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Rencontres 7e Art Lausanne 2022,12–20.03.2022,ECAL and Online On the occasion of the 5th edition of the Rencontres 7e Art Lausanne, an event initiated by the Swiss actor and director Vincent Perez, ECAL is hosting a series of online masterclasses by leading figures in the film industry. Download full programme and guest biographies Admission to the masterclasses is free, but reservations are required for the public outside ECAL via the following link. ECAL students and staff will be able to access the masterclasses without reservation, but only upon presentation of their legitimation card and subject to availability (seats guaranteed until 10 minutes before the start of each masterclass). All masterclasses are broadcast live on : www.rencontres7art.ch Chaine YouTube: Rencontres 7e Art Lausanne - #r7al www.facebook.com/rencontres7art --------- Willem Dafoe (SOLD OUT) actor, director, scriptwriter, New York In conversation with Benoît Rossel, director, teacher, and students in the Bachelor Cinema programme Monday 14 March 2022 at 12:30 pm, at ECAL and online Daniel Brühl (SOLD OUT) actor, director, Berlin In conversation with Yan Ciszewski, 3rd year Bachelor Cinéma student, and other Bachelor Cinema students Monday 14 March 2022 at 2 pm, at ECAL and online Sylvie Pialat producer, scriptwriter, Paris In conversation with Pauline Gygax, producer, head of the Cinema Department, and Bachelor Cinema students Thursday 17 March 2022 at 5.30 pm, at ECAL and online Anne Fontaine director, screenwriter, actress, Paris In conversation with Adèle Beaulieu, director, and students in the Bachelor Cinema programme Friday 18 March 2022 at 5.30 pm, at ECAL and online ECAL Avenue du Temple 5 CH-1020 Renens Tel: +41 (0)21 316 99 33
ECAL Masters Tour 2022,16–18.02.2022,Bern, Lugano, Zürich In a relaxed and friendly atmosphere (drinks offered), we are happy to welcome you for portfolio reviews – do not forget to bring your files – and to answer all your questions related to some of our Masters. ECAL Master Tour 2022 Fine Arts, Photography, Product Design and Type Design In a relaxed and friendly atmosphere (drinks offered), we are happy to welcome you for portfolio reviews – do not forget to bring your files – and to answer all your questions related to some of our Masters. BERN Wednesday 16 February, 17h00 - 19h30 Restaurant Bar Löscher, Viktoriastrasse 70, 3013 Bern DE/EN/FR – www.loescher.be Master Fine Arts Stéphanie Moisdon – Head of programme Shirin Yousefi – Assistant Master Photography Florian Amoser – Artistic associate Master Product Design Maxwell Ashford– Assistant Master Type Design Matthieu Cortat – Head of programme ----- LUGANO Thursday 17 February, 17h00 - 20h00 Teatro delle Radici, Viale Cassarate 4, 6900 Lugano IT/EN/FR – www.teatrodelleradici.net Master Fine Arts Lucas Erin – Assistant Master Photography Milo Keller – Head of programme Robin Bervini – Assistant Master Product Design Margo Clavier – Assistant Master Type Design Sophie Wietlisbach– Assistant From 16 to 18 February, a VR experience by Robin Bervini, MA Photography graduate, will be displayed at Teatro Pan (opposite Teatro delle Radici). In collaboration with Biennale dell immagine di Chiasso. ----- ZURICH Friday 18 February, 18h00 - 20h00 Atelier Christian Spiess, Fabrikstrasse 17, 8005 Zürich DE/EN/FR – www.christian-spiess.com Master Fine Arts Lucas Erin – Assistant Shirin Yousefi – Assistant Master Photography Sara Bastai – Assistant Master Product Design Camille Blin - Head of programme Maxwell Ashford– Assistant Master Type Design Nicolas Bernklau – Assistant
17.02.2025 — Online registration Online registration until 17 February 2025. The registration will only be considered subject to payment of the registration fee of CHF 150.- non-refundable. 18.02.2025 — Personal portfolio submission Candidates must submit before 18 February 2025 4:00 pm, a personal dossier. The personal dossier can be sent via post but must be in ECAL's possession by February 18th…
ECAL x Fondation Martin Bodmer - Scripts of the World,24.01–20.03.2022,Fondation Martin Bodmer, Cologny (GE) ECAL / University of Art and Design Lausanne and the Fondation Martin Bodmer have joined forces to celebrate typographic creation and the scripts of the world. ECAL will present original projects in contemporary typography and graphic design, from its Bachelor Graphic Design and Master Type Design programmes, comparing them with Fondation Martin Bodmer s UNESCO listed heritage through a series of lectures, events and workshops on Sunday afternoons on 6 February, 27 February and 20 March 2022. 6 February 2022, 14:00-18:00 The Scripts of Aram: Syriac-Aramaic Typefaces (FR/EN) Registration At the occasion of the 70th anniversary of the 1951 Convention relating to the Status of Refugees, the Switzerland and Liechtenstein office of the UNHCR, the United Nations High Commissioner for Refugees, collaborated with the students of the ECAL Master Type Design on a case: the Syriac script. Historically used to transcribe languages over a vast geographical area, Syriac is today mainly used as the liturgical script of Eastern Christians. Speakers of Modern Aramaic languages live in Syria, Lebanon, Turkey, Iraq, but compose mainly a worldwide diaspora. While only a few digital fonts exist, providing contemporary and innovative typefaces would contribute to broadening the possibilities for the language to thrive, as well as to cultivate community ties. This day proposes to celebrate Syriac writing and Aramaic culture through the collections of the Martin Bodmer Foundation, typography projects of the ECAL and various reflections on writing, its power, its relationship to politics, language and identity. Conferences 14:30 Politics and type design, Syriac script: a case study (FR) by Matthieu Cortat, head of MA Type Design, ECAL 15:00 About the publication "Aram" (FR) by Elena Baranowski, student MA Type Design, ECAL 15:15 Syriac in the collections of the Fondation Martin Bodmer (FR) by Nicolas Ducimetière, vice-director, Fondation Martin Bodmer 15:45 Break 16:15 Critical Regionalism in Type Design - A survey of moments in history when social, political, economic systems change in parallel with typography (EN) by Nicolas Bernklau, assistant MA Type Design, ECAL 16:35 Aramean communities in Switzerland today (EN) by Melki Toprak, president, and Tony Ürek, secretary, Federation of Arameans in Switzerland 17:00 Concert of the ARAM Ensemble, A view on Syriac traditions, led by Jalal Polus Gajo, soloist, with Ammar Ai Toumi, percussionist Carles Dorador, oud Liqaa Marooki, soloist Marie Wahida, soloist Fadi Wahida, Qanun preceded by an introduction by Véronique Nebel, board member, Laus Plena Foundation (ANG) Workshop 14:00 - 18:00 Gutenberg press with Yvan Hostettler Syriac-Aramaic script with the Aramean Federation of Switzerland 27 February 2022, 14:00-18:00 (FR) Typographic Art: From the Major Names to the Revival Registration This day will take you through the history of typeface design, from the major names to the collection of the Martin Bodmer Foundation, then confronting it with the contemporary practice of revival. With this technique, a typeface is digitally redesigned from a historical typeface, or serves as a template from which a new design is developed, more or less faithfully to its source. The success of these digital fonts and their distribution are interesting mechanisms, which will also be discussed, mirroring the long history of typography, reflected in the collections of the Martin Bodmer Foundation. Conferences 15:00 The major names in typography by Nicolas Ducimetière, vice-director, Martin Bodmer Foundation 15:45 Break 16:15 Revival: digital typography and its relationship to historical models by François Rappo, type designer and typographer, Lausanne with an introduction by Angelo Benedetto, head of BA Graphic Design, ECAL followed by a contribution by Gilles Gavillet, graphic designer and founder, Optimo and Gavillet & Cie on the distribution of revivals by a foundry followed by a Q&A session with all guest speakers Workshop 14:00 - 18:00 19th century press with Nicolas Regamey, Atelier Typo de la Cité 20 March 2022, 14:00-18:00 (FR/EN) Languages and Cultures: Inventing a Materiality Registration A selection of editorial and typographic projects will be presented by their authors, all students or alumni of the Bachelor Graphic Design and Master Type Design programmes at ECAL. Whether it is about Cypriot dialects, a Lukumí-Español dictionary, Chinese characters drawn with the help of artificial intelligence tools, the crossing of Hebrew and German in Hebrew Yiddish, Lebanese multilingualism or the history of Cyrillic writing in Russia, these innovative and personal projects are as many different ways of contributing to the perpetuation of a culture, of a language, through their transmission but also, to their possible evolutions. Conferences 14:30 Introduction (FR) by Angelo Benedetto, head of BA Graphic Design, ECAL 14:45 Κυπριώτικο Σκετς / [kipri otiko skets] / Cypriot Sketch (FR) by Clio Hadjigeorgiou, assistant BA Graphic Design, ECAL 15:00 Diccionario Lukumí-Español (FR) by Laura Issé-Tusevo, graphic designer, BA Graphic Design alumna, ECAL 15:15 Written communication in Lebanon, between Arabic, French and English (EN) by Karima Deghayli and Norma Elzoghbi, students MA Type Design, ECAL 15:30 Break 16:00 AIZI. Artificial Intelligence for Chinese type design (EN) by Shuhui Shi, type designer, MA Type Design alumna, ECAL 16:15 Cyrilic and the politics of writing (EN) by Sergei Rasskazov, student MA Type Design, ECAL 16:30 Yiddish Displayed (EN) by Noam Benatar, MA Type Design student, ECAL 16:45 Conclusion (FR/EN) by Irene Vlachou, type designer and visiting professor, ECAL & Matthieu Cortat, head of MA Type Design, ECAL followed by a Q&A session with all guest speakers Workshop 14:00 - 18:00 Intaglio printing with Alessandro Longo, Verssso General information Confirm your participation - free but registration is required via rsvp links above. Venue: Fondation Martin Bodmer, Route Martin-Bodmer 19, 1223 Cologny (Genève). Access to Fondation Martin Bodmer is subject to the current health regulations: 2G certificate and mandatory mask. This event marks the 200th anniversary of ECAL (1821-2021) and is organised by ECAL and Fondation Martin Bodmer with the support of: Fédération des Araméens en Suisse, World Council of Arameans, UNHCR, Fondation Laus Plena, Swiss Graphic Designers.
ECAL Masterclass: Mathieu Amalric,18.01.2022,IKEA Auditorium, ECAL ECAL Masterclass: Mathieu Amalric, actor, director, Paris Masterclass ECAL Mathieu Amalric Acteur, réalisateur, Paris Mardi 18 janvier 2022 à 18h Auditoire IKEA, ECAL Modération par les étudiant·e·s du Département Cinéma de l ECAL. La masterclass sera suivie à 20h30 de la projection de son huitième long-métrage Serre Moi Fort (2021) au Cinéma CityClub à Pully. Né à Neuilly-sur-Seine en 1965, Mathieu Amalric exerce tour à tour comme acteur et comme réalisateur. Depuis son premier rôle au cinéma en 1984 (Les Favoris de la lune d Otar Iosseliani), il suit une trajectoire rapide et très variée, jouant régulièrement sous la direction de Bertrand Bonello, Alain Resnais, Arnaud & Jean-Marie Larrieu et Arnaud Desplechin, dont il est un des acteurs emblématiques. Figure du cinéma d auteur français, Mathieu Amalric promène aussi son visage de caméléon et sa diction très personnelle dans de grandes productions internationales telles que Munich (2005) de Steven Spielberg, James Bond – Quantum of Solace (2008) de Marc Forster, Cosmopolis (2012) de David Cronenberg, The Grand Budapest Hotel (2014) de Wes Anderson. Il est récompensé par deux César du meilleur acteur en 2005 et 2008 pour Rois et Reine d Arnaud Desplechin et Le Scaphandre et le papillon de Julian Schnabel. En tant que réalisateur, il se fait remarquer entre autres grâce à Tournée (2010), La Chambre bleue (2014) et Barbara (2017). Ces événements sont soumis aux règles sanitaires en vigueur. ECAL/Ecole cantonale d art de Lausanne Avenue du Temple 5 CH–1020 Renens Tél. : +41 (0)21 316 99 33 www.ecal.ch
Exhibition of the Encouragement Award winners – City of Renens 2021,02.12.2021,La Ferme des Tilleuls, Renens Pour la 9e année consécutive, la Ville de Renens a attribué le Prix d encouragement à des étudiant·e·s de l ECAL. Mayara Yamada, étudiante en Master Arts Visuels, et Jamy Herrmann, étudiant en Bachelor Media & Interaction Design, se sont ainsi distingué·e·s par la qualité de leur travail. Là où le mot température est devenu synonyme de changements climatiques, d épidémies fiévreuses, d incendies et de tensions politiques, il est ramené à sa représentation la plus concrète. Une énergie créatrice de lumière et de vie. Depuis 2020, le rapport au corps a été marqué par un changement profond et sa chaleur est devenue taboue. Il est temps de mettre en valeur la possibilité de se réchauffer et de se rapprocher, de célébrer nos êtres bouillonnants en ravivant les foyers qu ils sont. Il est peut-être temps de s enflammer à nouveau. Vernissage & Performance: Jeudi 02 décembre 2021 à 18h Création sonore en collaboration avec Cigarra Sur inscription (places limitées): lfdt@fermedestilleuls.ch Exposition 03 ー 19 décembre 2021 Mercredi ー Dimanche 11 : 00 ー 18 : 00 La Ferme des Tilleuls rue de Lausanne 52 1020 Renens www.renens.ch www.fermedestilleuls.ch Visual: Jamy Herrmann & Mayara Yamada
Timo Tiffert – Ornamental Impulse Ornamental Impulse , the first issue of SUPER FRESCO FUMETTI , is a magazine that addresses a variety of topics in a playful and visually experimental way. The issue deals with structural ornaments found in our everyday architectural life. It questions contemporary craftsmanship, how mass customisation and digital control are reviving the long-lost aura of ornaments and how politics impacts on architecture. By dematerialising the built space and recomposing urban structures, this collection of structural ornaments aims to rethink their use in urban, visual and/or conceptual environments.
