d image, de représentation et de langage circulent librement. Un lieu émancipé des règles et de l autorité, des classements et des disciplines, qui fonctionne hors programme et sans manuel. Sur toute la durée de la manifestation, des «maîtres» et «maîtresses» interviennent selon un rythme intensif. Ils ne cherchent pas à régner, ils s inventent des filiations et des trajectoires personnelles, des méthodes et des outils de pédagogie. Ils enseignent, le temps d une classe, une leçon de choses, une leçon de mots. Avec Philippe Azoury, Daniel Baumann, Jérome Bel, Mehdi Belhaj Kacem, Nicolas Bourriaud, François Cusset, Tristan Garcia, Dominique Gonzalez-Foerster, Mélanie Matranga, Charles de Meaux, Lili Reynaud-Dewar, Jean-Jacques Schuhl, Arnaud Viviant, Olivier Zahm. L environnement musical est de Jean-Yves Leloup et la cloche de Trisha Donnelly. L école de Stéphanie bénéficie du soutien de la FABA, Fundación Alminey Bernard Ruiz-Picasso para el Arte. Fondation d entreprise Ricard 12 rue Boissy d Anglas – 75 008 Paris www.fondation-entreprise-ricard.com Visuel: ECAL/Jérôme Baccaglio
ECAL exhibition at Montreal,22.05–11.10.2015,Montreal For its 53rd season, the Reford Gardens (Les Jardins de Métis) present ‟Lambmowers”, a series of installations at once practical and amusing. These agricultural accessories will enhance the well-being of the sheep who will mow the lawns previously maintained by a fleet of lawnmowers and Reford Gardens staff. Exhibition from May 23 until October 11, 2015. This project was conceived and built on site by 2nd year students in the Bachelor Industrial Design from ECAL. A selection of the installations and photographs by Nicolas Haeni, graduate of the Bachelor Photohraphy and of the Master Art Direction, are exhibited in the open air on the Place de la Dauversière next to the historic Musée du Château Ramezay Museum in Old Montreal. Place de la Dauversière / Musée du Château Ramezay Rue Notre-Dame E Montréal, QC H2Y 1C5 Canada www.chateauramezay.qc.ca www.jardinsdemetis.com
ECAL Conference: Pascale Mussard & Antoine Boudin,21.05.2015,IKEA Auditorium, ECAL ECAL Conference: Pascale Mussard - Artistic Director "petit h" Hermès, Paris + Antoine Boudin - Industrial Designer, Hyères A l occasion de l exposition « Arundo e Estrambord » d Antoine Boudin, présentée à la Galerie l elac jusqu au 29 mai 2015. Jeudi 21 mai 2015 à 18h, Auditoire IKEA, ECAL Pascale Mussard, directrice artistique « petit h » d Hermès, Paris Après des études de droit et un diplôme à l European Business School, Pascale Mussard débute sa carrière au bureau de style de Nicole de Vesian. En 1978, elle entre chez Hermès comme responsable des achats de tissus au prêt-à-porter féminin. Elle devient ensuite l attachée de presse d Hermès, puis prend successivement la responsabilité de la publicité et des relations publiques. Par la suite, elle crée et dirige pendant six ans le nouveau département des expositions, puis anime les vitrines du réseau français. En 2002, elle devient directrice artistique déléguée auprès de Jean-Louis Dumas, puis codirectrice artistique avec Pierre-Alexis Dumas en 2006. Antoine Boudin, designer industriel, Hyères Antoine Boudin est né en Avignon en 1986. Diplômé de l ECAL en 2008, il gagne le Grand prix du jury de Design Parade 4. En 2011, il ouvre son atelier à Hyères afin de développer de nouveaux projets et de continuer ses recherches sur les matériaux, la Provence et la mer. La même année, il remporte la Bourse Agora pour le Design avec laquelle il initie son projet sur la canne de Provence qui sera ensuite exposé en 2014 au Palais de Tokyo lors des Designer s Days (Paris). ECAL 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