Inés Barrionuevo – L10n L10n is an independent web platform and magazine allowing the geolocation of a quality but non-mediatised movement. It supports artists and aims to compensate for social inequalities. Our society is becoming increasingly post-cultural. Borders, both cultural and geographical, are becoming obsolete. This vision is utopian in the music world, even more so in the so-called mainstream hip-hop genre. Artists do not have the same opportunities in different cultures. As a result, they cannot impact the world to the same extent. Switzerland suffers from this despite its particular style and sound. For its first issue, L10n sought to document and question the stylistic and cultural mixes in hip-hop in French-speaking Switzerland.
Alan Schopfer – MoMo MoMo is a landing mat for beginner and intermediate bloc climbers. It is designed with several distinct sectors filled with recycled and crushed EVA and PU foam waste. Also, by controlling the air outlet, the mat reacts more or less densely depending on the impact. This system allows it to be as dense and compact as required, while still being comfortable and soft. It conforms to any surface and can easily cover rocks vertically. Its Cordura cover allows it to be handled, dragged, pushed and thrown over rocky terrain. Thanks to its air gap and carrying system, it can be rolled, hold equipment and carried on the back on steep paths.
L ECAL at Biennale dell immagine Chiasso,17–19.09.2021,Palestra CPC, Chiasso On the occasion of the Biennale dell immagine Chiasso, the 2nd year students of the Master Photography programme will present, from 17 to 19 September, "Exquisite Corpse" - a series of Virtual Reality (VR) projects at the Palestra CPC. Moreover, during the opening night on 17 September from 6pm at Spazio Officina (Via Dante Alighieri 4 - Chiasso), ECAL will be in charge of the visual and sound ambiance thanks to its crew of VJs and DJs. Students: Emma Bedos Alexey Chernikov Mahalia Giotto Clemens Fischer Nikolai Frerichs Hikaru Hori Augustin Lignier Sophie Schreurs Alisa Strub Yang Su Exhibition 17 September from 6 pm to 10 pm 18 and 19 September from 10am to 6pm Palestra CPC Via Serafino Balestra 1 6830 Chiasso www.biennaleimmagine.ch
Fantastic Smartphones at the Milan Design Week,05.09–07.11.2021,SPBH Space, Milan ECAL presents a series of extraordinary projects and installations developed by Bachelor Media & Interaction Design students, investigating our relation with smartphones and the way they impact our day-to-day behaviour DATES AND SCHEDULESPress Preview : 5 september, 9am - 11am Schedules : 5 - 9 september, 11am - 8pm 10 september, 11am - 4pmADDRESSSpazio Orso 16 Via dell Orso 16 20121 MilanoSTUDENTS, , , , , , , , , , , , , , , , , , , , , , , , , , , HEAD OF PROGRAMMEHEADS OF PROJECT , TEACHERS, (AATB), Jesse Howard , , , , , , (Moniker)ASSISTANTS, , , , COORDINATION & DEVELOPMENT, , Pascal Ospelt, , SIGMASIX, EXHIBITION DESIGN
ECAL Milano 2021,05–10.09.2021,SPBH Space, Milan ECAL at the Milan Design 2022 Fantastic Smartphones ECAL presents a series of extraordinary projects and installations developed by Bachelor Media & Interaction Design students, investigating our relation with smartphones and the way they impact our day-to-day behaviour Press preview : 5 September, 9am – 11am Opening hours : 5 – 9 September, 11am – 8pm 10 September, 11am – 4pm Spazio Orso 16 Via dell Orso 16 20121 Milano www.ecal.ch ECAL x MUJI : Compact Life MUJI presents a collection of clever household furniture and accessories to help tidy up our daily life, designed in collaboration with Bachelor Industrial Design students of ECAL. Press preview : 5 September, 9am – 11 am Opening hours : 5 – 10 September, 11am – 7pm MUJI Milan Store Via Torino 22 20123 Milano www.muji.com The Lost Graduation Show In 2020/21, thousands of design students graduated without having had the chance to present their works to the public. Curated by ECAL faculty member Anniina Koivu, this exhibition gives the opportunity to re-establish the important dialogue that centres around the future of design by bringing young designers from all over the world together on one large stage. Among them, ten ECAL graduates from 2020 were selected to showcase their graduation projects. Bachelor Industrial Design Clémence Buytaert Charlotte Krzentowski Theo Luvisotto Jeanne Mercier Master Product Design Benjamin Bichsel Sarah Hossli Mathilde Lafaille Jeffery Lambert Timothée Mion Fabien Roy Opening hours : 5 – 9 September, 10am – 7pm 10 September, 10am – 4pm Rho Fiera Milano Hall 2/4 Strada Statale del Sempione 28 20017 Rho Design graphique: ECAL/Arthur Seguin Fonte : Fugue , Radim Peško
Excerpts from Master Type Design theses AUTHOR: Simona Alina Andone TITLE: The Aura of Type Design The Aura of Type Design stems from the necessity of creating a critical discourse around the type design discipline. In which cultural and social settings is type design embedded? This thesis explores some of the contexts in which type design manifests itself – from Instagram to institutions, exhibitions, archives, and so on. What effects do these manifestations have on perceptions about how type design works? ---- AUTHOR: Romain Tronchin TITLE: To be seen not read SUBTITLE: The formal expression of typography Without even being conscious of it, I have always been interested in typography and its shapes. When I was a kid, I was fascinated by the numbers on football shirts. Later, it was graffiti, with its illegible letters. Today, it is the typefaces of designers like Herb Lubalin, Jean Alessandrini or Zuzana Licko that awaken my interest. All these typefaces have one thing in common: they are typefaces that are not meant to be read, but seen. Their formal aspect comes first, before their functionality. So, we can see these expressive typefaces as images before considering them as tools. This sentence by Herb Lubalin sums up this phenomenon well: “Sometimes you sacrifice legibility to increase impact.” ---- AUTHOR: Marcel Saidov TITLE: The Telephone Directories of Total Design and Ladislas Mandel SUBTITLE: Modernist Internationalism and Cultural Identity By comparing the iconic phone book by Total Design with the typefaces and their application in telephone directories by Ladislas Mandel, I want to create a dialogue between traditionalism and modernism; internationalism and cultural identity. I will not only examine the differing design approaches, but also compare two opposing philosophies. In addition, I would like to investigate which kinds of technical knowledge gleaned from the design of telephone directories and their typefaces can still be of use today. By comparing two opposing ideologies of the past century, I will try to conduct a contemporary discourse on type and culture. ---- AUTHOR: Alberto Malossi TITLE: Extraordinary Gentleman SUBTITLE: The typefaces of Giovanni Mardersteig History is something that I have always been keenly interested in. Luckily, I found a way to channel it into my work, which I feel is very much based on historical awareness. Especially as a type designer, the saying “standing on the shoulders of giants” is something that I think about daily: I see my practice as bound to both enshrine the memory of those who came before me, and to build upon their work. That is why I felt a deep connection with the typefaces of Giovanni Mardersteig (1892-1977). His work was always aware of the past, while somehow completely contemporary. ---- AUTHOR: Paul Christ TITLE: Pixels, Geometry, Theosophy, Philosophy In the following thesis, I will be taking a deeper look at geometry, theosophy and the pixel in the oeuvre of JLM Lauweriks (1864–1932). At the same time, I will reflect on the relationship between mysticism, philosophy and geometry in contemporary design through an interview with Dimitri Bruni from NORM, while conducting a short investigation of Jurriaan Schrofer s work. ---- AUTHOR: Chiachi Chao TITLE: Type Design in the Zeitgeist Letters are shapes with intentions. A typeface is an instrument built to convey meanings and information. The design criteria for a typface are clear: it must facilitate the efficiency of the reading process, allowing the eyes to identify the image shape, then glide through the line as fast as possible. Since ‘reading and ‘seeing are two fundamentally different physical mechanisms, the functionality (readability and legibility) in types is always more important than the ‘style of letter-shapes given that text is meant for reading. Its form is determined by the condition in which the typeface intends to be applied. With this premise, type design draws a clear line between graphic design in which personal expression plays a significant role. ---- AUTHOR: Nicolas Bernklau TITLE: Critical Regionalism in Type Design SUBTITLE: A survey of moments in history when social, political and economic systems change in parallel with typography Typography is a substantial part of visual identities and thus a means of identification for countries, corporations and communities. Type can be used as a transporter of aims and values. It can provide orientation and a sense of purpose. Once you see a certain type connected to a particular era, style or area it immediately evokes certain feelings and tells you its narrative. It is a very powerful means. So on the one hand, whenever there is change, type can play a leading role in expressing this change and on the other hand, a new type can be introduced in order to cause change. Examples of such changes could be: A political ideology is associated with a certain style of type, a country switches its script from Arabic to Latin or a type design studio designs a multi-script typeface. All these changes are triggered by different intrinsic or extrinsic motivations and reasons: e.g. historical, economic, political, educational, aesthetic or modernisation reasons. In these cases type is used to embody these changes and socio-political shifts as a transporter of ideas and values. The thesis consists of three parts, the transition from Fraktur to roman, the world political topic of changing type through alphabet shifts as well as internationality in type design today with the topic of expansion. ---- AUTHOR: Benedetta Bovani TITLE: The role of intertitles SUBTITLE: From a typographic necessity to a means of expression Intertitles have been a topic of discussion throughout the more or less thirty years (1895–1930) in which they were largely used. When one would talk about these elements, it was usually to criticise them or to highlight their flaws. Indeed, intertitles were controversial. The use of the word, and especially the written word, in cinema – then a silent medium – was by most seen as unnecessary, even dangerous. Admitting that writing was necessary to the success of cinema was like admitting that silence was a deficit. Nevertheless, intertitles slowly became an essential element, that even today has left its trace in modern films. The goal of this master thesis is to investigate and map the use of intertitles. Starting from their inception, when they were just a typographic necessity, to their prime – when they played an active role in the narration of movies and represented a means of expression as important as picture itself. ---- AUTHOR: Anne Seseke TITLE: Barbara Radice & Fragments of Terrazzo (1988–1995) Ever since I discovered post-modernist objects, I have fostered an ambivalent relationship to them. Their shape, patterns and materials. The more I researched, the more I found interesting writings, interviews and a lot of lesser-known projects. I scraped the shiny, plastic, colourful surface and discovered thought-provoking reflections on society. In this master thesis I will approach my topic in a manner similar to the way in which Barbara Radice edited Terrazzo magazine (1988–1995): strong research roots tied together by a spiderweb of associations. ---- AUTHOR: Antonio D Elisiis TITLE: The Eldorado of Legibility SUBTITLE: Optical sizes, variable fonts and accessibility in the digital environment Designing aesthetically pleasing fonts that remain legible in various situations of use. Achieving this difficult balance has always been the ultimate goal in type design. Sought by punchcutters first, and later by the most modern type designers. These applied two fundamental practices to character design: optical size, and optical correction. I will analyse both practices and how they have evolved over time – especially with the change of various technologies (printing, information support and visualisation, tools that allow the design of characters, etc.). I will also analyse how optical corrections were applied, and why. ---- AUTHOR: Lucile Billot TITLE: Colophons etc. SUBTITLE: A collection of colophons, from medieval to contemporary, and the related stories they tell This master thesis focuses on the narratives of colophons, and some related paratextual devices, such as design notes, acknowledgements etc. The thesis builds bridges between different periods, highlighting (for example) relationships between medieval and contemporary colophons. At first sight, colophons seem to be a quite dry part of any book, as they only deal with credits. But they are not simply the ‘finishing stroke of a book. They also give clues and backdrops, both about the book itself (its content) and its context (in terms of design / production / circulation). This thesis explores the colophons evolution and transformations, as well as the contextual stories that are hidden in them, and the effect they can have on our understanding of a book.
Excerpts from Master Photography theses AUTHOR: Sara Bastai TITLE: How to build a collective memory in the digital realm? SUBTITLE: Depicting humankind through methods of preservation It seems, sometimes, like today s main focus of interest lies in how future societies will perceive us. The traces we might leave behind can significantly impact the history and interpretation of our current present. Can we rely on digital preservation? What should we document for the future? How can we represent and preserve society in the 21st century without being reduced to mere computational information processing? This master thesis is a speculative reflection on our current and past methods of preservation of social history. ------ AUTHOR: Maeva Bosko TITLE: Dream worlds SUBTITLE: What happens when we re asleep? Since my early childhood, I have dreamt a lot. Sweet, pleasant or strange dreams, nightmares, sometimes even lucid dreams. Night is when I escape to these virtual worlds. But what are these worlds? Why are they so different from my ordinary waking world? I ve even gotten to the point, on various occasions, when I preferred these dream states to my everyday reality. This is a research project into the world of dreams as an attempt to decode the unconsciousness in relation to the virtual universe and reality we experience at night. ------ AUTHOR: Natalie Maximova TITLE: Walking the landscape, in video games With a focus on landscape representation in video games called “walking simulators”, this thesis attempts to uncover questions related to a complex and ambiguous notion of landscape, from its original conception to today. During my research, I applied the interpretive approach of “reading” and decoding landscapes that have been used by geographers, as well as sociologists, artists and historians. Video game landscapes could be thought of as a system consisting of natural, man-made and cultural forces which can be identified and studied. The landscape in this case plays as a medium that combines, holds and channels these forces. If video game environments exist as part of our culture, what kind of connections do these virtual spaces form? This thesis tries to uncover processes behind the construction of the “natural” in video game environments. ------ AUTHOR: Joanna Wierzbicka TITLE: Why should our bodies end at the skin? SUBTITLE: Rethinking bodily matter beyond a humanist imagination This thesis follows the turn to matter within the fields of body studies, posthuman feminist theory, and new materialism in order to rethink the definition of what a body is and, more importantly, what a body can do. The main research objective is to find out how through questioning the definition of a body and the use of metaphorical thinking in this process, we can establish a more ethical living ground among other bodies. ------ AUTHOR: Olivia Wünsche TITLE: Myths shape reality After having lived a deeply transformative psychedelic experience, all previously held beliefs and perceptions which conditioned my relationship to the surrounding reality, suddenly broke free from the prison of mental programming and limited awareness. Different aspects of this internal change manifested through an almost visceral connection to the Earth. I started to direct my attention towards subjects revolving around environmental and humanitarian crisis, simultaneously wanting to find the cause that has led to our current state of separateness, in which we distance ourselves from others and from nature. I understood quite rapidly that socio-political problem-solving is undoubtedly urgent and indispensable, however it remains shallow and incomplete by treating symptoms without curing the cause. ------ AUTHOR: Zhang Manqin TITLE: A diamond-shaped egg This master thesis is based on different tools that can be used to explore the power of memory. Closely related to the author s “I m not a loner” photo installation, this research project combines fictional writing with the documentary approach of a diary. AUTHOR: Sara Bastai TITLE: How to build a collective memory in the digital realm?SUBTITLE: Depicting humankind through methods of preservation It seems, sometimes, like today s main focus of interest lies in how future societies will perceive us. The traces we might leave behind can significantly impact the history and interpretation of our current present. Can we rely on digital preservation? What should we document for the future? How can we represent and preserve society in the 21st century without being reduced to mere computational information processing? This master thesis is a speculative reflection on our current and past methods of preservation of social history.------ AUTHOR: Maeva BoskoTITLE: Dream worldsSUBTITLE: What happens when we re asleep? Since my early childhood, I have dreamt a lot. Sweet, pleasant or strange dreams, nightmares, sometimes even lucid dreams. Night is when I escape to these virtual worlds. But what are these worlds? Why are they so different from my ordinary waking world? I ve even gotten to the point, on various occasions, when I preferred these dream states to my everyday reality. This is a research project into the world of dreams as an attempt to decode the unconsciousness in relation to the virtual universe and reality we experience at night.------ AUTHOR: Natalie MaximovaTITLE: Walking the landscape, in video gamesWith a focus on landscape representation in video games called “walking simulators”, this thesis attempts to uncover questions related to a complex and ambiguous notion of landscape, from its original conception to today. During my research, I applied the interpretive approach of “reading” and decoding landscapes that have been used by geographers, as well as sociologists, artists and historians. Video game landscapes could be thought of as a system consisting of natural, man-made and cultural forces which can be identified and studied. The landscape in this case plays as a medium that combines, holds and channels these forces. If video game environments exist as part of our culture, what kind of connections do these virtual spaces form? This thesis tries to uncover processes behind the construction of the “natural” in video game environments.------AUTHOR: Joanna WierzbickaTITLE: Why should our bodies end at the skin?SUBTITLE: Rethinking bodily matter beyond a humanist imagination This thesis follows the turn to matter within the fields of body studies, posthuman feminist theory, and new materialism in order to rethink the definition of what a body is and, more importantly, what a body can do. The main research objective is to find out how through questioning the definition of a body and the use of metaphorical thinking in this process, we can establish a more ethical living ground among other bodies.------ AUTHOR: Olivia WünscheTITLE: Myths shape realityAfter having lived a deeply transformative psychedelic experience, all previously held beliefs and perceptions which conditioned my relationship to the surrounding reality, suddenly broke free from the prison of mental programming and limited awareness. Different aspects of this internal change manifested through an almost visceral connection to the Earth. I started to direct my attention towards subjects revolving around environmental and humanitarian crisis, simultaneously wanting to find the cause that has led to our current state of separateness, in which we distance ourselves from others and from nature. I understood quite rapidly that socio-political problem-solving is undoubtedly urgent and indispensable, however it remains shallow and incomplete by treating symptoms without curing the cause.------ AUTHOR: Zhang ManqinTITLE: A diamond-shaped eggThis master thesis is based on different tools that can be used to explore the power of memory. Closely related to the author s “I m not a loner” photo installation, this research project combines fictional writing with the documentary approach of a diary.
Romain Tronchin – Supertifo Supertifo is a typeface family of five styles inspired by the lettering on the banners of ultras. Born at the beginning of the 1970s in the Years of Lead in Italy, ultras were inspired by communist groups to support their club with banners, chants and smoke bombs, taking this passion to the extreme. At the same time, a group of scientists called the Club of Rome published an alarming report about the future of the planet. This report did not have the expected impact and 50 years later the situation is more than worrying. What would have happened if the Club of Rome had been supported by a group of ultras, like a football club?
Swiss Graphic Design and Typography Revisited The research project Swiss Graphic Design and Typography Revisited is divided into three sub-projects: ‘Principles of Education , ‘Networks of Practice and ‘Strategies of Dissemination . This three-year project is the biggest research collaboration established in the design field since the SNSF began its activities. Swiss graphic design and typography are representative of Swiss culture, but have themselves also had an impact on this country s national identity. In the SNSF project Swiss Graphic Design and Typography Revisited, seven universities engage in joint research into the status of Swiss graphic design from today s perspective. Coordinated by the Bern University of the Arts, researchers of the universities of applied sciences from Basel, Geneva, Lausanne, Lugano, and Zurich, as well as from the University of Bern are participating. In the three sub-projects, mixed groups of researchers from the different institutions investigate into different aspects of Swiss graphic design – its teaching, its networks and its forms of publication. The result is a critical contribution to our understanding of the emergence and current self-perception of Swiss graphic design and typography. Above and beyond this, the project helps to consolidate ‘design history as a field of research and practice in Switzerland, and provides new, relevant findings for the international scholarly discourse on visual communication.Main applicantsHKB – Haute école des arts de Berne Arne Scheuermann Michael Renner Sarah Owens Peter J. SchneemannResearch teamCo-coordinators and researchers Robert Lzicar Researchers Chiara Barbieri Rudolf Barmettler Roland Früh Jonas Niedermann François Rappo Doctoral students Sandra Bischler Constance Delamadeleine Ueli Kaufmann Sara ZellerParticipantsFHNW HGK – Academy of Art and Design Basel HKB – Berne University of the Arts (Main applicant) University of Berne, Institute of Art History HEAD – Genève – Geneva School of Art and Design ECAL – Ecole cantonale d art de Lausanne SUPSI – University of Applied Sciences and Arts of Southern Switzerland ZHdK – Zurich University of the ArtsPeriodOctober 2016 – June 2021Supported bySNSF (Swiss National Science Foundation)DisseminationPublication Davide Fornari, Robert Lzicar, Sarah Owens, Michael Renner, Arne Scheuermann, Peter J. Schneemann (eds.), Swiss Graphic Design Histories, 4 volumes, Zurich: Scheidegger & Spiess, 2021. With contributions from Chiara Barbieri, Rudolf Barmettler, Jonas Berthod, Sandra Bischler, Constance Delamadeleine, Davide Fornari, Roland Früh, Ueli Kaufmann, Sarah Klein, Robert Lzicar, Jonas Niedermann, Sarah Owens, Michael Renner, Peter J. Schneemann, Arne Scheuermann and Sara Zeller. Website sgdtr.ch