Collaboration with Christofle – 2015 ECAL lays the table For this fifth collaboration between ECAL/Ecole cantonale d art de Lausanne and the Maison Christofle, the students of the Master of Advanced Studies have taken the challenge to dive straight into the heart of silversmithing history by creating a set of cutlery. This particularly demanding project required a perfect mastery of proportions, ergonomy and detail refinement. During a four weeks workshop, led by the Slovakian born and Lausanne based designer Tomas Kral, the 12 students of the programme have individually created their concepts. Within the variety of proposals, 6 projects were selected for further development and the production of prototypes. This second phase enabled the students to further refine the details, while constantly verifying the precision of the forms trough 3D printed resin mock-ups. Thanks to cutting edge technologies - in particular 3D printing in metal - and the expertise of Christofle s centuries old craftsmanship, 6 sets of forks, knives and spoons were produced in a record timeframe, while ensuring the outstanding quality of the manual finishing.Dipping Rodrigo Caula Inspired by the Christofle manufacture visit and especially by the process of silver coating, this project creates the illusion of a raw core hidden in the inner of the cutlery. During the process, the pieces are submerged in a silver bath while being held on its tips. The chiseled core which reveals the raw and textured appearance, seems to be covered and smoothened by a film applied to the rest of the piece. Frisson Alexis Tourron For this project, the point of departure was an abstentious and pure form, while the handles were subtilely transformed. Inspired by the movement and waves on the surface of the water, this series of cutlery comes to life through its refined aesthetics and the reflections on the polished metallic surface. Posata Stefano Panterotto This project bridges the gap between tradition and modernity with its forms inspired by the gestures and the handling of the cutlery. The details like bevels, cuts or marks become subtile decorations and enrich the pieces with a refined and contemporary character. Collerette Ophélie Sanga Just as the Renaissance costumes, the ruff decorates the edges of this cutlery set. Reminding us of gathered fabric, the wavy surface creates a dynamic play of reflections, referencing at the same time the past and the present, resulting in a highly contemporary piece. Etang d Or Kaja Solgaard Dahl This project was largely inspired by the lakeside landscape at dusk. The base of the cutlery was hollowed out and the resulting indentation was then plated with a golden reflecting finish. The erosion of the volume leads to a pronounced contrast between perfection and imperfection. Point de Paris Annie Tung Anchored in the French cultural patrimony, the laced fabric creates a direct association to the environment of the table. All the pieces of cutlery seem to be wrapped by a fine broidery in order to perfectly match to the fabric of the tablecloth and the napkins. The pieces manage to be at the same time feminine, delicate and classic while maintaining a contemporary impression due to their minimalistic formal language.
ECAL-Typefaces.ch,30.04.2015,Harpe 45, Lausanne ECAL/University of Art and Design Lausanne launches an online foundry in association with Swiss Typefaces, allowing to acquire fonts realized by the students in Bachelor Graphic Design and in Master Art Direction. A premiere for a school! www.ecal-typefaces.ch With this website created in collaboration with Swiss Typefaces, ECAL is probably the first university in the world to have launched an online type foundry, allowing direct access for anyone to a selection of typefaces, all designed by students. Thanks to renowned professors such as François Rappo, Aurèle Sack, Ian Party, Gilles Gavillet and Ludovic Balland, and prestigious visiting lecturers such as Frederik Berlaen, Kai Bernau, Peter Bilak, Laurenz Brunner, Christian Schwartz, Paul Barnes and Emmanuel Rey, ECAL has been able to boast a solid reputation in Type Design teaching for several years. Fonts designed by students during the Bachelor Graphic Design and Master Art Direction courses (or for the diploma) are regularly used for ECAL corporate communications (posters, invitations cards, catalogues...), and because of this usage, people often ask to us how to acquire these typefaces, in particular our Headline Fonts. This website is here to answer those requests. ECAL is proud to be able to share these fonts with the largest possible audience and to offer a platform for our students, deserving heirs of a typically Swiss know-how.