Awards & Grants 2021 Awards and Grants – 2021 Graduates PROMOTIONS BACHELOR - Prix 2021 Prix de l Année Propédeutique - CHF 500.- x3 Un prix décerné à trois étudiant·e·s de l Année Propédeutique de l ECAL qui se sont distingué·e·s par l excellence de leur travail et qui ont obtenu les meilleurs résultats de leur volée. Remis par M. David Monnet, responsable de l Année Propédeutique Christophe Ascençao PPdi CHF 500.- Basile Avvanzino PPdi CHF 500.- Alexandra Cupsa PPdg CHF 500.- Prix EXECAL - CHF 1 000.- Un prix décerné à un·e étudiant·e diplômé·e qui s est distingué·e par la qualité de son mémoire de Bachelor. Remis par Mme Catherine Othenin-Girard, Présidente EXECAL Rayane Jemaa MID CHF 1 000.- Prix de l ECAL - CHF 1 000.- x3 Un prix décerné à des étudiant·e·s diplômé·e·s qui se sont distingué·e·s par l excellence de leur travail tout au long de leur cursus à l ECAL. Remis par Pauline Saglio, Responsable du Bachelor Media & Interaction Design Adeline Vermot PH CHF 1 000.- Margaux Mandrou DI CHF 1 000.- Juri Römmel DI CHF 1 000.- Prix Visarte Vaud - CHF 1 000.- Un prix décerné à un·e étudiant·e diplômé·e en Arts Visuels qui s est distingué·e par l excellence de son travail. Remis par Mme Patricia Glave, présidente de Visarte Vaud Virginie Sistek AV CHF 1 000.- Prix BCV - CHF 1 000.- Un prix decerné à un·e étudiant·e diplômé·e en Design Graphique qui s est distingué·e par la qualité d ensemble de son travail. Remis par M. Angelo Benedetto, responsable du Bachelor Design Graphique Hugo Hectus DG CHF 1 000.- Prix du Risque - CHF 1 000.- Un prix décerné à un·e étudiant·e particulièrement talentueux·euse dans le domaine des Arts Visuels. Remis par M. Stéphane Kropf, responsable du Bachelor Arts Visuels Mara Meier AV CHF 1 000.- Prix Elinchrom (Kit D Lite 4) Un prix destiné à un·e étudiant·e diplômé·e en Bachelor Photographie qui a réalisé un excellent travail de diplôme. Remis par Milo Keller au nom d Elinchrom Emeline Courcier PH Kit D Lite 4 Prix Profot (Kit D Lite RX One) Un prix destiné à un·e étudiant·e diplômé·e en Bachelor Photographie qui a réalisé un excellent travail de diplôme. Remis par Milo Keller au nom de Profot Axel Bruniau PH Kit D Lite RX One Prix METAA - CHF 1 000.- Un prix décerné à un·e étudiant·e diplômé·e en Media & Interaction Design qui s est distingué·e par une approche prospective et expérimentale lors de son travail de diplôme.. Remis par M. David Colombini, vice-président de l association METAA : Media Experiments in Technology and Art Association Paul FritzMID CHF 1 000.- Prix BG Ingénieurs Conseils - CHF 1 500.- Un prix décerné à un·e étudiant·e diplômé·e, auteur·e d un projet qui prend en compte le développement durable, en particulier ses aspects économiques, environnementaux et sociaux. Remis par Mme Anne-Claire Pliska, Directrice de la Planification Stratégique et de l Innovation de la société BG Ingénieurs Conseils SA Julie Neuhaus DGCHF 1 500.- Prix de la Ville de Renens - CHF 2 000.- Un prix d encouragement décerné à un·e étudiant·e en 2e année Bachelor Communication Visuelle qui s est distingué·e par la qualité de son travail. La possibilité est offerte à le·la lauréat·e· d exposer son travail à la Ferme des Tilleuls à Renens. Remis par Mme Karine Clerc, Municipale à la Ville de Renens 2CVmid CHF 2 000.- Prix Ernest Manganel – CHF 2 000.-x3 Un prix décerné par le jury de la Fondation Ernest Manganel à des étudiant·e·s diplômé·e·s en Arts Visuels, pour récompenser la pertinence de leurs recherches et la qualité très professionnelle de leur travail de diplôme. Remis par Mme Catherine Othenin-Girard, membre du Conseil de la Fondation Manganel Lara Marino AV 2 000.- Eliot Möwes AV 2 000.- Virginie Sistek AV 2 000.- Prix d excellence du domaine Design et Arts Visuels de la HES-SO - CHF 2 500.- Un prix décerné à un·e étudiant·e de l ECAL qui s est distingué·e par l excellence de son travail de diplôme. Remis par Mme Christine Pirinoli, Vice-rectrice Recherche et Innovation de la HES-SO Keerthigan Sivakumar CI CHF 2 500.- Prix La Foncière – CHF 3 000.- Un prix décerné par la Foncière, un fonds de placement immobilier, à un·e étudiant·e méritant·e pour le travail accompli durant l année en Photographie. Remis par M. Arnaud de Jamblinne, directeur général à la Foncière Antoine Martin PH CHF 3 000.- Bourses Fondation Walter + Eve Kent - CHF 5 000.- Deux bourses décernées à des étudiant-e-s particulièrement talentueux-euses dans le domaine de la peinture et de la sculpture. Remises par M. Alexis Georgacopoulos, membre du Conseil de la Fondation Walter + Eve Kent Diogo Esteves 2AV CHF 5 000.- Léna Gelsomino 2AV CHF 5 000.- Résidence swissnex San Francisco MID Award En collaboration avec swissnex San Francisco et soutenue par la DGES, résidence attribuée à un·e lauréat·e diplômé·e en Bachelor MID, qui soutient le développement du travail de diplôme, notamment à travers un programme de mentorat et un séjour professionnel à San Francisco (USA). Remis par M. Michael Fiaux, Directeur opérationnel en charge des Hautes Ecoles, DGES Michael Pica MID Prix Pierre Keller – CHF 5 000.- En mémoire de Pierre Keller, directeur de l ECAL de 1995 à 2011. Un prix décerné pour un travail de diplôme particulièrement engagé. Remis par M. Alexis Georgacopoulos, directeur de l ECAL Rayane Jemaa MID CHF 5 000.- Prix BNP Double Clap – CHF 10 000.- Un prix qui met en avant les jeunes talents du cinéma issus de l ECAL et contribue à la réalisation d un film de diplôme Bachelor.. Remises par M. Jean Guillaume Sonnier, responsable production et diffusion Cinéma à l ECAL au nom de BNP Paribas Avril LehmannCI CHF 10 000.- MASTER GRADUATION - Awards 2021 EXECAL Award - CHF 1 000.- A prize awarded to a graduate student who has distinguished himself/herself by the quality of his/her Master s thesis. Presented by Mrs Yoo-Mi Steffen, EXECAL Secretary Silvio Rebholz DP CHF 1 000.- ECAL Award - CHF 1 000.- x2 A prize awarded to graduate students who have distinguished themselves by the excellence of their work throughout their studies at ECAL. Presented by M. Milo Keller, Head of Master Photography Manqin Zhang PH CHF 1 000.- Simone Nicola Filippo AV CHF 1 000.- BCV Award - CHF 1 000.- A prize awarded to a Master s degree student in Product Design who has distinguished himself/herself by the overall quality of his or her diploma work. Presented by Mr Camille Blin, Head of Master Product Design Maxwell Ashford DP CHF 1 000.- Eyes on Talents Award (Professional support) Three prizes awarded by the Paris-based agency Eyes On Talents to graduate projects with high potential in terms of sustainability, social impact or technological integration. The winners will benefit from a professional support and a media follow-up as well as an increased visibility among the agency s network of partners. Presented by Mrs. Cécile Cécile Vulliemin, Strategic Partnerships - R&D on behalf of Eyes on Talents Chiachi Chao TD Maxwell Ashford DP Sara Bastai PH Profot Award (Tripod 3-Legged Think) A prize awarded to a graduate student in the Master s degree in Photography who has carried out excellent diploma project. Presented by Mr M. Milo Keller on behalf of Profot Olivia Wünsche PH Tripod 3-Legged Think Jacqueline Veuve Award - CHF 1 000.- A prize awarded to a student in Cinema who has distinguished herself during the year by the quality of her achievements or technical work. Presented by Mrs Rachel Noël, Bachelor Cinema Coordinator Rokhaya Balde CI CHF 1 000.- David Rust Award - CHF 1 000.- A prize awarded by In Rust We Trust to a graduate student who has distinguished himself/herself by the quality of his/her typographic work. The winner is offered the opportunity to publish a visual that will be used to collect donations for the Design against Cancer action (led by the association). Presented by Mr Angelo Benedetto, founding member of the association in rust we trust* Chiachi Chao TD CHF 1 000.- BG Ingénieurs Conseils Award - CHF 1 500.- A prize awarded to a graduate student, author of a project that takes into account sustainable development, in particular its economic, environmental and social aspects. Presented by Mrs Anne-Claire Pliska, Director of Strategic Planning and Innovation at BG Consulting Engineers Nadav Goldenberg DP CHF 1 500.- Encouragement Award - City of Renens - CHF 2 000.- An encouragement prize awarded to a student in the 1st year of the Master Fine Arts who has distinguished himself/herself by the quality of his/her work. The winner is offered the opportunity to exhibit his/her work at the Ferme des Tilleuls in Renens. Presented by Mr. Olivier Golaz, Municipal of the City of Renens Mayara Yamada 1AV CHF 2 000.- HES-SO Design & Fine Arts Excellence Award- CHF 2 500.- A prize awarded to an ECAL student who has distinguished himself/herself by the excellence of his/her diploma work. Presented by Mrs Christine Pirinoli, Vice-Rector Research and Innovation of the HES-SO Lucile Billot TD CHF 2 500.- Scholarship Walter + Eve Kent Foundation - CHF 5 000.- x2 Two scholarships awarded to particularly talented students in the fields of painting and sculpture, to support the continuation of his or her studies at ECAL. Presented by Mr Alexis Georgacopoulos, board member of Walter + Eve Kent Foundation Djellza Azemi 1AV CHF 5 000.- Leonardo Pellicanò 1AV CHF 5 000.- De Bethune Award – CHF 6 000.- A prize awarded to a graduate student in the Master of Advanced Studies in Design for Luxury & Craftsmanship for the quality of his/her work. Presented by Mr Denis Flageollet, master watchmaker & creator of De Bethune Sarah Yao MAS DLC CHF 6 000.- FLOKK Internship (6-month internship program at Flokk HQ in Oslo) Six-month internship programme at Flokk HQ in Oslo, Norway, to a Master Product Design graduate. Flokk is the market leader in the design, development and production of workplace furniture in Europe. Presented by Mr Camille Blin, Head of Master Product Oscar Kwong DP 6-month internship program at Flokk HQ in Oslo Images Vevey x ECAL Award (Monographic exhibition presented by Images Vevey in collaboration with the ECAL, in Vevey) A prize offering the opportunity of a first public visibility through an exhibition to a graduate of the ECAL s Bachelor s or Master s degree in photography, while reinforcing the existing links between ECAL and Images Vevey. Presented by M. Stefano Stoll, founder and director of Images Vevey Sara Bastai PH Monographic exhibition presented by Images Vevey in collaboration with the ECAL, in Vevey Casino Barrière of Montreux Foundation Grant – CHF 8 000.- x2 Two scholarships awarded to students about to complete their graduation year. The choice was made on the basis of their talent and creativity. Presented by Mrs Stéphanie Moisdon on behalf of the Casino Barrière de Montreux Foundation Benjamin Fanni 1MAAV CHF 8 000.- Laura Csocsán 1MATD CHF 8 000.- Abréviations: AV: Arts Visuels CI: Cinéma DI: Design Industriel DG: Design Graphique DP: Design de Produit MAS DLC: Master of Advanced Studies in Design for Luxury & Craftsmanship MID: Media & Interaction Design PH: Photographie TD: Type Design
Option Cinéma Travaux réalisés dans le cadre d une collaboration avec "Rencontres du 7e Art" Bertrand Blier par Rémi Molleyres 1 09 Jean Dujardin par Pol Barrelet et Bruna Ribeiro 1 18 Marthe Keller par Matteo Friberg et Esteban Sandoz 1 15 Travaux réalisés dans le cadre d une collaboration avec "Rencontres du 7e Art"Bertrand Blierpar Rémi Molleyres1 09 Jean Dujardinpar Pol Barrelet et Bruna Ribeiro1 18 Marthe Kellerpar Matteo Friberg et Esteban Sandoz1 15
The Sources of Jan Tschichold s The New Typography Jan Tschichold s essay Die neue Typographie (The New Typography, 1928) is a game-changing book, acclaimed as the curtain raiser of modern graphic design. While it takes the form of a critical essay and an operative manual, its sources have been understudied because of their difficult identification. This project aims to reconstruct the body of sources that Tschichold drew on to understand the broader cultural context of the book, through an international conference on its impact and a travelling exhibition. The year 2018 marked the 90th anniversary of the publication of Jan Tschichold s Die neue Typographie (The New Typography). After almost a century, Tschichold s game-changing book, together with the typographic movement that stemmed from it, still attracts the interest and curiosity of graphic design historians and practitioners. The book has entered the historiographical canon and its appeal has not faded. Yet, The New Typography is a victim of its own success: it enjoys the benefits of canonisation, while suffering some side effects. Having reached an almost mythical status, The New Typography is often taken for granted and rarely questioned or closely scrutinised. This paradox is the starting point of the present research project. Jan Tschichold (Leipzig 1902 – Locarno 1974) was a German-born, Swiss-naturalised typographer, type and book designer, teacher, typography theorist and critic. In the 1920s he became one of the leaders of the New Typography movement. His conversion to the Modernist cause was mediated by the Bauhaus lesson. This was learnt first through a visit to the Bauhaus exhibition in Weimar in the summer of 1923, and encouraged in the following years through acquaintance and friendship with key exponents of the Modernist movement such as László Moholy-Nagy and El Lissitzky. With the Nazis rise to power in 1933, Tschichold escaped Germany and took refuge in Switzerland, where he spent the rest of his life with the exception of two stays in England, in 1937 and between 1947 and 1949. Published in Berlin in 1928, Tschichold s The New Typography is a manifesto. It follows an earlier statement published in October 1925 in a special issue of the trade magazine Typographische Mitteilungen, entitled “Elementare Typographie.” It was intended as a textbook for graphic designers, printers, typesetters and typographers. The term “New Typography” was first used by László Moholy-Nagy in the Bauhaus exhibition catalogue of 1923. The New Typography, also known as “elementary” or “functional” typography, is the manifestation of Modernism in graphic design and printed communication. Its rules included the privilege for sans-serif typefaces, non-centred page layouts, photography and photomontage, standardised paper sizes, and the active use of white space. After the war, Tschichold gradually distanced himself from the New Typography. He condemned the rigidity of the movement from both a political-moral and a strictly typo- graphical perspective. The research project relies on the hypothesis that, despite being broadly considered a pivotal and game-changing book that paved the way to modern graphic design, The New Typography deserves further and closer scrutiny. Building on the hypothesis that bibliographic sources are among the so-far overlooked and neglected aspects of The New Typography which are waiting to be identified, discussed and contextualised, the research project employs them as a means to open the black box in which Tschichold s book has been kept until now. Once the bibliographical references (books, magazines, grey literature) have been identified, the project investigates what they can tell us about the lineage in which The New Typography was rooted and the kind of discourses and networks it stemmed from. The focus on the sources aims to provide a more complex alternative to the worn-out rhetoric of the “pioneers” of graphic design.Main applicantECAL/University of Art and Design Lausanne Matthieu Cortat Davide FornariResearch teamChiara Barbieri Martin SøbergPeriodMay 2019 – June 2021Supported byECAL/University of Art and Design Lausanne HES–SO, Fonds stratégique RCDAVDisseminationWebsite die-neue-bibliographie.ch Conference Jan Tschichold s The New Typography: Its Roots and Impact on National Scenes, 26 April 2023, ECAL/École cantonale d art de Lausanne
VideoArt Festival Locarno (1980–2001) – Symposium Online,30–31.03.2021,Online, Zoom Fondé par le galeriste Rinaldo Bianda, le VideoArt Festival Locarno constitue un événement pionnier en Europe dans la présentation et la théorisation de l art vidéo. Founded by the art dealer Rinaldo Bianda, the VideoArt Festival Locarno (1980-2001) was a pioneer platform for the presentation of the video art in Europe. Its series of colloquium and round tables organised by theorist and museum director René Berger made it a central platform for the theoretical exploration of the impact of video and, more broadly, of technology, on perception, as well as of the emergence of ‘technoculture and the reorganisation of knowledge. Concluding the research project supported by the Swiss National Science Foundation and based at ECAL, this colloquium seeks to revisit the VideoArt Festival and critically address its history and its role in championing and shaping video and new media art in Europe, through discussions and presentations with its protagonists as well as by experts in the field. Programme Mardi 30 mars 10h-10h15 Introduction François Bovier, Adeena Mey 10h15-11h15 Le laboratoire du VideoArt Festival: 20 ans d anticipation du vingt-et-unième siècle Marco Maria Gazzano 11h30-12h15 Video / Art / Festival: Quel(s) objet(s)? Quel(s) modèle(s)? Maud Pollien 14h-16h Table ronde Lorenzo Bianda, Robert Cahen, Marco Maria Gazzano, Barbara London, Biljana Tomic Mercredi 31 mars 10h-10h45 The Contingencies of Care: On the Conservation of Video and Media Installations Hanna Hölling 10h45-11h30 What s Technology Got to Do with It? Barbara London 11h45-12h30 Vilém Flusser and René Berger: Cybernetics and Video Art in the 1970s Martha Schwendener 14h-15h30 Discussion 15h30-15h45 Conclusion François Bovier, Adeena Mey Traduction simultanée anglais et français disponible / Live translation in English and French available Symposium organisé par / organised by ECAL/François Bovier, Adeena Mey & Maud Pollien, dans le cadre d un projet de recherche soutenu par le Fonds National Suisse de la Recherche Scientifique / as part of a research project supported by the Swiss National Science Foundation www.videoartfestival.ch
ECAL e-Xmas Market 2020,08–18.12.2020,www.ecal-shop.ch ECAL e-XMAS Market 2020 ECAL e-XMAS Market 2020 will be online until 17 January 2021. We will process orders until 22 December and then start again deliveries from 4 January 2021. Happy Holidays! ---- Treat yourself with original creations and support the work of our students and alumni through our online Christmas market. Until 18 December, ECAL s online shop will be regularly updated with new projects. Visit www.ecal-shop.ch Books Editions Jewellery Leather goods Photographs Posters Publications Scarves Skateboards T-Shirts Vinyl discs and more... In order to benefit from your purchases as quickly as possible, we strongly encourage you to collect items directly at ECAL (select "Pickup at ECAL" in the shop). ECAL e-Xmas Concert 2020 Live Christmas concert by the Bachelor Fine Arts students Online on Thursday 17 December from 7pm to 10pm www.ecal.ch Visual: ECAL/Arthur Seguin Font: Radim Pesko
Raphaël Meyer – La Sentinelle (screenplay) France. 2016. Operation Sentinel. One step. Two steps. Look right. Look left. Mya has just turned 18 and is walking in her uniform. Rifle against her breast. Barrel facing down. Her finger on the stock, just above the trigger. One more step. Two more steps. Look right. Look left. Mya is on patrol. Mya waits. For something. For someone. At last. Long feature Screenplay Synopsis France. 2016. Operation Sentinel. One step. Two steps. Look right. Look left. Mya has just turned 18 and is walking in her uniform. Rifle against her breast. Barrel facing down. Her finger on the stock, just above the trigger. One more step. Two more steps. Look right. Look left. Mya is on patrol. Mya waits. For something. For someone. At last.
Thibault Villard – Those who care to know each other (photography) Two figures meet in a pitch black room to make love. Once the lights are on, Lucien and Anton are faced with their differences but are drawn even closer together. Fiction / 18 min Synopsis West Lausanne – 2020. A Grindr encounter sees two men meet in an apartment, leading to unusual nocturnal reflections on youth and love. Comment I designed the film s tones in relation to a cinematic period that is dear to me, in line with Christopher Doyle and Jean-Yves Escoffier. The film is dark and somewhat expressionist. Nowadays, if you use digitally assisted workflows, cinema photography can quickly become bland, which is why I was not afraid to play with the limits of the camera. Thibault Villard
Nikita Merlini – Rondinella Staying with her mother after the fire, Sofia dreams of freedom. But the smell of smoke doesn t leave.. Fiction / 24 min / Mention Very good Synopsis After their house burns down, 18-year-old Sofia and her mother Carla have to live together in a small room at « The Little Swallow Hotel ». Sofia explores the building and meets new inspiring people. A thousand opportunities seem to open up for her. Carla, on the other hand, has to get used to the idea of her daughter leaving. In this closed-door environment, mother and daughter try to find a new balance in their relationship. Comment A mother and her daughter in a hotel room, a few meters from what was their house... gone up in smoke, taking their common past with them. The film, like a parenthesis in this place of transit that is "La Rondinella", where strangers meet and make memories, spaces of intimacy, a place where Sofia and her mother seek to rebuild, with the fragility and awkwardness that characterize the love that binds a daughter to her mother. Nikita invests the enclosed space by the character, Sofia, formidably interpreted by Elena Stoll, who bewitches us by her presence, her face at the same time babyish and feminine, and with whom Nikita continues his collaboration. Sofia draws us into her boredom, her expectations, her encounters, her solitary wanderings, but above all into her impulse for life and renewal. For Rondinella is also the portrait of this youth, full of dreams and obstacles. Nikita Merlini directs a sensitive, delicate, hypnotic film that seizes time. This vulnerable time. The time of childhood. The time of emancipation. The time of suffocating, yet unfailing love. Elsa Amiel / Director
Coline Confort – Imperial (direction) At dawn, a cannon shatters the silence. The horses gallop across the beaten ground. Eva, 21, wants to join the Imperial HorseGuards, a historical reenactment of a Napoleonic regiment reserved for men. Documentary / 22 min Synopsis At dawn, a cannon shatters the silence. The horses gallop across the beaten ground. Eva, 21, wants to join the Imperial HorseGuards, a historical reenactment of a Napoleonic regiment reserved for men. In search of romance, she conceals her identity so that she can set her foot in the stirrup //(climb into the saddle), defying a 200-year-old ban. In this world of powder and smoke, Eva finally finds herself as she had always dreamed: ‘a handsome soldier beside a beautiful princess. Comment There are films that take a long time to be found, others that are born of an obviousness. One cannot say which is preferable. One cannot tell by looking at a film if its trajectory was eventful or peaceful. What counts is its impact on the present and the trace it leaves. Imperial has known versions of the script very different from the finished film. But these variants have nourished Coline s reflection, and this documentary carries within it all the others that were not made. Like layers. As if it had taken all these detours to finally manage to tell us a simple story, one of those that always thrill us, a story of desire and love. We can notice the great maturity in the management of the duration of the shots, the beauty of the frames and the attention given to the light. The almost feverish look at her character, while at the same time a great determination in the way she accompanies her. Eva s trajectory is simple and fluid in its accomplishment, and this simplicity (so difficult to achieve) is movingly beautiful. As can be the look of Eva on a young girl who is enough to put "a little glitter in her life". Laurent Larivière / Director
Stefan Tanase – Delivery Trip In 2017 I started to focus on the contemporary meaning of “delivery” as a daily job in real life. Since then, this concept has become the main subject of my artistic approach. This topic has also become a cultural movement throughout the world. Nowadays, “delivery” acts as a daily reminder about my day-to-day work. Hence, when you see someone in the city making a delivery or when he/she is delivering something to your home, it evokes my work and vice versa. What comes to your mind when you think about delivery? Struggles, illusions of happiness, easy money, the youth, neighbourhood life, the working classes, etc. More than that, the cultural aspect of delivery impacts upon everyone (Amazon, DHL, artwork deliveries, Uber Eats to name but a few…). For my graduation project I address the concept of delivery like a trip (excursion) and a journey under the influence (trip). What next?
Anouk Maupu – Sain uu ? Nomingerel, Egshiglen, Bayarjavkhlan, Oyun-Erdene and Enkhmaa are between 13 and 18 years old and live in Khatgal, a village in northern Mongolia. For several months, they have filmed their daily lives with their smartphones, delivering a portrait of a changing country through their teenage eyes. This film, made remotely, addresses our relationship to documentary practice, the dematerialisation of human relations, collective work and the circulation of images.
ECAL Diplomas 2020 – Website,30.10.2020,www.ecal-diplomes.ch Together with the 2020 diploma exhibition which takes place at ECAL from 30 October to 18 December, discover online all the projects of the graduates through numerous images, videos, texts and a 3D virtual visit of the exhibition on: www.ecal-diplomes.ch www.ecal-diplomes.ch Bachelor Fine Arts Cinema Graphic Design Industrial Design Photography Media & Interaction Design Master Fine Arts Cinema Product Design Photography Type Design Master of Advanced Studies Design for Luxury & Craftsmanship Design Research for Digital Innovation (EPFL+ECAL Lab) ECAL Avenue du Temple 5 CH–1020 Renens www.ecal.ch
Norm – It s Not Complicated,13.10–18.12.2020,Gallery l elac, Renens After the Museum für Gestaltung Zürich, ECAL is hosting the exhibition "It s Not Complicated" by the renowned Zurich graphic design agency Norm. Based on their latest book "Dimension of Two", Dimitri Bruni, Manuel Krebs and Ludovic Varone present for their first museum exhibition an examination of the most fundamental elements and principles of graphic design and assure that "It s Not Complicated". It s up to you to judge on the spot! The exhibition is only open on demand (also during the Design Days) from 5 to 14 November) to: antoine.vauthey@ecal.ch Visit for a maximum of 5 people at the same time. No visit during weekends. Thank you for your understanding! Opening Tuesday 13 October 2020, from 6 to 8 p.m. Dates From 14 October to 18 December 2020, The vernissage and exhibition will take place according to the sanitary standards in force. Gallery l elac Avenue du Temple 5 CH-1020 Renens www.norm.to
Aurore Péry – Passerines “Passerines” is a short animated film that addresses the notion of cycle in the environment, through the theme of bird migration and its deterioration in relation to various aspects of human activity. Inspired by educational films and wildlife documentaries, this project aims to raise awareness of our impact on our environment through a loop that our actions influence and which deteriorates with time. Between contemplative scenes and explanations, this short film is an invitation to question our relationship to our environment. Prix BG Ingénieurs Conseils
Astrid Durand – Visite Maciet The aim of this project is to question our perception of museums and the artefacts within them. The issue here pertains to the museum s impact on the obsolescence or enhancement of the material exhibited. With the Maciet collection, I sought to create a hybrid, flowing exhibition. The carpet, the main medium of this project, enhances our relationship with handicrafts and artefacts while providing visitors with a new museum experience and overcoming traditional hierarchies.