Exhibition «Antoine Boudin – Arundo e Estrambord»,29.04–29.05.2015,Gallery l elac, ECAL Du 1 er au 29 mai 2015 à la Galerie l elac à Renens, l ECAL/Ecole cantonale d art de Lausanne présente «Antoine Boudin – Arundo e Estrambord». Proposée dans le cadre des Designer s Days au Palais de Tokyo à Paris en 2014, cette exposition du designer français, diplômé en 2008 du Bachelor Design Industriel de l ECAL, aborde la thématique du mouvement avec la présence d un bateau réalisé en cannes de Provence et dévoile les nouveaux matériaux, ainsi que les objets issus de cette recherche. Dans la continuité de son projet sur la canne de Provence initié avec la Bourse Agora pour le Design, Antoine Boudin présente un nouveau volet de son travail à partir de cette graminée géante. Il propose un point de vue fort sur la place du designer dans la valorisation de déchets issus d une culture très présente dans le Var. Le designer invite également l artiste vidéaste Jean-Baptiste Warluzel à travers une installation et des vidéos qui poussent l art et le design au dialogue avec la canne de Provence comme matière première. Antoine Boudin Antoine Boudin est né en Avignon en 1986. Il est diplômé de l ECAL (Bachelor Design Industriel) en 2008 avec «Quieu Bagna», un bateau de camps à voile latine. En 2009, il assiste le designer Alexander Taylor à Londres avant de remporter le grand prix du jury de Design Parade 4, présidé par Jasper Morrison. Il devient ensuite l assistant de François Azambourg de 2009 à 2011. En 2010, il présente quatorze nouvelles pièces dans son exposition «…E ié vivèn de belli causo» («… et on y vit de belles choses»), retraçant un an de résidence à la Villa Noailles à Hyères. Passionné par la matière et par le «faire», Antoine Boudin développe un travail axé sur les matériaux ancrés dans le territoire où il est amené à travailler, s inscrivant dans une démarche d éco-conception. Ses projets sont influencés par ses origines provençales et méditerranéennes, abordant l industrie et l artisanat avec la même volonté d innovation. En 2011, il ouvre son propre atelier à Hyères afin de développer de nouveaux projets et de continuer ses recherches sur les matériaux, la Provence et la mer. En parallèle, il enseigne le design à l Ecole Supérieure d Art et Design Toulon Provence Méditerranée (ESADTPM). www.antoineboudin.com «Antoine Boudin – Arundo e Estrambord» Exposition ouverte du 1er au 29 mai 2015 (fermée les 14 et 15 mai) du mercredi au vendredi de 13h à 17h. Cette exposition est réalisée avec le soutien de la Bourse Agora pour le Design. Galerie l elac 5 av. du Temple 1020 Renens +41 (0)21 316 99 33 ecal@ecal.ch
ECAL at Visions du Réel,17–25.04.2015,Visions du Réel, Nyon Vernissage du DVD « ECAL Documentaires – Une sélection de dix regards documentaires (2002 – 2014) par des cinéaste issus du Département Cinéma de l ECAL. Vernissage du DVD « ECAL Documentaires » Une sélection de dix regards documentaires (2002 – 2014) par des cinéaste issus du Département Cinéma de l ECAL. Lundi 20 avril 2015 à 18h00 à l espace VIP du Village du Réel, Nyon ------ Sesterce d or Prix Maître du Réel Raiffeisen à Barbet Schroeder Remis par Luciano Barisone, Directeur du festival et Lionel Baier, Responsable du Département Cinéma de l ECAL. Lundi 20 avril 2015 à 20h30 au Théâtre de Marens, Nyon De nationalité franco-suisse, Barbet Schroeder (1941) prend part à l aventure de La Nouvelle Vague dès ses origines. Journaliste pour Les Cahiers du cinéma, assistant de Jean-Luc Godard, producteur de films d Eric Rohmer et Jacques Rivette entre autres, il se lance dans la réalisation dès 1969 avec More, auquel fera suite une vingtaine de films. Parmi ceux-ci, des fictions célèbres telles que La Vallée (avec la musique de Pink Floyd), Barfly ou Le Mystère von Bülow, mais aussi des documentaires comme Général Idi Amin Dada, Koko, le gorille qui parle et L Avocat de la terreur, récompensé par le César du meilleur documentaire, ainsi que Bukowski Tapes, une série de conversations avec l auteur américain. Masterclass avec Barbet Schroeder Modérée par Luciano Barisone et Lionel Baier Mardi 21 avril 2015 à 10 h 00 au Théâtre de Marens, Nyon ------ Sélection Visions du Réel 2015, Master Cinéma ECAL/HEAD – « Cyclique » de Frédéric Favre (co-production: Lomotion), Section Helvétiques – « Muchachas » de Juliana Fanjul, Section Helvétiques – « A barca » de Pablo Briones, Section Premiers Pas Visions du Réel Festival international de cinéma Nyon Place du Marché 2 CH–1260 Nyon www.visionsdureel.ch