"Thek it and Hang it" installation,02.06.2020–18.04.2021,Musée romain de Lausanne-Vidy As part of the exhibition "Le temps et moi" at the Musée romain de Lausanne-Vidy, "Thek it and Hang it" installation created at the instigation of artist Miriam Laura Leonardi. Installation created at the instigation of artist Miriam Laura Leonardi by Djellza Azemi, Ana-Francesca Balan, Tudor Ciurescu, Peilian Li, Cyane Findji, Ernest Gachet, Tennessee MacDougall, Christian Schulz and Stefan Tanase, students from the Bachelor Fine Arts at ECAL/University of Art and Design Lausanne. As part of the exhibition "Le temps et moi" at the Musée romain de Lausanne-Vidy, from 2 June 2020 to 18 April 2021. Inspired by the notions of time and memory, the American artist Paul Thek (born in Brooklyn, 1933 - 1988) proposed to its students to design "something to put over a child s bed". A group from ECAL took up the same topic to imagine and create this installation. The time here is upside down: a cradle has been dismantled, its bars soaked in wax, then sunk one s teeth into, before being put back together as a mobile. Common in children s rooms, especially above cribs, mobiles entertain infants and stimulate their sight. The bed protecting the child here becomes a fragile distraction, suspended in the room covered with soft carpet topped with blue. On the floor, the night light is a bulb covered by hair. And by way of a lullaby, you can get carried away by a poem more disturbing than soothing in the earphone... Thanks to Philippe Decrauzat, Stéphane Kropf, Charly Mirambeau, Gina Proenza and Paul Thek as well as the Roman Museum team. Dates and times From 2 June 2020 to 18 April 2021 Normal: 11:00-18:00 Closed on Mondays, except July-August and public holidays. Closed on 24, 25, 31 December and 1st January. Musée romain de Lausanne-Vidy Chemin du Bois-de-Vaux 24 1007 Lausanne Website Image ECAL/Jimmy Rachez
Nouvelles formes du récit documentaire: rencontre avec Blaise Harrison,04.03.2020 Le CCS présente pour ce premier rendez-vous en partenariat avec l ECAL, la Fémis et le Festival Cinéma du Réel Blaise Harrison , cinéaste qui dirigera l atelier documentaire bachelor de l ECAL en 2019 / 2020, parmi d autres intervenants tels que Alain Gomis, Ursula Meier ou Agnès Godard. Au programme : >Rencontre avec Blaise Harrison et présentation de l atelier avec Lionel Baier, responsable du département cinéma de l ECAL >Projections de deux films de Blaise Harrison : Armand, 15 ans l été (2011 - 50 min - Les Films du Poisson / Arte France) Armand, New York (2016 - 18 20 ) Né en 1980 et de nationalité franco-suisse, Blaise Harrison est diplômé de l Ecole cantonale d art de Lausanne ( ECAL ). Suite à la réalisation de Bibeleskaes (29 min), film documentaire autoproduit tourné en super 16mm, co-réalisé avec Maryam Goormaghtigh (Avant la fin de l été) et sélectionné au festival Visions du Réel de Nyon, Blaise Harrison réalise 12 courts métrages pour la revue documentaire Cut Up coproduite par Quark productions et ARTE France. Il réalise ensuite Armand, 15 ans l été, documentaire de 50 min coproduit par Les Films du Poisson et ARTE France sélectionné à la Quinzaine des Réalisateurs à Cannes ainsi que dans de nombreux festivals à l étranger, dont le Festival Dei Popoli de Florence où il remporte le Prix du Meilleur Documentaire. Son premier long métrage de fiction Les Particules est sélectionné à la Quinzaine des Réalisateurs au Festival de Cannes 2019 et sort en salles le 5 juin de la même année. Prochains rendez-vous : Du 16 au 20 mars 2020, en collaboration avec le Festival Cinéma du réel : workshop et projection d une sélection de films internationaux au CCS. Juillet 2020 : présentation des films réalisés par les étudiant.e.s. Le CCS présente pour ce premier rendez-vous en partenariat avec l ECAL, la Fémis et le Festival Cinéma du Réel Blaise Harrison, cinéaste qui dirigera l atelier documentaire bachelor de l ECAL en 2019 / 2020, parmi d autres intervenants tels que Alain Gomis, Ursula Meier ou Agnès Godard.Au programme :>Rencontre avec Blaise Harrison et présentation de l atelier avec Lionel Baier, responsable du département cinéma de l ECAL>Projections de deux films de Blaise Harrison :Armand, 15 ans l été(2011 - 50 min - Les Films du Poisson / Arte France)Armand, New York(2016 - 18 20 )Né en 1980 et de nationalité franco-suisse, Blaise Harrison est diplômé de l Ecole cantonale d art de Lausanne ( ECAL ). Suite à la réalisation de Bibeleskaes (29 min), film documentaire autoproduit tourné en super 16mm, co-réalisé avec Maryam Goormaghtigh (Avant la fin de l été) et sélectionné au festival Visions du Réel de Nyon, Blaise Harrison réalise 12 courts métrages pour la revue documentaire Cut Up coproduite par Quark productions et ARTE France. Il réalise ensuite Armand, 15 ans l été, documentaire de 50 min coproduit par Les Films du Poisson et ARTE France sélectionné à la Quinzaine des Réalisateurs à Cannes ainsi que dans de nombreux festivals à l étranger, dont le Festival Dei Popoli de Florence où il remporte le Prix du Meilleur Documentaire. Son premier long métrage de fiction Les Particules est sélectionné à la Quinzaine des Réalisateurs au Festival de Cannes 2019 et sort en salles le 5 juin de la même année.Prochains rendez-vous :Du 16 au 20 mars 2020, en collaboration avec le Festival Cinéma du réel : workshop et projection d une sélection de films internationaux au CCS.Juillet 2020 : présentation des films réalisés par les étudiant.e.s.
Rencontres 7e Art Lausanne 2020,24.02.2020 A l occasion de la troisième édition des Rencontres 7e Art Lausanne, un événement initié par l acteur et réalisateur suisse Vincent Perez, l ECAL / Ecole cantonale d art de Lausanne accueille une série de masterclasses de personnalités du Cinéma. Par ailleurs, les étudiants en Année Propédeutique (option Cinéma) de l ECAL ont réalisé des films qui présentent plusieurs des intervenants. ( Télécharger programme complet ) Luca Guadagnino – réalisateur, scénariste, producteur, Milan En conversation avec Lionel Baier, réalisateur et responsable du Département Cinéma à l ECAL Mercredi 4 mars 2020 à 16 h, Auditoire IKEA, ECAL Cédric Klapisch – réalisateur, scénariste, producteur, Paris En conversation avec Lionel Baier Jeudi 5 mars 2020 à 18 h, Auditoire IKEA, ECAL Bertrand Blier – réalisateur, scénariste, écrivain, Paris En conversation avec Lionel Baier Vendredi 6 mars 2020 à 18 h, Auditoire IKEA, ECAL Valeria Bruni Tedeschi – actrice, réalisatrice, scénariste, Paris Projection du documentaire Une jeune fille de 90 ans (2016) , coréalisé avec Yann Coridian Samedi 7 mars 2020 à 13 h, Auditoire IKEA, ECAL Suivie de la masterclass à 14 h 30 En conversation avec Lionel Baier Patrice Leconte – réalisateur, scénariste, metteur en scène, dessinateur, écrivain, Paris En conversation avec Lionel Baier Samedi 7 mars 2020 à 16 h, Auditoire Leenaards, ECAL ---- ECAL/Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 https://rencontres7art.ch/ A l occasion de la troisième édition des Rencontres 7e Art Lausanne, un événement initié par l acteur et réalisateur suisse Vincent Perez, l ECAL / Ecole cantonale d art de Lausanne accueille une série de masterclasses de personnalités du Cinéma.Par ailleurs, les étudiants en Année Propédeutique (option Cinéma) de l ECAL ont réalisé des films qui présentent plusieurs des intervenants. (Télécharger programme complet)Luca Guadagnino – réalisateur, scénariste, producteur, MilanEn conversation avec Lionel Baier, réalisateur et responsabledu Département Cinéma à l ECALMercredi 4 mars 2020 à 16 h, Auditoire IKEA, ECALCédric Klapisch – réalisateur, scénariste, producteur, ParisEn conversation avec Lionel BaierJeudi 5 mars 2020 à 18 h, Auditoire IKEA, ECALBertrand Blier – réalisateur, scénariste, écrivain, ParisEn conversation avec Lionel BaierVendredi 6 mars 2020 à 18 h, Auditoire IKEA, ECALValeria Bruni Tedeschi – actrice, réalisatrice, scénariste, ParisProjection du documentaire Une jeune fille de 90 ans (2016), coréalisé avec Yann CoridianSamedi 7 mars 2020 à 13 h, Auditoire IKEA, ECALSuivie de la masterclass à 14 h 30En conversation avec Lionel BaierPatrice Leconte – réalisateur, scénariste, metteur en scène, dessinateur, écrivain, ParisEn conversation avec Lionel BaierSamedi 7 mars 2020 à 16 h, Auditoire Leenaards, ECAL----ECAL/Ecole cantonale d art de Lausanne5, avenue du TempleCH-1020 RenensTél. : +41 (0)21 316 99 33https://rencontres7art.ch/
Launch of the books from the "Visual Archives" series,29.01.2020,Never Stop Reading, Zurich The series of books “Visual Archives” is the result of research projects initiated and carried out at ECAL/University of Art and Design Lausanne. The series of books “Visual Archives” is the result of research projects initiated and carried out at ECAL/University of Art and Design Lausanne. It examines unexplored legacies of designers, authors and brands. Documents and visual material from archives are accompanied and contextualised by critical essays. Thus far, two volumes from this series ("Hermann Eidenbenz. Teaching Graphic Design" + "Bobst Graphic 1972–1981") have been co-published by Triest Verlag and ECAL, and they will be presented jointly by their editors. Wednesday 29 January 2020, 7 pm, at Never Stop Reading, Zurich Programme Moderation by Robert Lzicar (Designer and Design Historian). Event in German and English. Welcome by Andrea Wiegelmann (Publisher) Sarah Klein (Editor): Hermann Eidenbenz. Teaching Graphic Design Giliane Cachin (Editor): Bobst Graphic 1972–1981 Davide Fornari (R&D, ECAL) & Simon Mager (Editor): Outlook of the upcoming volumes Never Stop Reading Spiegelgasse 18 / Untere Zäune 8001 Zurich www.neverstopreading.com www.triest-verlag.ch Image Nicolas Polli
"Making FASHION Sense" exhibition with ECAL graduates,16.01–08.03.2020,HEK, Basel On the occasion of the exhibition " Making FASHION Sense " at HeK - Haus der elektronischen Künste Basel until 8 March 2020, two ECAL alumni presents several projects. This exhibition showcases the radical transformation of fashion through technology. Robot arms and mixed reality, holograms and drones have all paraded down international catwalks. «Making FASHION Sense» focuses on the impact of technology upon creative processes in the fashion industry, as well as on artistic paths leading towards increasing sustainability: Fashion which makes sense. With "BASE" (2019), presented for his BA Media & Interaction Design diploma, the Swiss designer Alfatih introduces a concept of fashion for digital spaces, and thereby an alternative fashion economy. The project includes a collection of filters for Instagram/Snapchat, a series of garments that can be used for avatars in the game Grand Theft Auto, as well as an interactive installation/performance presenting the concept of the brand BASE. “Active Shoes” (2019) by ECAL BA Industrial Design graduate Christophe Guberan belongs to a series of “active textiles”, which uses technology to radically questiontraditional production processes. By printing on stretch fabrics of varying layer thicknesses, he develops self-assembling designs which reconfigure themselves in preprogrammed shapes. Information: HeK (Haus der elektronischen Künste Basel) Freilager-Platz 9 4142 Münchenstein/Basel www.hek.ch
ECAL at the Youth Olympic Games – Lausanne 2020,09–22.01.2020,Lausanne On the occasion of the Youth Olympic Games – Lausanne 2020 , ECAL particpates in several projects. On the occasion of the Youth Olympic Games – Lausanne 2020, ECAL particpates in several projects: --- Design of the cauldron, medal trays and podiums The cauldron, the medal trays and the podiums are three of the most symbolic elements of the Olympic Games. Second-year Industrial Design Bachelor s students from the ECAL were tasked with designing them. The students had to meet certain operational constraints and technical requirements: The cauldron must be able to be supplied with wood pellets, the result of a partnership between several organisations in the Vaud region, including the Lignum Vaud, which brings together all the regional players in the wood sector. This ecological innovation makes this cauldron the most eco-responsible in the history of the Olympic Games. It must also be removable and an integral part of the Games legacy. The podiums would have to be assembled outside at the last minute, often on uneven ground. They needed to be solid, light and large enough for several athletes. The medal trays had to be big enough to hold both medals and mascots. Cauldron Design: ECAL (Bachelor Industrial Design) Student: François Lafortune Production: C-FOR! + Ecole de la construction This cauldron project took inspiration from “freeskiing” culture, seeking to reflect it in both style and substance. Freeskiing is the world of skateparks and snowparks, with which many young people are very familiar. The installation comprises a mini jump and a ramp, with the cauldron placed at the top. The project s designer, François, envisaged that it would be an integral part of the Opening Ceremony and that the cauldron could be lit by a freerider. After Lausanne 2020, the installation is set to be converted into part of a permanent skatepark for the people of Lausanne. Podium Design: ECAL (Bachelor Industrial Design) Students: Louis Bétin + Theo Luvisotto + Estelle Rougerie Production: Ecole de la construction The podiums juxtapose the outlines of three mountain ranges where the competitions are being held: the Jura mountains, the Vaud Alps and the mountains of St Moritz. Plateaux des médailles Design and Production: (Bachelor Industrial Design) Student: Olivia Dall Omo The medal trays have coverings in the colours of the official hat worn by the volunteers. “The outfit is completed by a pair of mittens. So you ll be nice and warm, and all set to go cheer on your favourite athletes!” Mapping of the BodyCity Show Unique creation imagined for Lausanne en Jeux! - the animation program of the Youth Olympic Games Lausanne 2020 - BodyCity is a show where arts and urban sports meet in an impressive open-air setting, on the place Centrale of Lausanne. Five performances will take place in public on January 9, 11, 12, 18 and 19, 2020 at 6 p.m. "Bodies in fusion with the city", it is from this strong image that Nicolas Musin directed BodyCity, a contemporary show questioning the relationship of young generations to the city. On an open-air stage representing a city in constant mutation,more than 50 performers aged between 9 and 30 years will cross their disciplines from January 9, bringing together urban arts and sports suchas skateboarding, BMX, rollerblading, scooter, parkour and dance. Imagined within the framework of Lausanne en Jeux!, this show is above all a work of youth carried by art schools and urbandisciplines training centers established in the Lausanne conurbation. BodyCity was thus able to bring together different Lausanne actors such as the students of the ECAL (conception of video images) of the HEMU (composition of the original music and recording of the soundtrack), thedancers of the Ecole-Atelier Rudra Béjart (dance and percussion), JDS Events (hip hop, breakdance) aswell as the riders of La Fièvre and the tracers of X-Trem Move. A meeting between different cultures and disciplines that the director Nicolas Musin has managed to reunite in order to offer a unique and unprecedented show in Lausanne. The mapping of the show was thus created by the students of the Visual Communication Department (BA Graphic Design, BA Photography, BA Media & Interaction Design) under the direction of Vincent Jacquier, Angelo Benedetto, Jean-Vincent Simonet and Mitch Paone while editing was managed by Amaury Hamon and Clément Lambelet.
Smartphone Peripheral Companions The research project Smartphone Peripheral Companions explores new forms of interaction with the data flows passing through our smartphone, questioning the status of total object that this device has acquired. So much of contemporary culture and interactions is taking place through interfaces; interfaces are part of cultural expression and participation. Therefore, questioning the impact of the mechanisms underlying current smartphone interfaces is also a societal interest. The research team conducted a number of reflections around a broad vision of the issues related to the use of smartphones and the data flows that pass through them. In order to also collect contributions from smartphone users, they set up an online participatory platform, voluntarily moving away from the usual form of the scientific questionnaire. By imagining, designing and prototyping new objects or apparatuses, this project aims to offer proposals for re-appropriation, re-extraction of certain features locked in the smartphone, thereby allowing a different, more customizable access to data or functions. Consequently, fostering a shift from the glowing rectangle to a more detached and focused interaction, away from the screen. The main results of the project include a series of 5 to 10 objects offering alternative access to some data transiting through the smartphone. These semi-functional prototypes are documented and presented as images and films on the project website as well as made available for exhibition. A kit of tools and instructions to reproduce some of them, together with an ever-growing, participative collection of anonymous testimonies from smartphone is also accessible online.Main applicantECAL/University of Art and Design Lausanne (project leader)Research team (research assistant) (research assistant) Andreas Sonderegger Visiting lecturerJesse HowardStudents, , , , , , , , Emily Groves, , , , , , , , , , , Periodseptember 2018 – february 2020Supported byECAL/University of Art and Design Lausanne Strategic fund of the University of Applied Sciences Western Switzerland (HES-SO RCDAV)DisseminationWebsite smartphone-confessions.worldPartnerEPFL+ECAL Lab
ECAL Xmas Market 2019,18.12.2019,Hall Kudelski, ECAL ECAL is pleased to invite you to its Christmas market with student and alumni projects. ECAL is pleased to invite you to its Christmas market with student and alumni projects. On this occasion, also come to share hot wine and raclette. Concerts by John Kiss and Daisy Sane as well as a DJ set by FB & Guest. Wednesday 18 December 2019 from 6pm to 9pm at ECAL (Hall Stefan Kudelski). Calendars Christmas Biscuits Editions Jewelry Posters Publications Objects Photographs Silkscreen prints T-Shirts ECAL 5, avenue du Temple CH-1020 Renens Visual: ECAL/Bilal Sebei Fonte: ECAL/Malte Bentzen
«City of Renens Encouragement Award» exhibition Prix d encouragement de la Ville de Renens 2019 Data Pool Paul Lëon Etudiant Bachelor Media & Interaction Design, ECAL Lou Rais Etudiante Bachelor Design Graphique, ECAL Vernissage le 5 décembre de 18 h à 20 h Ouverture sur demande au +41 79 521 38 19 du 10 au 20 décembre Ouverture les 14 et 15 décembre de 17 h à 20 h Finissage et happening musical par le collectif TILTle 21 décembre de 18h à 20h Espace CJS Rue Neuve 1 Pl. du Corso CH–1020 Renens www.renens.ch
ECAL Research Day 2019: Technology and Research in Art and Design Technology and Research in Art and Design Friday 8 November, 10.30–19.30 IKEA Auditorium, ECAL, Renens www.researchday.ch Résumé The symposium explored the links between technology and research, with artists, designers and scholars in these fields from all over the world, in discussion with ECAL faculty members. Keynote speeches, conversations, exhibitions and concerts marked the overlapping territory of research and technological innovation. Program Welcome , Alexis Georgacopoulos, director, ECAL Introductory notes , Davide Fornari, head of R&D and professor, ECAL Moderation by Arijana Walcott, emerging technology consultant, co-founder and COO, DART LABS, Zurich Data Materialization Natalie D. Kane, curator of digital design, Victoria and Albert Museum, London in conversation with Patrick Keller, professor, ECAL Keynote: How Can Type Influence How We Design Written Communication? Bianca Berning, font engineer, Dalton Maag, London introduced by Kai Bernau, professor, ECAL, and co-founder, Atelier Carvalho Bernau, The Hague Artists Residencies for Innovation Hugues Vinet, innovation and research director, IRCAM-Centre Pompidou, Paris in conversation with Nicolas Henchoz, director, EPFL+ECAL Lab The Aesthetics of Sustainability Christian Kaegi, founder, Qwstion, Zurich, and Fabrice Aeberhard, founder, Viu, Zurich in conversation with Thilo Alex Brunner, professor, ECAL, and art director, ON shoes, Zurich Keynote: Humanising Machines: The Impact of Artificial Intelligence on Art and Design Christian Mio Loclair, art director and founder, Waltz Binaire, Berlin introduced by Pauline Saglio, head of BA Media & Interaction Design and professor, ECAL Keynote: Designing Citizenship in Unstable Times Ala Tannir, co-curator of the 22nd Milan Triennale Broken Nature and independent architect, New York introduced by Davide Fornari, head of R&D and professor, ECAL Audio performance curated by Thibault Walter, professor, ECAL The Invisible Other. Chapter 1. Vibrancy. When the Divinity Manifests. For visual obstructions, time-based media, light and signal refractions By Mario de Vega, sound artist, Mexico City/Berlin in partnership with La Becque | Artist Residency, La Tour-de-Peilz Throughout the day, exhibitions in the Kudelski Hall, l elac Gallery and EPFL+ECAL Lab: • 100 beste Plakate 18 • ECAL Diplômes 2019 • Smartphone Peripheral Companions curated by Alain Bellet • Soft Machines curated by Camille Blin, Christophe Guberan and Skylar Tibbits, in collaboration with the MIT Department of Architecture and its Design Minor/Design Major Program. On the occasion of the symposium, ECAL launched the book Technology and Research in Art and Design edited by Davide Fornari and published by ECAL/University of Art and Design Lausanne. Technology and Research and Art and Design In collaboration with EPFL+ECAL Lab Supported by HES-SO Media partner: Creative Applications Network Technology and Research in Art and DesignFriday 8 November, 10.30–19.30IKEA Auditorium, ECAL, Renenswww.researchday.chRésuméThe symposium explored the links between technology and research, with artists, designers and scholars in these fields from all over the world, in discussion with ECAL faculty members. Keynote speeches, conversations, exhibitions and concerts marked the overlapping territory of research and technological innovation.ProgramWelcome, Alexis Georgacopoulos, director, ECALIntroductory notes, Davide Fornari, head of R&D and professor, ECALModeration by Arijana Walcott, emerging technology consultant, co-founder and COO, DART LABS, ZurichData MaterializationNatalie D. Kane, curator of digital design, Victoria and Albert Museum, Londonin conversation with Patrick Keller, professor, ECALKeynote: How Can Type Influence How We Design Written Communication?Bianca Berning, font engineer, Dalton Maag, Londonintroduced by Kai Bernau, professor, ECAL, and co-founder, Atelier Carvalho Bernau, The HagueArtists Residencies for InnovationHugues Vinet, innovation and research director, IRCAM-Centre Pompidou, Parisin conversation with Nicolas Henchoz, director, EPFL+ECAL LabThe Aesthetics of SustainabilityChristian Kaegi, founder, Qwstion, Zurich, and Fabrice Aeberhard, founder, Viu, Zurichin conversation with Thilo Alex Brunner, professor, ECAL, and art director, ON shoes, ZurichKeynote: Humanising Machines: The Impact of Artificial Intelligence on Art and DesignChristian Mio Loclair, art director and founder, Waltz Binaire, Berlinintroduced by Pauline Saglio, head of BA Media & Interaction Design and professor, ECALKeynote: Designing Citizenship in Unstable TimesAla Tannir, co-curator of the 22nd Milan Triennale Broken Nature and independent architect, New Yorkintroduced by Davide Fornari, head of R&D and professor, ECALAudio performance curated by Thibault Walter, professor, ECALThe Invisible Other. Chapter 1. Vibrancy. When the Divinity Manifests. For visual obstructions, time-based media, light and signal refractionsBy Mario de Vega, sound artist, Mexico City/Berlin in partnership with La Becque | Artist Residency, La Tour-de-PeilzThroughout the day, exhibitions in the Kudelski Hall, l elac Gallery and EPFL+ECAL Lab:• 100 beste Plakate 18• ECAL Diplômes 2019• Smartphone Peripheral Companions curated by Alain Bellet• Soft Machines curated by Camille Blin, Christophe Guberan and Skylar Tibbits, in collaboration with the MIT Department of Architecture and its Design Minor/Design Major Program.On the occasion of the symposium, ECAL launched the book Technology and Research in Art and Design edited by Davide Fornari and published by ECAL/University of Art and Design Lausanne.Technology and Research and Art and DesignIn collaboration with EPFL+ECAL LabSupported by HES-SOMedia partner: Creative Applications Network