#Photobooth The ECAL students of the Bachelor Photography and Master Product Design present a series of interactive installations showing how mobile phone cameras and the selfie phenomenon changed the way we look at ourselves. How can one create objects and installations around the portrait theme in this digital age? What means are available to disseminate these? How can one make visitors interact with the exhibits and turn viewers into the main actors in the exhibition? Over a semester, 1st year Master Product Design students and 2nd year Bachelor Photography students from ECAL/University of Art and Design Lausanne worked on these issues with the aim to present their findings as part of an exhibition. Under the watchful eye of Vincent Jacquier, Head of the Visual Communication Department, of designer Camille Blin and photographer Nicolas Haeni, the students were able to understand, using various approaches, how current – material or virtual – technology alters our traditional relationship with portraits, be they selfies or pictures of others. Using modern media as well as more run-of-the-mill devices, exhibition visitors are invited to directly experiment the processes imagined by the students, allowing them to discover new interactive and fun ways of having their picture taken 3.0 style. Based on this principle, the exhibition stages an installation playing with the visitor s shadow; the combination of a mirror and scanner to create realistic or distorted self-portraits; an image which is altered through song; a tribute to famous departed designers through a system of filters placed in front of a smartphone; analogically merged faces; a 180° portrait produced by a range of reflective surfaces; a trompe-l œil projection on a mask; a family of objects able to hijack the smartphone camera function to create original images; a poetic reinterpretation Instagram; and finally, self-portraits captured by the photo itself. Video Images: ECAL/Nicolas Haeni The ECAL students of the Bachelor Photography and Master Product Design present a series of interactive installations showing how mobile phone cameras and the selfie phenomenon changed the way we look at ourselves. How can one create objects and installations around the portrait theme in this digital age? What means are available to disseminate these? How can one make visitors interact with the exhibits and turn viewers into the main actors in the exhibition? Over a semester, 1st year Master Product Design students and 2nd year Bachelor Photography students from ECAL/University of Art and Design Lausanne worked on these issues with the aim to present their findings as part of an exhibition. Under the watchful eye of Vincent Jacquier, Head of the Visual Communication Department, of designer Camille Blin and photographer Nicolas Haeni, the students were able to understand, using various approaches, how current – material or virtual – technology alters our traditional relationship with portraits, be they selfies or pictures of others. Using modern media as well as more run-of-the-mill devices, exhibition visitors are invited to directly experiment the processes imagined by the students, allowing them to discover new interactive and fun ways of having their picture taken 3.0 style. Based on this principle, the exhibition stages an installation playing with the visitor s shadow; the combination of a mirror and scanner to create realistic or distorted self-portraits; an image which is altered through song; a tribute to famous departed designers through a system of filters placed in front of a smartphone; analogically merged faces; a 180° portrait produced by a range of reflective surfaces; a trompe-l œil projection on a mask; a family of objects able to hijack the smartphone camera function to create original images; a poetic reinterpretation Instagram; and finally, self-portraits captured by the photo itself. VideoImages: ECAL/Nicolas Haeni
ECAL Milano 2015: #ECAL #PhotoBooth,14–19.04.2015,Spazio Orso 16, Milan On the occasion of the Milan International Furniture Fair 2015, from 14th to 19th April, the ECAL/University of Art And Design Lausanne presents “#ECAL #PhotoBooth”. The ECAL students of the Bachelor Photography and Master Product Design present a series of interactive installations showing how mobile phone cameras and the selfie phenomenon changed the way we look at ourselves. Images HD Video Catalogue/Cards Press release How can one create objects and installations around the portrait theme in this digital age? What means are available to disseminate these? How can one make visitors interact with the exhibits and turn viewers into the main actors in the exhibition? Over a semester, 1st year Master Product Design students and 2ndyear Bachelor Photography students from ECAL/University of Art and Design Lausanne worked on these issues with the aim to present their findings as part of an exhibition. Under the watchful eye of Vincent Jacquier, Head of the Visual Communication Department, of designer Camille Blin and photographer Nicolas Haeni, the students were able to understand, using various approaches, how current – material or virtual – technology alters our traditional relationship with portraits, be they selfies or pictures of others. Using modern media as well as more run-of-the-mill devices, exhibition visitors are invited to directly experiment the processes imagined by the students, allowing them to discover new interactive and fun ways of having their picture taken 3.0 style. Based on this principle, the exhibition stages an installation playing with the visitor s shadow; the combination of a mirror and scanner to create realistic or distorted self-portraits; an image which is altered through song; a tribute to famous departed designers through a system of filters placed in front of a smartphone; analogically merged faces; a 180° portrait produced by a range of reflective surfaces; a trompe-l oeil projection on a mask; a family of objects able to hijack the smartphone camera function to create original images; a poetic reinterpretation Instagram; and finally, self-portraits captured by the photo itself. Cocktail Tuesday 14 April, 6.30 pm to 9 pm Exhibition Tuesday to Sunday, 11 am to 8 pm Spazio Orso 16 Via dell Orso 16 20121
Exposition "Arts & Crafts & Design" with Vacheron Constantin,14.04.2015 Vacheron Constantin presents the “ Arts & Crafts & Design : Time according to ECAL and Swiss Craftsmen” exhibition, produced in partnership with ECAL/Ecole cantonale d art de Lausanne (University of Art and Design Lausanne) and the Fondazione Cologni dei Mestieri d Arte at the Swiss Pavilion at Expo Milan 2015, (the Universal Exhibition to be hosted by Milan) and of which a preview will be launched during the Milan Furniture Fair. This is an innovative approach combining contemporary creation and arts and crafts, and entirely dedicated to knowledge transfer. The Manufacture Vacheron Constantin is delighted to share its passion and its philosophy in its capacity as partner to the Swiss Pavilion at Expo Milan 2015. This prestigious event represents a magnificent opportunity for exchanges as well as a unique showcase for the expertise and crafts of the participating countries. Expo Milan 2015 will take place in Italy from May 1st to October 31st 2015 and is particularly relevant in view of the history of the Manufacture: in 1819, François Constantin, during a voyage to Italy, first enounced the working principle that is now the company motto: “Do better if possible, and that is always possible…” The exhibition presented in Milan is the fruit of a joint project bringing together ECAL, the prestigious university of art and design with an international reputation, the Fondazione Cologni dei Mestieri d Arte, an institution known for its commitment to the sustainability of the artistic crafts, and the Manufacture Vacheron Constantin. Since 2013, Vacheron Constantin has partnered the ECAL s Master of Advanced Studies in Design for Luxury & Craftsmanship, a unique training course for the various creative arts professions related to the world of luxury. This is an opportunity for students to make a contribution each year to conducting a concrete project, in partnership with the Manufacture. This original approach links contemporary creation to ancestral know-how. Within the framework of this project, ECAL and Vacheron Constantin have asked 12 students to combine their creativity with that of experienced craftsmen in order to produce unique objects and demonstrate the richness, the variety, as well as the relevance to contemporary creation of these artisanal crafts. Under the leadership of Andrea Trimarchi and Simone Farresin (Studio Formafantasma) these 12 “duos” have worked on the same theme, Time, and more precisely the cyclical time of the seasons, using materials as diverse as paper and glass.
Workshop Pasolini The Master students of Mise en scène of the Lausanne University of Theatre and the film directors of Master Ecal/Head collaborated for a work shop around the critical and political impact of Pasolini s work. Multidisciplinary workshop given by Stéphane Bouquet, Lionel Baier and Robert Cantarella The Master students of Mise en scène of the Lausanne University of Theatre and the film directors of Master Ecal/Head collaborated for a work shop around the critical and political impact of Pasolini s work. It aimed to create a boundary between art and politics, and to develop and find traces of politics in all artistic forms. All the students worked together for 3 weeks, by pairs, tutored by Stéphane Bouquet, Lionel Baier and Robert Cantarella to create pluri disciplinary work of arts, movies, stand ups, installations, video art, all of which freely adapted from Pasolini s work.
Exhibition and book "1020 Renens" From 13 to 27 March 2015, the city of Renens and ECAL /University of Art and Design of Lausanne present "1020 Renens", a project by the students of the 3rd year Bachelor Photography led by Nicolas Faure, for his latest project as a teacher at ECAL. Discover Renens otherwise through original images presented in an exhibition and a book. Publication «1020 Renens» Soft Cover, 204 pages, 153 photographs (color and black/white) Texts by Marianne Huguenin (syndicate of Renens), Alexis Georgacopoulos (director of ECAL), Milo Keller (Head of Bachelor Photography) Interview with Nicolas Faure (photographer et professor at ECAL) by Joël Vacheron, sociologist et critic of photography ISBN 978-2-9700962-4-5 Price Chf 30.— Available by the city of Renens or at ECAL With the support of the Foundation Baccarini, the Presses Centrales SA, the inter-service electricity (SIE SA). From 13 to 27 March 2015, the city of Renens and ECAL /University of Art and Design of Lausanne present "1020 Renens", a project by the students of the 3rd year Bachelor Photography led by Nicolas Faure, for his latest project as a teacher at ECAL. Discover Renens otherwise through original images presented in an exhibition and a book.Publication «1020 Renens»Soft Cover, 204 pages, 153 photographs (color and black/white) Texts by Marianne Huguenin (syndicate of Renens), Alexis Georgacopoulos (director of ECAL), Milo Keller (Head of Bachelor Photography)Interview with Nicolas Faure (photographer et professor at ECAL) by Joël Vacheron, sociologist et critic of photographyISBN 978-2-9700962-4-5Price Chf 30.—Available by the city of Renens or at ECALWith the support of the Foundation Baccarini, the Presses Centrales SA, the inter-service electricity (SIE SA).
Exhibition "Hybridations" In response to the invitation of the Théâtre Vidy-Lausanne, whose winter programm reflects the special relationship and dynamic between theater and cinema, students of the 3rd year Bachelor of Photography worked on relations, features, interference and recurrent issues that run through these three display modes: theater, film and photography. This exhibition features a selection of works in the form of a set of arts hybridizations which was initiated in the course of the artist and photographer Natacha Lesueur. Théâtre Vidy-Lausanne Avenue Jaques-Dalcroze 5 1007 Lausanne +41 (0)21 619 45 44 www.vidy.ch In response to the invitation of the Théâtre Vidy-Lausanne, whose winter programm reflects the special relationship and dynamic between theater and cinema, students of the 3rd year Bachelor of Photography worked on relations, features, interference and recurrent issues that run through these three display modes: theater, film and photography.This exhibition features a selection of works in the form of a set of arts hybridizations which was initiated in the course of the artist and photographer Natacha Lesueur.Théâtre Vidy-LausanneAvenue Jaques-Dalcroze 51007 Lausanne+41 (0)21 619 45 44www.vidy.ch
ECAL Lectures: Romeo Castellucci,18.03.2015,IKEA Auditorium, ECAL ECAL Conference: Romeo Castellucci – Theater director and visual artist, Cesena A l occasion de la présentation à l ECAL de la performance « Giulio Cesare. Pezzi Staccati » de Romeo Castellucci dans le cadre du « Programme Commun » organisé avec le Théâtre de Vidy. Du 19 au 21 mars 2015 – www.programme-commun.ch Romeo Castellucci est un homme de théâtre qui vient des arts plastiques : formé aux Beaux-Arts de Bologne, c est d abord l image qu il travaille pour fonder un art de la scène sensationnel, qui agit sur les sens du spectateur. Il puise à tous les langages disponibles pour faire du public le partenaire d une véritable expérience scénique, visuelle et auditive. Avec sa compagnie, la Socìetas Raffaello Sanzio, il a créé notamment Divine Comédie (2008), Parsifal (2011) et Go Down, Moses (2014). Romeo Castellucci Metteur en scène et plasticien, Cesena Mercredi 18 mars 2015 à 18 h Auditoire IKEA, ECAL ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens
Exposition et livre de photographie: «1020 Renens»,12–27.03.2015,Ancien Cinéma Corso, Renens Du 13 au 27 mars 2015, la ville de Renens et l ECAL/Ecole cantonale d art de Lausanne présentent «1020 Renens», un projet réalisé par les étudiants du Bachelor Photographie sous la conduite de Nicolas Faure, pour son dernier projet à l ECAL en tant que professeur. Découvrez Renens autrement par le biais d images originales présentées dans le cadre d une exposition et d un livre qui accompagne l événement. Images HD C est une question de temps. Une photographie se prend en une fraction de seconde, en un instant. Une ville se modifie, elle se transforme et pour qu elle se définisse en une nouvelle image, ça peut prendre des années, des décennies, des siècles. Sous l impulsion de Marianne Huguenin, syndique de Renens, et de Milo Keller, responsable du Bachelor Photographie, un projet de collaboration entre la municipalité et l ECAL, sise au cœur de la ville, est né. Pendant une année, le photographe suisse Nicolas Faure a travaillé avec 15 étudiants de 3e année dans le périmètre de Renens. Ils ont abordé des thématiques variées: de l enquête documentaire sur la communauté africaine, en passant par les adolescents dans les écoles ou à la piscine communale, jusqu à la vie standardisée des bureaux ou à l intimité d appartements de retraités. Ce livre et cette exposition s adressent à tout le monde, des jeunes Renanais aux personnes habitant bien au-delà de ce territoire. Publication «1020 Renens» Soft Cover, 204 pages, 153 images (couleur & noir/blanc) Textes de Marianne Huguenin (syndique de Renens), Alexis Georgacopoulos (directeur de l ECAL), Milo Keller (responsable du Bachelor Photographie) Interview de Nicolas Faure (photographe et professeur à l ECAL) par Joël Vacheron, sociologue et critique de la photographie ISBN 978-2-9700962-4-5 Prix Chf 30.— Disponible auprès de la ville de Renens ou à l ECAL Avec le soutien de la Fondation Baccarini, les Presses Centrales SA, le Service intercommunal de l électricité (SIE SA). Exposition «1020 Renens» du 13 au 27 mars 2015 du mardi au samedi de 15h à 18h sous-sol de l ancien cinéma Corso (accès par la rue du Midi) 1020 Renens www.renens.ch En parallèle, l Espace CJS (rue de Lausanne 21, entrée par la rue Neuve) accueille l exposition du Prix d encouragement de la ville de Renens 2014 avec des travaux de deux étudiants de l ECAL: Iris Andreadis, 3e année Bachelor Design Industriel, et Jacques-Aurélien Brun, 3e année Bachelor Photographie. Vernissage commun. Exposition du 13 au 28 mars 2015 (jeudi, vendredi et samedi, de 15h à 18h). www.renens.ch
Prix d encouragement de la Ville de Renens Les travaux des lauréats sont exposés à l Espace CJS, rue de Lausanne 21, à Renens — Iris Andreadis, 3e année Bachelor Design Industriel — Jacques-Aurélien Brun, 3e année Bachelor Photographie Vernissage jeudi 12 mars, 18 h Exposition du 13 au 28 mars 2015 (jeudi, vendredi et samedi, de 15 h à 18 h) www.renens.ch
Swiss Agency for Development and Cooperation (SDC) Mandate The Swiss Agency for Development and Cooperation (SDC) asked the Master Ecal/Head for some short movies in order to enlighten the collaboration between Switzerland and Latvia. With their collaboration, the studentsdeveloped some screenplays and then directed a series of short documentaries dealing with subjects like life in the Alp regions, Swiss countryside and multiculturalism. This workshop aimed to learn how to make a portrait. Workshop led by Hynek Bures, Olivier Zuchuat, Antoine Jaccoud The Swiss Agency for Development and Cooperation (SDC) asked the Master Ecal/Head for some short movies in order to enlighten the collaboration between Switzerland and Latvia. With their collaboration, the studentsdeveloped some screenplays and then directed a series of short documentaries dealing with subjects like life in the Alp regions, Swiss countryside and multiculturalism. This workshop aimed to learn how to make a portrait.
ECAL students in Shanghai with Vacheron Constantin,02–06.03.2015,Shanghai At the invitation of the Swiss watch manufacturer Vacheron Constantin, twelve students of the ECAL Master of Advanced Studies in Design for Luxury & Craftsmanship, accompanied by the director Alexis Georgacopoulos and Nicolas Le Moigne head of programme, they went to Shanghai for an exploratory week. On this occasion, they were able to participate in the context of Twin Villas (a property that hosts the Vacheron Constantin Mansion) to a press conference celebrating the partnership Vacheron Constantin/ECAL and unveiled a preview of the exhibition "Arts & Crafts & Design: Time according to ECAL and Swiss Craftsmen » which will be presented during the Milan International Furniture Fair in April, as well as the Expo Milano 2015 (World Expo) from May. They could also discover cultural venues such as Tongji University, the Shanghai Museum, the Maison Hermès, the Glass Museum, visit iconic company related to design as MXM (upholstered furniture), Shang Xia (hi-end craftsmanship) Stellar Works (wood specialist) Spin Ceramics (ceramic brand), Neri & Hu (architecture and design agency) and look over typical neighborhoods for luxury and crafts.
COLLABORATION WITH VACHERON CONSTANTIN, Shanghai At the invitation of the Swiss watch manufacturer Vacheron Constantin, twelve students of the ECAL Master of Advanced Studies in Design for Luxury & Craftsmanship, accompanied by the director Alexis Georgacopoulos and Nicolas Le Moigne, head of programme, went to Shanghai for an exploratory week. On this occasion, they were able to participate in the context of Twin Villas (a property that hosts the Vacheron Constantin Mansion) to a press conference celebrating the partnership Vacheron Constantin/ECAL and unveiled a preview of the exhibition "Arts & Crafts & Design: Time according to ECAL and Swiss Craftsmen » which was presented during the Milan International Furniture Fair in April, as well as the Expo Milano 2015 (World Expo) in May. They could also discover cultural venues such as Tongji University, the Shanghai Museum, the Maison Hermès, the Glass Museum, visit iconic companies related to design as MXM (upholstered furniture), Shang Xia (hi-end craftsmanship) Stellar Works (wood specialist) Spin Ceramics (ceramic brand), Neri & Hu (architecture and design agency) and look over typical neighborhoods for luxury and crafts. On this occasion, they were able to participate in the context of Twin Villas (a property that hosts the Vacheron Constantin Mansion) to a press conference celebrating the partnership Vacheron Constantin/ECAL and unveiled a preview of the exhibition "Arts & Crafts & Design: Time according to ECAL and Swiss Craftsmen » which was presented during the Milan International Furniture Fair in April, as well as the Expo Milano 2015 (World Expo) in May. They could also discover cultural venues such as Tongji University, the Shanghai Museum, the Maison Hermès, the Glass Museum, visit iconic companies related to design as MXM (upholstered furniture), Shang Xia (hi-end craftsmanship) Stellar Works (wood specialist) Spin Ceramics (ceramic brand), Neri & Hu (architecture and design agency) and look over typical neighborhoods for luxury and crafts.
"Hybridations" exhibition,19.02–29.03.2015,Théâtre Vidy-Lausanne En réponse à l invitation du Théâtre Vidy-Lausanne, dont la programmation cet hiver reflète le lien privilégié et les dynamiques entre théâtre et cinéma, les étudiants de 3e année en Bachelor Photographie de l ECAL/Ecole cantonale d art de Lausanne ont travaillé sur les relations, les particularités, les interférences et les problématiques récurrentes qui traversent ces trois modes de représentation : le théâtre, le cinéma et la photographie. Cette exposition propose une sélection de travaux, sous la forme d un jeu d hybridation des arts qui a été initié dans le cours de l artiste et photographe Natacha Lesueur. Vernissage mercredi 18 février 2015 à 18 h 30 à la Kantine de Vidy. Exposition du 19 février au 29 mars 2015, du lundi au samedi de 13 h à 19 h et les soirs de représentations. Théâtre Vidy-Lausanne Avenue Jaques-Dalcroze 5 1007 Lausanne +41 (0)21 619 45 44 www.vidy.ch Image: ECAL/Maxime Guyon