ECAL Research Day 2019: Technology and Research in Art and Design,08.11.2019,IKEA Auditorium, ECAL ECAL hosts a Research Day – The symposium will explore the links between technology and research, with artists, designers and scholars in these fields from all over the world, in discussion with ECAL faculty members. Technology and Research in Art and Design ECAL hosts a Research Day on Friday 8 November, from 10.30 to 19.30. The symposium will explore the links between technology and research, with artists, designers and scholars in these fields from all over the world, in discussion with ECAL faculty members. Keynote speeches, conversations, exhibitions and concerts mark the overlapping territory of research and technological innovation. Admission is free upon registration through the online RSVP form until 28 October 2019 at www.researchday.ch Due to the limited number of seats in the auditorium, the maximum number of participants is 350. ---- 10:00 – 10:30 Registration 10:30 – 11:00 Welcome Alexis Georgacopoulos Director, ECAL Introductory notes Davide Fornari Head of R&D and Professor, ECAL Moderation Arijana Walcott Emerging technology consultant, Co-founder and COO, DART LABS, Zurich 11:00 – 11:45 Conversation: Data Materialization Natalie D. Kane Curator of digital design, Victoria and Albert Museum, London in conversation with Patrick Keller Professor, ECAL 11:45 – 12:30 Keynote speech: How Can Type Influence How We Design Written Communication? Bianca Berning Font engineer, Dalton Maag, London introduced by Kai Bernau Professor, ECAL, and Co-founder, Atelier Carvalho Bernau, The Hague 12:30 – 13:45 Lunch break (offered by ECAL to the guests) 13:45 – 14:15 Conversation: Artists Residencies for Innovation Hugues Vinet Innovation and research director, IRCAM-Centre Pompidou, Paris in conversation with Nicolas Henchoz Director, EPFL+ECAL Lab 14:15 – 15:15 Conversation: The Aesthetics of Sustainability Christian Kaegi Founder, Qwstion, Zurich Fabrice Aeberhard Founder, Viu, Zurich in conversation with Thilo Alex Brunner Professor, ECAL, and Art director, ON shoes, Zurich 15:15 – 16:15 Keynote speech: Humanising Machines: The Impact of Artificial Intelligence on Art and Design Christian Mio Loclair Art director and Founder, Waltz Binaire, Berlin introduced by Pauline Saglio Head of BA Media & Interaction Design and Professor, ECAL 16:15 – 16:45 Coffee break 16:45 – 17:45 Keynote speech: Designing Citizenship in Unstable Times Ala Tannir Co-curator of the 22nd Milan Triennale Broken Nature and independent architect, New York introduced by Davide Fornari Head of R&D and Professor, ECAL 17:45 – 18:00 Closing remarks, panel discussion Alexis Georgacopoulos Davide Fornari Arijana Walcott 18:00 Cocktail 18:30 Audio performance (Studio Cinema) curated by Thibault Walter Professor, ECAL The Invisible Other. Chapter 1. Vibrancy. When the Divinity Manifests. For visual obstructions, time-based media, light and signal refractions by Mario de Vega Sound artist, Mexico City/Berlin in partnership with La Becque | Artist Residency, La Tour-de-Peilz Throughout the day, exhibitions in the Kudelski Hall, l elac Gallery and EPFL+ECAL Lab: 100 beste Plakate 18 ECAL Diplômes 2019 Smartphone Peripheral Companions curated by Alain Bellet Soft Machines curated by Camille Blin, Christophe Guberan and Skylar Tibbits, in collaboration with the MIT Department of Architecture and its Design Minor/Design Major Program. On the occasion of the symposium, ECAL launches the book Technology and Research in Art and Design edited by Davide Fornari and published by ECAL/University of Art and Design Lausanne. ECAL Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
ECAL at OFFPRINT Paris,07–10.11.2019,Beaux-Arts de Paris, 14 rue Bonaparte 75006 From 7 to 10 November 2019 during Paris Photo, ECAL presents a selection of its books on the occasion of OFFPRINT Paris. ECAL publishes about ten books every year through ECAL Editions or in collaboration with famous publishing houses such as JRP/Ringier, Lars Müller Publishers, Triest Verlag, Novembre Magazine or RVB Books. Beaux-Arts de Paris, 14 rue Bonaparte 75006 Thursday: 17:00 – 21:00 Friday: 13:00 – 21:00 Saturday: 11:00 – 19:00 Sunday: 11:00 – 18:00 http://offprint.org/
ECAL (celebrates Halloween) at the Capitole,31.10.2019,Cinéma Capitole, Lausanne We are pleased to invite you to the screening of the Bachelor 2019 diploma films of the Cinema Department of ECAL on Thursday 31st October 2019 . Free admission! Start of the session at 7 pm XX Virus, Kimyan Fluckiger (Workshop Fantastic directed by Yann Gonzalez), 13 Les enfers, Adèle Beaulieu, 14 30 Still Working, Julietta Korbel, 17 Suze, Korlei Rochat with Alan Dupasquier (Image Specialisation), 18 Alma nel Branco, Agnese Làposi, 25 Entracte (Trick or Treat) Dans ces rues, Léonard Vuilleumier, 24 Sous les écailles, Colombe Rubini, 18 Belle Dune - See You Later, Alligator, Leonard Sinclair with Maxime Beaud (Image Specialisation), 23 La nuit des chauves-souris, Moreno Cabitza, 14 50 On this occasion, launch of the book ECAL Cinéma 2019, retracing a year of Cinema at ECAL. Cinéma Capitole Avenue du Théâtre 6 1002 Lausanne www.lecapitole.ch www.cinematheque.ch www.ecal.ch
Film screening with the Opale foundation,10.10.2019,Cinéma Le Bourg, Sierre Soirée exceptionnelle au Cinéma Le Bourg à Sierre : nous vous invitons à visionner sur grand écran et en présence de leurs réalisateurs les sept courts-métrages actuellement visibles dans l espace Special Focus de la Fondation Opale. Résultats de la carte blanche de la fondation à des étudiants du Master Cinéma ECAL/HEAD, ces films sont des réflexions personnelles, originales et profondes sur le thème de l art aborigène contemporain présenté au cœur du Valais. Entrée libre! Programme: 18:00 → ouverture des portes 18:30 → entrée en salle 18:45 → projection des films 19:30 → Q&A avec les réalisateurs Les films: Les Poissons ne voient pas l eau, Sarah Rathgeb, 7 29 Sept Etoiles, Elisa Gómez Alvarez et Noémie Guibal, 3 40 L Exposition, Nina Defontaine et Paul Choquet, 4 28 Le Temps du Rêve, Santiago Chacon, 4 39 Los Djyouc Aborigènes, Noémie Guibal et Elisa Gómez Alvarez, 6 45 World Dreaming, Nina Defontaine et Paul Choquet, 4 52 L Empreinte des Ancêtres, Lucas del Fresno, 8 57 Cinéma Le Bourg avenue Max Huber 1 www.cinesierre.ch/infos Image: Los Djyouc Aborigènes , Elisa Gómez Alvarez et Noémie Guibal
Exhibition of the Vfg award 2019,10–18.10.2019,Gallery l elac 23e Prix de Jeunes Talents vfg en photographie à la Galerie l elac. Vernissage le jeudi 10 octobre 2019 de 18 h à 20 h. Exposition du 11 au 18 octobre de 13 h à 17 h (fermée samedi et dimanche). Les événements spéciaux seront communiqués via vfg-nwfp.ch et Facebook (page « vfg Nachwuchsförderpreis»). ----- Vernissage: Donnerstag, 10. Oktober 2019, 18 – 20 Uhr. Ausstellung vom 11. bis 18. Oktober jeweils 13 – 17 Uhr (ausser Samstag und Sonntag). Spezielle Veranstaltungen werden ausschliesslich über vfg-nwfp.ch und auf der Facebook-Seite (« vfg Nachwuchsförderpreis ») kommuniziert. Lauréats 2019 / Gewinner 2019: Mikhail Bushkov, Tomasz Fall, Pierre-Emmanuel Fehr, Vlora Imeri, Clément Lambelet, Yann Laubscher, Diego Saldiva, Maxi Schmitz, Florian Spring, Fred Walter Uhlig. Galerie l elac 5, avenue du Temple CH-1020 Renens www.vfg-nwfp.ch www.ecal.ch
ECAL Conferences: David LaChapelle,08.10.2019,IKEA Auditorium, ECAL ECAL Conference: David LaChapelle – Photographer, Los Angeles et Hawaï Conférences ECAL (octobre 2019) A l occasion de l exposition Radiance à la Galerie des Bains à Genève du 11 octobre 2019 au 24 janvier 2020. www.galeriedesbains.ch David LaChapelle, Photographe, Los Angeles et Hawaï http://home.davidlachapelle.com/ Mardi 8 octobre 2019 à 18 h, Auditoire IKEA, ECAL Né en 1963 dans le Connecticut (USA), David LaChapelle est mondialement connu pour ses photographies de mode hautes en couleur et ses mises en scène baroques peuplées de célébrités. Mêlant avec virtuosité histoire de l art et références populaires, street culture et questionnements métaphysiques, il dresse une allégorie saisissante de la culture du XXIe siècle. Il a notamment travaillé pour les magazines les plus prestigieux et réalisé des publicités pour des marques de renom ainsi que de nombreux vidéoclips pour des stars de la musique telles que Jennifer Lopez, Britney Spears, Robbie Williams ou encore Amy Winehouse. Exposé partout dans le monde et sélectionné par le magazine American Photo comme l une des dix personnalités les plus importantes de la photographie, David LaChapelle vit à Hawaï dans une ferme écologique et se consacre depuis 2006 uniquement à sa pratique artistique, reversant une partie de ses gains à la Fondation Sebastião Salgado, qui lutte contre la déforestation en Amazonie. Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
Guardare l utopia – Biennale dell Imagine di Chiasso,06.10–10.11.2019,Casa Corti, Alta Val Intelvi Guardare l utopia – Biennale dell Imagine di Chiasso Vernice sabato 5 ottobre dalle 18:00 Opening on 5 October from 6pm Esposizione dal 6 ottobre all 8 novembre 2019 Tutti i giorni, sempre aperta Piazza dei Colori Via Soave Chiasso, Svizzera Vernice 6 ottobre dalle 12:00 alle 18:00 Opening on 6 October from 12pm to 6pm Esposizione dal 07.10 al 10.11.2019 tutti i giorni, dalle 10h00 alle 18h00 Casa Corti Via Castello 12, Pellio Inferiore 22024 Alta Val Intelvi https://casacorti.org/fr/ Accesso dal piazzale della Chiesa S. Michele, Via Molinarolo (CO), Italia Studenti del Master Photography Emidio Battipaglia Robin Bervini Jasmine Deporta Anja Karolina Furrer Alessia Gunawan Christian Harker Johanna Hullár Philipp Klak Doruk Kumkumoglu Jelly Luise Igor Pjörrt Gedvile Tamosiunaite Curatore Milo Keller Assistenti Florian Amoser Calum Douglas Graphic Design Nicolas Polli biennaleimmagine.ch Visuel Nicolas Polli
Empowerment Summit at ECAL,03.10.2019,IKEA Auditorium, ECAL Empowerment Summit à l ECAL – Business risks & opportunity in a data-driven economy Empowerment Summit à l ECAL – Business risks & opportunity in a data-driven economy 3 October 2019 – 09:00–18:00 Auditorium IKEA, ECAL, Renens Register and programme: www.empowerment.foundation/empowerment-summit-2019 Welcome to the Empowerment Summit 2019. If you are here, you already understood how much the data-economy is game-changing. Today is a good day to take the next step. Thanks to our world-renowned experts you ll get your head around all the necessary notions to take full advantage of the opportunities offered by artificial intelligence while avoiding its traps. Generate revenue using data, respect privacy, avoid scandals… and gain competitive advantage. Enjoy this inspiring day! ECAL 5, avenue du Temple CH-1020 Renens Visual: ECAL/Amaury Hamon
ECAL Conferences: Camille Henrot,18.09.2019,IKEA Auditorium, ECAL ECAL Conferenc: Camille Henrot, – Artist, New York Conférences ECAL (septembre 2019) Dans le cadre du Master Arts Visuels de l ECAL. Camille Henrot, Plasticienne, New York www.camillehenrot.fr Mercredi 18 septembre à 18 h, Auditoire IKEA, ECAL Née en 1978, Camille Henrot vit et travaille à New York. L artiste française développe une pratique variée qui mêle film, dessin, sculpture et installation. En puisant ses inspirations et ses sujets dans la vie quotidienne et dans la littérature, la mythologie, le cinéma et l anthropologie, l oeuvre de Camille Henrot reconsidère avec acuité les typologies d objets et les systèmes de pensées établis. En 2013, dans le cadre de la Smithsonian résidence à Washington DC, elle réalise le film Grosse Fatigue, avec lequel elle remporte le Lion d argent à la Biennale de Venise. Lauréate du Prix Nam June Paik 2014 et du Edvard Munch Art Award 2015, Camille Henrot a également participé aux Biennales de Lyon, Berlin et Sydney et a bénéficié d expositions personnelles dans des lieux prestigieux tels que le Schinkel Pavillon à Berlin, la Kunsthalle de Vienne, le New Museum à New York ou encore au Palais de Tokyo à Paris pour une carte blanche en 2017. Ses prochaines expositions majeures auront lieu à Tokyo Opera City Art Gallery (2019) et à la National Gallery of Victoria de Melbourne (2020). Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch